C L U D GUITAR BOOK 1 – Teacher Preview I N ES ESSENTIAL
INAUCLUDESDDIO CCD not included inTeacher PreviewGUITAR BOOK 1 – Teacher PreviewESSENTIALELEMENTSFOR GUITARCOMPREHENSIVE GUITAR METHODWILL SCHMIDBOB MORRISEssential Elements for GuitarBook/CD – HL00862639/ 17.95Please see your favorite music retailer topurchase the complete book/CD package.
5PLAYING CHORDSStudy the photos and diagrams below to begin playing chords. Depress the string indicated with the tip of your 1st finger. Arch yourfinger to avoid touching strings that are to be played open. With your right hand holding the pick over the soundhole, strum acrossstrings 3 through 1 in a downward motion. Or you may strum the strings with your thumb. The full versions of the C and G7 chords canbe found on pages 23 and 25, respectively.xCxxoo1ChordxxxoG7o1ChordSTRUM BUILDER 1When the chords are used as accompaniment to singing, they must be strummed with a steady, even stroke. Practice the followingexercises by strumming once for each slash mark ( ’ ), and changing chords when indicated above the slashes. Repeat the patternsseveral times while focusing on playing clear and evenly spaced chords.1. A PERFECT PAIRC’ ’ ’ ’ ’ ’ ’ ’G7’ ’ ’ ’ ’ ’ ’ ’2. ROLLING ALONGCG7CG7C’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’2
7PLAYING CHORDSNow let’s try strumming and singing your first two songs.TRACK 2When playing along with the CD, listen for the clicks at the start of each song to help you feel the beat.4. HE’S GOT THE WHOLE WORLD IN HIS HANDSC’Time Signature44 œj œHeʼsgotG7œ thewhole’wholeworldjœ œjœ œinhands,His’jœ œ.continue strummingworldjœ œjœ œinhands,jœ œ. ’Hisjœ œjœ œinhands,HisAfrican-AmericanœœœHeʼsgottheCjœ œ.œœœ orldCjœ œ.inDouble Barjœ Hishands.Copyright 2005 by HAL LEONARD CORPORATIONInternational Copyright Secured All Rights Reserved.THEORY.Repeat SignWithout stopping, play once again from the previous repeat sign.TRACK 35. WATER COME A ME EYEC’44œ’’jœ œ œ œEv - ʼryœtimeœ œ œEv - ʼryI’Trinidadjœ œœœœIthinkœjœœ œœjœœ œœ œœ œœLi - za,wa - tercomeœre - mem - bertimeG7continue strummingG7œœjœœ œœ œœ œœLi - za,wa - tercomeaŒ .mejœœ œœœofaCeye.CDouble BarŒ .meeye.Repeat Sign.CG7œœComebackœœœ jœœ œœcomebackgal,wa - terœLi - za,G7œœComebackœœLi - za,jœœ œœ œœ œœcomeaœœ jœœ œœcomebackgal,wa - tercomemeŒ .mejœœ œœ œœ œœaCeye.C .Repeat SignŒ.eye.Copyright 2005 by HAL LEONARD CORPORATIONInternational Copyright Secured All Rights Reserved3
9NOTES ON THE FIRST STRINGNow let’s play some single notes. Follow the same right- and left-hand position guidelines as you did with chords. Here you will pick onlyone string at a time.Treble ClefEw&openE open1Fw&1st fret1st fingerFwG&3rd fret3rd finger DownstrokeThis sign tells you to strike the string or strings with a downward motion of the pick or thumb.10. WHOLE NOTES4 w &410Count 123411. HALF NOTES4 &41 234w 3w Hold down 1st finger12341 112. QUARTER NOTES4G3 234w 2341 123w 23 44 1231234234w414 œ &4œ œ œ œœœœœœœœœœ 1234123412341234
10NOTES ON THE FIRST STRINGAt first practice the exercises slowly and steadily. When you can play them well at a slow speed, gradually increase the tempo, or speed.13. BACK AND FORTH4 œ &4œ œ œ 1234œœœœœœ14. SINGLE STRING THING Touch only the tips of your fingers on the strings.4œ&4œœœœœœœœœ15. TECHNIQUE TRAX Keep your left-hand fingers arched over the strings.œœ4œ&4œ œœ œœwœœwœœ When you can play the melody successfully on the following tune, try adding the chords with a friend.16. LINE TO œœœwœœwTRACK 417. SPANISH THEME Spanish flamenco guitarists play this theme for dancing.E & 44EHISTORY&œFœ FœGœFœGœœEœFœEœGœ FœFœ EœFœGœGœœFœœEwFlamenco is a style of Spanish music that blends song, guitar, and dance. It is believed that this music was brought to Spainhundreds of years ago by migrating Gypsies. Flamenco guitar players often use the fingerstyle technique, which involvesthe use of the right-hand thumb and fingers to pick the strings. The fingernails are grown long and used as natural “picks,”as opposed to the common plastic picks favored by many guitarists.5
12HISTORYPLAYING CHORDSHank Williams (1923–1953) was one of country music’s best songwriters. “Jambalaya (On the Bayou),“ set in a LouisianaCajun style, is a lively two-chord song. A bayou is a term for a Louisiana swamp, where a pirogue, or canoe, is used to findcrawfish, an ingredient in the delicious jambalaya recipe.Try strumming the chords to this song without the slashes. Just follow the chord symbols as the song progresses. Use the same strumpattern as before. Remember there are four beats in each measure.TRACK 620. JAMBALAYA (ON THE BAYOU)G#4& 4. œœ1. Good- bye,#got - tameFon - tain -gocomeœ œohmethe place isgo,eaux,œœjœ œ .œ œ œ.pole thepi - rogue downto see Y - vonneby# . one,wild,#œœ .memeohohmymyoh.oh.œ . .œ -œʼCauseœ œ.jœgun,gun,weʼll haveweʼll havebigbigfunfunononthetheto-la - ya andœa craw - fishœœœ.nightIʼmgon-jœ œœ.pieœand fil - letjœ œj œjœ œœnama cherasee my-D7 .œ mi - o, jœ œœ œ œ œ œJam - bagum - bo.#G& œœaathe sweet - estand go hogœ. bay - ou.bay - ou.D7& œ#Son ofSon ofjœ œ œœ.Y - vonne,instyleMyDressœ œ œ Gœ#œœ œMe got - taKin - folkœ œbay - ou.doz - en.thetheœ oh.mybuzz - inʼ.D7& &œHank WilliamsG& &œ œ œJoe,daux,(2.)D7pickœ œ œSon ofaœ.gun,œ gui - tar,jœ œ œweʼll havebigœœfillfruit jarGœœandbe œ.jœ œ .funontheœ .gay - o.(œ œ) bay - ou.(2. Thi - bo) -Copyright 1952 Sony/ATV Songs LLC and Hiriam Music in the U.S.A.Copyright RenewedAll Rights on behalf of Hiriam Music Administered by Rightsong Music Inc.All Rights outside the U.S.A. Controlled by Sony/ATV Songs LLCAll Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203International Copyright Secured All Rights Reserved21. ESSENTIAL ELEMENTS QUIZ Play the chord exercise below for your teacher. Strum once for each slash andchange chords when indicated.E6GD7GD7GD7G& 44 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
16HISTORYPLAYING CHORDSRobert Johnson (1889–1938) was the best known of the country blues guitarists from the Mississippi Delta. His popularitywas on the rise around the same time that Woody Guthrie was traveling the country and singing his own songs. Johnson’ssignature tune,“Crossroad Blues,” has been played by many guitarists, including Eric Clapton.TRACK 731. SWEET HOME CHICAGOGC#4 j& 4 œ œ œ .Come#‰ bœ œ bœ œ œ œJon,ba-by don’t- cha wan - naÓÓ‰ bœJœ bœ œ œ œ-go?& nœÓoldG3# .& nœ œ œ œ œ œŒ1. One and one is two,2. Six and three are nine,Back to thatœ bœ œwChi - ca - go?3nœ œ œ œ œ œ‰ n œj œŒsix and two are eight,nine and nine eight - een,make mesee what I& ÓŒlate!mean. .‰ bœ œ bœ œ œ œJHey,Œœ œ œ nœ œ #œ œBack to thatsame old place,ba - by don’t-chaba - by can’t- chaGD7‰œ œ œ œcome oncome onCœ œ œœ œ œ œ œ œsweet homeplace,‰GŒŒÓgo?Cœ #œ œsame& nœœ œCome on,œ œ by don’t-cha wan - naD7#ŒGba#Robert Johnsonœ œ C& .#Gba-œ œ by don’t - cha wan - naCŒÓgo?Gœ œ œsweet home œ bœ œ.wChi - ca - go?Copyright (1978), 1990, 1991 Lehsem II, LLC and Claud L. JohnsonAdministered by Music & Media International, Inc.International Copyright Secured All Rights Reserved7
28PERFORMANCE SPOTLIGHTRestsJust as there are notes of different values that tell us to play for a certain amount of time, thereare rests of the same values that tell us not to play for a certain amount of time.Quarter RestÔŒ 1 Beat of Silence 1 Silent BeatTHEORY1Half Rest 2 Beats of Silence&ÓÓ 2 Silent Beats Œ Œ1 & 2 &Whole Rest A Whole Measure of SilenceA Whole Measure of Silent Beats1 & 2 & 3 & 4 &Whole RestHalf Rest ÓHangs froma staff line.Sits on astaff line.This next song features all of the notes you have learned so far from strings 1, 2, and 3. The song splits into a duet on the next page. Besure to observe the rests and count through them so you can keep your place in the song.TRACK 2049. CAN YOU FEEL THE LOVE TONIGHT (from Walt Disney Pictures’ The Lion King)VerseElton John & Tim RiceF4&4 �ÊtheF&œAn&œItʼs-ren -œœe - noughœœœdertotherushofDm œworldCœœœœcanbeturnedaFœ .mo - ment,œœœroll - ingAmœ .Cen - chant - edFFœœœœCœforÊÊthis rest - lessœœœœanditseesmeBbœœwar - riorœœœœjusttobewithCwday.Gw-way.Cwthrough.G .you.œAnd 1994 Wonderland Music Company, Inc.All Rights Reserved Used by Permission8
29ChorusGtr. 1C .4&4canGtr. 2& 44 .FGtr. 1& whereGtr. 2& FGtr. 1&œGœfeeltheloveœ .G weare? w&œCGtr. 1Gtr. 2 .œcanyouœ&& œ .GGGtr. 1&w Cthatwe feelthelove .&wFGtr. 1&œvag - a - bondsGtr. 2&œœœœœ be - lieveœ wÓCAmforthisœ œwFCwÓItʼse - noughœœCFthever .- F D7How itʼslaidtoœ œ œ œœœtomakeœ œ .œ œ œ œAm œeyedAndÓw- œwidewfar.œœGthisisœ œ œ œœ œ œœItCÓDmœD7œÓwœFFwÓto - night?rest?Gtr. 2œ œ .we - noughÓgotAmC œ œ œItʼsDmFto - night?Ów œFwwwan - der - erGtr. 2 .youD7œAm œœwybest.œwœœkingsœ œandœœœCww9
30PLAYING CHORDSSTRUM BUILDER 5SyncopationAn off-beat rhythm, or the accenting of notes that fall on the “&” between counts.Syncopated StrumPractice the syncopated strum patterns below as a variation on the down-up stroke.Tips Establish the down-up stroke pattern until you can do it without thinking. Continue this down-up action throughout the syncopated strum patterns, but “miss” the stringswhere you see the word “miss.” Be sure to keep your arm moving just like the basic down-up strum. This will result in the desired rhythms and will allow you to easily shift back and forth from one strum pattern to another.Strum Û Û Û Û Û Û Û Û Count1Strum Û Û Û Û MissÛ Û Û Û Count1Basic Down-Up Strum2&3&4&&Syncopated Strum 12&(3)&4&&let ringStrum ÛMissCount1(&) Û Û MissÛ Û Û Û Syncopated Strum 22(3)&let ring4&&let ringTry out the new strum patterns with the songs “Water Come A Me Eye” (page 7),“Pay Me My Money Down” (page 11), and “Jambalaya”(page 12), then practice them in the exercises below.50. SYNCO DE MAYOG D71&2(3)& G4&1&2&Miss(3)& D7 4 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û MissÛÛÛÛ&4Miss4&1&&2&Miss(3) &4&1&2&(3)&4&Now practice syncopated strums with the chords from “Duke of Earl.”51. DUKE OF STRUMSG Em Miss 4& 4 . Û Û Û Û Û Û Û Û ÛHISTORY110&2&Miss(3)&4&1Miss CD7Û Û Û Û Û Û .ÛÛ ÛÛÛÛ ÛÛÛÛ ÛÛÛÛ Û(&)2&(3)&4&1&2&(3)&4&1(&)2&(3)&4The syncopated strums so vital to popular music today are a result of the unique blend of African rhythms and Europeanand Latin American musical elements.&
42PLAYING CHORDSœœAlertThe next song includes 1st and 2nd endings. See page 36 if you need to refresh your memory.TRACK 3372. SURFIN’ U.S.A. Strum and sing this famous Beach Boys song.N.C.# 4& #4Œœ œ œ œ œA7Ev - ’ry - bod - y’s gonesurfœ.œ J-surf - in’ U.in’,A7&##ev - ’ry - bod - yDhadœ nœwœœceanœœThen ev - ’ry - bod - y’dWe’re wax - in’down&##œlikeweG# .& #œ&--gies,mer,œ nœ œ œ œ œ œAœœ.beoursurfsurfbush - y, bush - y blondeTell the teach - er we’reœœjœ œ.hairsurf-œJjœœhuar - a - chisan - dalswe’re onsa - fa - ri toA7-A.soon.jœ in’boardsYou’d see them wear - in’We’ll allbe gone forœjœœ œ œ œ œ œ œa.June.œA.A7Djœ bagsum##Cal - i - for - nican’twait forS.a - cross the U. S.we’re gon - na take realjœ wnœ œ œ œ œJœ wJnœ œ œ œ œœJjœ o(2.) routeanœ œ œ œJœ# # œ N.C.n œ œ œ œ œ œ œ . œ .&1. IfChuck BerryDdo,in’,œtheirtheDwtoo.stay.œ œ œj œsurf - in’surf - in’U.U.S.S.jœA.A.Copyright 1958, 1963 (Renewed) by Arc Music Corporation (BMI) and Isalee Music Inc. (BMI)International Copyright Secured All Rights ReservedUsed by Permission11
56FINGER PICKINGArpeggioAn arpeggio is a “broken” chord whose notes are played individually and in succession instead of allat the same time.Finger PickingA very popular style of guitar accompaniment which uses arpeggios instead of strummed chords.The distinctive sound of finger picking comes from the right-hand thumb and fingers pluckingonly one string each in succession.The Right HandThe right-hand thumb and fingers are given letters based on the internationally accepted system of Spanish words and letters:p pulgar thumbim indice index fingeriam medio middle fingera anular ring fingerpRight-Hand Technique The thumb (p) plucks strings 4, 5, or 6 depending upon which string has the bass note of the chord. This motion is a downwardstroke. Use the left side of the thumb and thumbnail. The other fingers (i, m, a) pluck the string in an upward stroke with the fleshy tip of the finger and fingernail. The index finger (i) plucks string 3. The middle finger (m) plucks string 2. The ring finger (a) plucks string 1. The thumb and each finger must pluck only one string per stroke and not brush over several strings (this would be a strum).Let the strings ring throughout the duration of the chord.Right-Hand Position12 Use a high wrist and position your thumb and fingers over theirrespective strings. Arch your palm as if you were holding a ping-pong ball.Keep your thumb and fingers relaxed and ready to play.Let the fingers do the work rather than lifting your whole hand.
59NEW NOTESBelow are three different F # notes on the fretboard to learn and play. Just move up one fret (or half step) from any of the regular F notesthat you already know.99. THE F-SHARPS Practice each of these finger exercises many times.3 F# sF#2œ4 œ #œ&42œ Sharp alsoœ œ #œœ420Sharp also& œ #œ4œœœœ #œœNow play both parts of “Danny Boy” which use all of the new notes. Play as a duet with your friend or teacher. Also you can play the chordprogression as a third part.TRACK 46Weatherly/Traditional Irish100. DANNY BOYGtr. 1& 44 # œ œ œGtr. 2& 44 œ œ # œGtr. 1&œ œ œ œOh, Dan - nydown the moun-tainGtr. 2Gtr. 1#œ D7callThe sum-mer sgone,side.ing,andall the ros - es œ œ œ #œ . #œ bide.But come ye back30& inshad - ow.œ œ œ œ and .œ œ œfall - ing.œ œ œœ #œ œ œIt’s you, it’sœwhen sum-mer’s in theœ œ œ .ley’s hushed and white withœ œ œ . œ&œCœ œ œ œ Gœœ &glen,œ œ #œD7œœ œ œ œ œ wœD7EmCGA7œ #œ . #œ #œ œ œ œœw&œ-œGCGœ #œ . #œ #œ œ œ œ œ œœœ Gvalœfrom glen toCœœœ œ œ œ œœ #œ œ œ .w-Gœ .œœœœ œ G& .sun-shine orGtr. 2 .must go and I must1Gtr. 1the pipes, the pipes areœ œ œ œ œ wor when theGtr. 2boy,D7& .youGtr. 2Cœœœœœœ œ .& œ œ œ œ #wGGtr. 1GEmœ œ œ œ œ œ GD7 . œœœœœ3snow.œ œ œ œ mead - ow,Tis I’ll be G#œCœ œ œD73there .Gœ œ œ œœ #œ œ œ œœ œ #œ wOh, Dan - nyboy, oh Dan - nyboy, I love youœ œ œœ œ œ #œ œ in#œœso!wœCopyright 2005 by HAL LEONARD CORPORATIONInternational Copyright Secured All Rights Reserved13
74PERFORMANCE SPOTLIGHTTHEORYEighth Rest‰‰ 1/2 Beat of SilenceŒ 1/2 Silent Beat‰‰ &At the D.S. al Fine play again from the sign % , stopping at Fine (“end”). This is just like theD.C. al Fine you have learned, except you go to the sign instead of the beginning of the song.D.S. al FinePlay this next song by The Police which contains several elements that you have recently learned, including eighth rests. Try pickingthe melody as well as singing, strumming, and finger picking.TRACK 58120. EVERY BREATH YOU TAKEStingChorus#4& 4Œ#Œ&Gœ œ œœ œ Ev - ʼry breathyouÓCœ œ œœev - ʼry bondyouœ œ œœ œ œ œ Œev - ʼry moveyouŒtakeEmmake,Dœœ œ œœœbreak,ev - ʼry stepyoutake,ÓEmœ œ œ œ œIʼll be watch-ing you.Verse# %Œ&œ œ œ1.2.#& ŒG .œ œEv - ʼry sin - gleEv - ʼry moveyouœ œ œev - ʼry gameev - ʼry smileŒday,make,CœyouyouŒplay,fake,œ œ œœ œev - ʼry wordev - ʼry vowyouyou ev - ʼry nightev - ʼry claimÓsay,break,Dœ œ œœEmGœœ œ œœyouyoustay,stake,œ œ Iʼll be watch - ingIʼll be watch - ingFineÓyou.you.Bridge#& ŒœOh,#& Œœcanʼtœ œ œHow my poor14œ œyouœ œheartC .Œœ œ œŒseeA7œ œ .achesyou be - longEighth Restœ œ œ‰ œJwith ev - ʼry stepGœto me.D7œ œ .youÓtake.D.S. al FineŒ 1983 G.M. SUMNERAdministered by EMI MUSIC PUBLISHING LIMITEDAll Rights Reserved International Copyright Secured Used by Permission
75FINGER PICKINGThis next song is well-known for its finger-picked guitar accompaniment. Play the melody first, and then try finger picking the chords andsinging. Experiment with different finger-picking sequences.TRACK 59121. DUST IN THE WINDKerry Livgrenœ œ œ œ œ œ œ œ œ œVerseCGAmG1. Iclosemyeyeson - ly& 44 œw GAmGAllmydreamsw foraAmmo-ment, and theDmChorusAmpass be - fore my eyes a .mo-ment’s gone.œ œ œ œ œ œ œ œ œ œ .C& DmD Œcu - ri - os - i - ty.GDustœ œin theVerseAmDGœ œ œ œ œ&wwind,all they areGDmisdustinAm& œ œ œ œ œ œ œ œ œ œ .just a drop of wa -ter in anAmœ œend-less sea.CGAm woldsong,wwind.the2. SameCGAm wAllwedoGDmœ œ œ œ œœ œ œcrum -bles to the ground though we re -ChorusAmDGŒ& œ œ .fuse to see.D œ œwDustin thewind,VerseCAmGAmœ œ œ œ œœ œ wall we arein theis dustœ œ œ œ Dœm œ œ œwind.GAmwG3. Don’thangon,noth - ing lasts for - ev - erCGAmGœ œ œ œ Dœm œ œ œAmslipsaway All your mon - ey won’t an - oth - ermin - ute buy. & w & -buttheAmœ œ œearth and sky.Itœ œ .ChorusD&Œ GDustD&Œ Dustœ œintheGœ œintheAmœ œ œ œ œGœ œAmwind,alldustinwind.AmDwwwind,DweareisGœ œ œ œ œev - ’ry - thingtheisdustwAmœ œinthe .wind. 1977, 1978 EMI BLACKWOOD MUSIC INC. and DON KIRSHNER MUSICAll Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission15
78PLAYING CHORDS12-Bar BluesThe most typical blues is twelve measures, or bars, long.Many 12-bar blues songs follow the chord progression in the next exercise. Use the power chord shuffle you have just learned.TRACK 61124. BLUES IN AA54&4TAB. œœ œœ # œœ œœ œœ œœ œœ œœ œœ œœ # œœ œœ œœ œœ œœ œœ œœ œœ # œœ œœ œœ œœ œœ œœ œœ œœ # œœ œœ œœ œœ œœ 040402020404020204040A5& œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ œ # œ œ œ œ œ œ œ œ # œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ A5404020204040201.2040402.œ œ œ œ œ œ œ œ œ œ # œ œ œ œ œ œ œ œ # œ œ œ œ œ œ . w& #œ œœœ œœ œ œ œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 202040402020404020TRACK 62125. C.C. RIDER Play this 12-bar blues song with the power chord shuffle from the previous exercise and sing along;# # # 4 . A .& 4 .1. C.2. Tell&### nœthen try it with regular chords.œœ œ .C.merid - er,rid - er,Aœ œ œ œ wœœsee whatiswhatœyouonA7œ nœ whave done.your mind.EDTraditionalDœ œ n œJ œ .C.meC.TellAÓ Œ œ œ œ œ œ . nœ œ œ œ œ wJsee what you have done.what is on your mind.You made me love you,Oh, tell me why yourid - er,rid - er, .now your friend has come.treat me so un- kind.Copyright 2005 by HAL LEONARD CORPORATIONInternational Copyright Secured All Rights ReservedE 84088-AIDFAc126. ESSENTIAL CREATIVITYNow go back and play the blues song “Sweet Home Chicago” (page 16) with a shuffle feel. Notice the similarities between this tune and theother blues tunes you have just learned. Many forms of American popular music are somehow related to the blues. Make a list of as manysongs as you can think of that have this “blues sound” and discuss them with the class.FOR PROMOTIONAL USE ONLY90003759
COMPREHENSIVE GUITAR METHOD WILL SCHMID BOB MORRIS CD not included in Teacher Preview Essential Elements for Guitar Book/CD – HL00862639/ 17.95 Please see your favorite music retailer to purchase the complete book/CD package. 2 5 PLAYING CHORDS Study the photos and diagrams below to begin playing chords. Depress the string indicated with the .
68 fingerstyle guitar 79 funk guitar 125 gig guides 99 guitar bible series 106 guitar chord songbooks 101 guitar ensemble series 109 guitar one presents 96 guitar play-along 91 guitar school 110 guitar series index 14 guitar starter kits 95 guitar songbooks series 102 guitar tab white pages 28 guitar technique &a
219 CLASSICAL GUITAR HAL LEONARD 2009-2010 CLASSICAL MUSIC CATALOG 220 Guitar Instruction 222 Solo Guitar Literature by Composer 238 Solo Guitar Collections 240 Guitar Duos 242 Guitar Ensembles 243 Guitar with Various Instruments 247 Voice and Guitar 247 Mandolin 248 Dulcimer 248 Lute 76164 6 Classical_Guitar: 6/18/09 4:02 PM Page 219
level of the GR-20 sounds and your guitar sound from the GK-3 and the guitar itself, whether you’re using only GR-20 sounds, the guitar sound alone, or both together. To adjust: the GR-20 sound level at the guitar—turn the large dial on the GK-3. the clean guitar level at the guitar—use the guitar’s own volume controls.
The main types of modern acoustic guitar are the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. Vibration is the root of the tone of the guitar strings, which is amplified by the body of the guitar that serves a
Learn Guitar Scales In 8 Easy Steps Learn guitar scales in 8 easy steps with this free National Guitar Academy guide. (If you enjoy this article you should check out our Master Guide: How To Play Lead Guitar.) In this free guitar lesson we [ll cover 8 steps Guitar scales decoded: A simple explanation, at last! Step 1: Understand the basics
Basics of Bass Guitar Playing 5 Amazing Bass Guitar Lessons: Teach Myself Bass Guitar Learn how to play with step-by-step bass guitar lessons supported by video and audio files. Teach Myself Bass Guitar takes you on a journey from beginner to advanced levels in your bass guitar playing.
The guitar is a type of chordophone, traditionally constructed from wood and strung with gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar.
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