Charlie Brown Auditions - THE LION PLAYERS THEATRE

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Audition information for the Children’s Show (You’re A Good Man Charlie Brown)You can also watch the show on Youtube but keep in mind it is a musical and wewill not be doing the music in the show – it will be a nonmusical adapted by Mr.Doggett.On the next few pages you will find short monologues and scenes – you willperform one monologue and one scene for your audition. These should be memorized.You will be able to cold read for another monologue or scene as time permits.Audition information for Shivaree will also be August 15. More information willbe coming for that soon. Best thing to do is read the play which is located onthe LPTC website.

ACTING MONOLOGUE – YOU CAN READ THIS SCENE DURING YOUR AUDITION BUT IFIT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUST READING IT.LUCY:Now Linus, I want you to take a good look at Charlie Brown'sface. Would you please hold still a minute Charlie Brown. I wantLinus to study your face. Now, this is what you call a failureface, Linus. Notice how it has failure written all over it.Study it carefully. You rarely see such a good example. Noticethe deep lines, the dull vacant look in his eyes -- yes I wouldsay this is the finest example of a failure face you're liableto see in a long while.

ACTING MONOLOGUE – YOU CAN READ THIS SCENE DURING YOUR AUDITION BUT IFIT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUST READING IT.CHARLIE BROWN: (sitting on the bench)I think lunchtime is about the worst time of the day for me.Always having to sit here alone. There's that cute little redheaded girl eatingher lunch over there. I wonder what she'd do if I went over andasked her if I could sit and have lunch with her. She'd probablylaugh right in my face. It's hard on a face when it gets laughedin. There's an empty place next to her on the bench. There's noreason why I couldn't just go over and sit there. I could dothat right now. All I have to do is stand up. (He stands up.)I'm standing up. (He sits down) I'm sitting down. I'm so much of a coward sheprobably wouldn't even think of looking at me. In fact, I can't remember herever looking at me. Why shouldn't she look at me?Is there any reason in the world why she shouldn't look at me?Is she so great and I'm so small that she can't spare one littlemoment. (He stops) She's looking at me. She's looking at me.(He panics and puts his lunch bag on his head.)

ACTING SCENE WITH ONE MALE AND ONE FEMALE – YOU CAN READ THIS SCENE DURINGYOUR AUDITION BUT IF IT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUSTREADING IT.LUCY:I intend to be a queen When I grow up. I'm going to be the biggestqueen there ever was.LINUS:Lucy, I believe queen is an inherited title. Yes, I am quitesure a person can only be queen by being born into a royalfamily, sorry Lucy.LUCY:And in the summer time, I will go to my summer palace and I willwear my crown in and (She pauses) WHAT DO YOU MEAN I CAN'T BE A QUEEN!!!!!!LINUS:It's true.LUCY:There must be a loop hole. Nobody should be kept from being a queen if shewants to be one. It's undemocratic.LINUS:Good grief! I think I'll watch television.LUCY:I know what I'll do. If I can't be a queen, then I'll be veryRich and I will buy myself a queendom.LINUS:GOOD GRIEF!LUCY:I'll kick out the old queen and take over the whole operation myself. I will behead queen. And then all the people. (she glances at the tv, becomes engrossedand sits on the couch)LINUS: What’s the matter Lucy?LUCY: Huh?LINUS: What happened to your queendom?LUCY: Oh that, I’ve given it up. Now Switch channels!LINUS:I'm not one of your royal subjects. What makes you think you can just take over?LUCY:These five fingers. Individually they are nothing but when Icurl them together into a single unit they become a fightingforce terrible to behold.LINUS:Yes, your majesty.Why can't you guys get organized like that?!?!

ACTING MONOLOGUE – YOU CAN READ THIS SCENE DURING YOUR AUDITION BUT IFIT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUST READING IT.SALLY:A "C". a "C". I got a "C" on my coat hanger sculpture. Howcould anyone get a "C" in coat hanger sculpture? May I ask aquestion? Was I being judged on the piece of sculpture itself?Was I being judged on my talent? If so, is it right that I bejudged on a part of life over which I have no control? If I wasjudged on my effort then I was judged unfairly for I tried ashard as I could. Was I being judged on what I have learned aboutthis project? If so, were then not you, my teacher, also beingjudged on your ability to transmit your knowledge to me? Are youwilling to share my "C"?

ACTING MONOLOGUE – YOU CAN READ THIS SCENE DURING YOUR AUDITION BUT IFIT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUST READING IT.SNOOPY:Here's the World War One flying ace high over France in hisairplane, searching for the infamous Red Baron. I mustbring him down. Suddenly anti-aircraft fire, begins to burst beneath myplane. The Red Baron has spotted me. Nah, nah, nah, nah, nah, you can'thit me! Actually,tough flying aces never say "nah nah". I was just.drat this fog. It's bad enough to have to fight the Red Baron then to haveto fly in weather like this. Alright Red Baron! Where are you?You can't hide from me forever, Ah,the sun has broken through, but what's that? It's atriplane. Ha, I've got you this time, Red Baron. (He makemachine gun noises: h! He's diving down out of the sun. He's tricked meagain. I've got to run. I can't shake him. He'sriddling my plane with bullets. Curse you red Baron! Curse youand your kind. Someday, someday I'll get you Red Baron.

ACTING SCENE WITH ONE MALE AND ONE FEMALE – YOU CAN READ THIS SCENE DURINGYOUR AUDITION BUT IF IT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUSTREADING IT.SCHROEDER:I'm sorry to have to say it but You're a very crabby person. I know yourcrabbiness has probably become so natural to you that you're not evenaware when you're being crabby, but it's true. You're crabby to just abouteveryone you meet. Now I hope you don't mind my saying this but I thinkyou should be open to any opportunity to learn more aboutyouself. I think Socrates was very right when he said that oneof the first rules for anyone in life is "Know thyself." Well, Iguess I've said about enough. I hope I haven't offended you oranything.LUCY:Well, what's Socrates got to do with it anyway, huh? Who was SHEanyway? Did she ever get to be queen, huh! Tell me that, did sheever get to be queen! DID SHE? Who WASSocrates, anyway? "Know thyself," W H A T E V E R!

ACTING MONOLOGUE – YOU CAN READ THIS SCENE DURING YOUR AUDITION BUT IFIT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUST READING IT.CHARLIE BROWN:I'd give anything if that little red haired girl sent me avalentine. Maybe she did send me one. maybe she sent me avalentine and it's in our mailbox right now. I'm afraid tolook. If I look and there's nothing there I'll be crushed.but, if she did send me a valentine. I've got to look! (Hesticks his head in the mailbox.) HELLOOOOOOOO (It echoes.)Nothing echoes like an empty mailbox.I can't stand it. I sent a valentine to everyone I knowthis Valentine's Day, and did I get any in return? No, not one.I did not get one single valentine. Everybody gets valentinesbut me. Nobody likes me. I get about as many valentines as adog.ACTING SCENE WITH ONE MALE AND ONE FEMALE – YOU CAN READ THIS SCENE DURINGYOUR AUDITION BUT IF IT’S MEMORIZED IT WILL HELP YOU MUCH MORE THAN JUSTREADING IT.CHARLIE BROWN:I'M NOT VERY HANDSOME, OR CLEVER, OR LUCID.I'VE ALWAYS BEEN STUPID AT SPELLING AND NUMBERS.I'VE NEVER BEEN MUCH PLAYING FOOTBALL OR BASEBALL,OR STICKBALL OR CHECKERS OR MARBLES OR PING PONG. . .OH, HOW COULD THERE POSSIBLY BEANYONE AS BLAH AS ME?LUCY:Well, that's okay for a starter.CHARLIE BROWN:A starter?LUCY:Well, sure you really have to dig deep Charlie Brown!YOU'RE STUPID, SELF-CENTERED AND MOODY.

CHARLIE BROWN:I'M MOODY.LUCY:YOU'RE TERRIBLY DULL TO BE WITH.CHARLIE BROWN:YES, I AM. . .AND NOBODY LIKES ME. . .LUCY:Wait!! THERE IS REASON FOR HOPE.CHARLIE BROWN:THERE'S HOPE?LUCY:YOU HAVE THE DISTINCTION TO BENO ONE ELSE BUT THE SINGULAR, REMARKABLE,UNIQUE CHARLIE BROWN. . .CHARLIE BROWN:I'M ME!LUCY:YES. . .YOU'RE YOU.CHARLIE BROWN:Gosh, Lucy, you know something, I'm beginning to feel betteralready. You're a true friend, Lucy, a true friend.LUCY:That'll be five cents, please.

ACTING SCENE for 4, ONE MALE AND ONE FEMALE and 2 male or female – YOU CANREAD THIS SCENE DURING YOUR AUDITION BUT IF IT’S MEMORIZED IT WILL HELPYOU MUCH MORE THAN JUST READING IT.LINUS: You give me back my blanket.LUCY: No! I've got it and I'm going to keep it. This is just the start you needto help you break this disgusting habit.LINUS: Apparently you haven't read the latest scientific reports. A blanket is asimportant to a child as a hobby is to an adult.LUCY: Really?LINUS: Certainly. And this is good, for it helps these men to cope with theireveryday problems. Now, I feel that it is going to be absolutely necessary for meto get my blanket back, so I'm just going to have to give it a good YANK! It'ssurprising what you can accomplish with a little smooth talking and some fastaction.LINUS: Got ya back again. MMM. Delightful. MMMMMMMMMMMMMM. . Sucking yourthumb without a blanket is like eating a cone without ice cream. MMMMMMMMMMMMMM. . (he dances)LUCY: Look at my little baby brother Linus, and his little baby blanket.FRIEND 1: There's your baby brother with his silly little blanket.FRIEND 2: Well, you know how babies are with their blanket.LINUS: I am count dracula from transylvania!!! (they scream and run away)I guess I could try to go without it, I'LL JUST WALK AWAY AND LEAVE IT ON THEFLOOR. LA LA LA LA LA LA LA LA LA LA LAI'LL JUST WALK. . . AWAY AND LEAVE IT ON THE.AHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!Don't ever let me do that again! LUCY: You're a hopeless case Linus.LINUS: I thought I could do it. I actually

ACTING SCENE for 5, 3 MALE AND 2 FEMALE and 2 male or female – YOU CANREAD THIS SCENE DURING YOUR AUDITION BUT IF IT’S MEMORIZED IT WILL HELPYOU MUCH MORE THAN JUST READING IT.Baseball GameCHARLIE BROWN: All right, gang. I want this game to be our biggest andbest game of the season, and I want everyone out there playing witheverything he's got.LUCY: Charlie Brown, I thought up some new strategy for you. Why don't youtell the other team that we're going to play them at a certain place, onlyit isn't the real place, and then when they don't show up, we'll win byforfeit. Isn't that good strategy? I don't understand these managers whodon't want to use good strategy.CHARLIE BROWN: The thing we have to remember is spirit and teamwork. If weall really grit our teeth and bear downSCHROEDER: That other team was trash talkin' us Charlie Brown. I got evenwith them though. I said you think your so great? Mozart was writingsymphonies when he was your age. That really shut 'em up.CHARLIE BROWN: I bet it did. If we really grit our teeth and bear down I'msure we could finish the season.LINUS: Perhaps you shouldn't be a playing manager Charlie Brown. Perhapsyou should be a bench manager.SALLY: That's a good idea. You'd be a great bench manager big brother. Youcould say "Bench do this" or "Bench do that." You could even be in chargeof where we put the bench. When we get to the playing field. you couldsay, "Let's put the bench here" or "Let's put the bench there."CHARLIE BROWN: I can't stand it!

LUCY: Now Linus, I want you to take a good look at Charlie Brown's face. Would you please hold still a minute Charlie Brown. I want Linus to study your face. Now, this is what you call a failure face, Linus. Notice how it has failure written all over it. Study

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YOU’RE A GOOD MAN, CHARLIE BROWN (2015) 1 YOU'RE A GOOD MAN, CHARLIE BROWN Act 1 SECTION 1: Opening LINUS: I really don't think you have anything to worry about Charlie Brown. After all, science has shown a person's character isn't really established until he's at least five years old. CHARLIE BROWN But I am five! I'm more than five! LINUSFile Size: 367KB