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Temblor T10 Active Studio SubwooferOwner’s Manual www.presonus.comEnglish
Table of Contents1Overview — 11.1Introduction — 11.2Summary of Temblor T10Features — 21.3What is in the box — 22Hookup — 32.1Rear-Panel Connectionsand Controls — 32.1.1Inputs — 32.1.2Outputs — 42.1.3Power — 42.1.4User Controls — 52.23Hookup Diagrams — 72.2.1Basic Setup — 72.2.2Advanced Setup — 8Tutorials — 103.1SubwooferPlacement — 103.2Level Calibration — 114Resources — 154.1Technical Specifications — 154.2Block Diagram — 164.3Troubleshooting — 174.4PreSonus Limited Warranty — 18
11.1Temblor T10Owner’s 0GNDThank you for purchasing the PreSonus Temblor T10active studio subwoofer. PreSonus Audio Electronicshas designed the T10 utilizing high-grade componentsto ensure optimum performance that will last.The Temblor T10 is an active subwoofer with a 10-inchglass-composite driver, high-temperature voice coil, anddamped rubber surround in a ported cabinet, which allowsthe subwoofer to produce higher volume—up to 113 dBSPL—with less power than a sealed-box design. Featuringa variable (50 to 130 Hz) lowpass filter, the Temblor T10can be dialed in to pair perfectly with full-range studiomonitors, making it the ideal solution for any 2.1 system.The included latching footswitch lets you bypass the subaltogether, making comparing your mix with or withoutsub frequencies quick and easy. You can even cascadetwo Temblor T10s together for more and smoother bass.We encourage you to contact us at 1-225-216-7887 (9a.m. to 5 p.m. Central Time) with questions or commentsregarding your PreSonus Temblor T10. PreSonusAudio Electronics is committed to constant productimprovement, and we value your suggestions highly.We believe the best way to achieve our goal of constantproduct improvement is by listening to the real experts:our valued customers. We appreciate the support youhave shown us through the purchase of this product andare confident that you will enjoy your Temblor T10!1
11.2OverviewSummary of Temblor T10 FeaturesTemblor T10Owner’s ManualABOUT THIS MANUAL: We suggest that you use this manualto familiarize yourself with the features, applications, andcorrect connection procedures for your Temblor T10 beforeconnecting it to the rest of your studio gear. This will helpyou avoid problems during installation and setup.In addition to all the basic info you’ll need to connect and operateyour Temblor T10, this manual also provides several tutorialsthat cover subwoofer placement, connections, and calibration.1.2Summary of Temblor T10 Features Active subwoofer with 250 watt, Class AB amplifier 10-inch glass-composite woofer with high-temperaturevoice coil and damped rubber surround Frequency response: 20-200 Hz Variable lowpass filter control: 50-130 Hz 80 Hz highpass filter (with defeatswitch) for satellite connections Sub/HPF bypass with footswitch control Footswitch with cable included Front-ported cabinet Metal-mesh grille to protect driver1.3What is in the boxIn addition to this manual, your TemblorT10 package contains the following: (1) PreSonus Temblor T10 powered subwoofer (1) IEC power cable (1) Footswitch with cable2
22.1Temblor T10Owner’s ManualHookupRear-Panel Connections and Controls2Hookup2.1Rear-Panel Connections and Controls2.1.1 InputsLine-level Inputs: The Temblor T10 provides a choice ofthree input pairs: two sets of balanced inputs (XLR and¼” TRS) and one pair of RCA unbalanced inputs. Whenboth of the balanced connections are in use, the TRSinputs will take precedence over the XLR inputs. TheRCA inputs will sum into either balanced connection.Power User Tip: Connect both the left and right inputs ifyou are using the onboard crossover in your Temblor T10 toconnect your full-range monitors or if you’re running yourTemblor T10 independently from a stereo source (such asthe Monitor Station or Central Station). This will ensure thatyour Temblor T10 receives the low-frequency content fromboth channels. If your audio source provides a mono or LFEoutput, you only need to connect one input—either L or R.[ ]231Ground[-]XLRTRSSleeve:GroundRing: Tip:[-] [ ]Power User Tip: Connect both the left and right inputs ifyou are using the onboard crossover in your Temblor T10 toconnect your full-range monitors or if you’re running yourTemblor T10 independently from a stereo source (such asthe Monitor Station or Central Station). This will ensure thatyour Temblor T10 receives the low-frequency content fromboth channels. If your audio source provides a mono or LFEoutput, you only need to connect one input—either L or R.Input Gain: Sets the level of the input signal before it isamplified.3
22.1HookupRear-Panel Connections and ControlsTemblor T10Owner’s Manual2.1.2 OutputsOutputs: The Temblor T10 provides two pairsof balanced outputs: XLR and ¼” TRS. The fullrange signal connected to the stereo inputson the T10 is passed through to these outputs.Use these outputs to connect your main leftand right studio monitors. If the High Pass Filterswitch is engaged, frequencies below 80 Hz arenot sent from these outputs.Sub Out: This balanced XLR output sends the low-frequencysignal from the lowpass filter to a second Temblor T10. Whenconnecting a second T10 to this output, set its Low Pass Filtercontrol to its highest setting.2.1.3 PowerIEC Power Connection: Your Temblor T10 accepts a standardIEC power cord.Warning: Do not remove the center grounding prong or use aseparate ground-lift adapter, as this could result in electric shock.Power Switch: This is the On/Off switch. The power status isindicated by the illuminated logo on the front of the cabinet.AC Select Switch: The input-power voltage is set at the factoryto correspond with the country to which it was shipped. Usethis switch only if you are using your Temblor T10 in a countrythat uses a different standard voltage than is used in thecountry where you purchased your T10.4
22.1HookupRear-Panel Connections and ControlsTemblor T10Owner’s Manual2.1.4 User ControlsSub Bypass: Connect the bypass footswitch cable to this ¼”input. Stepping on the footswitch will bypass thesubwoofer, highpass filter, and Sub Out altogether. This willallow the signal from your audio source to pass directlythrough your Temblor T10 to your full-range studiomonitors and allow you to compare your mix withoutsubharmonic frequencies. While bypass is active, the LED onthe front of your T10 will flash between red and blue. Thefootswitch is latching, so the bypass remains in effect untilyou step on it again.Power User Tip: The T10’s Sub Bypass function is a convenientway to make sure your mix will sound good on systems withand without a subwoofer. Bypassing the subwoofer willlet you hear how the mix sounds without it. After all, manylisteners will be using two speakers without a sub, and youwant your mix to sound just as good in a stereo system!Polarity: The Polarity button reverses the polarity of thesummed input signal.0High Pass Filter: Removes frequency content below 80 Hzfrom the full-range signal sent from the T10 outputs. This isuseful if your main studio monitors do not have their ownhighpass filter. The highpass filter is also bypassed when theSub Bypass is enabled.Power User Tip: Leaving frequency content below 80 Hzin full-range studio monitors can introduce destructivecancellations with the highest frequencies that arereproduced by the Temblor T10. Conversely, this canreinforce these frequencies and make your mix seem tohave more bass in it than it actually does. By rolling off yourfull-range speakers, you will create a more linear frequencyresponse between the subwoofer and full-range content.5
22.1HookupRear-Panel Connections and ControlsTemblor T10Owner’s ManualLow Pass Filter: This control determines the upper end of thefrequency range reproduced by the Temblor T10. If you haveenabled the onboard highpass filter, set the Low Pass Filtercontrol to the same value. Otherwise, set the Low Pass Filtercontrol to the lowest frequency that your main studio monitorscan reliably reproduce. Note that this control only affects thesignal going to the internal amplifier and the Sub Out outputand does not affect the main outputs. If you daisy-chain twoT10s, set the second one’s lowpass filter to its highest setting,130 Hz, to make sure it reproduces everything it getsfrom the first T10.GNDGround Lift Switch: In the “Lift” position, this switch adds 1 kΩresistance to the ground for the balanced inputs. The GroundLift switch doesn’t affect the AC mains safety ground for thepower supply.Power User Tip: Enabling the ground lift can help to reduceground loop noise in your audio system. Ground loops can becaused by running audio cables with power cables, by olderbuildings with improper wiring, or by equipment that generates alot of RFI, such as computers, laptop power supplies, and the like.6
22.22.2Temblor T10Owner’s ManualHookupHookup DiagramsHookup Diagrams2.2.1 Basic Setup100 - 240 VAC 50-60HzOnStudioLive 16.0.20GNDTemblor T10Sceptre S6 (Right)Sceptre S6 (Left)7
22.2Temblor T10Owner’s ManualHookupHookup Diagrams2.2.2 Advanced SetupAudioBox 1818VSL0GNDFootswitchTemblor T10 (Master)Eris E8 (Right)Eris E8 (Left)8
22.2Temblor T10Owner’s ManualHookupHookup Diagrams0GNDTemblor T10 (Slave)9
32.2TutorialsHookup Diagrams3Tutorials3.1Subwoofer PlacementTemblor T10Owner’s ManualThe goal of proper subwoofer placement is to set up yoursystem so that your subwoofer acts as a natural extensionof your full-range monitors without boosting the overallbass response of your room or exaggerating any onefrequency or frequency range. Because low frequenciesare not directional—that is, humans cannot perceive thedirection from which low frequencies are coming— youaren’t limited to placing it facing the mix position.A quick way to find the best location for your subwoofer isto temporarily place it in the mix position and play someprogram material that contains a lot of bass. Move aroundthe half of the room where your full-range monitors arepositioned until you find the spot where the bass sounds itsbest. Again, it’s important to remember that low frequenciesare not directional, so placing the subwoofer beside orbehind you will not be an issue. In general, you will wantto avoid placing your subwoofer too near to reflectivesurfaces, like a wall or in a corner as this will exaggeratethe bass energy and make your T10 sound “boomy.”Once you find the place in the room where the bass soundsthe smoothest, place your T10 in that spot, return to themix position and listen to it again. You may need to adjustthe location; just keep making small adjustment (a footor so at a time) until the bass response sounds as even aspossible. Don’t locate your T10 where it will exaggeratefrequencies, as this will have the opposite effect on yourmix. For example, if your system has a bump around 100 Hz,what you hear will not accurately reflect what is in yourmixes, resulting in less kick-drum punch than you wanted.10
32.23.2Temblor T10Owner’s ManualTutorialsHookup DiagramsLevel CalibrationMatching the levels of the all studio monitors in yoursystem is an easy extra step that will help you to achieve anoptimal listening environment. You will need an SPL meterto do this; luckily, there are many inexpensive and freeSPL meter apps for just about every type of smartphonethat will do the job nicely. Below is a brief tutorial onhow to level match your monitors. Note: Make sure thatany effects processors (such as EQs, compressors, andreverbs) have been bypassed. You’ll want a clean signal.1.Connect your studio monitors andTemblor T10 as shown in the hookup diagramin Section 2.2.1.2.Turn your Temblor T10 and your full-rangestudio monitors’ input levels to their lowestsetting.3.Play pink noise through yourprimary audio source’s outputs. Youshould not hear anything yet.0GND11
32.2Temblor T10Owner’s ManualTutorialsHookup DiagramsPower User Tip: Some DAW applications, includingPreSonus Studio One , offer a tone generator for thispurpose. If you’re mixing in a DAW application, usethe built-in tone generator or load a sample audiofile or plug-in. After all, your DAW is the beginningof your mixing environment’s signal path!4.Pan the pink noise so it only plays in the leftspeaker (hard left).5.Begin turning up the outputs of your primaryaudio source to their unity-gain setting. “Unitygain” is the level or setting at which the signal levelis neither boosted nor attenuated, and it is usuallymarked by a “U” on the audio device’s level fader orknob. In many digital interfaces and other digitaldevices, the device’s maximum level is also itsunity-gain setting. Please consult your audiodevice’s user manual or the manufacturer’s Website for more information on its levels andadjustments.6.SPL:85 dBBegin slowly increasing theinput sensitivity (volume) ofyour left studio monitor untilthe acoustic level of the pinknoise reaches 85 dB SPL on yourSPL meter when measured atyour mix position.12
32.2Temblor T10Owner’s ManualTutorialsHookup Diagrams7.Pan the pink noise so that it only plays in theright speaker (hard right), and repeat step 6 forthe right channel.8.Turn your full-range monitors off.9.0GNDSPL:79 dBBegin slowly increasing the inputvolume on your Temblor T10 untilthe acoustic level of the pinknoise reaches 79 dB SPL on yourSPL meter when measured atmix position.10. Set the lowpass filter on your T10 to 130 Hz. Thiswill create an overlap between your T10s andyour full-range system’s frequency responses.PolarityGND13
32.2TutorialsHookup DiagramsTemblor T10Owner’s Manual11. Play pink noise through your full system andexperiment with the polarity switch on yourTemblor T10 to see which position provides thebest bass response at your mix position. Leavethe polarity switch in the position that providedthe loudest bass response. This means that yousubwoofer is in phase with your full-range system.12. If you are using the 80 Hz highpass filter onthe T10 to bandpass your full-range monitors,set the lowpass filter to 80 Hz. If you are usingan external highpass filter for your full-rangemonitors, set the lowpass filter to the appropriatefrequency (e.g., if your highpass filter is setto 100 Hz, set the lowpass filter to the samefrequency). You may need to experiment withthe Low Pass Filter setting on your subwooferuntil you find the smoothest crossover position.Once the Input Gain control is set on your full-range monitorsand T10, leave it alone; don’t use it as a volume control.Leave that job to your audio device’s output-level control.14
44.1Temblor T10Owner’s ManualResourcesTechnical Specifications4Resources4.1Technical SpecificationsINPUTS2- Balanced XLR2- Balanced ¼” TRS2- Unbalanced RCAOUTPUTS2- Balanced XLR (full range with 80 Hz HPF option)2- Balanced ¼” TRS (full range with 80 Hz HPF option)1- Balanced XLR (Sub Out)PERFORMANCEFrequency ResponseLow Pass Filter FrequencySignal-to-Noise RatioTHDAmplifier PowerPower ConsumptionAmplifier TypePeak SPL at 1mWoofer20 Hz – 200 Hz50 – 130 Hz (variable) 98 dB0.019% @ power 160W170W RMS / 250W Peak230WClass AB113 dB10” glass-compositeUSER CONTROLSInput Gain ControlPolarity SwitchLow Pass Filter ControlGround Lift SwitchHigh Pass Filter SwitchBypass Footswitch-30 to 6 dB0 or 180 50 Hz to 130 HzOn/OffOn/OffOn/OffPROTECTIONRF interferenceOutput-current limitingOver-temperatureTurn-on/off transientSubsonic filterExternal mains fuse15
44.2Temblor T10Owner’s ManualResourcesBlock DiagramPOWER100-120V 50/60 Hz or 220-240V 50/60 HzCABINETVinyl-laminated MDFPHYSICALWidthDepthHeightWeight12.60” (320 mm)15.75” (400 mm)15.75” (400 mm)39.46 lbs (17.9 kg)Block Diagram4.2Left RCA InputLeft TRS OutputLeft TRS Input -- Left XLR Input-Left XLR Output80 Hz --- High Pass Filter Right XLR InputRight XLR OutputRight TRS OutputLow Pass FilterRight TRS InputVolumeRight RCA Input Ground LiftLimiterAMP10” LF DRIVER50 Hz to 130 Hz1kSub Output Sub Bypass Footswitch16
44.3ResourcesTroubleshooting4.3Temblor T10Owner’s ManualTroubleshootingNo power. First ensure that your Temblor T10 isplugged in. If it’s connected to a power conditioner,verify that the power conditioner is turned onand functioning. If it is, yet there is still no powerto the monitor, contact PreSonus for a repair.No audio. If your Temblor T10 appears to power on butyou hear no sound when playing audio from the mixer(the lights are on but nobody’s home), first make surethat the cables connecting the mixer to the subwooferare working correctly. Also, verify that the Input Gaincontrol is set to provide enough amplitude for the signal.Hum. Usually, hum is caused by a ground loop. Verifythat all audio equipment is connected to the samepower source. If you are not using a power conditioner,we highly recommend that you add one. Not only willthis help to minimize hum, it will better protect yourequipment from power surges, brownouts, etc.Try setting the Ground Lift switch to “Lift.”This adds 1 kΩ resistance to the ground of thebalanced inputs and often eliminates hum.Use balanced cables whenever possible. If your audiodevice does not offer a balanced output, you can connectit to the unbalanced RCA inputs on the Temblor T10, oryou can connect it to a DI (direct-injection) box, whichwill provide a ground-lift switch and a balanced output.Finally, make sure that your audio cables are notrun near power cables, and use cables that arethe appropriate length for your application. Usingcables that are too long not only increases the riskof noise, it increases the likelihood that the cablesare coiled, which will essentially create an antennathat picks up all kinds of audio interference.17
44.4ResourcesPreSonus Limited Warranty4.4Temblor T10Owner’s ManualPreSonus Limited WarrantyPreSonus Audio Electronics, Inc., warrants this product to befree of defects in material and workmanship for a period of oneyear from the date of original retail purchase. This warrantyis enforceable only by the original retail purchaser. To beprotected by this warranty, the purchaser must complete andreturn the enclosed warranty card within 14 days of purchase.During the warranty period PreSonus shall, at its sole andabsolute option, repair or replace, free of charge, any productthat proves to be defective on inspection by PreSonus or itsauthorized service representative. If you are located in the USAand need warranty repair, please submit an online technicalsupport request at http://support.presonus.com to receive areturn-authorization number and shipping information. If youare located outside of the USA, please contact the PreSonusdistributor for your region for warranty repairs. All inquiriesmust be accompanied by a description of the problem. Allauthorized returns must be sent to the PreSonus repair facilitypostage prepaid, insured, and properly packaged. PreSonusreserves the right to update any unit returned for repair.PreSonus reserves the right to change or improve the designof the product at any time without prior notice. This warrantydoes not cover claims for damage due to abuse, neglect,alteration, or attempted repair by unauthorized personnel andis limited to failures arising during normal use that are due todefects in material or workmanship in the product. Any impliedwarranties, including implied warranties of merchantabilityand fitness for a particular purpose, are limited in duration tothe length of this limited warranty. Some states do not allowlimitations on how long an implied warranty lasts, so the abovelimitation may not apply to you. In no event will PreSonus beliable for incidental, consequential, or other damages resultingfrom the breach of any express or implied warranty, including,among other things, damage to property, damage based oninconvenience or on loss of use of the product, and, to theextent permitted by law, damages for personal injury. Somestates do not allow the exclusion of limitation of incidental orconsequential damages, so the above limitation or exclusionmay not apply to you. This warranty gives you specific legalrights, and you may also have other rights, which vary fromstate to state. This warranty only applies to products sold andused in the United States of America. For warranty informationin all other countries, please refer to your local distributor.PreSonus Audio Electronics, Inc.18011 Grand Bay Ct.Baton Rouge, Louisiana 70809 USA1-225-216-7887www.presonus.com18
44.4ResourcesPreSonus Limited WarrantyTemblor T10Owner’s Manual19
Dinner is ServedAdded bonus: PreSonus’ previously Top Secret recipe for Rice DressingIngredients: 1lb ground beef1 lb chopped chicken liver1 onion (diced)2 green peppers (diced)4-6 celery stalks (diced)2 garlic cloves (minced)¼ C. chopped fresh parsley3 C. chicken stock6 C. cooked rice1 Tbs. oilSalt and pepper to tasteCayenne pepper to tasteCooking Instructions:1.2.3.In a large pot, heat oil on medium high and add meat, salt, and pepper to taste.Stir until meat begins to brown.Lower heat and add all vegetables. Cook until onions are transparent and celeryis very tender. Add stock as necessary to prevent burning.Stir in cooked rice. Add remaining stock and simmer on low until ready to serve. 2014 PreSonus Audio Electronics, Inc. All Rights Reserved. Active Integration, AudioBox, DigiMax, FireStudio, Nimbit,Notion, PreSonus, QMix-AI, StudioLive, Temblor, and XMAX are trademarks or registered trademarks of PreSonus AudioElectronics, Inc. Capture, Impact, Mixverb, Presence, RedLightDist, SampleOne, Studio One, and Tricomp are trademarks orregistered trademarks of PreSonus Software Ltd. Mac and Mac OS are registered trademarks of Apple, Inc., in the U.S. andother countries. Windows is a registered trademark of Microsoft, Inc., in the U.S. and other countries. Other product namesmentioned herein may be trademarks of their respective companies. All specifications subject to change without notice.except the recipe, which is a classic.
Temblor T10Active Studio SubwooferOwner’s Manual0GND18011 Grand Bay Ct. Baton Rouge, Louisiana 70809 USA 1-225-216-7887www.presonus.comPart# 820-GEB0028-C
Owner’s Manual www.presonus.com . 0 StudioLive 16.0.2 Temblor T10 Sceptre S6 (Right) Sceptre S6 (Left) GND. 2 Hookup 2.2 Hookup Diagrams Temblor T10 Owner’s anual 8 2.2.2 Advanced Setup 0 AudioBox 1818VSL Tembl
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