Jewish Studies Program JOURNAL OF INFOR- MATION TECHNOLOGY

1y ago
10 Views
2 Downloads
2.97 MB
8 Pages
Last View : 15d ago
Last Download : 3m ago
Upload by : Louie Bolen
Transcription

M O N T H LYJewish Studies ProgramJOURNAL OF INFOR-M AT I O NTECHNOLOGYFALL 2019IN THIS ISSUEVisiting Israeli Scholars and Artists. . . 1/3Yale Strom Continues Achievements.2Artists And Scholars Event. . . 2/3Student News.4Reflections on my Monday class.5Jewish Historical Society. 6/7“Blueish: Jews and the Blues”.7Dr. Eran Feitelson, anIsrael Institute GrantRecipient and professor ofgeography at The HebrewUniversity of Jerusalem withexpertise in environmentalpolicy and planning. He is thefounder and previous directorof the Advanced Schoolfor Environmental Studies.Feitelson has publishedover 100 articles in refereedjournals and edited volumes onwater policy issues, transportpolicy, environmental policyand planning. In addition to hisacademic work, Feitelson hasparticipated in several nationaland regional planning teams inIsrael and has been a memberof many national committees.Dr. Feitelson is teaching onecourse in the GeographyDepartment this fall.DJewish Studies Program WelcomesVisiting Israeli Scholars and ArtistsIn 2019-2020 The Jewish Studies Program is welcoming fivevisiting scholars and artists from Israel. Their residency issupported by a grant from the Murray Galinson San Diego IsraelInitiative, which seeks to strategically promote, support andcatalyze knowledge discourse and interaction on the modern stateof Israel through scholarship, engagement and collaboration.Artists and scholars will be teaching courses in variousdisciplines in the College of Arts and Letters. They include:r. Luba Levin-Banchik,an Israel Institute GrantRecipient is a political scientistwith expertise in internationalrelations and security, terrorism,foreign policy crises, andactive learning simulations.Levin-Banchik earned a Ph.D.from Bar-Ilan University,Israel. Her work focuses on theevolution of conflict and peacein contemporary internationalrelations across the globe, witha special focus on the MiddleEast. Her expertise is in the fieldof global and regional security,international crisis escalationand recurrence, domesticand transnational terrorism,cooperation and politicalviolence, as well as Israeli andRussian domestic and foreignpolicy. Levin-Banchik’s currentproject focuses on what enemiesdo when they are not fightingand how their respite hostilityaffects crisis escalation intosevere violence and wars. Thissemester, Dr. Levin-Banchikis teaching courses in theHistory and Political ScienceDepartments. Her residency isalso supported by the LipinskyInstitute for Jewish Studiesendowment.“My students say that Iteach differently. But forme, teaching is having arespectful, challenging,informed and thoughtprovoking conversation. Wetalk about historical andpolitical issues that affectour lives, here in the UnitedStates, Israel, Middle East,Russia, Europe, and otherplaces across the globe.My task is to show studentsdifferent perspectives andtheir transformation over time,to stimulate students’ interestand thinking, encouragecritical assessment, andrealize how everything isinterconnected in this globalworld. I just love being inclass, this is what makes mewho I am.”Dr. Gilad Shtienberg(University of Haifa)studies long-term climatechange in Israel andneighboring lands as a modelfor more general issuesof global environmentalContinued on page 3

YALE STROM CONTINUES ACHIEVEMENTSYale Strom, Artist-inResidence in the JewishStudies Program, has beenproductive this past year infilm, literature, theatre andmusic. His 15th recording wasreleased on the ARC MusicUK/Naxos label-”Yale Strom’sBroken Consort: ShimmeringLights,” which features bandmembers from Hot Pstromi, aswell as guest musicians SaraCaswell, David Wallace, AmosHoffman and Alex Greenbaum- performing Hanukkah musicfrom around the world.His documentary film,“American Socialist:The Life and Times of EugeneVictor Debs,” screened intheatres across the UnitedStates and is now available viastreaming and DVD fromwww.firstrunfeatures.com.Strom’s newest documentaryproduction, “Recordially Yours:The Lou Curtiss Story” is aboutthe iconic American folkloristand audiophile Lou Curtiss,who profoundly influencedmany musicians in San Diegoand beyond.Strom’s new audio/radiodrama about Eugene VictorDebs, co-written with ElizabethSchwartz, will begin airing onpublic radio in the spring of2020. This audio drama is aboutDebs’ anti-WWI stance and howthe U.S. government tried tosilence him by putting him intoprison for ten years.Strom maintains an activeperformance schedulein San Diego, throughoutthe U.S. and abroad. He hasbeen invited to celebratethe 30th anniversary of theVelvet Revolution in Praguein November. The JewishMuseum of Prague is mountinga solo exhibit of his photosof Jewish life in Central andEastern Europe (1981-2007)for two months before theexhibition moves to Brno.Strom will also screen hisfirst film, “At the Crossroads:Jewish Life in Eastern EuropeToday,” which captured Jewishlife in Czechoslovakia, Polandand Hungary in the years1987-89. His participationin the commemoration alsoincludes a concert at theMaisel Synagogue, when hewill be joined by ElizabethSchwartz and two musiciansfrom Prague.Yale StromJEWISH STUDIES BOARD HOSTS VISITINGARTISTS AND SCHOLARSOn September 9, approximately 60 people gathered at Scripps Cottage at San Diego State Universityto meet the Visiting Israeli Artists and Scholars who are in residence for the 2019-2020 academicyear. The attendees were welcomed by SDSU’s President Adela de la Torre and Interim Dean of theCollege of Arts and Letters, Glen McClish. Guests were also recognized by Susan Lapidus, Director ofthe Murray Galinson Israel Initiative, which is sponsoring these visiting professors.TThe program was hosted by the newly reorganized Community Advisory Board of the Jewish StudiesProgram, whose purpose is to promote and financially support this program.he following people are presently serving on the Board: Chair Judy Gumbiner, Barbara Ostroff,Jesse Blank Birnbaum, Gerri Brech, Rabbi Josh Dorsch, Jean Gaylis, Rabbi Martin Lawson, HilaryLevison, Carolyn Morris, Rhoda Nevins, Laurel Schwartz, Stan Schwartz, Jackie Tolley, Eileen Wingard,Dr. Risa Levitt Kohn and Keely Bamberg, Senior Director of Development, College of Arts and Letters.Judy Gumbiner,Chair, Jewish Studies BoardPAGE 2

Continued from page 1change. He specializes inunderstanding theoreticaland practical aspects of thelandscape changes that occurin the dynamic environmentsof the coastal zone of Israel.His recent projects focus onhuman settlement during theBiblical periods along Israel’snorthern Mediterraneancoast. His course at SDSUwill provide a generalunderstanding of sea levelchanges in different spatial andtemporal scales as well as theirdriving factors and possibleconsequential scenarios.Students are introduced to thegeneral terminology used in thisfield, coastal/marine sea-levelindicators and their uncertaintylevels, as well as correspondingdating methods. “In my lessonsI encourage the students to askquestions and take part in classdiscussions which I believe arethe best way for gathering newknowledge and understandingit.” Dr. Shtienberg will beteaching in the AnthropologyDepartment in Spring 2020.Two of Israel’s most highlyregarded filmmakers are beinghosted by the Jewish Studiesprogram this fall to teachscreenwriting.Shuki Ben Naim is anIsraeli television creatorand screenwriter. He is agraduate of the Utniel Yeshivaand Sam Spiegel Film andTelevision School, where hemajored in screenwriting. Heis known for his hit Israelitelevision series “Nuyork,”“Urim VeTumin,” “Gloria’sWife,” and “A Touch Away.”His latest series “Our Boys”is currently airing on HBO.Ben Naim will be teaching aScreenwriting course in theEnglish department.Moshe Zonder was thehead writer for Fauda,the enormously successfultelevision series broadcast inIsrael. In 2016 Fauda becamethe first Israeli series to bereleased as a Netflix original.He has written many otherscreenplays most recentlya documentary on the 1972hijacking of a Sabena Airwaysflight bound for Israel. Hebegan his career as a journalistworking at Maariv, one ofIsrael’s leading Hebrewlanguage daily newspapers.During the course (inScreenwriting) the studentswill learn the fundamentalsof writing a script for anypurpose (i.e. an episode in aseries, a short film, a featurefilm, etc.) and will acquiretools that will help them writea ‘bible’ -a document used forpitching a TV series. Throughclass discussions, writingassignments, screenings, andscript analysis, students willlearn how to script their owncharacters and stories.Visiting Scholarsand ArtistsEran FeitelsonGilad ShtienbergLuba Levin-BanchikShuki Ben NaimReception: l-r Moshe Zonder, Gilad Shtienberg, Luba Levin-Banchik, Susan Lapidus,SDSU President Adela de la Torre, Eran Feitelson, Risa Levitt KohnMoshe ZonderPAGE 3

Student News:Sophie ParkerStudent News: Francine HardySince I was young, I havealways maintained a deepappreciation for the history ofthe Jewish people and theirtumultuous but incredibly rich4,000 year journey. As thegranddaughter of a Holocaustsurvivor, I feel a certain senseof responsibility to continue toeducate and lift up the Jewishpeople. And as bigotry and antiSemitism become increasinglyprevalent in today’s America,this sense of responsibility tomy ancestors only grows.Igrew up just minutes fromcampus, attending TempleEmanu-El. Having thatcommunity growing up allowedme to better understand myJewish identity and where I fitin with such a dynamic culture.During my freshman yearat SDSU, I joined Hilleland became more active in theJewish community on and offcampus. Those first months, Ifound myself digging deeper intomy understanding of the Jewishpeople and would spend hoursonline and in classes trying tolearn more. However, what trulyinvigorated me to pursue JewishStudies was the increasingviolence against American Jews.I felt that as a young Jewishindividual, I had an importantrole to play; therefore, my pathin life should be a contributionto the advancement andblossoming of the Jewish people.I hope to combat anti-Semitismeveryday through education andmy commitment to the Jewishcommunity.PAGE 4The first stirrings in mybeing that culminated inmy decision to major in ModernJewish Studies were from theextraordinary film Exodus. Forthe first time I saw Jewish peopleas a people before my eyes onthe screen – I was enthralled bytheir pluck and courage, by theiramazing strength and resiliencedespite their poignant plight– what a vision the world wasgiven of these people who hadsurvived the Holocaust. Whilecinema gave me vicarious visualinvolvement through such filmsas Fiddler on the Roof, HesterStreet, Defiance, The Pianist,and Schindler’s List, the tippingpoint, the pivot kindling mycommitment to immersion inJewish Studies was the questto prove my husband Steve’sJewish ancestry coupled withdiscovering the Jewish StudiesProgram offered by SDSU.Having concluded my careeras an NICU registerednurse, and encouraging my threechildren across the finishing lineof their university degrees, it wasnow my turn to pursue my dream,a loved interest, not for money ornecessarily a second career, butfor the sheer pleasure of learningand engaging in all there isavailable at SDSU related to theJewish people and Israel. Thoseaspirations were met abundantlyby courses and professors asdoor after door was opened intothe realm of Judaism and theJewish people and culture –past, present, and future; herein the USA as well as in Israeland around the world. Thuswas my dream of exploring theremarkable saga of my husband’sancestry intertwined with mypursuit of a bachelor’s degree inModern Jewish Studies.Ihave been enthralled by themystical nature of Jewishreligion, but have been equallydrawn to their very human historythat seems to be a miracle.Along the path of my journeyin Jewish Studies, I haveworked as a nurse with asylumseekers under the auspices ofJewish Family Services; I havebeen honored with induction intoPhi Beta Kappa, representingthe Jewish Studies Program atSDSU; I have been generouslyencouraged in my furtherstudies with a scholarship fromAaron and Jeanne Gold; and myhusband has gone through hisBar Mitzvah on campus with aChabad rabbi after which we wenttogether to our first seder. I havefallen in love with the infectiousexuberance and enjoyment ofJewish music, culture, dance,and song (especially in Hebrew)thanks to Professor Yale Strom,and found my favorite languagein Hebrew writing and speakingthanks to Professor Alana Shuster.Visiting Israeli Professor TamarArieli opened the foundationalhistory of the birth of Israel fromancient times to current dates inways I had never considered norrealized. And Professor/RabbiScott Meltzer adroitly usheredme into the theological world ofJudaism. In a world where the ebb,flow, and decline of civilizationsis the norm, where colors pulsateand then fade away, the Jews,Israel and their story for me, aretechnicolor.As I progress in the journeyopened before me, I expect toimpact my family, my colleagues,acquaintances, fellow students,and as many people as possiblewith what I have learned andwill learn and realize about theJewish people and the state ofIsrael - things I never would haveknown had I not been given suchan opportunity, had I not believedand realized “a horizon is nothingbut the limit of our sight .”

Reflections on my Monday class, April 19, 2019by Ronit Weiss Berkowitz, a former visiting Israeli Scholar in the Jewish Studies Program, Spring 2019. Translated from Hebrew.Ia m still emotionallyoverwhelmed by the powerfulexperience I had yesterday inclass. I apologize for writing inHebrew, it comes to me fasterand I do not want those momentsto slip away.I planned to talk to the studentsbriefly about the shooting attackat the Poway synagogue, to tellthem what happened here twodays ago, so close to home. To letthem know and understand theimplications of what happenedthere before we would move onto the planned class topic. Ialso mentioned that this weekhappens to include HolocaustRemembrance Day, whichgives an additional shockingdimension to that so-called “actof hatred.” It was important tome to connect these two things.And then it hit me all of asudden, this is the first Holocaustday I’ve experienced without mymother (who passed last year).Most of the students havepretty vague knowledge ofthe Holocaust. I told themthat my mother was 16when she was taken to theAuschwitz extermination camp,and informed them aboutextermination camps and theFinal Solution. I told them thatI never had the joy of knowingor seeing a grandmother,grandfathers or uncles, andinformed them about signs thatread “Entry to dogs and Jews isforbidden.” And I began to cry.I have been teaching for manyyears and I have never criedin front of a class. Even in themost intimate atmosphere,there is always some distancebetween lecturer and students,but the longing for my recentlydeceased mother and thejuxtaposition of the shooting andRemembrance Day, and perhapsalso the lecture by RabbiMeltzer yesterday morning,stripped me of all defenses.I shared with the students thestory of my parents’ lives. Theylost everything - family, home,language, security, citizenship,mental and physical health - andthe happiest day of their liveswas not the liberation from thedeath camps, or the day theywere married in the DisplacedPersons camp, but rather ithappened when the UN voted toapprove the establishment of theState of Israel.I told my students (with tears)what it is to grow up in a housethat has no past - no picture orobject from a previous life - alife that must rise like a phoenixfrom the sands. And how mymother always declared that shewas still alive only in order to tellwhat she had witnessed. That wasthe only reason she could find tojustify her survival.I told the students how importantit is to tell - to remember throughstory what made us who weare and where we came from.We tell stories to rememberthe stories of our parents, tobe part of humanity, to choosewhich people we would like tobe. I have been encouragingthem since the beginning of thesemester to write about theirfamilies, who come from a richcultural diversity of worlds andlanguages. This diversity makesit so important for me to heartheir stories.I shared the fact that I, too, wasa “first generation” universitystudent like many of them(instead of attending college,my parents struggled to survivein the camps for another day,another hour) and my students’pride in this achievement ofmaking it to university isfamiliar to me and exciting.I do not remember everythingTributesThe Jewish StudiesProgram is reinitiatingan opportunity to financiallysupport the program witha Tribute -a donation inhonor, or in memory of, aloved one or friend and/or a beautiful expressionfrom that class, it was veryemotional and spontaneous. Ido remember that I explainedthat although I am completelysecular, do not attend synagogue,that as a Jew, this hatred inPoway was directed directly atme, wounding me and breakingmy heart. Because I grew up ina house where Mother yelled atnight in her sleep, and until herlast day she had not forgottenthe smell of the chimney smokein Auschwitz. That is how farhatred can go.I saw the students’ eyes gleamingwith tears. They rose to embraceme. Jonathan said that hisgreat-grandfather was one ofthe liberators of Auschwitz.Jesse said her family also hadHolocaust survivors. An amazingconversation took place all ofa sudden, in which students,including LGTBQ students,shared harsh experiences ofracism and violence, especially ifthey were not “white.” Studentsdiscussed their immigrant parentsand their desire to belong - tobe human, not Jews or Mexicansor Muslims or people of color orlesbians or foreigners, but simplypeople. It was the most movinglesson I’ve ever experienced. Nopartitions or barriers.At the end, the students cameto hug me, commiseratedwith my sorrow and thankedme for sharing my story. Ithanked them for their support,apologized for the tears and toldthem I loved them.of acknowledgingan individual for anaccomplishment orpraiseworthy effort. Yourgift supports all aspectsof the program, includingconcerts, special eventsand student scholarships.The minimumcontributionfor a tribute and anacknowledgement is 18.Of course, any contributionis always welcome, is taxdeductible, and very muchappreciated by the program.Please send yourcheck made out to theJewish Studies Program/Campanile Foundation atSan Diego State Universitywith the honoree’s nameand address and the donor’sname and address. Tributesreceived will be publishedin an upcoming JewishStudies newsletter.PAGE 5

Five Levi Brothers. Photo cour tesy of the Jewish Historical Society of San Diego.Jewish Historical Society -Scholars andCommunity Members Delve into Collectionsby Laurel Schwar tzAn abundance ofresearchers explored theJewish Historical Society of SanDiego Archives Collections inthe last year. Max Greenbergis a graduate student at UCLA,whose doctoral dissertationconcerns the business,political, benevolent andreligious networks establishedby 20th century Jewishmigrants to the US-Mexicoborder region. Of particularinterest is a JHSSD collectionin Special Collections &University Archives. In 2014,PAGE 6Elena Fishman de Saaddonated research materialsfrom her thesis, entitled LaComunidad Israelita de Tijuana(The Jewish Community ofTijuana) to JHSSD, includingmany hours of interview tapes.Greenberg and Mrs. Saad havebecome compadres in pursuingtheir mutual interest, as hissearch continues in JHSSDcollections for evidence ofbenevolent and businesscross-border relationships.In the mid-20th century,North Park was the centerof Jewish life in San Diego.Several people, includingmembers of The SecondGeneration, local childrenof Holocaust survivors, areexploring the nature of thatJewish community. North Parkwas home to many Holocaustsurvivors, their businesses, twocongregations, kosher butchersand, a Jewish deli and bakery.There is much material tobe discovered in synagogueand personal collections, andJHSSD’s Israel Today/JewishPress Heritage Collections.Times and San Diego JewishContinued on page 7Art Curator Mark ElliottLugo is writing a bookabout celebrated La Jollaartist, Faiya Fredman. Hewas researching materials onthe housing covenant whichdiscriminated against Jews,African Americans, Mexicansand others in the mid-20thcentury and was delighted todiscover some of what he neededin the collection of his formerneighbor and family friend,historian Henry Schwartz.

Continued from page 6The Loraine and Jack SternCollection documentsMrs. Stern’s many years as thefounder and manager of TheSource gift shop at the EastCounty JCC. During her timethere, she conducted juried artshows, art lectures, auctionsand a lecture series calledTaboo Topics. Mr. Stern waspresident of Jewish FamilyService and of the JCC, wherehe produced theater programs.The collection also containsmaterial about the early daysAn all-star concertin celebration of theintersection of Jews and Blueswas presented on November7th in Smith Recital Hall.The concert featured musicin English and Yiddish,drawing inspiration fromChess Records, the go-toblues label in Chicago.In the great blues era,Benny Goodman andArtie Shaw played alongsideblack musicians such asTeddy Wilson and LionelHampton. Chicago’s CorkySiegel, harmonica, HarveyMandel, guitar, and MichaelBloomfield, guitar, developedrelationships with MuddyWaters, Howlin’ Wolf,Junior Wells, and otherblack musicians and helpedspread the Blues worldwide.of the San Diego Chapter ofthe National Council of JewishWomen, of which Mrs. Sternwas president.Another recent acquisitionis Robert Levi’s research,contained in a 14-volumecollection of copies of originalsource material, dating from1873-1991, relating to hisfamily. The five Levi brotherscame to San Diego in the late1800’s. Two of the brothers, inparticular, Simon, and Rob’sgreat grandfather, Adolph,spent their lives here. They“Blueish: Jews and the Blues”looked at why Jews fell in lovewith African-American Blues.Performers for the concertincluded Yale Strom andmembers of Hot Pstromi- Tripp Sprague, tenorsaxophone, Duncan Moore,established businesses andbecame civic and synagogueleaders, who were very influentialin the growth of San DiegoCounty. The materials that Levidonated include ads, articlesand photos from newspapers,city directories and family andsynagogue archives.Please contact the JHSSDif you have historicalmaterials or if you would liketo do research.Find us at jewishstudies.sdsu.edu/archives.htmpercussion, Gunnar Biggs,bass, Fred Benedetti, guitar,Elizabeth Schwartz, vocals,and Yale Strom, violin.Special guests wereTomcat Courtney, guitar,Sue Palmer, piano, andRobin Henkel, dobro guitar.Become involvedin the JewishStudies Programat San DiegoState UniversityThe Jewish StudiesProgram at San DiegoState University isan interdisciplinaryprogram serving thestudents of SDSU aswell as the greaterSan Diego community.We are dedicated toteaching a broad rangeof topics related toJewish history, religionand culture from thebiblical through themodern period.The Jewish StudiesProgram depends uponcommunity support forthe enrichment of ourprograms. Opportunitiesexist for participationon our CommunityAdvisory Board and forfuture programs andendowments. Donationsmay be made in manyways and include theopportunity to name aprogram, lecture series,or endowment. Please contactus for moreinformation onhow you can help.jewishstudiesprogram@sdsu.eduPAGE 7

Jewish Studies ProgramMC 6062San Diego State University5500 Campanile DriveSan Diego, CA 92182http://jewishstudies.sdsu.edu

Jewish community on and off campus. Those first months, I found myself digging deeper into my understanding of the Jewish people and would spend hours online and in classes trying to learn more. However, what truly invigorated me to pursue Jewish Studies was the increasing violence against American Jews. I felt that as a young Jewish

Related Documents:

UNIT 1: JEWISH MUSIC 101 10 CONCEPTUAL FRAME FOR 'DEFINING' MUSIC CONTEXT: Music by Jews or music in Jewish social/religious contexts. For example: Music by (Jewish composers) such as Debbie Friedman or Craig Taubman, whether or not based directly on a Jewish text, sung in Jewish camps and synagogues is/ becomes Jewish music.

American Jewish history. The American Jewish Historical Society is the oldest national ethnic historical organization in the United States. The Society's library, archives, photograph, and art and artifacts collections document the American Jewish experience. American Jewish Year Book (American Jewish Committee Archives) Online access to .

doxy, the German-Jewish renaissance, Jewish religion after the Holocaust, the emergence of the Jewish individual, the birth of Jewish nationalism, and Jewish religion in America. More than an introduction, How Judaism Became a Religion presents a compelling new perspective on the history of modern Jewish thought.

into what constitutes Jewish music, and how it relates to the American Jewish experience. We include music written for and used in sacred Jewish spaces but also music written by Jewish composers or songwriters for secular settings and general audiences. Part 1 — Music in Jewish Religious Settings: Kol Nidre

Elie Wiesel Center for Jewish Studies 147 Bay State Road Boston, Massachusetts, 02215 Phone: 617.353.8096 Email: ewcjs@bu.edu The Elie Wiesel Center for Jewish Studies (EWCJS) is an academic unit of the College of Arts Sciences. The Center administers degree programs in Jewish Studies and Holocaust, Genocide, and Human Rights Studies

Jewish Community Center of Scranton (PA) Jewish Community Council of Greater Coney Island (NY) Jewish Community Council of the Rockaway Peninsula (NY) Jewish Community Federation of Richmond (VA) Jewish Community Federation of San F

the production of both Jewish and non-Jewish identities in modernity. As David Nirenberg puts it in a discussion of Marx’s controversial “On the Jewish Ques-tion,” “the ‘Jewish question’ is as much about the basic tools and concepts through which individuals in society relate to the world and to each other, as it is about the

patience and understanding during the long and comprehensive revision process. We believe you will find it was well worth the wait. Deborah E. Wilson, DrPH, CBSP L. Casey Chosewood, M.D. Director Director Division of Occupational Office of Health and Safety Health and Safety Centers for Disease Control National Institutes of Health and Prevention Bethesda, Maryland Atlanta, Georgia September .