Guitar For Absolute Beginners - New York City Guitar School

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GUITAR FOR a b s o l ut eBEGI NNERSNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 112/27/11 7:54 PM

Guitar for Absolute Beginners 2009 New York City Guitar SchoolText 2009 by Dan EmeryIllustrations 2009 Dan Emery(pages 8-12, 14, 23-24, 38-39, 40, 46, 48)Illustrations 2009 Alia Madden(pages 13-15, 17-18, 21, 32-33, 50, 53,64-65, 73, 79, 81, 85-86, 92)All Photographs by Woody Quinnexcept page 33 by Dan Emery andpage 96 by Genifer OwenAll rights reserved. No part of this book may be reproducedin any manner in any media, or transmitted by any meanswhatsoever, electronic or mechanical (including photocopy,film or video recording. Internet posting, or any otherinformation storage and retrieval system), without the priorwritten permission of the publisher.Published in the United States by NYC Guitar School.NYC Guitar School251 West 30th StreetNew York, NY 10001Publisher: Dan EmeryCopy editor: Suzanne BilyeuBook design: Chika AzumaIllustrator: Dan Emery and Alia MaddenPhotographer: Woody Quinn, Dan Emery, and Genifer OwenPaper: Oxford The Holly Hunt Collection, Fired, 100 lb. coverand Cougar Natural Opaque, 60 lb. textPrinting: Peeq MediaISBN 978-0-9825998-0-8First editionPrinted and Bound in the United StatesAcknowledgementsIn 2004, New York City Guitar School consisted of a single room inand mind-blowing enthusiasm which have helped many nervousthe Recording and Rehearsal Arts Building on West 30th Streetfirst-time students get off to a successful start in their guitar career.in Manhattan. One door led to the offices of four other businesses.NYC Guitar School teacher Vince DeMasi generously readThe other led to a shared bathroom. As my students and I movedand advised me on the material. He also did much of the researchour guitars aside to allow yet another person to use the facilities, Ion song progressions which you’ll see at the end of each lesson,did not imagine that six years later New York City Guitar Schooland with his permission I’ve kept intact some of his text and jokes,would have over thirty teachers and twenty classrooms in three loca-especially at the end of lessons 2, 3, 7 and 8. Brooklyn Guitartions in Manhattan, Brooklyn and Queens, or that thousands ofSchool teacher Woody Quinn took most of the photos in thestudents would learn to play guitar using the curriculum which youbook. Work-study student April Koester typed the entire manualnow hold in your hands. This would not have happened without thethree times. Alia Madden (www.avphibes.com) created most ofsupport, involvement and encouragement of hundreds of people.the most striking images in the manual (the not-striking onesThe heart of a great guitar school is great teachers. Lennyare mine). Chika Azuma did the amazing book design. SuzanneMolotov, Anne Husick, Matt Boas and Suke Cerulo joined theBilyeu edited the material, improving it dramatically despiteschool six years ago and are still teaching spectacular lessons here to-removing hundreds of my precious exclamation points!!!day. I thank them for forming the core of the most student-centeredThe lion’s share of the credit goes to the amazing New Yorkguitar faculty in America, and for improving this guitar manual byCity Guitar School Students. Early students Rita Caliendo, Nelsonletting me know what did and did not work for their students.Cheung, Mary Ghiorzi, and Gerry Borrell encouraged me to haveThe development of the book has been inseparable from thea larger vision of the course. Since then, hundreds of students havedevelopment of New York City Guitar School itself. This successtaken a moment in the lounge, elevator or hallways to say whatwould not have been possible without the enthusiasm, dedicationthey liked and disliked about the course. Their support has car-and leadership of Director Jen Elliott, for which I thank her. Iried me through days both fair and foul. I can’t believe my goodam also thankful to Shane Chapman, who runs Brooklyn Guitarfortune to be so constantly surrounded by such wonderful andSchool, where his creativity and hard work have brought thisinspiring people.course to hundreds of happy Brooklynites. Appreciation is also dueto veteran front desk superstar Genifer Owen for the sweet voiceNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 2Finally, words cannot express my thanks to my wife, Miriam,for her unyielding faith in me.12/27/11 7:54 PM

GUITAR FOR a b s o l ut eBEGI NNERSNEW YORK CITYGUITAR SCHOOLNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 312/27/11 7:54 PM

N Y C G uitar S ch o o lGUITAR FOR ABSOLUTE BEGINNE R SObjective: To learn fundamental skills, concepts and techniques of great guitar players, playsongs by heart and establish a strong foundation for further study in any style. Class One 7 The Fundamental Habits ofGreat Guitar PlayersLearn your first two chords, which could be used to play such songs as“What I Got” by Sublime and “Give Peace A Chance” by John Lennon.Identifying strings, frets and fingers; the rest stroke; chord diagrams; D and G chords; proper fretting;planting fingers; strumming the optimum number of strings; how to practice. Plus—Great Songs!FOR NEXT WEEK BRING A TUNER TO CLASS. Class Two 23 The Single Most Important Habitof a Good Guitarist is Playing in RhythmAlso, you’ll learn a third chord, which will empower you to play three-chord songs like“Still Haven’t Found What I’m Looking For” by U2. PLUS Superhero-Themed Tab Reading!Using a tuner; playing with a pick; strum on the beat—quarter-note strums; the A7 chord;how to practice; how to read tablature and play cool licks; memorize songs. Class Three 35 Learn This and Learn Many ofthe Greatest Songs of All TimeThis class will unlock the secret to thousands of songs, including “Stand by Me” by Ben King,“The Reason” by Hoobastank and “Crazy” by Aerosmith. Yes, it is HUGE!Pivot changes and how and why to use them; E minor, C major and D7;the concept of progressions; song sections to practice pivot changes. Class Four 46 The Secret to Playing Great RhythmGuitar PLUS the Small Barre—Gateway to Future Guitar GreatnessAfter this class, you’ll have the chords necessary for playing songs like “Swing, Swing” byThe All-American Rejects, “My Name is Jonas” by Weezer and “First Cut” by Cat Stevens (a la Sheryl Crow).Lock your hand with the beat; how to count eighth notes and more licks.NYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 412/27/11 7:54 PM

Class Five 55 The Gentle Art of RiffingPLUS A Minor (The Saddest Chord)By this time you finish this session, you’ll be getting downright crazy guitar chops, gaining the ability toplay everything from songs like “Wild Thing” by the Troggs to “Knocking on Heaven’s Door” by Bob Dylan.How to count and play riffs; planting fingers to change between G, C and D; A minor Class Six 61 Rhythm 101: Learn This andUnderstand How Strums WorkAfter this class, you’ll have the skills to play songs such as “Every Morning” by Sugar Ray,“Leaving on a Jet Plane” by Peter, Paul and Mary, and more. DISCUSS CLASS TEN.The powerful “basic strum” pattern Class Seven 70 Learn the Best Strum andAlways Sound TerrificWould you like to play songs like “Take It Easy” by The Eagles and “Brown Eyed Girl”by Van Morrison? If so, you’d better learn the Best Strum.Mixing strums, changing chords in the middle of a measure, more eighth-note riffing Class Eight 76 How Great Guitarists Think About MusicYou can’t be a bluesman if you don’t know this, and you can’t play A-chord songslike “Sweet Child of Mine” by Guns and Roses unless you know how to play an A chord!CHOOSE WHAT SONG TO PLAY AS A CLASS IN CLASS TEN.A and E with pivots! Class Nine 84 Rhythm 102: Mixed Rhythms and Split MeasuresThese moves can be heard in such songs as “Imagine” by John Lennon, “Redemption Songs” by Bob Marley,“Hey Ya” by Outkast, “La Bamba” by R. Valens and on and on. PRACTICE THE SONG FOR CLASS TEN.Mixing the best strum and the basic strum; changing chords in the middle of a measure Class Ten 90 REVIEW, OPEN CLASS and GRAND FINALE!Review and then perform a song as a group for guests and interested fellow students.NYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 512/27/11 7:54 PM

What is the Fundamental Secret of Playing Guitar Successfully?Perhaps you want to play guitar because you reallylove music, and you want to be able to make beautiful music yourself. Maybe you want to eventually playmusic with other people, or write your own songs, orplay for your toddler—or perhaps you want to be a rockstar! All of these and others are fine reasons to play guitar.Regardless of your particular motivation, let us recognize the one thing that you MUST do on your wayto achieving your goals. To be a guitar player, you mustplay guitar! That’s right! If you truly want to play guitar,let us understand right now that you are going to haveto pick up your guitar, hold it in your hands and play itto the best of your ability. This is called “practicing,” andthe more often you practice, the more and the sooner youwill realize your goal and desire of being a guitar player.In your studies at New York City Guitar School, youwill gain a solid understanding of the habits and techniquesnecessary for a lifetime of guitar enjoyment and learning.Your teachers will present these powerful ideas to you ina clear and uplifting manner. But as committed and enthusiastic as the teachers at New York City Guitar Schoolare, they will not deserve the credit for your progress. Thecredit will be all yours; playing guitar is in your hands.If you will only pick up your guitar and play it regularly, then with the aid of your teachers you will soon beamazing yourself. In fact, I think you will be surprisedby how easily and comfortably you will learn. To playguitar with confidence and skill, make a deep and powerful commitment right now to the fundamental secretof playing guitar:To master guitar playing you must play your guitar!TO MASTERGUITAR PLAYINGYOU MUSTPLAY YOUR GUITAR!6 N Y C G U I T A R S C H OO L G U I T A R F O R A B S O L U T E B E G I N N E R SNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 612/27/11 7:54 PM

N Y CG U I T A RS C H OO L G U I T A R1F O RA B S O L U T EB E G I N N E R Sc l a s sThe Fundamental Habits ofGreat Guitar Players by Dan Emery of NYC Guitar School 2009 {Identifying strings, frets and fingers; the rest stroke; chord diagrams; D and G chords;proper fretting; planting fingers; strumming the optimum number of strings; how to practice.FOR NEXT WEEK, BRING A TUNER TO CLASS. Plus—Great Songs!}his is a hands-on lesson, so grab yourand begin playing fun songs—so please read throughsoon-to-be trusty guitar, sit downthis section so that you learn the material and you neverand put it right in your lap, withneed to study it again.this text on the table, counter or milkMost of the people taking this course have an acous-crate in front of you. Today you willtic guitar at home like the one pictured below. A picturebegin to internalize the habits of a great guitar player!may be worth a thousand words—but actually reachingout and touching something is worth a thousand pictures. So reach out and touch each part of your guitarWhat is This Thing in My Lap?corresponding to the labeled parts in the pictures below,It is called a guitar. Since you are now a guitar player, you need to know your way around the guitar, justlike an astronaut needs to know which button is whichin the space shuttle. So let’s learn the PARTS OF THEGUITAR. I know that you are eager to cut to the chaseand clearly recite the name to yourself. If you are playing a classical guitar it will have nylon strings and nopickguard, and if you are playing an electric guitar itwill have some electronic parts and controllers, but theessentials will be the same.7 N Y C G U I T A R S C H OO L C L A S S O N ENYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 712/27/11 7:54 PM

How to Hold the GuitarNow, allow gravity to gently pull your thumbWe’re not learning to play classical guitar in thisdown. It will strum the thickest string as it falls tobook, and most players in every other style of music restREST against the next string. Here is a picture of thethe guitar on their thigh. Why don’t you do that, andsame thumb after strumming the sixth string with aplay some experimental-having-no-idea-what-you’rerest stroke:doing guitar for a moment. Let your strumming armrest on top of the guitar, relax, andimagine yourself playing your favoritesong. If you feel a little awkward, that is OK, becauseood Guitarafter all you’ve beenThe rest stroke is not only restfula guitar playerand relaxed, but the thumb alwaysPlayers Strumfor only fourcomes to a REST on the next string.or five minutes.That’s why it is called the rest stroke.Efficiently, UsingTry playing rest strokes on variousstrings one by one, always with theRest Strokes.thumb coming to rest on the nextstring. When you get to the thinnestHow to Strumstring, let your thumb fall against thethe Guitar Correctlybody of the guitar, as below:When strumming,Right now you are developing habits let your hand drop andthat will stay with you for many, manybrush againstyears. Doesn’t it make sense to developthe string or strings,good habits immediately? In the nextlesson we’ll start using a pick, but firstcoming to a rest againstwe want to achieve perfect, beautifulanother string orstrumming form, and that is best acthe guitar body.complished by spending some timeSpend a moment investing in yourstrumming with your thumb using aguitar future by becoming modestlytechnique called “the rest stroke.” Let thecomfortable with rest strokes. Practicethumb of your strumming hand (i.e. the right hand forplaying rest strokes on various strings. Then pracright-handers and left hand for left-handers) rest on thetice strumming all the strings; your thumb will brushthickest string of the guitar, more or less over the soundagainst each string in turn, finishing against the bodyhole. Be relaxed—let gravity drag some of the weight ofof the guitar.your thumb and hand against the string. Emulate theBy the way, there are two habits to especially avoidpicture below as much as possible:in strumming: Don’t grip the bottom of the guitar withyour fingers. Don’t swoop your hand or thumb out intothe air. Do play smooth, relaxed efficient rest strokes.Using rest strokes is one of the fundamental habits of agreat guitar player.G8 N Y C G U I T A R S C H OO L G U I T A R F O R A B S O L U T E B E G I N N E R SNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 812/27/11 7:54 PM

To Play Guitar,You Must Identify Strings.Here’s How:Strings are numbered from thinnest to thickest —the thinnest string is called the first string, the nextthinnest is called the second string, and so on untilwe get to the thickest string, whichis called the sixth string. Remember:The thinnest string is called the firststring. Learn the string numbers byemember,doing the following exercise—put thethumb of your strumming hand onthe Thinnest Stringthe 6th (thickest) string and play a reststroke. Now your thumb is on the 5this the First String andstring. Play it with a rest stroke. Nowfind and play the following strings:the Thickest String4, 3, 2, 1, 6, 1, 5, 2, 3, 4. You nowknow how to identify strings. Here is ais the Sixth String!labeled picture:RFDo you see what we’ve accomplishedhere? We can now identify any intersection of string and fret on the guitar!Try it. Remember that the thinneststring is the first string and locate:the first string at the first fret; the second string at the second fret; the sixthstring at the third fret; the fourth stringat the first fret; the third string at thefourth fret. Again, remember that thethinnest string is called the first string.Good work! You now understand howto locate frets and strings.Use Your Fingertipsto Play Clearand Clean Notesret with theDid you know that fingers mightbe identified differently when playingdifferent instruments? For example,piano players call their thumb the firstfinger. But not us guitarists! We call athumb a thumb, and the index fingeris the first finger.Tip of your FingerAlmost, but NotNOTE: This is a new, aerial viewof the strings, as though the guitaris sitting on your lap facing up.This is an aerial viewQuite, on the Fret!To Play G uitar,You Must Identify Frets.Here’s How:Now examine this pictograph of the very end of theneck, where it meets the head. Note that the frets arealso numbered. The fret closest to the nut is called thefirst fret; the next one is the second fret and so on. Touchthe following frets with any finger you like as an exercise: 1, 2, 3, 4, 2, 1, 3.thumb1st finger2nd finger3rd finger4th finger9 N Y C G U I T A R S C H OO L C L A S S O N ENYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 912/27/11 7:54 PM

Now try “fretting” a note. Press the tip of your first“thunk” instead of a clear note, then everything is pro-finger against the first string just behind the first fretceeding normally! Ask yourself: “Am I using the very tip(“behind” means on the head side of the fret, not theof my finger?”; “Is my fingertip close to the first fret (butbody side of the fret). Push down until the string isnot actually on top of it)?”; “Is my thumb against thepressed against the fret. Following is a helpful picture.back of the neck opposite my first finger?” and “Am INotice that this guitarist is really using just the fingertip.pressing the string down hard enough to press the stringKeep your thumb behind the neck, providing supportagainst the fret?” Keep trying until you hear your note.for the fingers; the arm is relaxed, elbow near the body.By the way, if your nails are too long, you won’t beable to fret clearly. I realize that it really can be a sacrifice to get out the nail clippers and cut them down tosize. Just remember that Bonnie Raitt, Ani Difranco andTracy Chapman cut their nails, and they can play theheck out of the guitar.Take a moment to fret and strum notes all over theAfter you fret the first string at the first fret, put theguitar on different strings with different fingertips. Re-thumb of your right hand on the first string and strummember to use a beautifully relaxed and efficient restit with a rest stroke. If you hear a buzzing sound, or astroke each time.Your First ChordYou have learned two vital habits of playing guitar —rest strokes and using your fingertips to hold down thestring close to the fret. You are now ready to tease thefingers of your fretting hand into a strange configurationknown as a “chord.” You can think of a chord as a set ofnotes that sound good together. Your first chord will bethe D major chord, usually just called “D.” At first, youmay think that D stands for “darn it” or “dang it,” butsoon you will discover that D stands for “Dy-no-mite!”Begin making a D chord by putting the first fingerof your left hand on the third string at the second fret.This is your plant finger. Always when you make a Dchord, you will begin with this finger, until that timeat which all your fingers will fret the chord simultaneously. Of course, I know that you will remember thefundamental good habits of using your fingertips andplaying close to the fret. So put the tip of your firstfinger on that third string almost but not quite on thesecond fret and press down.Now in addition to your first finger, put your secondfinger on the first string (thinnest), also at the secondfret. Ideally both fingertips should be close to the fret—it may be helpful to turn your hand slightly to accomplish this.10 N Y C G U I T A R S C H OO L G U I T A R F O R A B S O L U T E B E G I N N E R SNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 1012/27/11 7:54 PM

Finally, reach out with the third finger to play theone of your fingers is bumping into a string (usually it issecond string at the third fret. Sort of a reach, huh? Dothe third finger bumping against the first string.)not be dismayed if this seems difficult—remember thatHere’s a chord-troubleshooting checklist:every guitarist had to do this for the first time at somepoint. Press the strings down with all three fingertips.Are you using your fingertips to fret the chord?Are you fretting close to (but not on top of) the frets?Are you pushing the strings against the frets?Readjust and try again, string by string. Each timeyou make the D chord, begin with your first fingertip(because it is the plant finger!).Remember that we seek perfection—but we don’texpect it immediately. New guitar players typicallyYou’re now making a D chord! Lift all your fingers upneed several weeks of practice before their D chord isand make a D chord again, one finger at a time. Noticeconsistently clear. (But don’t wait for perfection—startthat your fingertips outline a triangle.learning to play songs even if just a couple of stringsThen do it again. And again. And again, again, again,again, again.ring out clearly.)Please note that ideally, we want to hear not onlythe three strings that you are holding down with yourfingers, but also the fourth string, even though it is openStrumming the D Chord(i.e. unfretted). We DON’T want to hear the fifth andNow rest the thumb of your strumming hand onthe fourth string and try an experimental strum or two.Let your thumb fall all the way down to the body of theguitar with each strum.If each string sounded pristine and clear, you may do adance of joy. However, if you are like me when I started,or just about everybody else, one, two or even three of thestrings made a “buzz” or “thunk” instead of a clear sound.If this is the case, look over at your left hand. Probablysixth strings—they aren’t part of our D chord.PNow, practice making the D chord. The first thing weneed to accomplish is a rough familiarity with the chord,so don’t worry about how it sounds. Just repeatedly forma D chord by putting the first fingertip down, then thesecond, then the third, and then a beautiful little strum ofthe four thinnest strings. Do this for five or 15 minutes,just long enough to begin feeling a little comfortable withthe D chord. Then go on to the next section.ractice Makes PerfectThe D Major ChordThe G Major ChordYour journey of a thousandsongs begins with D.Knowing G is an absolute must,because it shows up more often and inmore songs than any other chord.11 N Y C G U I T A R S C H OO L C L A S S O N ENYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 1112/27/11 7:54 PM

Learning to Read Chord DiagramsThere is a conventional way for guitarists tocommunicate how a chord is played, called a CHORDDIAGRAM.Remember when we zoomed in on the neck of theguitar when we learned how to identify frets? This is anaerial view. We’re looking straight down at the guitar. Itis lying on its back.Next, we’ll indicate that we’re supposed to strumonly four strings on this chord by Xing out the stringsthat we don’t play (the 5th and 6th strings.) While we’reat it, let’s make it clear that we do play the 4th string,even though we’re not fretting it, by placing an “O” foropen next to that string.Let’s zoom in even more.Now, let’s turn this picture into a diagram by takingout the head of the guitar, and the extra frets, and byturning the nut and thick strings into just normal lines.DNow let’s superimpose the fingertips of a D chord.From now on, not only in this course but for the restof your guitar career, you will be reading and understanding chord diagrams.The Next Chord: G MajorUse your newfound chord-diagram reading skills tolearn the G major chord. This chord is used more thanany other chord in rock and roll.G12 N Y C G U I T A R S C H OO L G U I T A R F O R A B S O L U T E B E G I N N E R SNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 1212/27/11 7:54 PM

You can think of G standing for “giant” because thereAgain, as you did with the D chord, make a fewis a giant stretch involved. Put down the second finger onexperimental strums. This time you will strum all sixthe sixth (thickest) string, close to the third fret. This isstrings. And again, check to avoid those buzzing andyour plant finger. Eventually, all your fingers will make thethunk-like sounds by asking:chord simultaneously, but in the meantime, when playinga G, lead with the second finger, which holds down theAm I using my fingertips to fret the chord?most important note in the chord. Remember to fret withAm I fretting close to (but not on top of) the frets?your fingertip close to (but not on top of) the fret.Am I pushing the strings against the frets?Then put down the third finger on the opposite sideof the guitar neck, on the first (thinnest) string, alsoclose to the third fret.Take five or ten minutes to achieve a rough familiarity with the G chord. Again, we strive for perfectionFinally, put down the first finger on the fifth stringbut we don’t expect it immediately. Even though your G(next-to-thickest) and close to the second fret. This ischord doesn’t yet sound completely clear, when you aresort of a bonus finger—many competent guitarists leavemoderately confident with the basic shape of it, go onit off.to the next section.The Most Powerful Chord Exercise of AllBack in my college days, I ran track and crosscountry for the University of Idaho. I was always trying to find some special way to practice that would givean extra edge, preferably without running eight or tenmiles every morning. Once I read an article about a newworkout consisting of jumping on and off a box, andI excitedly ran to see Ken, the trainer. “Ken,” I yelled,“I’m gonna jump up on a box and then back down for45 minutes every morning so that I’ll be a better longdistance runner.”Ken looked at me for a moment, then said, “Dan,jumping on and off a big wooden box might help youto become a better box jumper, but if you want to be abetter long-distance runner, why don’t you go run eightor ten miles?”So it is with guitar playing. Drills are great, but thebest way to get good at playing guitar is to play guitar—so let’s begin! The single most powerful thing you can doright now to become a better guitar player is to changeback and forth between a D and a G chord incessantly.You see, making a chord isn’t the hard part of guitarplaying—changing chords in the middle of a song isthe hard part. So get ready, and change back and forthbetween D and G. Take your time. Remember:ON THE D CHORD—Lead with your first finger useyour fingertips strum four strings.ON THE G CHORD—Lead with your second finger use your fingertips strum six strings.It seems to me that most people need to play thischange somewhere between 400 and 900 times to feelreally confident with it—so do your rock-star guitarplaying self a great favor and change chords relentlesslyover the next week! Change chords while listening tomusic, watching TV, talking on the phone, at breakfast,while riding your unicycle.13 N Y C G U I T A R S C H OO L C L A S S O N ENYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 1312/27/11 7:54 PM

Questions and Answers for Beginning GuitaristsQ: My fingertips hurt—is that okay?Now, some people may tell you that the bent-wristA: That’s okay. As long as they aren’t actually bleedingmethod is more proper, especially trained classical-guitaror blistering, there is no problem. Jimi Hendrix, Ericplayers. But trained classical guitarists have been build-Clapton and Sheryl Crow all had sore fingertips whening up their strength for years—and besides, they usual-they started playing guitar! The only way to make yourly aren’t playing chords. Also, they are holding their gui-fingertips stop hurting is to play enough for your fingerstars almost vertically on their laps. On the other hand,to toughen up—usually this takes three or four weeks oflook at just about any accomplished rock, folk, country,steady practice. If your fingers do blister, you might bepop or alternative player, and you’ll see that their wristspracticing too much, but more likely your guitar is a badare relatively straight. So let’s be like them! In fact, ifinstrument, or you’re playing with way too much force,you have to choose between a clear-sounding chord andor both. Remember, almost every challenge in guitar isa healthy wrist position, be healthy! Chord clarity willsolved with good form, not brute force.come with time and practice. In the unlikely, but notunheard of, event that your wrists, joints or tendons areQ: My wrist hurts—is that okay?extremely sore after a week of practice, bring your guitarA: No, that is not okay. Fingertip pain is a pain in ain so that your teacher can check it for playability, andfleshy bit of your finger, which soon adapts. Wrist painask for advice on your playing.can be in your tendons and joint and can get worse withtime. And when pain gets worse, it is hard to practiceI’ve included charts and sketches below to help youdetermine if your pain is okay, or not okay.relentlessly. Avoid wrist pain by keeping your frettingwrist straight, as in the following sketches:DON’T DO THIS—the bent wrist causes wrist painTYPE OF PAINDO THIS—a relatively straight wrist is good.Okay painNOT-Okay painFleshy finger pad sorenessMuscle sorenessWrist painJoint/tendon painBleeding fingers14 N Y C G U I T A R S C H OO L G U I T A R F O R A B S O L U T E B E G I N N E R SNYCGS ABSOLUTE BEGINNER 2011REV TEXT MECH.indd 1412/27/11 7:54 PM

How to Practice Guitar Effectively1. Practice Accurately.Now what can we learn from this insight into howWhen you practice playing your guitar, you are literally creating new pathways in your neurons, which arecells in your brain. As you practice your D chord overand over, for example, you deepen and widen this pathway and make new connections. For the beginning guitarist, a D chord will consist of severaldifferent actions in your mind, likethis set of commands to your brainand body:You: “Hey brain and fingers–give mea D chord!”Your Brain: “OK, let’s see here, uh,first I’ll put your first finger down onthe third string, then I’ll, uh, rememberyour brain learns to play guitar? Something impo

GUITAR FOR AbsolUTe beGINNeRs NYCGS_ABSOLUTE_BEGINNER_2011REV_TEXT_MECH.indd 1 12/27/11 7:54 PM. In 2004, New York City Guitar School consisted of a single room in . play for your toddler—or perhaps you want to be a rock star! All of these and others are fine reasons to play guitar. Regardless of your particular motivation, let us rec-

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This is the best version of the B guitar chord for beginners to learn. Let's look at a 2-finger version of the B guitar chord. (This is easier to play than B7 but doesn't sound as good, so it doesn't win my overall recommendation.) Bm11# This is a great version of the B guitar chord for beginners to use. Even though it doesn't sound as good

219 CLASSICAL GUITAR HAL LEONARD 2009-2010 CLASSICAL MUSIC CATALOG 220 Guitar Instruction 222 Solo Guitar Literature by Composer 238 Solo Guitar Collections 240 Guitar Duos 242 Guitar Ensembles 243 Guitar with Various Instruments 247 Voice and Guitar 247 Mandolin 248 Dulcimer 248 Lute 76164 6 Classical_Guitar: 6/18/09 4:02 PM Page 219

level of the GR-20 sounds and your guitar sound from the GK-3 and the guitar itself, whether you’re using only GR-20 sounds, the guitar sound alone, or both together. To adjust: the GR-20 sound level at the guitar—turn the large dial on the GK-3. the clean guitar level at the guitar—use the guitar’s own volume controls.

The main types of modern acoustic guitar are the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. Vibration is the root of the tone of the guitar strings, which is amplified by the body of the guitar that serves a

Combined ASTM and ASME for 304L 2 Corrected Acerinox code for HRA Show difference between 523 and 543 Removed 509 3.1.1 Fixed tolerance specification ISO 9444-2 3.1.1.1 Changed lengths for 8-10mm and 10-16mm thickness and added a footnote 3.1.3.1 Removed 3CR12Ti, 3CR12LT and 304H Added 40975, 439 Combined ASTM and ASME for 304L Added gauges for 40920 Added footnote references for 4 and 5 3.1.3 .