Musical Instruments/Guitar Master The Chords Used In Jazz.
Master the chords used in jazz.This chord dictionary includes over a hundred jazz chord forms, from basic 7thchords with all standard tension substitutions and alterations to guide tonechords to triads over bass notes. It is organized to reveal relationships betweendifferent types of chords and help you learn the voicings quickly and thoroughly,in a way that is easy to remember.You will improve your comping and soloing,develop your fingerboard facility, and add more colors to your harmonic palette.BERKLEE JAZZ GUITAR CHORD DICTIONARYMusical Instruments/GuitarIt includes:I Traditional notation, fretboard diagrams, and tablature for each chordI Over 100 movable chord formsI Multiple versions of barre and 7th chord shapes, with substitutions andalterationsI Triads over bass notes, inversions, and guide-tone chordsI Diatonic chord exercisesRICK PECKHAMberklee jazz guitar chordBerklee Press1140 Boylston StreetBoston, MA 02215 USA617-747-2146berkleepress.comRick Peckham is Assistant Chair of the GuitarDepartment at Berklee College of Music. Hehas mentored thousands of guitarists and isauthor/instructor of the Berkleemusic onlinecourse Guitar Chords 101 and the Berklee PressDVD Modal Voicing Techniques.DICTIONARYBerklee Press, a publishing activity of Berklee College ofMusic, is a not-for-profit educational publisher. Availableproceeds from the sales of our products are contributed tothe scholarship funds of the college.Cover by Robert HeathU.S. 14.95ISBN 0-7935-1083-8U.S. rick peckhamBERKLEE PRESS#73999-FABBHj 84088-BAECFcISBN-13: 978-0-87639-079-5ISBN-10: 0-87639-079-3
90448 Berklee JazzGuitarChord Guts:Layout 14/4/0712:23 PMPage iedited byjonathan feist
90448 Berklee JazzGuitarChord Guts:Layout 14/4/0712:23 PMPage iiBerklee PressVice President: Dave KusekDean of Continuing Education: Debbie CavalierManaging Editor: Jonathan FeistDirector of Business Affairs: Robert F. GreenSenior Designer: Robert HeathEditorial Assistants: Rajasri Mallikarjuna, Jonathan WhalenISBN-13: 978-0-87639-079-5ISBN-10: 0-87639-079-31140 Boylston StreetBoston, MA 02215-3693 USA(617) 747-2146Visit Berklee Press Online atwww.berkleepress.comVisit Hal Leonard Online atwww.halleonard.comCopyright 2007 Berklee PressAll Rights ReservedNo part of this publication may be reproduced in any form or byany means without the prior written permission of the Publisher.
Jazz Chord Dict4/10/0712:43 PMPage iiiContentsIntroductionPart I. Chords1. Moveable 7th Chord Shapes(each on 5 4 3 25 3 2 1 )4 3 2 16 4 3 2Major 7Dominant 7Minor 7Minor 7%5Major 6Minor 6Diminished 7Dominant 9Minor 9Minor 11Dominant 132. Dominant 7th Chords with Alterations:two versions each, with roots on 6 and 5Dominant 7%5Dominant 7(#11)Dominant 7(9, #9)Dominant 7#5Dominant 7(%9, %13)Dominant 7(altered): 7%5(%9), 7%5(#9), 7#5(%9), 7#5(#9)3. Guide Tone ChordsRoot 3 7 (Major 7, Dominant 7, Minor 7, Minor 7%5, Major 6,Minor 6, Diminished 7)Root 7 3 (Major 7, Dominant 7, Minor 7, Minor 7%5, Major 6,Minor 6, Diminished 7)4. Triads over Bass-Note Voicings with Roots on 6 5 4V/I%VII/IOther Common Voicings: (III/I, II/I, #IV/I, VI/I, VII/I)54 3 2 16 4 3 25. Inversions (each on 5 4 3 2Major 7Dominant 7Minor 7Minor 7%5Major 6Minor 6Part II. Exercises6. Quartal Voicings ExercisesC Dorian Voicings7. Diatonic ExercisesB% Major on 5 4 3 2E% Major on 4 3 2 1F Major on 6 4 3 2B% Major on 5 3 2 1F Harmonic Minor on 6 4 3 2F Melodic Minor on 6 4 3 2G Major 6 Bebop Scale on 6 4 3 2G Minor 6 Bebop Scale on 6 4 3 2About the Authoriv223345567788999101011111313143 2 1)1616161719192021232425282830303132333435363738
Jazz Chord Dict4/10/0712:43 PMPage ivIntroductionThe Berklee Jazz Guitar Chord Dictionary is a resource for 7th-chordvoicings and other frequently encountered jazz chord shapes on thefretboard.The following diagrams indicate what notes you should use for eachchord voicing. These chord blocks will show you the right shapes, butas a musician, you owe it to your audience and yourself to hear themusic before you play it. This material will help you to map out thesounds on your fretboard. With time, you will hear the chords beforeyou play them.Strive to play these chords with a solid time feel, a full tone, and attackswith your “picking hand” that match the level of intensity of the musicyou’re attempting to play.Some tips for getting a good chord sound: Take special care to play the notes requested—and to leave out,or mute the strings with the x symbol above them. Keep theextra strings out of the sound. Use the edges of your fingers of your fretting hand to muteunwanted strings. Focus your strumming (or finger-pickingattacks) on the indicated strings. Avoid sounding the others. When strumming across the strings, make the speed of yourstroke fast enough to give the illusion of one simultaneoussound made up of all the chord voices.iv
Jazz Chord Dict 4/10/0712:43 PMPage vWhen you’re using your fingers to pluck chords, take care tobalance the level of each chord tone. A common tendency is tohit the outermost notes with the most force, resulting in athinner texture. You’re working to put those notes on the frets;make sure that the listener can hear them! While forming the chords, make sure that your fingers are asclose to the intended frets as possible. When changing chords, mute the strings by lifting your fingersfrom the strings, but still touching them, to hold them still asyou slide to the next chord. Make sure all notes ring. If you’re not hearing all the notesclearly, keep working to curve your fingers and adjust yourhand position on the intended frets to make the sound shinethrough your instrument.Playing chords effectively takes time, and the learning process requirespractice. There are three common stages of development. Physical Stamina: Building your hand muscles Muscle Memory: Memorizing the proper chord-voicing shapes Informed Musical Instincts: Using these chords to makemusicv
Jazz Chord Dict4/10/0712:43 PMPage viHere are some other things to keep in mind: While practicing, stay vigilant, playing in time and using ametronome or drum machine. Stay with a musical task until youcan make it groove with a strong time feel. Play with other musicians whenever possible, as often as youcan. Practicing by yourself is only part of the overall plan. Make sure that the chords that you play fit well into yourplaying situation. Should your voicings contain a lot of notesor a few? Listen to the overall texture, and make a musicaldecision. Listen to the originators of the styles that you love. It’s one ofthe best ways to keep yourself inspired—and to help you tokeep the highest musical values in mind. Listen to great guitarists, but don’t stop there. Focus onperformers of other instruments as well. Bring it all togetherto help you to develop your own unique voice.Keep working, and be patient with yourself. Having the physicalstrength and the knowledge of the shapes provide means to musicalends. With time, you’ll be able to choose from a variety of options.If you keep at it, you’ll definitely get there!—Rick Peckhamvi
Jazz Chord Dict4/10/0712:43 PMPage 1PART I.CHORDS
Jazz Chord Dict4/10/0712:43 PMPage 2Chapter 1.Moveable 7th Chord ShapesMajor 7CMaj7CMaj73fr10fr1324 1333 5453 CMaj712121210CMaj78fr1 342 289983fr1 342 3543
Jazz Chord Dict4/10/0712:43 PMPage 3Minor 7Dominant 7C7C73fr 13141324 10fr5353 C712111210C78fr1 2431 243 3fr 898 83533Minor 7C–7C–73fr1312 435310fr1423 111112103
Jazz Chord Dict4/10/0712:43 PMPage 4MOVEABLE 7th CHORD SHAPESC–7C–78fr2 3331 243 3fr 888 83433Minor 7%5C–7b5C–7b53fr10fr13241222 4343 C–7b511111110C–7b57fr2 341 478882fr2 341 2433
Jazz Chord Dict4/10/0712:43 PMPage 5Minor 6Major 6CMaj6CMaj62fr 23141314 10fr5253 CMaj612101210CMaj67fr2fr2 1432 143 897 8 3523Minor 6C–6C–62fr2413 425310fr 1312 111012105
Jazz Chord Dict4/10/0712:43 PMPage 6MOVEABLE 7th CHORD SHAPESC–6C–67fr2 1342 143 2fr 887 83423Diminished 7Cº7Cº72fr 23141324 10fr4243 Cº711101110Cº77fr2 131 678782fr2 141 2423
Jazz Chord Dict4/10/0712:43 PMPage 7Minor 9Dominant 9C9 C92fr 21332143 9fr3323 C91011910C95fr3 421 5782 34 80333Minor 9C–9C–98fr 3313 21432134 10118107
Jazz Chord Dict4/10/0712:43 PMPage 8MOVEABLE 7th CHORD SHAPESMinor 11C–11C–116fr2 341 688 2 341 143 83Dominant 13C13 C132fr 53323109821334 1 234 C133fr 1 244 88fr55338
Jazz Chord Dict4/10/0712:43 PMPage 9Chapter 2.Dominant 7th Chordswith AlterationsDominant 7%5C7b5C7b57fr2 3412 341 2fr 798 82533Dominant 7(#11)C7(#11)C7(#11)7fr2 341 79882fr2 341 25339
Jazz Chord Dict4/10/0712:43 PMPage 10DOMINANT 7th CHORDSDominant 7(9), Dominant 7#9C9 C7(#9)2fr2fr21332134§9 3323#9 4323C7(#9)8fr 1214 #911898Dominant 7#5C7#5C7#58fr3fr1 234 1099881 243#5 4533#5
Jazz Chord Dict4/10/0712:43 PMPage 11Dominant 7 (altered)Dominant 7 (%9, %13)C7(b9,b13)C7(b9,b13)8fr2fr 9998423231 2333 21314 8Dominant 7(altered)7%5(%9)C7b5(b9)C7b5(b9)7fr 2frT 2314 9798 21311 87%5(#9)implied root22323C7 5( 9)C7 5( 9)2fr7fr213412314 11798 2432311
Jazz Chord Dict4/10/0712:43 PMPage 12DOMINANT 7th CHORDS7#5(%9)implied rootC7 5( 9)C7 5( 9)2fr8fr213141222 9998 423237#5(#9)implied rootC7 5( 9)C7 5( 9)2fr8fr213441224 1211998 44323
Jazz Chord Dict4/10/0712:43 PMPage 13Chapter 3.Guide Tone ChordsRoot 3 7CMaj7C72fr 2fr213213 423323 C–7C–7b5213213 313313 (incomplete)13
Jazz Chord Dict4/10/0712:43 PMPage 14GUIDE TONE CHORDSCMaj6C–62fr312 312 223 213Cº7312 213Root 7 3CMaj7C78fr8fr1 23 14 9981 23 988
Jazz Chord Dict4/10/0712:43 PMPage 15Root 7 3C–7C–7b5 (incomplete)8fr2 348fr2 34 8888 8CMaj68C–67fr7fr2 13 2 13 97 8 878Cº77fr2 13 87815
Jazz Chord Dict4/10/0712:43 PMPage 16Chapter 4.Triads over Bass-NoteVoicings: Roots on 6 5 4V/IGMaj/CGMaj/C7fr2 1341 787 810fr 1321131 GMaj/C3fr3453 10121210%VII/IBbMaj/CBbMaj/C6fr3 421 166788BbMaj/C3fr1111 333310fr 1121 10111010
Jazz Chord Dict4/10/0712:43 PMPage 17Other Common VoicingsOther Common VoicingsIII/IEMaj/CEMaj/C8fr1 3331 243 999 3fr 84543II/IDMaj/CDMaj/C7fr2fr2 111 2 131 777 8 2323#IV/IF#Maj/CF#Maj/C6fr2fr 6762233 12182 311 317
Jazz Chord Dict4/10/0712:43 PMPage 18TRIADS OVER BASS-NOTE VOICINGS: ROOTS ON 654VI/IAMaj/CAMaj/C8fr 3fr1 423 10911 1 423 85563VII/IBMaj/CBMaj/C7fr 2 187fr2 4313117788 7898
Jazz Chord Dict4/10/0712:43 PMPage 19Chapter 5.InversionsMajor 7CMaj7CMaj7/E3fr13248597 12fr 1291010131214142314 5453CMaj7/B9fr2413 CMaj7/G5fr 3412 5 4 3 2CMaj7CMaj7/E8fr1 342 8998CMaj710fr 2 134 12121012CMaj7/B8fr1 3423 111 899555 8CMaj7/G5fr 73 241 14236 4 3 219
Jazz Chord Dict4/10/0712:43 PMPage 20INVERSIONSCMaj7CMaj7/E3fr1 324354CMaj7/B8fr12fr 7857878129121312 3CMaj7/G7fr2 143 CMaj9/E5fr1 243 73 241 73 121 10145 3 2 1CMaj7CMaj7/B10fr 1333 CMaj7/E5fr 88997555231112121210CMaj7/G8fr1113 2413 31424 3 2 1Dominant 7C7C7/Bb10frC7/G8fr 12111210889865551324 4 3 2 1201211 C7/E5fr1112 2314 3132
Jazz Chord Dict4/10/0712:43 PMPage 21Minor 7C7C7/E8fr3 142 898 8C7/Bb8fr 1 243 C710fr1 2431112102 111 898555 12C7/G17fr 83 241 132 636 4 3 2C7C7/E3fr1 24335312fr 6858119121312 3C7/Bb8fr 3 142 C7/G5fr3 241 72 131 10135 3 2 1Minor 7C–7C–7/Eb3fr1312 4353C–7/G5fr2314 8586C–7/Bb8fr12fr 1181010131213132314 2314 5 4 3 221
Jazz Chord Dict4/10/0712:43 PMPage 22INVERSIONSC–7C–7/Bb10frC–7/G8fr 11111210888864551423 1111 C–7/Eb4fr2314 same asEbMaj61314 3131 4 3 2 1same asEbMaj610frC–7C–7/Eb8fr 2 3332 143 888 8C–7C–7/Bb8fr2 3331112104 231 888455 11 8C–7/G4fr3 141 131 636 4 3 2same asEbMaj65frC–7C–7/Eb3fr1 243 34335 3 2 122C–7/GC–7/Bb8fr11fr 68581181113122 143 63 141 103 241 13
Jazz Chord Dict4/10/0712:43 PMPage 23Minor 7%5Minor 7%5C–7b5C–7b5/Eb3frC–7b5/Gb5fr132423147586 11fr 2314 4343C–7b5/Bb8fr2413 same asEb–6 11810913111313 5 4 3 2C–7b5C–7b5/Bb10fr7fr 1222 C–7b5/Gb111111101213 87886454 Eb–64fr2314 C–7b5/Eb same as 1312 2131 4 3 2 1C–7b5C–7b5/Eb7fr2 341 7888same asEb–6C–7b510fr2 134 11111011C–7b5/Bb7fr2 3413 121 788454 8C–7b5/Gb4fr 62 131 13126 4 3 223
Jazz Chord Dict4/10/0712:43 PMPage 24INVERSIONSC–7b52fr2 341243C–7b5/Bb8fr11fr 6758118111311 3C–7b5/Gb5fr2 143 same asEb–6C–7b5/Eb2 141 62 141 9135 3 2 1Major 6CMaj65fr2314 CMaj6/GCMaj6/E2fr 5253 8577109101013121412 2314 1312 5 4 3 2CMaj6CMaj6/A10frCMaj6/Gsame asA–77frCMaj6/E5fr 121012108897555531221314 4 3 2 1241423 1111 same asA–712fr 2314 CMaj6/A9fr2314
Jazz Chord Dict4/10/0712:43 PMPage 25Minor 6CMaj6CMaj6/E2fr2 143 352585 3CMaj6/A8fr3 141 CMaj6/G5fr 81091213123 241 7same asA–712fr1 243 10125 3 2 1CMaj6CMaj6/E7frCMaj610fr 8971012108972 143 3 141 8CMaj6/A7fr2 143 12same asA–72 3334 231 555122 8CMaj6/G5fr 536 4 3 2Minor 6C–6C–6/Eb2fr2413 4253C–6/G5fr8fr 857610810102314 C–6/A2314 same asA–7b512fr 1324 131213125 4 3 225
Jazz Chord Dict4/10/0712:43 PMPage 26INVERSIONSsame asA–7b57frC–6C–6/A10fr 1 3 1 2 C–6/Eb4fr 888754553121122211101210 C–6/G 2314 1214 4 3 2 1C–6C–6/Eb7fr10fr 887101210887 2 131 8C–6/AC–6/G2 3413 1217fr 2 134same asA–7b54frC–62 134 11 455121 85 36 4 3 2C–6C–6/Eb2fr5fr2 1432 141 342585 35 3 2 126C–6/G 6C–6/A8fr3 1412 341 8108111312 10 12same asA–7b511fr
Jazz Chord Dict4/10/0712:43 PMPage 27PART II.EXERCISES
Jazz Chord Dict4/10/0712:43 PMPage 28Chapter 6.Quartal Voicings ExercisesC Dorian Voicings(for use on C–7 or F7sus4)3fr5fr11121112 6fr43338fr1234 6555877610fr12fr13fr1113 11121112 10888111010101312121215141313281123
Jazz Chord Dict4/10/0712:43 PMPage 29C Dorian Voicings 5fr3fr11231234 7fr 88776655543333211122 1122 10fr8fr 11341010881122 11111010 12fr 11221313121229
Jazz Chord Dict4/10/0712:43 PMPage 30Chapter 7.Diatonic ExercisesB%Major onBbMaj75432C–7D–73fr1324 1312131243536575 G–7 3231A–7b510frEbMaj75frBbMaj712fr8fr1324 8786108108 A–7b513fr F76fr1314G–712fr10fr 13121324 13241324 r 131410810830D–76fr1324 8786C–75fr1312 65751312BbMaj73fr1312 43531324 3231
Jazz Chord Dict4/10/0712:43 PMPage 31E% MajorE%Major on43EbMaj721F–7G–73fr1333 5fr 14231423 C–7D–7b510fr 13338fr ��7b513frC–712fr10fr 2AbMaj78fr 13241091081333G–76fr 133388861222F–75fr1423 66751423EbMaj73fr1423 44531333 333131
Jazz Chord Dict4/10/0712:43 PMPage 32DIATONIC EXERCISESF Major onFMaj764G–732A–73fr1 3422 3336fr1 3428fr1 243 12233355567789813568D–7E–7b510fr2 333FMaj711frE–7b513fr 2 3411 342 D–711fr2 34110fr2 333 r1 243 325frC7 2 333BbMaj7A–76fr1 342 G–75fr2 333 FMaj73fr2 3331 342 89867755533312286531
Jazz Chord Dict4/10/0712:43 PMPage 33B% MajorB%Major on53BbMaj721C–7D–73fr1 342 1 243 EbMaj75frF76fr8fr 1 2431 3421 243132343565687810813568G–7A–7b5 10frBbMaj711frA–7b513frG–711fr10fr1 243 2 3411 342 2 341 r D–76fr1 243C–75frBbMaj73fr1 243 1 3421 243810868756534313286531 1 243 1 342 33
Jazz Chord Dict4/10/0712:43 PMPage 34DIATONIC EXERCISESF Harmonic Minor onF–(Maj7)G–7b564AbMaj7#52fr1 423 2 341 2Bb–74fr1 333 C76fr 2 3338fr 1 2 131 Eº7DbMaj713fr 1 34211fr 1 4232 1319fr1 342 910101112111313141112119101091213129C7Bb–78fr1 243 343AbMaj7#56fr2 333 G–7b54fr1 333 F–(Maj7)2fr2 3411 423 89866655523311286431
Jazz Chord Dict4/10/0712:43 PMPage 35F Melodic MinorF Melodic Minor onF–(Maj7)G–7643AbMaj7#53fr1 423 22 3331 333C76fr8fr 1 2431 243 Bb74fr11233355567689813468D–7b5E–7b59fr 2 3412 341 F–(Maj7)11frE–7b513fr 2 341 1 423D–7b511fr9fr2 341 5G–7F–(Maj7)8fr 1 2436fr1 243 4fr1 333 3fr2 333 1 423 8986765553331128643135
Jazz Chord Dict4/10/0712:43 PMPage 36DIATONIC EXERCISESG Major 6 Bebop Scale on 6GMaj6Aº72fr2 143 32GMaj6/B4fr2 131 Cº75fr3 141 7fr2 131 3424545757873578GMaj6/DD#º78fr4 231 364GMaj6/E same as E–710fr2 131 F#º712fr13fr 2 3332 13189910111012121213141310111214
Jazz Chord Dict4/10/0712:43 PMPage 37G Minor 6 Bebop ScaleG Minor 6 Bebop Scale on 6G–6Aº72fr2 134 432G–6/Bb4fr2 1312 131 Cº75fr7fr2 131 3324545757873568G–6/DD#º78fr3 121 G–6/E same as E–7b510fr2 131 F#º711fr13fr 2 3412 1318981011101112121314131011121437
Jazz Chord Dict4/10/0712:43 PMPage 38Photo by Craig ReedAbout the AuthorRick Peckham is an internationally known jazz guitarist, clinician,composer, and writer. He has performed with George Garzone, JerryBergonzi, Mike Gibbs, Hal Crook, Bob Gullotti, John Medeski, andDave Liebman. His most recent recording, Left End, a set of originalcompositions mixed with collective improvisations, features drummerJim Black and bassist Tony Scherr and was named one of the bestreleases of 2005 by Downbeat magazine. In addition to extensive workin the U.S., he has led or played on tours of Ireland, Canada, Spain, andGermany. Assistant Chair of the Berklee College of Music GuitarDepartment, Peckham has been a faculty member since 1986. He is alsoa prolific and accomplished writer, recently releasing Modal VoicingTechniques, a best-selling DVD for Berklee Press, and the online courseGuitar Chords 101 (Berkleemusic.com).For further information on Rick Peckham, please visit his Web site:www.rickpeckham.com.38
Master the chords used in jazz.This chord dictionary includes over a hundred jazz chord forms, from basic 7thchords with all standard tension substitutions and alterations to guide tonechords to triads over bass notes. It is organized to reveal relationships betweendifferent types of chords and help you learn the voicings quickly and thoroughly,in a way that is easy to remember.You will improve your comping and soloing,develop your fingerboard facility, and add more colors to your harmonic palette.BERKLEE JAZZ GUITAR CHORD DICTIONARYMusical Instruments/GuitarIt includes:I Traditional notation, fretboard diagrams, and tablature for each chordI Over 100 movable chord formsI Multiple versions of barre and 7th chord shapes, with substitutions andalterationsI Triads over bass notes, inversions, and guide-tone chordsI Diatonic chord exercisesRICK PECKHAMberklee jazz guitar chordBerklee Press1140 Boylston StreetBoston, MA 02215 USA617-747-2146berkleepress.comRick Peckham is Assistant Chair of the GuitarDepartment at Berklee College of Music. Hehas mentored thousands of guitarists and isauthor/instructor of the Berkleemusic onlinecourse Guitar Chords 101 and the Berklee PressDVD Modal Voicing Techniques.DICTIONARYBerklee Press, a publishing activity of Berklee College ofMusic, is a not-for-profit educational publisher. Availableproceeds from the sales of our products are contributed tothe scholarship funds of the college.Cover by Robert HeathU.S. 14.95ISBN 0-7935-1083-8U.S. rick peckhamBERKLEE PRESS#73999-FABBHj 84088-BAECFcISBN-13: 978-0-87639-079-5ISBN-10: 0-87639-079-3
Master the chords used in jazz. This chord dictionary includes over a hundred jazz chord forms, from basic 7th chords with all standard tension substitutions and alterations to guide tone chords to triads over bass notes. It is organized to reveal relationships between different types of chords
68 fingerstyle guitar 79 funk guitar 125 gig guides 99 guitar bible series 106 guitar chord songbooks 101 guitar ensemble series 109 guitar one presents 96 guitar play-along 91 guitar school 110 guitar series index 14 guitar starter kits 95 guitar songbooks series 102 guitar tab white pages 28 guitar technique &a
May 02, 2018 · D. Program Evaluation ͟The organization has provided a description of the framework for how each program will be evaluated. The framework should include all the elements below: ͟The evaluation methods are cost-effective for the organization ͟Quantitative and qualitative data is being collected (at Basics tier, data collection must have begun)
Silat is a combative art of self-defense and survival rooted from Matay archipelago. It was traced at thé early of Langkasuka Kingdom (2nd century CE) till thé reign of Melaka (Malaysia) Sultanate era (13th century). Silat has now evolved to become part of social culture and tradition with thé appearance of a fine physical and spiritual .
On an exceptional basis, Member States may request UNESCO to provide thé candidates with access to thé platform so they can complète thé form by themselves. Thèse requests must be addressed to esd rize unesco. or by 15 A ril 2021 UNESCO will provide thé nomineewith accessto thé platform via their émail address.
̶The leading indicator of employee engagement is based on the quality of the relationship between employee and supervisor Empower your managers! ̶Help them understand the impact on the organization ̶Share important changes, plan options, tasks, and deadlines ̶Provide key messages and talking points ̶Prepare them to answer employee questions
Dr. Sunita Bharatwal** Dr. Pawan Garga*** Abstract Customer satisfaction is derived from thè functionalities and values, a product or Service can provide. The current study aims to segregate thè dimensions of ordine Service quality and gather insights on its impact on web shopping. The trends of purchases have
Chính Văn.- Còn đức Thế tôn thì tuệ giác cực kỳ trong sạch 8: hiện hành bất nhị 9, đạt đến vô tướng 10, đứng vào chỗ đứng của các đức Thế tôn 11, thể hiện tính bình đẳng của các Ngài, đến chỗ không còn chướng ngại 12, giáo pháp không thể khuynh đảo, tâm thức không bị cản trở, cái được
The main types of modern acoustic guitar are the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. Vibration is the root of the tone of the guitar strings, which is amplified by the body of the guitar that serves a
