Stencil Art Making 3 Free . - Cloth Paper Scissors
stencil art making3 free stencilingtutorials how tomake stencilspresented by cloth paper scissors 1231 the workshop:get your stencil onLINDA BLINN2 texture and layerswith paint and stencilsLISA KESLER3 stencil & stamp synergyLISA THORPE
Stencil Art Making:3 Free StencilingTutorials How toMake Stencilspresented byCloth Paper Scissors online editorCate Pratocreative servicesDivision Art DirectorPhotographerLarissa DavisLarry SteinProjects and information are for inspiration and personal use only. Interweave Press is not responsiblefor any liability arising from errors, omissions, ormistakes contained in this eBook, and readers shouldproceed cautiously, especially with respect to technicalinformation.everywhere you look, artists aremaking stencils, painting withstencils, using stencils in theirart journals and more. If you’ve beenwondering what all the excitement isabout or want ideas for how to makestencils and how to use them, you’ll loveour new eBook, Stencil Art Making: 3Free Stenciling Tutorials How to MakeStencils.First, join Linda Blinn in The Workshopfor “Get Your Stencil On,” and learnthe basics of how to make a stencil,how to use stencils, and stencilingtechniques.Next, Lisa Kesler shows you how tocombine painting with stencils usingcustom stencils and masks in “Texture& Layers with Paint and Stencils.” F W Media, Inc. All rights reserved. F W Mediagrants permission for any or all pages in this eBook tobe copied for personal use.stencils. The stencils block outand reveal different areas of thestamped images for painting,allowing you to create manycolorful versions of the samedesign.Where mixed -mediaartists come to playStencil art is fun and easy, withunlimited uses and applications. Let’sget started!Warmly,Cate PratoOnline Editor,Cloth Paper Scissors TodayFinally, Lisa Thorpe explores “Stencil& Stamp Synergy” inspired by theFarmer’s Market. First you carvethe stamps, then the complementaryclothpaperscissors.comstencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com2
Adapted fromCloth Paper Scissors November/December 2010Left: “Winter Flowers”Below: Figure 1the wo r kshopget yoursstencil onbylinda blinntenciling is currently undergoing a lively renaissance. You’ll see stencils in home décor,packaging, jewelry, graphic design, clothing, accessories, and more. Mixed-media andgraffiti artists are taking stenciling to the level of fine art, and we have the graffiti industry tothank for innovative pressurized paint products, custom spray caps, and trendy stencils. Butyou can also create your own stencils, and one of the many advantages of cutting your own isbeing able to reproduce your favorite motifs and original designs in any size you want(see “Cutting Stencils”).stencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com1
Figure 3m at e r i a l s Protected work surface Project substrate (Various papersfrom poster board to fine watercolorpaper, decorative papers, sturdybook pages, fabrics, and canvas.Consider walls, tabletops, windowsand doors as surfaces.)Figure 2Currently my preference in stencilingis for bold silhouettes and large-scalemotifs. This graphic contemporary stylecomes to life on solid backgrounds, or itcan serve as a strong focal point againstthose gorgeous, layered backgroundsso essential to mixed-media artists.Using sprays, you can achieve a soft,watercolor-like edge, making eachstenciled image unique. Innovative resisttechniques using sprays such as gessoand clear acrylic also ensure that no twodesigns are identical that is, unless youwant them to be.With the help of some fun and whimsicalChinese lanterns, I have demonstratedthree basic techniques here: stenciling,masking, and layering.the basicsstencilingIn its simplest form, stenciling refers toapplying color inside a cut-out shape,the shape being the outline of an image.The stencil is taped (with removeabletape) or held in place, and paint isapplied within the cutout. Stencilsenable you to duplicate a design, overand over. In Figure 1, I repeated thelantern shape, applying black spray paintthrough the stencil to create a pleasingcomposition, and added the tassels witha black marker.maskingUsing a mask is quite simple. Shapesare arranged on top of the backgroundstencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc. Stencil(s), including the inside shape Double-sided removable tape Colorants (spray paint, spray mists,acrylic paints)paper or fabric, taped in place withremoveable tape, and paint is sprayedlightly over each shape, leaving some ofthe surrounding backgroundpaper/fabric unpainted. The subtleshading around the lanterns inFigure 2 was created by holding thespray can about 10" above the surface. Iused a foil marker to draw the lines fromthe lanterns to the top of the page.layeringLayering is just as the word implies.More than one stencil is used to createan image. One stencil is taped inposition and paint is applied throughthe opening. Next, a smaller stencil istaped to the back of the original stencil,the stencil is placed back in its originalposition, and paint is applied again, oftenclothpaperscissors.com2
using a different and/or contrastingcolor. In Figure 3, I used spray mists forthe layers and added details with a blackmarker.With just this one stencil you haveshapes within shapes to design with. Cutyour own stencil and mask now, usingthe template provided below.going further Try each part separately or in variouscombinations.The paisley motif is timeless andcurrently grabs our attention on textiles,wallpaper, clothing, and accessories.Design possibilities abound, and thisshape is perfect for adding details andsurface texture, whether you’re workingwith fabric or paper (or both). Opposite,you see the same stencil, in multiplesizes, glammed up with foil, layered inlace, and embellished with beads. Attach lace to the back of the stenciland then spray through the stencil/lace with paint. 3.Remove the border section of thepaisley mask and apply foil glue tothis section of the paper. Setit aside.4.Using the center part of the paisleymask, trace and cut the paisley shapefrom a double-sidedadhesive sheet.5.Remove the protective paperfrom the front side of the adhesivepaisley shape, lay a foil sheet on topof the adhesive, and burnish with abone folder to transfer the foil. (Youcan emboss the foiled adhesive sheetat this point, if desired.)6.Peel the release paper from the backof the foil-covered paisley shape andaffix the shape inside the paisleyborder.Use lace as a background for yourstencils.foil & glitter paisley1.2.Place the 2 parts of the paisley masktogether and adhere them to thepaper with double-sided tape.Spray the background paper withgoldglitter.note: Foil is always applied color-side up.m at e r i a l s Paper Gold glitter spray Foil glue Paisley mask Double-sided adhesive sheet Foil sheet Bone folderInterweave grants permissionto photocopy this templatefor personal use.optional Embossing tools or machinestencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com3
Far left: Foil and glitter paisley.Left: Canvas paisley.Below: Layered paisley.m at e r i a l s7.Apply foil to the dried glue on thepaisley border.canvas paisleythe backgrou n d1.Place a small-scale stencil on a pieceof canvas, and spray within thestencil opening with clear acrylicgloss. Remove the stencil and let dry.2.Paint the entire surface of the canvaswith fluid acrylics, and then wipe thepaint off with paper towels to revealyour stencil pattern. Canvas (2 pieces) Small-scale stencil Clear acrylic spray, gloss Fluid acrylics Paintbrush Paper towels Paisley stencil Paints or spray mists Fabric markers Microbeads Liquid glue Fabric scissors Fabric glueplace or affix it to the backgroundwith fabric glue.the paisley1.Using the paisley stencil, paint orspray the paisley shape onto thesecond piece of canvas.2.Add some details to the shape withfabric markers.3.Affix microbeads to the paisley shapewith liquid glue.4.Cut out the paisley shape, and attachit to the background piece. Sew it in4.Place the cut-out paisley shape ontop of another piece of white cotton,and then place the gold lace on top ofthe paisley shape.5.On top of the lace, machine or handstitch around the edge of the paisleythrough all 3 layers.6.Using fabric markers, outline thepaisley shape on top of the lace, andadd some adhesive-backed jewels.layered paisley1.Place the paisley stencil and thecenter part of the mask on the whitecotton and apply fabric paint throughthe stencil. Allow to dry.2.Cut out the paisley shape.3.Spray the lace with glitter gold.Let dry.stencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com4
m at e r i a l s Spray mists Paper Stencil Permanent marker Double-sided adhesive sheet Scissors Bone folder Foil sheets‘winter flowers’I call this technique “painting with foil.”Here, the stencil is used as a patternto cut doubled-sided adhesive for thisfoiling technique.directions1.Spray the paper with a variety ofspray-mist colors.2.Trace the flower motif onto thedouble-sided adhesive sheet with themarker and cut it out.3.Remove the protective paper fromthe back side of the flower, and placethe flower (adhesive-side down) ontothe paper.4.5.6.Peel back the top protective layerfrom the stem and leaves, leaving theflower section covered.Using small pieces, burnish foil ontothe stem and leaves, alternatingcolors. I used blue and green foil.Remove the protective layer from theflowers and burnish small pieces offoil onto the flowers, using a varietyof colors. I used red, orange, pink,and gold foil.lblinn@interweave.comcutting stencilsCreating a collection of your ownstencil designs in various sizes is auseful addition to your mixed-mediasupplies. Change up the sizes fromtiny to tall, or use the stencil as apattern to cut shapes from patternedpapers. If you can hold a pencil, youcan cut a stencil. (There is barely alearning curve.)m at e r i a l s Stencil design (your own sketch ora copyright-free image) A piece of glass (such as one from anold picture frame) Low-tack masking tape Mylar or a plastic sheetdirections1. Affix your design to the cutting matwith tape. 2. Place the glass over the design andtape it on all sides to secure.3. Position the Mylar (or plastic) overthe glass and secure it with tape.4. Heat the stencil-cutting tool,according to the manufacturer’sdirections.5. Holding the tool like a pencil, tracethe outline of the design, applyinga little pressure to the tip of the tool.Move the tip slowly and evenlyaround the design. Electric stencil cutterstencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com5
Adapted fromCloth Paper Scissors July/August 2012stencilstamp&synergyinspired by thefarmers‘ marketbystencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.lisa thorpeclothpaperscissors.com6
Figure 1Figure 2iam a big fan of the local farmers’ market, and images of gorgeous fruits andvegetables often find their way into my art. When I wander the stalls I’m notonly thinking of dinner, I’m also wondering if that plump pear or juicy tomato mightpause and pose for me before finding its way into the sauce or salad.Last year I was asked by the manager ofour local farmers’ market to be a judgeat the fall pumpkin-carving festival. Iwanted to have a topical t-shirt to wearso I carved up an E-Z Cut block andused acetate to create a stencil for colorblocking, and a fun farmers’ marketseries was born.You can use carved stamp blocks to printon all kinds of surfaces. I’ve printed onwood, paper for cards, fabric-paper, andI’ve printed on fabric to make banners,flags, and t-shirts.directionspreparing thestamps and stencilsnote: The basic steps are the same nomatter what substrate you use.1.2.Place the E-Z Cut on a piece of paperand trace around the block with apencil. Draw your image within thetraced shape. When you have thedesign you want, draw it directlyonto the carving block with pencil ortransfer the design to the block withtransfer paper. (Figure 1)Carve the block with the lino-cuttingtool, remembering that what you carveaway will be white and the areas youleave will print. (Figure 2) Be sure tocarve any text in reverse.stencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.m at e r i a l s E-Z Cut block, cut to desired size Paper Pencil Lino cutting tools (My favorite bladeis a #2.) Acetate, .005 mil Heat pen or craft knife, for cuttingstencils Glass cutting mat or scrap piece ofglass Permanent marker Tape Paint, appropriate to chosen substrate(See Choosing Paints.) Brayer and tray, to roll out ink orpaint Cosmetic sponges or a foam or bristlestencil brush Substrate: wood, paper, unstretchedcanvas, fabricoptional Transfer paper Letter stampsclothpaperscissors.com7
choosingpaints U se acrylic paint for wood. You canuse regular acrylic paint for stencilareas, but when rolling paint ontoa stamp, use open acrylics to allowtime to roll on the paint and printbefore the paint dries. Alternatively,you can put a drying retardant intoregular acrylics to slow the dryingtime. F or paper projects, use acrylicpaints or printmaking ink. Stamppads work well for printing smallimages, too. F or fabric, use acrylic paint if youaren’t going to wash the item, oruse fabric paints and heat-set theitem according to the manufacturer’sinstructions before washing.create the background color-blockstencil, which will also be used as aguide for the stamp. (Figure 3)tip: Carve away a little at a timeand then do a preview print onto paper tosee what you have. You can always carveaway more, but you can’t put it back.6.3.Print the completed block ontopaper and use the printed imageto determine what you want yourstencil to look like.4.Place the printed image under theglass plate, put the sheet of acetateon top of the glass, and cut thecentral image out of the acetate withthe heat pen or craft knife. Now youhave both the positive and negativestencils. (Figure 3)5.Trace around the carving block on asecond piece of acetate and, on theglass cutting mat, cut out the shapeusing the heat pen or craft knife tostencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.Place the negative stencil over thebackground color-block stencil andtransfer the location of the cornerswith permanent pen. (Figure 3)printing1. Place the background color-blockstencil over the substrate. You canalso use tape to mark off the shapebut only on surfaces that won’t tearor stretch.tip: If you are printing on a dark surface,make a block of white or a light color byblocking it off with the background colorblock stencil and painting as in Step 3(below).clothpaperscissors.com8
simplifyPaint only the central image andleave the background unpainted fora simpler look.2.Roll a piece of tape and put the tapeon the back of the positive stencil.Use the negative stencil to helpplace the positive stencil within thebackground color block.note: The stamp will print in reverse somake sure you put the stencil down theway you want the block to print.3.Figure 3Using the cosmetic sponge (or stencilbrush), paint the background colors,working from the outside in to avoidhaving paint seep under the stencil.Let dry. (Figure 4)Figure 4stencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com9
Figure 54.Remove the background color blockand the positive stencil. Place thenegative stencil on the backgroundand apply paint as before. (Figure 5)5.Roll paint onto the stamp withthe brayer. Place the background colorblock stencil over the image, line upthe stamp with the opening, and print.Figure 6(Figure 6)6.Add words, as desired, with letterstamps (optional).lisathorpe.comstencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com10
texture & layersAdapted fromCloth Paper Scissors September/October 2010with paint and stencilsbylisa kesler“White Flower on Brown” 12" squarestencil art making: 3 free stenciling tutorials how to make stencils F W Media, Inc.clothpaperscissors.com11
iused to think of myself as a watercolorist. I had the idea that you weresupposed to specialize in a certain technique and label yourself accordingly.m at e r i a l s Hardboard panel, flat or cradledwith sides (I use Ampersand Gessobord ; Masonite sealed withgesso is another option.)But after working for a large collaborative art studio that produced a varietyof decorative art for furniture stores, department stores, and interior designers,I quickly let go of my self-imposed label. Provided with all of the materials,supplies, and studio space I needed and a task to be as innovative as I could, Idid a lot of experimenting and began thinking of myself as simply an artist. Fromthat point on, I have enjoyed taking traditional techniques in new directions.My most recent paintings incorporate arichly textured surface, many layers ofpaint, simple shapes, and colored pencilhighlights. I love watching the paintingtake shape as I build up the layers oftexture and paint.a simple drawing using basicshapes. The shapes can be abstractor realistic, but they should besilhouettes without a lot of detail.3.preparingthe surfaceI make my textured paintings onhardboard panels like Masonite orGessobord. The hard surface holds upwell to the texture I apply.I like to use Gessobord because it isalready primed. If you use an unprimedsurface, such as Masonite, it will benecessary to seal it with a few coats ofgesso before beginning your painting.If you are using a cradled Gessobord (aboard with sides), cover the sides withpainter’s masking tape to protect themand keep them clean.applyingtexture1.2.Completely cover the paintingsurface with strips of 3" maskingtape, each strip touching the next sothat the entire surface is covered.Using a piece of tracing paper thesame size as your surface, make4.5.6.Turn the drawing over and trace overthe lines on the back with a graphitestick. Flip the drawing back over, sothe right side is facing up, and placeit on top of thetape-covered surface.With a ballpoint pen, firmly traceover the outlines of a couple ofshapes in your drawing. Thistransfers the outline of these shapesonto the tape-covered paintingsurface. The rest of the drawing willbe transferred later.Cut around the transferred shapeswith the craft knife and peel offthe background tape around them,leaving the tape shapes still on thesurface of the board.Apply the molding paste with aplastic scraper or a strip of cardboardto add texture to the background. Itcan be applied in any thickness, but Iusually vary the thickness from about1 16"–1 8". Spread the paste over theentire surface using light pressure. 3"-wide masking tape Tracing paper Pencil Graphite stick or very thick, soft leadpencil Ballpoint pen Craft knife Acrylic Molding Paste by GoldenArtist Colors Plastic scrapers or small pieces of stiffcardboard Found objects: bits of corrugatedcardboard, bottle caps, jar lids, etc. Assorted acrylic paints. (I use matteacrylics.) Paintbrushes: 1 4" –1" wide, flat Colored artist pencils (I usePrismacolor pencils.) Liquitex Satin Acrylic Varnishoptional Painter’s masking tape Palette Brayer7.Stamp a few of your found objectsinto the surface of the moldingpaste while it is still wet to addmore interest and texture. I like touse a variety of items. These markswill show in the background of thefinished painting.8.Peel up the remaining masking tape,revealing the recessed shapes. Allowthis layer to dry completely, 3–8hours, before proceeding.note: As I drag the scraper acrossthe surface, I am careful to allow someunevenness to re
paper, decorative papers, sturdy book pages, fabrics, and canvas. Consider walls, tabletops, windows and doors as surfaces.) Stencil(s), including the inside shape Double-sided removable tape Colorants (spray paint, spray mists, acrylic paints) stencil art making: 3 free stenciling tutorials how to make stencils 2 .
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Jul 21, 2020 · charging step. Hence, the expected battery capacity and utilization were defined by the weight of the LCO film. The stencil printing process is developed to achieve thick electrode films with areas as small as 1 mm2. In the stencil printing process, a stencil with the
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