Bass PODxt Pilot's Handbook - Electrophonic Limited .
BASSPODU L T I M A T E TONE FOR BASSXTBASS PODXTPROULTIMATE TONE FOR BASS DIG I/OPilot’s HandbookAn in-depth exploration of the revolutionary technologies andbum-shaking tonal pleasures of Bass PODXT and Bass PODXT Pro.Electrophonic Limited Edition available at www.line6.com. Revision C.
CONTROLS REFERENCE1POWER2921SAVEEDIT2230Balanced: Tip / Ring -EQ16MODELEFFECTS L ANALOG OUT181719STOMPUnprocessedBass OutANALOG REAMPING INPUT/OUTPUTLine LevelInputUnbalancedD.I.32STUDIO: RECORDING OUTPUT / LIVE: FEED TO ONSTAGE AMPMODELEFFECTS SENDD.I.31NETSUYSTEM20 23CA/A.I.BR.14TAP24BALANCED ANALOG OUTD.I.MODELSTUDIO: 4 dBuLIVE: -10 dBV34282715910DRIVE3PHONES0AMP 01010HI MIDTREBLE100100102BASS IN426I/O & DIGSELECTNORMAL PAD25INPUT LEVELN222100 - 120V 50 - 60Hz100 W Max.POWER REQUIREMENTSRISK OF ELECTRIC SHOCKDO NOT OPENCAUTIONOUTPUT08OUT/THRUMIDI1010LO MID0012INCHAN VOL COMPRESS011OUTINS/PDIFTHIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES.OPERATION IS SUBJECT TO THE FOLLOWING TWOCONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFULINTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANYINTERFERENCE RECEIVED, INCLUDING INTERFERENCE THATMAY CAUSE UNDESIRED OPERATION.OUT36AES/EBUSHOCK HAZARD – DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE – NE PASOUVRIR. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOTEXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. TO REDUCE THE RISKOF ELECTRIC SHOCK DO NOT REMOVE COVER. NO USER SERVICEABLEPARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.PEDAL6FBV Class Foot Controller only(not compatible with Floor Board or FB4)LIFTGROUNDGROUND35XTPROU LT I M AT E T O N E F O R B A S S D I G I / O
65MIDI 10CHAN VOL14TAP181011010HI MIDXTSAVE16010BASSPODU L T I M A T E TONE FOR BASS10BASSEQ1010LO MID9DRIVEMIDI OUTPUTOUT1008USBPEDALTD.I. OUTPULDEMO712240OUTPUT10COMPRESS13AMP MODELSEFFECTSINPUTESONPH3152NAVIGATION REFERENCESELECTPAGEEDITEDIT PAGES With EDIT, SAVE or TUNER lit, “SELECT”selects pages Otherwise, “SELECT” chooses from theChannel Memories Amp SettingsA.I.R. SettingsEQ SettingsEQ Settings (page 2)Stomp Select and SettingsModulation Select and SettingsModulation Settings (page 2)Delay Select and SettingsDelay Settings (page 2)Mod and Delay/Verb X-OversWah and Volume SettingsFX Tweak and Tempo SettingsGate and D.I. SettingsEQSTOMPMODSAVESAVE PAGESNETSUYSTE MTUNER PAGESDELAY/VERBCAB/A.I.R. EQ, Stomp, Mod, and Delay effects are on when lit. CAB/A.I.R. is lit when you are using a cab simulation. Double press one of these buttons for its EDIT pages. Save Sound to Channel MemoryCustom Save Amp ModelCustom Save Effects SetupSingle Factory Channel recallFactory RecallMIDI Dump TunerInput/Digital Out (Bass PODxt Pro Only)What are you connecting to?Bi-Amp SetupDisplay contrastMIDIBass PODxt Software Version
AMP MODELS# AMP MODELMODEL BASED ON0 .BYPASS .(Bypasses the Amp Model)1 .TUBE PREAMP.LINE 6 ORIGINAL2 .L6 CLASSIC JAZZ .LINE 6 ORIGINAL3 .L6 BRIT INVADER.LINE 6 ORIGINAL4 .L6 SUPER THOR .LINE 6 ORIGINAL5 .L6 FRANKENSTEIN .LINE 6 ORIGINAL6 .L6 EBONY LUX.LINE 6 ORIGINAL7 .L6 DOPPELGANGER.LINE 6 ORIGINAL8 .SUB DUB .LINE 6 ORIGINAL9 .AMP 360 .ACOUSTIC 36010 .JAGUAR.AGUILAR DB75011 .ALCHEMIST.ALEMBIC F-2B12 .ROCK CLASSIC .AMPEG SVT13 .FLIP TOP .AMPEG B-1514 .ADAM AND EVE .EDEN TRAVELLER# AMP MODELMODEL BASED ON15 .TWEED B-MAN .FENDER BASSMAN COMBO16 .SILVERFACE BASS.FENDER BASSMAN HEAD17 .DOUBLE SHOW .FENDER DUAL SHOWMAN18 .EIGHTIES.GK 800 RB19 .HIWAY 100 .HIWATT DR-10320 .HIWAY 200 .HIWATT 200DR21 .BRITISH MAJOR.MARSHALL MAJOR22 .BRITISH BASS.MARSHALL SUPER BASS23 .CALIFORNIA .MESA BOOGIE BASS 400 24 .JAZZ TONE.POLYTONE MINIBRUTE25 .STADIUM.SUNN COLISEUM26 .STUDIO TONE .SWR SM-50027 .MOTOR CITY.VERSATONE PAN-O-FLEX28 .BRIT CLASS A100.VOX AC-100CABINET MODELS# CAB MODELMODEL BASED ON0 .NO CAB.N/A1 .1X12 BOUTIQUE.EUPHONICS CXL-112L2 .1X12 MOTOR CITY.VERSATONE PAN-O-FLEX3 .1X15 FLIP TOP .AMPEG B-154 .1X15 JAZZ TONE.POLYTONE MINIBRUTE5 .1X18 SESSION.SWR BIG BEN6 .1X18 AMP 360 .ACOUSTIC 3607 .1X18 CALIFORNIA .MESA BOOGIE# AMP MODELMODEL BASED ON8 .1X18 12 STADIUM.SUNN COLISEUM9 .2X10 MODERN UK .ASHDOWN ABM 210T10 .2X15 DOUBLESHOW .FENDER DUAL SHOWMAN D130F11 .2X15 CALIFORNIA .MESA BOOGIE12 .2X15 CLASS A.VOX AC-10013 .4X10 LINE 6 .LINE 6 ORIGINAL14 .4X10 TWEED.FENDER BASSMAN COMBO15 .4X10 ADAM EVE .DAVID EDEN# AMP MODELMODEL BASED ON16 .4X10 SILVERCONE .HARTKE 41017 .4X10 SESSION. HORN SWR GOLIATH18 .4X12 HIWAY .HIWATT BASS CAB19 .4X12 GREEN 20'S .'67 MARSHALL BASKETWEAVE20 .4X12 GREEN 25'S .'68 MARSHALL BASKETWEAVE21 .4X15 BIG BOY.MARSHALL MAJOR22 .8X10 CLASSIC.AMPEG SVTEFFECT MODELSSTOMPSMODEL BASED ONMODULATIONSMODEL BASED ONDELAYSMODEL BASED ONBASS OVERDRIVE .LINE 6 ORIGINALDELUXE CHORUS .LINE 6 ORIGINALANALOG DELAY.BOSS DM-2SCREAMER .IBANEZ TS 808ANALOG CHORUS.BOSS CE-1 CHORUSANALOG W/ MOD.EH MEMORYMANCLASSIC DIST.PRO CO RATDELUXE FLANGER.LINE 6 ORIGINALTUBE ECHO.EP-1 ECHOPLEXFACIAL FUZZ .ARBITER FUZZ FACEJET FLANGER.ADA FLANGERMULTI-HEAD .ROLAND SPACE ECHOFUZZ PI .BIG MUFF PIPHASER.MXR PHASE 90SWEEP ECHO .LINE 6 ORIGINALOCTAVE FUZZ .TYCOBRAH OCTAVIAU-VIBE.UNI VIBEDIGITAL DELAY .LINE 6 ORIGINALBRONZE MASTER.LINE 6 ORIGINALOPTO TREM.FENDER OPTOREVERSE .LINE 6 ORIGINALBLUE COMP .BOSS CS-1BIAS TREM.VOX BIASRED COMP.MXR DYNA COMPROTARY DRUM .FENDER VIBRATONEVETTA COMP .LINE 6 ORIGINALHI-TALK .LINE 6 ORIGINALAUTO WAH.MUTRON IIILINE 6 ROTOR.LINE 6 ORIGINALDINGO-TRON .LINE 6 ORIGINALRANDOM S H .LINE 6 ORIGINALBUZZ WAVE .LINE 6 ORIGINALTAPE EATER.LINE 6 ORIGINALSEISMIK SYNTH .LINE 6 ORIGINALREZ SYNTH.LINE 6 ORIGINALSATURN 5 RING MOD.LINE 6 ORIGINALREVERBSSYNTH ANALOG.LINE 6 ORIGINALLUX SPRINGSMALL ROOMDARK HALLRICH CHAMBERSLAP PLATESYNTH FX .LINE 6 ORIGINALSTD SPRINGTILED ROOMMEDIUM HALLCHAMBERVINTAGE PLATESYNTH HARMONY.LINE 6 ORIGINALKING SPRINGBRITE ROOMLARGE HALLCAVERNOUSLARGE PLATESYNTH LEAD .LINE 6 ORIGINALSYNTH STRING.LINE 6 ORIGINALSUB OCTAVES .LINE 6 ORIGINALAll amp, cab and effect product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for thesole purpose of identifying the specific products that were studied during Line 6’s sound model development.
FBV SERIES REFERENCE1311WAH1FBV SHORTBOARDFX L ACHANNEL BCHANNEL CTAPCHANNEL DHOLD FOR TUNER234510116WAHFX LOOPSTOMP BOX 1STOMP BOX 2AMP 1AMP 2REVERBPEDAL 1VOLUMECUSTOM FOOT CONTROLLERSTOMP BOX 37TREMOLO8910MODULATIONDELAYTAP TEMPO12HOLD FOR TUNERBANK DOWNBANK UPCHANNEL ACHANNEL BCHANNEL CFACTORY/USER12CHANNEL DFAVORITE CHANNELPEDAL 2
SIGNAL FLOW & EFFECTS ROUTING OPTIONSUSB SEND/RETURN: Unprocessed Bass can be sent to/from Computer via USBMODELLIVEMODEMod and Delay/Verb X-OVER:Hi Pass filters available in wet paths of these FXto prevent muddy toneWah & Volume can becontrolled by FBV or MIDICAB MODELSTUDIOMODECAB MODEL A.I.R. II VIRTUAL E/POST: Volume, EQ, Mod and Delay/Verb can run Pre or PostUSB SEND: Model & D.I signals can both be sent to the computer together.USB RETURN: Sound from the computer can be heard.BASS PODXTPROEQCOMPVOLUMEMODDELAY/VERBDI MDL: mixes D.I. signal into Model outBI-AMPMODEAUTOMERGELOOP LOOPSEND RETURNA.I.R.LIVE MODEVIRTUAL ROOMDI DLY: delays D.I. signal, throwing it out ofphase versus the Model signal, for tone variationwhen the two signals are mixed together.LIVE MODE 1/4-INCH OUTPUTSBI-AMP: When Bi-Amp Mode is activated on the "Bi-Amp Setup"TUNER/SYSTEM page , the 1/4-inch outs are both sent afrequency-split version of the Model signal. The effect loop is alsofed the frequency-split signal in the Bass PODxt, so you can effecteach frequency range separately. The XLR outs take their signaljust after the DI MDL mix, before the frequency-split and loopsend, so their signal is normal (no frequency spilt, Model and D.I.signals are both available at their jacks as usual), except that theeffect loop is not applied to the XLR outs in this mode.AUTO-MERGE: When headphones or USB are connected, only the Modelsignal path is output, sent to both Model & D.I. output jacks as well the headphonejack and both effects send jacks. When a cable is connected to one 1/4-inchoutput (Model or D.I.) of the Bass PODxt Pro and not the other, both effect sendoutputs will be sent the signal for the connected jack.(Effects Return is summed in analog domain)In Live Mode, virtualroom is added toModel signal for XLR& Digital outputs,while D.I. outputs and1/4-inch outputs toonstage powerampare sent withoutvirtual room.STUDIO MODE 1/4-INCH OUTPUTS,STUDIO/LIVE DIGITAL OUTPUTS,STUDIO/LIVE XLR OUTPUTS(Effects Return is summed in digital domain)LIVE & STUDIO MODES: Select your mode on "What are youconnecting to?" TUNER/SYSTEM page. Studio Direct mode has virtualmic appropriate for recording. Live mode is appropriate for feedingonstage amp/speaker setup. Bass PODxt Pro XLR Model output hasvirtual room in Live Mode for feeding house sound system.
The serial number is on the underside of your Bass PODXT, or back panel of your Bass PODXTPro. It’s the number that begins with “(21)”. Please note it here for future reference:SERIAL NO:WARNING: To reduce the risk of fire orelectric shock, do not expose this appliance torain or moisture.CAUTION: To reduce the risk of fire or electric shock,do not remove screws. No user-serviceable parts inside. Referservicing to qualified service personnel.CAUTION:This equipment has been tested and found to comply with the limits for a Class B digital devicepursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not causeharmful interference, and (2) this device must accept any interference received, including interference that may causeundesired operation.The lightning symbol within a triangle means“electrical caution!” It indicates the presenceof information about operating voltage andpotential risks of electrical shock.The exclamation point within atriangle means “caution!” Pleaseread the information next to allcaution signs.YOU SHOULD READ THESE IMPORTANT SAFETY INSTRUCTIONSKEEP THESE INSTRUCTIONS IN A SAFE PLACEBefore using your Bass PODXT, carefully read the applicable items of these operating instructions and safetysuggestions:1.Obey all warnings on the Bass PODXT and in this Pilot’s Handbook.2.Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat.3.Guard against objects or liquids entering the enclosure.4a. Bass PODXT: Connect only to AC power outlets rated 100-120V or 230V 47-63Hz (depending on the voltagerange of the included power supply).4b. Bass PODXT Pro: Connect only to AC power outlets rated 100-120V or 220-240V 47-63Hz (depending onthe voltage range of the unit).5.Do not step on power cords. Do not place items on top of power cords so that they are pinched or leaned on.Pay particular attention to the cord at the plug end and the point where it connects to the Bass PODXT.6.Unplug your Bass PODXT when not in use for extended periods of time.7.Do not perform service operations beyond those described in the Bass PODXT Pilot’s Handbook. In thefollowing circumstances, repairs should be performed only by qualified service personnel: liquid is spilled into the unit an object falls into the unit the unit does not operate normally or changes in performance in a significant way the unit is dropped or the enclosure is damaged8.Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sureto practice “safe listening.”Bass PODXT Pilot’s Handbook 2003, Line 6, Inc.
Please Note:Line 6, Vetta, Amp Farm, POD, Bass POD, PODxt, BassPODxt, PODxt Pro and Bass PODxt Pro are trademarksof Line 6, Inc. All other product names, trademarks,and artists’ names are the property of their respectiveowners, which are in no way associated or affiliatedwith Line 6. Product names, images, and artists’ namesare used solely to identify the products whose tonesand sounds were studied during Line 6’s sound modeldevelopment for this product. The use of theseproducts, trademarks, images, and artists’ names doesnot imply any cooperation or endorsement.
Quick Start Guide . 1 1Register Now .1 2Get On-Line.1 2Line 6 Tone Transfer and Discussion Forums .1 2Introduction .1 3Welcome to Bass PODxt .1 3Who is Line 6? .1 3Modeling .1 4Amp, Cab and Effect Models .1 4There’s Magic in the A.I.R. .1 5And Away We Go .1 7Controls and Connections. 2 1Getting Set Up. 3 1All Purpose Basics .3 1Bass PODXT – In The Studio.3 2What are you connecting to? .3 2The Ins and Outs of Great Tone .3 2Setting Levels .3 3Radiation Alert .3 3Pedal Power .3 4Midi Mania .3 4Bass PODXT – Playing Live.3 5Mount Up.3 5Keeping Your Options Open .3 5What are you connecting to? .3 5Getting The Right Tone With An Amp .3 6External Stomp Boxes and PODXT .3 7Bi-Amp Mode .3 7Bass PODXT Pro – Configurations & Connections.3 9Selecting An Input .3 9Input & digital Out Options.3 10FORMAT: Sample rate, word length (bit depth), and clock source.3 10MODE: Normal or Dry Guitar.3 11GAIN: Extra gain on the digital outs.3 11What are you connecting to? .3 12continued on next page
Getting Set Up continuedFX Loop .3 13AES/EBU or S/PDIF Data Format? .3 14Bi-Amp Mode .3 14Radiation Alert .3 15Pedal Power.3 16MIDI Mania .3 16Re-Amping with Bass PODXT Pro.3 17Analog Re-amping.3 17Digital Re-amping.3 18Creating & Storing Sounds. 4 1Recalling Channel Memories .4 1Recalling Effect Setups .4 1Stompbox-style Control .4 2Editing Basics .4 2Double Press for Easy Access .4 3Inside the Edit Menu .4 3Amp Knob settings .4 3Cabinet and Mic settings (There’s magic in the A.I.R.!) .4 4Effects Editing.4 4Setting your Tone to Tempo .4 7Mod and Delay/Verb X-Overs .4 7Wah and Volume.4 8FX Tweak Knob Assign / Tempo Assign .4 8Gate Settings.4 9D.I. Settings .4 10Gate Settings.4 9Saving Yourself.4 11Saving Channel Memory .4 11Custom Save Amp Model.4 12Custom Save Effect Setup.4 13Single Channel Recall .4 14Complete Factory Recall.4 14MIDI Dumps.4 15
Modeled Amps & Cabs. 5 1Which Amps and Cabs Are Modeled? .5 1Cabinet Models .5 18Stompboxes & Effects . 6 1Effect Junkies Welcome.6 1Stomp Models.6 1Distortions and Overdrives .6 1Compressors.6 6Modulation Models .6 8Synth and Filter Effects .6 13Basic Synth/Filter Editing.6 14Synth Models.6 15Filter Models.6 17Delay Models.6 19Reverb .6 22Springs.6 22Rooms.6 23Halls.6 23Chambers.6 24Plates.6 24Deep Editing & MIDI Control. 7 1MIDI Basics .7 1What’s MIDI?.7 1In/Out.7 1MIDI Channel.7 2MIDI Messages .7 3Backing Up Bass PODXT Programs to Other Devices .7 4Other Things You Can Do with MIDI .7 6Changing Bass PODXT Channels with MIDI Program Changes.7 6Tweaking Bass PODXT Tones with MIDI Controllers.7 6Full MIDI Automation of Bass PODXT .7 6MIDI Setup Trouble-shooting .7 7
Putting Your Feet to Work . 8 1Meet the FBV Shortboard .8 1Hooking up the Shortboard.8 1Pushing Your Buttons.8 1Saving and Naming with the FBV Shortboard.8 3Using an EX-1.8 4Appendices . A 1Amp Models .A 1MIDI Program Changes .A 3Bass PODxt MIDI Controls.A 4FBV Shortboard MIDI Controls .A 9Line 6 Contact .A 10Warranty Info .A 11
QUICK START GUIDE “Manual? I don’t need no stinking manual!”QUICK START GUIDEor:“MANUAL? I DON’T NEED NO STINKING MANUAL!”Bass PODxt Pro owners, if you’re going to use anything beyond the standard bass inputand analog outputs, we can’t cover all your options on this brief page. See Chapter 2 to
BASS POD PROXT BI-AMP: When Bi-Amp Mode is activated on the "Bi-Amp Setup" TUNER/SYSTEM page , the 1/4-inch outs are both sent a frequency-split version of the Model signal. The effect loop is also fed the frequency-split signal in the Bass PODxt, so you can effect each frequency range separately. The XLR outs take their signal
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1 body am ultra j-bass iv txt 7715463590 1 body am ultra j-bass iv cob 7715463595 2 neck assy ultra j-bass iv rw 7715467000 2 neck assy ultra j-bass iv mpl 7715466000 3 keys bass dlx new mod taper long chrome(4) 0992006000 4 string guide am dlx bass "a" string chrome 0080597000 5 string guide p/j bass chrm 0079014000
around the drum. 4) Insert one bass drum spur (5) (leg) on each side and hand tighten them with the T-handle located on the bracket. 1) Bass Drum 2) Bass Drum Hoops 3) Bass Drum Heads a. Front b. Back 4) Bass Drum Tension Rods & Claw Hooks 5) Bass Drum Spur 6) Bass Drum Pedal 7) Bass Drum Beater 8) Floor Tom 9) Floor Tom Key Rods 10) Floor Tom .
Bass 5 string has a low B – string for extra depth. The 6 string bass has a high C string – this is a more specialized bass for soloing – I personally have not heard a 6 string bass that sounds as good as a 4 or 5 string bass. My personal favorite bass sound is that of a fender jazz bass – a really nice woody sound.
The bass drum is the foundation of the drumset.The basic function of the bass drum is to state the beat or pulse of the song. The BASS DRUM is played with the bass drum pedal by the right foot.The bass drum pedal beater should rebound off of the bass drum head like a bouncing ball. Properly adjusting the angle of the bass drum pedal beater is .
PROGRAM LIST SOLO SOUNDS gENERAL MIDI BANK 0 PROGRAM LIST SOLO SOUNDS gENERAL MIDI BANK 0 0 Grand Piano 1 Bright Piano 2 Electric Grand Piano 3 Honky Tonk . 32 Upright Jazz Bass 33 E-Bass fingered 34 E-Bass picked 35 Fretless Bass 36 Slap Bass 1 37 Slap Bass 2 38 Synth Bass 1 39 Synth
Fender Precision Bass 1951 - 56 Fender Precision Bass 1952 - 53 Fender Precision Bass 1955 - 56 . Squier VM Jaguar Bass Sp. SS 2011 Squier MB-4 2003 G&L L-1000 Bass 1980 . Gibson Les Paul Deluxe Bass Gibson Les Paul Standard Bass
Biographies This MSc programme is delivered by academic researchers and industry professionals of considerable expertise and experience. Professor Lorraine Hanlon, BSc MSc PhD MInP Lorraine Hanlon is Associate Professor of Astronomy in UCD and worked at the European Space and Technology Research Centre (ESTEC) in the Netherlands as a research fellow for 4 years. She is an active researcher in .
