2009-2010 SEASON
2009-2010 SEASON
C ON OTHER STAGESCASA MANANACHAIR Shanna Nugent CobbsCONTEMPORARY THEATRE OF DALLASTailim SongBOARD MEMBERS JacAlder, Cameron Ballantyne,J. Carl Cecere, Roland ll[Virginia Dykes, SallyHansen, David G. Luther, Sandra Mundy, DanaRigg, Elizabeth Rivera, Eileen Rosenblum, PhD,Rebecca A. T homas, Deborah B. TullHONORARY BOARD MEMBERS GaryW. Grubbs, JohnStrauss, KarenWashingtonDALLAS CHILDREN'S THEATERJAN22 - FEB21 How I Became A PirateDALLAS SUMMER MUSICALSJAN 19 -24 The Color PurpleJAN 26 · 31 T he 39 StepsFEB17- MAR 14 The Phantomofthe OperaJAN 17 A Year With Frog and ToadJAN 30 How Big Can You Get-A Tribute to CabCallowayFEB 11-14 'Til Death Do Us PartGARLAND CIVIC THEATREADMINISTRATIONMAR4 -27 Greater TunaGREATER LEWISVILLECOMMUNITY THEATREFEB 12 -28 The Complete Works of Shakespeare,AbridgedICT MAINSTAGEJAN 15 -30 OfMice and MenJUBILEE THEATREJAN29 - FEB28 From the Mississippi DeltaKITCHEN DOG THEATERFEB 12 · MAR 13 boomEXECUTIVE PRODUCER-DIRECTOR JacAlderCOMPANY MANAGER Terry DobsonASSISTANT PRODUCER Cory Norman.DIRECTOR OF BUSINESS AFFAIRS Joan SleightIN-HOUSE ACCOUNTANTWendy KwanDIRECTOR OF PUBLICATIONS Ii[ COMMUNICATIONSKimberly RichardIT MANAGER Nick RushingINTERN SUPERVISOR John DavenportEXECUTIVE ADMINISTRATIVE ASSISTANTAdeleAcreyHOUSEKEEPING Kevin SpurrierPRODUCTIONJAN2 - FEB 13 Fangs for the MemoriesTECHNICAL DIRECTOR Daniel PuculMUSICAL DIRECTOR Terry DobsonRESIDENT ARTISTS Bruce R. Coleman, JeffreySchmidt, & DavidWalshINTERN STAFFDavid Gibson, Samantha Saucedo, and SaraSchultzRICHARDSON THEATRE CENTRECUSTOMER SERVICEMESQUITE COMMUNITY THEATERFEB 12-27 KissorMake UpPEGASUS THEATREDEC31. JAN 17 Death Express!POCKET SANDWICH THEATREJAN 29 · FEB21 Driving Miss DaisySECOND THOUGHT THEATREJAN 14 -30 Hunter GatherersSTAGE WESTDEC 10- JAN 17 A Don't Hug Me Christmas CarolTHEATRE ARLINGTONJAN 15 · FEB14 The Musical Comedy Murders of1940WATERTOWER THEATREJAN 14 · FEB7 Laughter on the 23rd FloorUnoaetructed viewsCORPORATE ADVISORY COUNCILEJSEMANN CENTER FOR THEPERFORMING ARTSJAN 15. FEB 14 Give It Up!FEB23 · MAY 9 The Beauty PlaysTheaterJones.comLIAISON 1 CITY OF DALLAS CULTURAL COMMISSIONTNS PARTNERS Jim ChambersALLIE BETH ALLMAN &ASSOCIATESBill & MarsueWilliamsGABLES RESIDENTIAL Cindy DavisHEALTH SEARCH, LLC Dodie ButlerQUICKSILVER INTERACTIVE GROUP, INC.Jeannine LeeTHE FAIRMONT HOTEL Shannah MilsteadMEADOWS SCHOOL OF MUSIC Nancy CochranDALLAS THEATER CENTERAt TheaterJones,we're all performing arts.All the time.BOARD OF DIRECTORSFEB9 - 14 Tuna Does VegasFEB12 - MAR 12 The Sisters RosmweigReviewsNewsTheaterFeaturesBiogsClassical MusicListingsHumorDanceVideoC T3 PEOPLECUSTOMER SERVICE MANAGERAmy Mills JacksonHOUSE MANAGER Nancy MeeksDAYTIME BOX OFFICE MANAGERDariusWarrenEVENING BOX OFFICE MANAGERFred FaustBOX OFFICE AGENTSTony Banda, Sally Cole, Chris SandersDIRECTOR OF TELEMARKETING Carol CrosbyTELEMARKETING AGENTSDon Baab, Deborah Byrd, Rose Quinn, NathaTaylor, RogerWilsonThis playbill is a publication ofTheatreThree, Inc., 2800 RouthStreet, Suite 168, Dallas, Texas 75201, 214-871-3300,www.1hut1e]@rl1".c.om ln suppora ofA.my' VI w (the- rourlhshow of the2009-2010 Theaut ThrC"C' St.uon).Sonts-ofth, R.,d ,.,:ad: The Muiko/Don,t)' aye (lhe fifth "Showofthe:1009-2.010Thuw:Too Seuoo), ,nd I Lov.:: Yov, You·rc Puf ,1, Now Chanee:(chc si th '5'howofthct aoog-::1010 Thc:atrc Too Sea-son)PLAYBILL EDITORS: Jae Alder Kimberly RichardPROOFREAOER: Adele AcreyILLUSTRATION: Joe HowardPHOTOGRAPHY: Ken Birdsell/The Image AfterDESIGN c( LAYOUT: David w Radabaugh/D MagazineExpertise & ProfessionalismWhen It CountsThe Image AfterKen Birdsell, photojournalistwww.imageafter.net214-364-6992
C EXECUTIVE PRODUCER-DIRECTOR JAC ALDER PRESENTS .Amy's ViewPLAYWRIGHTDavid HareProduced by Special Arrangement with Samuel French, Inc.THEATRETHREEARTISTIC STAFFPRODUCTION STAFFDIRECTOR/SET DESIGNAEA STAGE MANAGERJacAlder''Bruce R. ColemanCOSTUME DESIGNTECHNICAL DIRECTORBruce R. ColemanDaniel PuculLIGHTING DESIGNMASTER CARPENTERJosh BlannJeffrey SchmidtSOUND DESIGNMASTER ELECTRICIANDavid GibsonRichard FrohlichSCENIC ARTISTCASTDavid WalshESME ALLENDRAMATURG*Connie CoitKimberly RichardPRODUCTION ASSISTANTFRANK ODDIEDavid Gibson''Sonny FranksPRODUCTION CREWTOBY COLEJohn Davenport, David Gibson,Fumiyo Hamada, SamanthaSaucedo and Sara SchultzJason KennedyEVELYN THOMASTerry McCrackenSCENE SYNOPSISACT IScene 1: Esme's house inPangbourne, England, 1979Scene 2: Esme's house, 1985DOMINIC TYGHE**Kevin MooreAMY THOMAS**Danielle PickardBBC NEWS READERSTiffany Lonsdale-Hands, AndyMcCollum, Rick SpiegelACT IIScene 1: Esme's house, 1993Scene 2: Esme'stheaterdressingroom in London, 1995ABOVE:The cast ofAmy's Viewgathers for the firstrehearsal.RIGHT:Terry McCrackenThere will be one 15 minute intermissionbetween the first and second acts.* indicates members working under Actor'sEquity Association contracts in this production** indicates a performer enrolled in the AEAmembership candidate program.Please silence your cell phones and allelectronic devices, No photography orvideography is allowed without the consent ofthe Theater.Jae Alder's View on Amy's ViewA DI RECTOR'S THOUGHTSNothing is more thrilling thanexceptional characters moved throughextraordinary circumstances by a power ful plot. Amy's View is that kind of show.Amy's View, David Hare'sprizewinning drama, covers sixteen years- between 1979 and 1995.His story, centering on thesmall family of a famous theatricalactress, is skillfully set against theswirling backdrop ofBritish politics,world economy, and ruthless mediaexploitations. Esme Allen is talented,admired and managing a life in Londontheatre. She believes in theatre - in Art.Her daughter, Amy, passionately believesin her new boyfriend, Dominic. He's abit rough around the edges, more thana little opportunistic, and overtly hostileto the pretentions of artists. Still, hehas ambitions to shake up the world hecriticizes. And, he's sexy.Two other characters circu late around Esme, her sometimesexasperating mother-in-law, Evelyn, andEsme's financial advisor (and would-besuitor), Frank. Using this small family,the playwright details an avalanche ofchanging circumstances that push andpull on each character's life trajectory.As hard-to-please New Yorkercritic John Simon wrote:"You may want to know whatDavid Hare's Amy's View is about. Hardto answer . the best I can do is: It'sabout life. About mothers and daughters,husbands and wives, human relations.It is about the childlike artist and thediligent worker; about theater versusreal life; about art versus pseudo-art (TV,action movies); about being right butultimately wrong, or wrong but ultimatelyproven right. It is about the lure andpitfalls of a materialistic society, aboutwhether love and faith and perseverancewill prevail over hedonism and greedor be unjustly punished. It is, I repeat,about life.Being about life, it is aboutsurprises all the way: big surprises thatthe author springs on us quasi-casually,and leaves not fully explained. Amy'seponymous view assumes differentmeanings in the course of the play, yetall are attempts at a clearer perception,truer understanding of our existence.Does this come about? You tell me.It would be an insult to thismultifarious play to reveal more. It defieseasy summary, prompt evaluation. Youmust pay close attention to details, andthink long after."If all this sounds like "heavylifting" for audiences, I've led you astray.Terrific actors are here to help! It takesa cadre of six accomplished actors topower this play to its full emotionalrevelations, and it's been my honorto work with six great truth tellers toprepare this production for TheatreThree. My sincerest thanks to each in thecast, and especially to author David Harefor this beautiful, tall dramatic mountainhe's given us to climb.ARTISTIC STAFFDavid Hare PLAYWRIGHT» Playwright,English-born Sir David Hare, was educatedat Lancing College and Jesus College,Cambridge, and currently lives in London.He co-founded Portable Theatre Company;became Resident Dramatist at the RoyalCourt Theatre in London and then ResidentDramatist at the Nottingham Playhouse in1973. He co-founded Joint Stock TheatreGroup with David Aukin and Max Stafford Clark in 1975. He has been AssociateDirector of the National Theatre since 1984,was knighted in 1998, and is a Fellow of theRoyal Society of literature. From 1974-1998,David Hare's writings include Knuckle;Fanshen, Plenty; Pravda: A Fleet Street Com edy, The Secret Rapture; the trilogy RacingDemon, Murmuringjudges and The AbsenceofWar, about three British institutions: theAnglican church, the legal system and theLabour party; Skylight; Amy's View; andThe Judas Kiss. More recent plays includeMy Zinc Bed, first staged at the Royal CourtTheatre, London, 2000; The Breath ofLife;and The Permanent Way which openedat the Royal National Theatre (RNT) inJanuary 2004. His play, Stuff Happens, waspremiered at the RNT in 2005, and is aboutthe Iraq invasion. His film work includes
C AMY'S VIEW BIOGRAPHIESLEFT TO RIGHT:Danielle Pickard,Jason Kennedy,Connie Coit, KevinMoore, & SonnyFranksthe screenplay for thescreen adaptation of Plenty,and he wrote and directedthe films Wetherby, Parisby Night and Strapless. Hisbook, Obedience, Struggleand Revolt, is a collectionof lectures about politicsand art. The Harry RansomHumanities ResearchCenter at UT, Austin,acquired his papers in 1993.His most recent works arethe plays, The Vertical Hourand Gethsemane, and thescreenplay for the film ofThe Corrections.Bruce R. ColemanCOSTUME DESIGN/AEAMr.Coleman has been associated with Theatre Threesince 1985. Bruce's mostrecent costume designassignments for TheatreThree are this season'sshows: Woody Guthrie'sSTAGE MANAGER»American Song, Six DanceLessons in Six Weeks, The25th Annual PutnamCounty Spelling Bee, Snakein the Grass, and Talley'sFolly. Some past costumedesign credits includeMurder on the Nile, Trystsin Toledo (Column Award),Look What's Happenedto Pixie De Costa, TheBoyfriend, The Women,June Moon, WhalleyMoliere, Into the Woods,/and both the recent andoriginal productions of ILove You, You're Perfect,Now Change. Otherfavorite design projectsinclude Into the Woods(Rabin Award), The SecretGarden (Column Award)and Dracula for IC TMainstage in Irving, andRichard The Third (CriticsForum Award) andReckless for Kitchen DogTheater. His AEA stagemanaging credits includelast season's Lost in theStars and this season'sTalley's Folly.Josh Blann LIGHTINGMr.Blannreturns to design hisfourth show for us,having completed thesame assignments forus in House (of HouseDESIGN»& Garden), Whodunnitand Crimes ofthe Heart.Prior to this, he taughtand designed at the highschool and college levels.Some of his productionshave included The KingStag, A Funny ThingHappened on the Way tothe Forum, Oleanna, andCabaret. Josh has alsodirected plays and is acertified critic judge forthe state UIL One-Act Playcontest. He makes hishome in North RichlandHills.Richard Frohlich SOUNDMr.Frohlich'sassociation with TheatreThree as our sounddesigner began in 2006,and he has completed 18assignments with us during this time. Richard'sassignments include TheDESIGN»Royal Family, Six DanceLessons in Six Weeks,Murder on the Nile, Defiance, House and Garden,Whodunnit, Crimes of theHeart, Pygmalion, Popcorn,and The Full Monty(2006 Column Award).His credits also includevarious Metroplex venues:Contemporary Theatre ofDallas, Echo, and UptownPlayers in Dallas; IrvingCommunity TheaterMainstage, and TexasRadio Theatre Company.Richard is also a producerand director for vocationaland educational videos.His awards include a 2002Ogle (Horror/FantasyAudio Production), and a2004 Mark Time (ScienceFiction Audio Production).Richard lives in Arlingtonwith his wife Shannan andhis children Dillon, Emilyand James.CASTConnie Coit ESME ALLEN»Ms.Coit, SMU graduateand Theatre Three veteran,debuted professionallyhere in the 197o's AYork Theater and TownHall and for five Europeantours, she performedthe role of Carlotta in theKopit Yeston Phantom.Sonny Franks FRANKODDIE »Mr.Frankshasbeen associated withTheatre Three since1987 including roles in ILove You, You're Perfect,Now Change, The WildParty, Myths and Hymns,Sideshow, Pump Boys andDinettes, The Frogs, LuckyStiff, and Always PatsyCline. In the Metroplexarea, his assignmentsinclude Sander's FamilyChristmas, UnnecessaryFarce, Cotton Patch Gospel,Violet, Marley's ChristmasCarol, Pleasure of HisCompany, and Cinderella:A New Musical. TV creditsinclude Walker, TexasRanger and Prison Break.followed by decades ofleading musical assignments: Candide, Company,He is the proud father of17-year old Hailey and thedelighted stepfather ofhis wife's daugher, EmmaGrace.her credits includeWaterTower Theatre andLyric Stage. New York Citycredits include CarnegieHall, New York City Opera,»Mr.Kennedy, a graduate of Abilene ChristianUniversity with a degree inacting, debuts with us inthis production. At ACUhe performed roles asDon Lockwood in Singingin the Rain, Cat in the Hatin Seussical, David/Frasier/Pinky/et al in Prides Crossing, and Larry in InspectingCarol. Other roles includeCassius inJulius Caesarand Malvolio in TwelfthNight with the AbileneFunny Thing HappenedOn the Way to the Forum,Lady in the Dark, WeillWomen, and Glorious!; andin Theatre Too: A Talentto Amuse (Noel Coward),Grateful, the Songs ofJohn Bucchino, Myths andHymns, and First LadySuite. Dramatic rolesinclude: Blind Date, TheTale of the Allergist's Wife,Gingerbread Lady, andTartuffe. In the Metroplex,Jason Kennedy TOBY COLEShakespeare Festival, andin other venues suchcharacters as Leo Bloomin The Producers, Anthonyin Sweeney Todd, Mr.McQueen/Bobby Strongin Urinetown, and the titlerole in Pippin. Additionalperforming experienceincludes being the leadmale singer on NorwegianCruise Lines.Terry McCrackenMs.McCracken, trained inEngland and Australia,returns to Theatre Threeand will be rememberedfor her roles as MissFfoliot-Ffoulkes in Murderon the Nile, Dame EdithRuncible in Whodunnit,Mrs. Higgins in Pygmalion,and Mrs.Crombie inI'll Leave it to You. Hercredits include Metroplextheatres: Dallas Children'sTheater, Dallas RepertoryTheatre, Dallas TheaterCenter, Pegasus Theatre,Pocket Sandwich Theatre,and Theatre Britain, inDallas; Garland SummerMusicals and GarlandCivic Theatre; Lyric Stage,Irving; Plano RepertoryTheatre; Stage West, Ft.Worth; Theatre Quorum,Mesquite and others.Terry won a Rabin Awardand a Column Award in2001. She has directedplays at BrookhavenCollege and is an adjunctprofessor at the Universityof South Carolina at Aiken.EVELYN THOMAS»Kevin Moore DOMINIC»Mr.Moore will beremembered as BarnetteTYGHELloyd in Crimes of theHeart on our stage. Hiscredits in other Metroplexvenues include The LastMeeting of the Knightsof the White Magnolia,Contemporary Theatre ofDallas; Mammie Queeristat Uptown Players, and igoogle myselfat the 2008Out of the Loop Festival,as well as work on otherarea stages: KitchenDog Theater, TheatreArlington, Flower MoundPerforming Arts Theatre,ICT Mainstage, Irving; andPlano Repertory Theater.Danielle Pickard AMYMs. Pickardreturns to Theatre Threewhere she was previouslyseen as Eliza Doolittle inPygmalion and Jacquelinede Severac in Murder onthe Nile. Other Dallascredits include: PortTwilight (Juliette) at Undermain Theatre; The Tamingof the Shrew (Bianca),Othello (Desdemona) andreadings of Measure forMeasure (Isabella) and TheRivals (Lydia Languish)for Shakespeare Dallas; areading of Titus Andronicus(Chiron) for Project X andLevel Ground Arts; OneTHOMAS»Flew Over the Cuckoo'sNest (Nurse Flinn/Sandra) for ContemporaryTheatre of Dallas; LittleRed Riding Hood (Charliethe Chopper) for TheatreBritain; Slaughterhouse 5(Barbara Pilgrim/Lily) forRisk Theatre Initiative; andThe Ladies of the Camellias(Girl) for Echo Theatre.
C T3 SEASON CALENDAR2009-2010THEATRE THREETHE ROYAL FAMILYJuly 30-August 30The landmark comedy byGeorge S. Kaufman I.?[ dallas.com"Snapplily directed by Theatre Threeco-founder JaeAlder, the1927 play. gener ates laughs from boisterous, quarrelsomecharacters who bring as much drama totheir offstage relationships as to theirwork on the boards." -- Manuel Mendoza,The Dallas Morning NewsTHE 25TH ANNUAL PUTNAMCOUNTY SPELLING BEESeptember24-0ctober25The recent Broadway musicalhit by William Finn I.?[ RachelSheinkin."Putnam County fits exceptionally wellat Theatre 3 - even better than it didon Broadway- because the theater'sintimate, in-the-round space can makeus feel as if we really are in a schoolgymnasium," -- Jerome Weeks, Arte[ Seek,TALLEY'S FOLLYNovember 19-December20The Pulitzer Prize-winningromantic comedy by LanfordWilson."Everyone involved with Theatre Three andTalley's Folly should be remarkably proudThis is, quite simply, one of thefinest plays I've seen this year." -- DougDodasovich, EdgeDallas.comAMY'S VIEWDecember31-January31A serious comedy by Sir DavidHare./An epic play covering sixteen yearsperformed by just six actors in twosimple sets, this magnificent theatricalachievement has been called a politicalplay, a social comedy, a saga of survivingdevastated finances, a study of thechanging problems of women, and finally,life. It's dazzling.Danielle Pickardlooks over plans for Amy's ViewTHEATRE TOOBEDROOM FARCEFebruary25-March28The ingenious, marriage disas ter comedy by Alan Ayckbourn.WOODY GUTHRIE'SAMERICAN SONGJune19-July26A new musical by Peter Glazer.The stage set has three bedroomsin which we see four couples whoseintertwined lives ricochet between pas sion and indifference in this breakthroughtale penned by England's most successfulcontemporary playwright. Written whilehe was artistic director of the StephenJoseph Theatre, this play went on to theWest End and Broadway where criticsand audiences alike cheeredAyckbourn'sunique inventiveness, his wit, and hischeerful diagnosis of the collapse ofmiddle class morality."Theatre Three's basement musical revueshave been among its most memorableofferings in recent years, and WoodyGuthrie's American Song is one of thebest in the series" -- Lawson Taitte, TheDallas Morning News.[TITLE OF SHOW]April22-May23An original Broadway musicalwith music and lyrics by JeffBowen and book by Hunter Bell.In the uproarious tradition of backstagemusicals, this 2006 off-Broadway hitfollows two theater geeks as they try topursue their idea of happiness: create areally great musical just in time to makethe deadline for a theater festival. Thesongwriting team considers all sortsof fabulous ideas as they try to cobbletogether this last minute production,discovering all of the hilarious backstagedrama of putting on a showSIX DANCE LESSONS INSIX WEEKSAugust 28-September20A comedy by Richard Alfieri."It's big, strong, and full of life, but imbuedwith a compelling intimacy.Bottom line:this is a great show to watch and get lostin." -- Matt Gunther,John Garcia's TheColumnSNAKE IN THE GRASSOctober23-November15A comedy mystery ghost-storyby Alan Ayckbourn."Snake in the Grass is a must-see being asit is the season of ghosts and ghouls andall. But watch your wine glass and yourstep And be sure to keep a lookoutbehind you. There are lots of laughs tobe had and heart strings to be pulled."-- Jenny Block, EdgeDallas.comANOTHER NIGHT BEFORECHRISTMASNovember27-December20A musical tale by Sean GrennanI.?[ Leah Okimoto."Ultimately, it's as comfortinglysentimental as sipping a cup of cocoaunder a fiannel blanket." --Arnold WayneJones, Dallas VoiceSONGS OF THE REDHEAD,THE MUSIC OF DANNY KAYEJanuary7-January24A tribute to a legendaryperformer by Don Alan Croll.A fan's ultimate tribute to the object of hisadmiration, this one-man show containsthe amazing songs (many by Kaye'sbrilliant wife, Sylvia Fine) that fueledthe legendary career of the versatile,charismatic,Brooklyn-born star of stageand screen. Kaye's respect for musiciansled him to perform countless charityperformances benefitting musical causesas well as famously raising money forworld children through UNICEF But it isthe high velocity entertaining characterof Kaye's performances that are perfectlycaptured in this loving tribute by Dallas'admired cantor, DonAlan Croll.I LOVE YOU, YOU'RE PERFECT,NOW CHANGEJanuary 29-February 28The annual return of theperfect revue by Joe DiPietro I.?[Jimmy Roberts.Through hilarious songs and sketches,the authors have crafted an enduringlyentertaining look at all stages of courtshipand marriage, that ultimate "pursuit ofhappiness" As is the tradition, the revuewill return over the Valentine season.BILL W. AND DR. BOBMarch 26-April 18The story behind the start ofA.A. by Stephen Bergman I.?[Janet Surrey.Not only is the play moving and insightful,it is a great comedy as well. a mustsee for anyone who has experiencedalcoholism in their family or on a personallevel No, let's change that: a must-seefor us allTheatre Three, Inc.2 800 Routh StreetSuite168Dallas, Texas75201
C EXECUTIVE PRODUCER-DIRECTORJACALDER PRESENTS .Songs ofthe Redhead: The Music of Danny KayeCOMPILED BYDon Alan CrollBy Special Arrangement with the compilerTHEATRETOO&ARTISTIC STAFFSCENE SYNOPSISDIRECTORMichael SerrecchiaMUSICAL NUMBERSMUSICAL DIRECTORTerry DobsonSET DESIGN David WalshLIGHTING DESIGN Paul ArnoldCASTTHE MAN *Don Alan CrollPRODUCTION STAFFAEA STAGE MANAGER*Terry DobsonTECHNICAL DIRECTOR Daniel PuculPRODUCTION ASSISTANTJohn DavenportMASTER ELECTRICIAN David GibsonPRODUCTION CREWJohn Davenport, David Gibson,Samantha Saucedo, and SaraSchultzACT IEarly InfluencesMODEL OF A MODERN MAJORGENERAL by William Gilbert&Arthur SullivanRUMANIA, RUMAN/A by AaronLebedeffTHE MALADJUSTED JESTER by SylviaFineFIFTY, FIFTY by Louis Gilrod&Joseph RuminskyLET'S NOT TALK ABOUT LOVE by ColePorterIDanny Kaye brought laughter into the average American home with Lucille Ball in The DannyKaye Show, considered one of the best television shows of its time, and the CBS special, AnHour With Danny Kaye. Helit up the silver screen inmovies such as HansChristian Andersen, TheCourtJester, WhiteChristmas, The MadwomanofChaillot, and manyothers. His costars includeKatherine Hepburn, LouisArmstrong, and GeneKelly. The world was inlove with this redhead forhis comedy, generosity,lunacy, and his immensetalent.WHY ME?, NINETY AGAIN, YOU, &TWO BY TWO by Richard Rodgers&Martin Charnin, all selectionsfrom the show, Two by TwoThe Motion Picture StarTHE INCH WORM by Frank LoesserHANS CHRISTIAN ANDERSENMEDLEYTHE UGLYDUCKLING, THUMBEUNA, THEEMPEROR'S NEW CLOTHES, NO TWOPEOPLE, ANYWHERE I WANDER, &WONDERFUL COPENHAGENincludingby Frank LaesserABOVE:Don Alan CrollThere will be one fifteen minute intermissionbetween Acts I and II.* indicates members working under Actor'sEquity Association contracts in this production.** indicates a performer enrolled in the AEAmembership candidate program.Please silence your cell phones and allelectronic devices. No photography orvideography is allowed without the consent ofthe Theater.MASTER PERFORMERDanny Kaye was a character or perhaps better said, many characters. His talent for losinghimself in an array of costumes, faces, and personalities brought him from the public schoolsof Brooklyn, to the Borscht Circuit- the summer camps of the Catskill Mountains, totelevision and film, and all over the world performing in variety shows for children andmilitary troops. Paired with his wife, the levelheaded Sylvia Fine, who wrote much of hismaterial, he was unstoppable as a force in comedy and philanthropy. His audiences werealways rolling in their seats with laughter and often generously giving to his favorite charities,primarily UNICEF.He was a man of many hats with split-second costume changes for countless characters, butalso fulfilling roles far removed from acting. He held every commercial pilot license, flyinghimself to many of the stops on his world tours, could imitate almost any language, was amaster chef, and conducted symphonies relying on his ability to soak in a score despite aninability to read music. His tour of symphony orchestras, raising money for musicianmaintenance funds and pension plans, took him to New York, Los Angeles, London, Toronto,Tel Aviv, Stockholm, and even to Dallas.A Hit at the Palladium, Belovedin EnglandBALLIN' THEJACKbyChris Smith&Jim BurrisTHE LOBBY NUMBER by MaxLiebman&Sylvia FineANATOLE OF PARIS by Sylvia FineDINAH by Sam M. Lewis, Joe Young,&Harry AkstTHE PEONY BUSH by MeredithWilsonMINNIE THE MOOCHER by CabCalloway, Irving Mills, &ClarenceGaskillACT IIBack on BroadwayUNICEF's Ambassador: TheChild Within Us AllMOMMY, GIMME A DRINKA WATER byMilton Schaferl'M FIVE by Milton SchaferDanny Kaye)ARTISTIC STAFFMichael SerrecchiaMr. Serrecchiais a familiar name and facein this role ofdirecting forTheatre Three, as he repriseshis direction ofthis production in our 2006 season. Hismost recent work with usincludes one ofthe hit showsofour 2008-09 season, TheLight in the Piazza, and ofour2006-07 season, The FullMonty; other directing assignments with us include SevenDIRECTOR»Keys to Baldpate, I'll Leaveft To You, and A Class Act.Regional directing creditsinclude Nine, The Musical forIrving Community TheatreMainstage, Moonlight andMagnolias, and Almost Mainefor Theatre Arlington; Oklahoma! and This WonderfulLife for WaterTower Theatre,Lobby Hero for SecondThought Theatre, On GoldenPond for The ContemporaryTheatre of Dallas, and TheStudent Prince for MetroplexOpera Company, all in Dallas.Michael's theatrical creditsalso include choreographyand his work with us includes:Another Night BeforeChristmas, Six Dance Lessonsin Six Weeks, Mid-Life! TheCrisis Musical, and You're AGood Man, Charlie Brown.Terry DobsonMUSICAL DIRECTOR/AEAMr. Dobson has been a member ofTheatre Three's Artistic Staffsince May 1980. He currentlyserves as T3's Musical Director and Company Manager.Among his directing credits ishis direction and accompaniment ofthe longest runningSTAGE MANAGER»stage production in Dallastheater history- TheatreThree's production of I LoveYou, You're Perfect, NowChange. As musical director,his most recent assignmentsare The 25th Annual PutnamCounty Spelling Bee and theTheatre Too season opener,Woody Guthrie's AmericanSong. Last season, Terrywas the musical director forTheatre Three's productionsofLost in the Stars and TheLight in the Piazza and the2009 return engagement ofILove You, You're Perfect, NowChange. Prior season direct-ing assignments includeMurder on the Nile, Crimes ofthe Heart, Mid-Life! The CrisisMusical, A Dog's Life, andMack ri(, Mabel. Terry's stagemanaging assignments withus include Vieux Carre, TheRoyal Family, and Garden(ofHouse ri(, Garden). Terryhas performed with CasaMariana, Dallas Theater Center, Flower Mound Performing Arts Theater, Lyric Stage,Irving; and Theatre Arlington.He is a recipient ofa RabinAward and ofnumerous
C SONGS OF THE REDHEAD BIOGRAPHIESON THIS PAGE:Don Alan Croll".Column Awards.David WalshSET DESIGN» Mr. Walsh,,.joined our staff in 2007 asTechnical Director, and isnow one of our residentartists. David's set designshave been seen in House& Garden, The Light in thePiazza, Pygmalion and ADog's Life on our Mainstageand in Snake in the Grass,Look What's Happened toPixie DeCosta, Blind Date,Season's Greetings, TheLaVidas' Landlord, andMid-Life, the Crisis Musicalin Theatre Too. Prior tothis, he lived in Amarillo, TX,where he was the AssistantTechnical Director and ScenicDesigner/Artist for AmarilloLittle Theatre (ALT). Davidwas on the design teamresponsible for the designand execution of more than80 productions in his eightyears with ALT. Along withhis design responsibilities,he also appeared in a number of productions: GrossIndecency (Oscar Wilde), BigRiver (King), A Funny ThingHappened on the Way to theForum (Miles Gloriosus), andThe Lonesome West (Valene).David resides in Dallas andhas three children.Paul ArnoldLIGHTING DESIGN» Mr.Arnold returns to use histechnological expertise inlighting design with us again.His recent work in TheatreToo includes Snake in theGrass, Six Dance Lessons in SixWeeks, and Woody Guthrie'sAmerican Song; and in priorseasons: Garden (of HouseC1[ Garden), The Big Bang,Season's Greetings, I Love You,You're Perfect, Now Change,and Mid-Life! The CrisisMusical. He filled assignments on our Mainstage asMaster Electrician for Crimesof the Heart and A Dog's Life.Paul's credits include lightingdesign for Footloose (ColumnAward nomination) for Garland Civic Theatre, and Oliverand Shadow/ands for TheatreCoppell. He also performedon stage as Frank Lubey in AllMy Sons for the Irving Community Theatre Mainstage.Paul received training atEmporia State University inKansas, where he did lightingdesign for Proof and Time forIves. He has also done workin Lawrence, Kansas; theAstor's Beechwood Theatre,Newport, Rhode Island; andMaine State Music Theatre,Brunswick, Maine.CASTDon Alan CrollMAN #1 »Mr. Croll, a nativeof Buffalo, New York, hasbeen performing professionally since age 16, whenhe was hired by a localchildren's theatre company,The Peter Piper Players, toplay the title role in Pinocchio.After graduating with honorsfrom the Ithaca CollegeTheatre Department in newYork, he appeared in the1971 Broadway revival of OnThe Town with BernadettePeters and toured in Manof La Mancha, playing theBarber to such Don Quixotesas John Raitt and HowardKeel. He starred in the OffBroadway Yiddish musicalThe Golden Land at thelegendary Second AvenueTheatre, and was seen in L.A.area productions of Big Riverand Funny Girl, the latter withPia Zadora and Kaye Ballard.Don appeared in the SanDiego premiere of I'm NotRappaport, playing 81-yearold Nat Moyer, for which hewas nominated Best Actorin a Play by the San DiegoTheatre Critics Circle. His TVcredits include appearanceson General Hospital, Nineto Five with Sally Struthers,the ABC Movie of the Week,Donor with Melissa Gilbert,and Reasonable Doubtswith Marlee Matlin. Donpresented his one-man-showabout the life of Danny Kaye,Songs of the Redhead to soldout houses here at TheatreToo and also appeared in the
the plays, The Vertical Hour fourth show for us, Ogle (Horror/Fantasy Now Change, The Wild Terry McCracken Dog Theater, Theatre and Gethsemane, and the having completed the Audio Production), and a Party, Myths and Hymns, EVELYN THOMAS» Ms. Arlington, Flower Mound
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