RTÉ Radio Scripts: Radio Drama And Variety Scripts P261 Descriptive .
RTÉ Radio Scripts: Radio Drama and Variety Scripts P261 Descriptive Catalogue UCD Archives
RTÉ Radio Drama and Variety Scripts archives @ucd.ie www.ucd.ie/archives T 353 1 716 7555 F 353 1 716 1146 2013 University College Dublin. All rights reserved ii
RTÉ Radio Drama and Variety Scripts CONTENTS CONTEXT Administrative History 1. Radió Éireann – Raidió Teilifís Éireann 2. The Productions Office: Drama and Variety 3. The Radio Éireann Players ('RÉP') 4. List of actors at RÉ/RTÉ Notes 1. 2. 3. on authors and scripts Authors and scripts Missing Scripts RTÉ document numbers iv v vi vi vii viii viii viii Archival History CONTENT AND STRUCTURE viii Scope and Content ix System of Arrangement CONDITIONS OF ACCESS Access lxviii Language lxviii Finding aid lxviii DESCRIPTION CONTROL Conventions lxviii Archivist’s note lxviii ALLIED MATERIALS lxviii Index of Adaptors lxix iii
RTÉ Radio Drama and Variety Scripts CONTEXT This is a collection of scripts for radio drama and variety fromthe Productions Office at Radio Éireann/Raidió Teilifís Éireann (RTÉ), with affiliated materials such as correspondence, and research papers. Administrative History 1. Radió Éireann – Raidió Teilifís Éireann On 26 March 1924, a Special Committee on Wireless Broadcasting filed their final report with Dáil na hÉireann, recommending that ‘Broadcasting should be a State service purely’, with its installation and management to be in the hands of the Postal Ministry. ('Wireless Broadcasting Report – final Report of Special Committee', par.6.) The Wireless Telegraphy Act was not passed in the Dáil until November 1926, but in the meantime, the ‘Irish Free State Broadcasting Service’, popularly called 2RN, had begun broadcasting on 1 January 1926, as a section of the Department of Posts and Telegraphs. In 1927, a sister station was opened in Cork, 6CK, its location in the former Women’s Gaol in Sunday’s Well. With the installation of a high-power station in Athlone in 1932, the Irish broadcaster became known as ‘Radio Athlone’; from 1937 the service in general was popularly called ‘Radio Éireann’, and this was only formalised in 1960. With the beginning of television in 1961, ‘Teilifís Éireann’ came into being, and the combined services were restyled ‘Radió Teilifís Éireann’ in 1966 with the Broadcasting Authority (Amendment) Act of that year. The Broadcasting Act of 2009 then renamed it ‘Raidió Teilifís Éireann’, in line with Irish language spelling rules. The Department of Post and Telegraphs retained full responsibility for Radio Éireann until the Broadcasting Authority Act (1960) when the Radio Éireann Authority was appointed. The Department was abolished in 1984. RTÉ is now a statutory corporation. The broadcaster’s offices were situated at first in Little Denmark Street (now the ILAC Centre), but were moved to the General Post Office (with a Henry Street entrance) in 1928, where they remained until 24 September 1973, when broadcasting from the new site in Donnybrook began. Séamus Clandillon was the new broadcaster’s first director (‘Director of Broadcasting’), with seven part-time members of staff. By 1939, there were three announcers, a Staff Administration Officer, a Woman Organiser, Engineer, News Officer, and a Talks Officer. Regarding language matters, the 1926 Act related to administration and the responsibilities of Posts and Telegraphs, and despite strident points made in the 1924 report, the Irish language community felt this was neglected, and this stayed a live issue until the foundation of Raidió na Gaeltachta (1972) and Teilifís na Gaeilge (1996, now ‘TG4). Radio Éireann’s offices were bilingual, with some staff employed specifically to write material in Irish as well as English, but there was no division of labour. (Output in Irish, viewing the period covered by these papers, varied between 6 and 10% of the overall airtime.) iv
RTÉ Radio Drama and Variety Scripts 2. The Productions Office: Drama and Variety The scripts contained in this collection were produced by the Productions Office, situated in Henry Street, and later Donnybrook. The Productions Office was first headed by John McDonagh (1935–47), then by H.L.(Larry) Morrow (1947–51), and by Micheál Ó hAodha (acting 1951–3, fully appointed in 1953). The Office produced drama, feature, and variety programmes, for adults and young people, in English and in Irish. The Productions Department, as emerges from this collection, dealt with radio drama proper (c.60%), adaptations of stage plays (c.12%), adaptations of prose works for broadcasting (c.11%), and with the amorphous genre of features and documentaries in dramatic form (c.11%), the latter usually with an educational agenda (see especially the 'Treasure House' series). Around 8% of all are in translation into English from other languages including Irish. Around 9% is in Irish, some of it translated from other languages. Around 6% of the material consists of series, including original radio work and adaptations. The variety genre only makes up c.2% of the whole. Radio Éireann'sAnnual Report for 1947 explains the relative dearth of radio drama proper: 'From its early days Radio Éireann has made sustained efforts to encourage Irish radio dramatists - writers of plays and features specifically conceived in terms of radio. Prizes have been offered, plays commissioned from established dramatists- but to very little purpose '. (p.13)For example, a competition had been held in 1936 for radio drama which was very successful, but such competitions could not fill the gap. Similar misgivings were expressed about the 'variety' genre in 1947, 'of which inflow is even less than that of Radio Drama. Radio Variety is even more a matter of split-second "timing" than Radio Drama; the only really successful way to write and produce Radio Variety is during rehearsal - beginning with a "Skeleton" script and filling in jokes and wise-cracks ad hoc. Here again is a craft which can be learnt only in the workshop'. (p.14)Variety consisted of programmes with song, dance music, comedy sketches, but also included thequiz show Information, Please, and the popular genealogical programme Meet the Clans, produced in Ireland in 1962 and then in the US in 1963 and 1965. (P261/4412-4414) 'Variety' last appeared as a separate entity in RTÉ documentation of 1976–7. (Alacoque Kealy Irish Radio Data 1926–80, RTÉ Occasional papers Series 1, 1981 p.30.) Some of the features that resemble short plays make the dividing line between radio drama and talks/features, dealt with by the General Features Office, rather thin. Because of the cross-over, researchers of playwrights and their work ought to consider all three RTÉ Radio Scriptscollections at UCD, P259 Scripteanna Chaint Raidió I nGaeilge, P260 Radio Talks and Features in English, and this collection. The production standards of radio drama, features and variety, were raised by the foundation in 1947 of a permanent repertory group of players. v
RTÉ Radio Drama and Variety Scripts 3. The Radio Éireann Players ('RÉP') During the 1930s, radio drama suffered from a lack of resources, including a dearth of drama for radio. From 1935, Radio Athlone relayed plays from venues like the Gate, Peacock, and Taibhdhearc Theatres. Productions were made with casual and part-time actors. However, in 1947, Radio Éireann received funding originally intended for a new shortwave service to broadcast overseas, which fell victim to the change of government in February 1948. (Eileen Morgan-Zayachek 'Losing their day jobs: the Radio Éireann Players as a permanent repertory company' Theatre Survey 46 no.1 (May 2005) pp 31-48, p.34.)Not anticipating the failure of the shortwave station, Radio Éireann used its fundingin 1947for the formation of a standing repertory company, the Radio Éireann Players, employing 24 actors including Irish speakers. Later, Radio Éireann also brought in guest actors such as Hilton Edwards, Micheál Mac Liammóir and Cyril Cusack. It is unclear whether the RÉP was ever officially disbanded. Thanks to the existence of the RÉP, RTÉ was twice awarded the first prize for radio drama at the Prix Italia, with Seamus G. O'Kelly's The Weaver's Grave (an adaptation) in 1961, and with Dan Treston's Piano in the River in 1965, both of which scripts are in this collection (P261/3142 and P261/4117). 4. List of Actors at RÉ/RTÉ This is an incomplete list of actors either in casual or longterm employ by Radio Éireann/RTÉ, collected from drama and feature scripts used at rehearsals, and bearing handwritten names. A number of scripts bear handwritten monograms or other notes on the actors employed for the piece, and the list may help to identify them. Some of the following were members of Radio Éireann Players (1947-[1980], others were in more casual employ by Radio Éireann/RTÉ. See also a list of RÉP members in Maurice Gorham Forty Years of Irish Broadcasting (Dublin: Talbot Press, 1967), pp 163-164, and Eileen Morgan-Zayachek 'Losing their day jobs: the Radio Éireann Players as a permanent repertory company', Theatre Survey 46 no.1 (May 2005) pp 31-48. Éamonn Andrews, Cecil [Barron], B.J. Bastible, Vincent Bradley, Barbara Brennan, Cathryn Brennan, Denis Brennan, Niall Buggy, David Byrne, Micheál Campion, Daphne Carroll, Christopher Casson, Brendan Cauldwell, Máire Chinsealach, Brendan Conroy, S[ ] Cotter, Dermot Crowley, Chris Curran, Patrick Dawson, Lionel Day, Eoin de Faoite, Peter Dix, Donovan (once), Éamonn Draper, Eithne Dunne, Conor Evans, Gabriel Fallon, Conor Farrington, C. Fawcett, Gerald Fitzmahoney, Kevin Flood, Séamus Forde, Laurence Foster, John Franklin, Eva French, B. Fricker, Noel Geary, Bill Golding, James Greeley, George Green, Aiden Grennell, Nicholas Grennell, Ivor Hanly, Seamus Healy, Colm Hefferon, Basil Hogan, Bosco Hogan, Stanley Illsley, Thomas Jordan, [Musetta] Joyce, Éamon Keane, Marie Keane, Éamonn Kelly, Noreen Keogh, Brendan Kilbride, Eugene Lambert, Pat Layde, Barbara Lloyd, Liz Lloyd, Florence Lynch, Noel Lynch, Caoimhín Mac an Tuille, Gerald McArdle, Barbara McCaughey, B. Mac Cnáimhsí, [ ] Mac Dara, Michael McDonagh, E. Madden, Lana McDonnell, Damien McHugh, Al McKennon, Patricia Maloney, Frank Melia, Spike Milligan, Kate Minogue, Peg Monahan, Éamonn Morrissey, Laurie Morton, Claire Mullan, Noel Murphy, Pádraig Murray, Neasa Ní Anracháin, Máire Ní Cheallacháin, Bríd Ní Choisdealbha, Gobnait Ní Shúilleabháin, Jim Norton, Gerard O’Brien, William O’Brien, Noel Ó Briain, Éamon Ó Ceallaigh, Joseph O’Dea, Lill O'Dea, Máirtín Ó Diomasaigh, [P.O’Donovan], Breandán Ó Dúill, Ann vi
RTÉ Radio Drama and Variety Scripts O’Dwyer, Frank O’Dwyer, Séamus Ó hÉalaidhe, Brian O’Higgins, A. Ó Liatháin Gearóid Ó Lochlainn, Deirdre Ó Meara, Sonya D. Ó Meara, Seán Ó Murchú, Maxine O’Reilly, Marcella O’Riordan, Con Ó Seaghdha, Milo O’Shea, Arthur O’Sullivan, Maura O’Sullivan, Peadar Ó hUallacháin, Séamus Paircéir, Colette Proctor, Sian Quill, Daniel Reardon, Jim Reid, Éamonn Rohan, Gabriel Rosenstock, Jonathan Ryan, Celia Salkeld, Dick Smith, John Stephenson, Thomas Studley, Joseph Taylor, Niall Tóibín, Ginette Waddell, Gerry Walsh, Ronnie Walsh, Gareth White, Frank White-Lennon. Scripts retrieved from the Cork Studios, Union Quay, name the following actors: P.L. McCann (the author of the scripts), J. Duffy, Gertrude Quinn, Paul Ryland, S.J. Henry, Veronica Keary. Other names recorded on scripts are those of sound engineers at Radio Éireann/RTÉ, including: James Neylin, John Farren, F.Lawlor, Norman O’Byrne, Brian O'Neill, Anton Timoney. Notes on authors and scripts 1. Authors and scripts The collection contains scripts from c.1,650 writers and three organisations. Some were written or adapted by staff of the Productions and the Scriptwriters' Office (for the latter, see collections P259 and P260); but the bulk came from writers external to the radio station. The drama collection also contains correspondence with writerssuch asTeresa Deevy and Brian O'Nolan, and an actor, Cyril Cusack;, and the files with variety programmes contain some correspondence with collaborators, and with the public (e.g. the series Meet the Clans). Scripts very often bear the name of the actor who used the particular script, with additional reading directions, not to be confused with the author’s or the adaptor's amendments, which are very rare. (See Appendix 1 for a list of actors derived from the scripts.) An attempt was made to note where a copy belonged to the author/adaptor, and this is always filed together with the Radio Éireann/RTÉ faircopy where extant. Translations are only filed together if they were found together. The date of transmission is noted very rarely; sometimes the dates found on the scripts are those of submission or deadlines for the typist. It was not possible to check the newspaper listings for every undated script, but in the case of scripts missing the author's name these listings were very useful and dates obtained in that way were recorded in the list. Two drama scripts (by Seán Crawford and P.L.McCann) were retrieved from Cork Studios, Union Quay, when they closed in 1995 (they operated from 1958); it is unclear whether these plays were produced in Dublin or in Cork. vii
RTÉ Radio Drama and Variety Scripts 2. Missing Scripts Judging from the drama lists (English and Irish) in the Annual Reports (1947–74), and the scripts that survive in this collection, about a quarter of drama scripts from that period did not survive. These include, for example, Louis D'Alton The Fifth Man (1947), Richard Johnston I Shall Give (1961), Shakespeare Troilus and Cressida (1963), serial books by E.M.Foster and L.P.Harvey (1967), and Seán Ó Tuama Judas Ischariot agus a Bhean (1968). Where scripts for broadcast are not extant, it ought to be remembered that Radio Éireann/RTÉ had little post-production use for these scripts. Scripts that were not accepted were generally returned to their authors. 3. RTÉ document numbers: Most documents had numbers assigned by Radio Éireann/ RTÉ most of which are in chronological order by c.1950. Sample list of numbers and years: 1) not chronological: 124 (1945), 211 (1950), 725 (1952); 2) chronological: 400 (1941), 989 (1950), 1636 (1957), 2264 (1961), 3216 (1969), 3420 (1971), 5262 but also 5480 (1985), 7136 (1990), 7565 (1996), 7639 (1997). Archival History The material was gathered at the Dublin studios of RTÉ. Under the terms of the RTÉ-UCD Partnership,the material was transferred to UCD ArchivesinNovember 2011.The RTÉ Archives Project was initiated to repack and catalogue the scripts and ran from August 2011 until May 2013. The project archivist was Vera Orschel. CONTENT AND STRUCTURE Scope and Content Radio Drama: dramatic pieces written for radio. Radio Drama in Adaptation: adaptations from either stage plays, or from prose (see Appendix 2 with an alphabetical index of adaptors). Documentaries: radio features in dramatic form, many for young listeners (e.g. the series 'Treasure House'). Variety Programmes:light entertainment, comedy, and sketches. adaptations and Correspondence:concerning plays, employment,betweenProductions Office and other Radio Éireann/ RTÉ personnel, authors, adaptors, and actors. viii
RTÉ Radio Drama and Variety Scripts System of Arrangement 1 DRAMA 1. 1 Jarosław Abramow 1 1. 2 John Acton 1 1. 3 Arthur Adamov 1 1. 4 Rhys Adrian 1 1. 5 Renate Ahrens-Kramer 2 1. 6 Frederick Aicken 3 1. 7 Conrad Aiken 3 1. 8 Harrison Ainsworth 3 1. 9 Edward Albee 4 1. 10 Peter Albrechtsen 4 1. 11 Louisa Alcott 4 1. 12 Verna Alexander 4 1. 13 Grant Allen 5 1. 14 Maud Allen-Stokes 5 1. 15 Wolfgang Altendorf 5 1. 16 Simon Amberley 6 1. 17 Hans Christian Andersen 6 1. 18 Constance Powell Anderson 7 1. 19 Maxwell Anderson 8 1. 20 Stefan Andres 8 1. 21 Joe Andrews 8 1. 22 Louis Angely 8 1. 23 Jean Anouilh 9 1. 24 Richard Anthony 10 1. 25 Jonquil Antony 10 1. 26 John Antrobus 10 ix
RTÉ Radio Drama and Variety Scripts 1. 27 Aleksei Arbuzov 11 1. 28 Jules Archer 11 1. 29 John Arden 12 1. 30 Aristophanes 12 1. 31 Ken Armstrong 12 1. 32 Jonas Arnason 13 1. 33 Örnólfur Árnason 13 1. 34 Georges Arnaud 13 1. 35 Mark Arnstein 13 1. 36 Fernando Arrabal 14 1. 37 Robert Arthur 14 1. 38 David Ashton 14 1. 39 Cynthia Asquith 15 1. 40 R.J. Atkins 16 1. 41 W.H. Auden 16 1. 42 Sam Aughtry 16 1. 43 Liane Aukin 16 1. 44 Stacy Aumonier 17 1. 45 Jane Austen 17 1. 46 Alan Ayckburn 18 1. 47 Marcel Aymé 18 1. 48 Paul Badger 18 1. 49 Enid Bagnold 19 1. 50 Doris Bailey 19 1. 51 John Bailie 19 1. 52 Leslie Baily 20 1. 53 Arthur Ponsford Baker 20 1. 54 Frank Baker 20 1. 55 John L. Balderston and J.C. Squire 21 1. 56 Brendan Balfe 21 x
RTÉ Radio Drama and Variety Scripts 1. 57 R.M.Ballantyne 21 1. 58 John Banim 22 1. 59 Ivy Bannister 22 1. 60 John Banville 23 1. 61 Leland Bardwell 23 1. 62 Philip Barker 24 1. 63 Peter Barnes 25 1. 64 Alexander Baron 25 1. 65 Delores Baron 26 1. 66 Densil Barr 26 1. 67 Bernard Barratt 27 1. 68 Brian Barrett 27 1. 69 J.M. Barrie 28 1. 70 David W.Barron ('Wilson Davidson') 29 1. 71 Sebastian Barry 30 1. 72 Michael Bartlett 30 1. 73 Harry Barton 30 1. 74 L. Frank Baum 32 1. 75 Clifford Bax 32 1. 76 Piaras Beaslaí 32 1. 77 Samuel Beckett 33 1. 78 Brendan Behan (Breandán Ó Beacháin) 1.78.1 Versions ofThe Big House 33 1.78.2 Other Plays 34 1. 79 Alfred Behrens 35 1. 80 Mary Hayley Bell 36 1. 81 Nigel Bellairs 36 1. 82 Roderich Benedix 36 1. 83 Stephen Vincent Benet 37 1. 84 E.F. Benson 37 xi
RTÉ Radio Drama and Variety Scripts 1. 85 Phyllis Bentley 37 1. 86 Hugh Beresford agus C.S. St. Brelade Seale 38 1. 87 John Berkery 38 1. 88 Barry Bermange 38 1. 89 Georges Bernanos 40 1. 90 Jean-Jacques Bernard 41 1. 91 Allan Berrie 41 1. 92 Charles Bertin 41 1. 93 Giuseppe Berto 41 1. 94 Max Berton 42 1. 95 Rudolf Besier 42 1. 96 Albert A. Bestic 42 1. 97 Ugo Betti 43 1. 98 Geoffrey Bevan 43 1. 99 Christopher Bidmead 43 1. 100 L.R. Bidston 44 1. 101 Paul Biegel 44 1. 102 Ambrose Bierce 44 1. 103 Jon Bing & Tor Ǻge Bringsvaerd 45 1. 104 Stan Birrell 45 1. 105 Donald Taylor Black 45 1. 106 Graham Blackett 46 1. 107 R.D. Blackmore 46 1. 108 Anthony Blinco 47 1. 109 Enid Blyton 47 1. 110 Anders Bodelsen 48 1. 111 Hans Böggild 49 1. 112 Bridget Boland 49 1. 113 John Boland 49 1. 114 Rolf Boldrewood 50 xii
RTÉ Radio Drama and Variety Scripts 1. 115 Roy Bolitho 50 1. 116 Robert Oxton Bolt 50 1. 117 Paul Bond 51 1. 118 John Bonnet 51 1. 119 Josef Bor 51 1. 120 Wolfgang Borchert 52 1. 121 Michel Bory 52 1. 122 Dion Boucicault 52 1. 123 Paul Bourget 53 1. 124 Jimmy Bourke 53 1. 125 Andrew Bovell 54 1. 126 Caroline Bowder 54 1. 127 John Bowen 54 1. 128 F.J. Bowley 54 1. 129 Andrew Boyd 55 1. 130 Edward Boyd 55 1. 131 Clare Boylan 56 1. 132 Martin Boylan 56 1. 133 Patrick Boyle 58 1. 134 William Boyle 58 1. 135 George Brady 58 1. 136 Matthew Brady 62 1. 137 Sean Brady 62 1. 138 Ernest Bramah 62 1. 139 Eddie Brannigan 62 1. 140 Deasún Breathnach 63 1. 141 Sean Breatnach 63 1. 142 Bertold Brecht 63 1. 143 Elias Bredsdorff 64 1. 144 Elizabeth Brennan 64 xiii
RTÉ Radio Drama and Variety Scripts 1. 145 Liam Brennan 64 1. 146 Robert Brennan 65 1. 147 Peter Brent 65 1. 148 Michael Brett 65 1. 149 Roy Brewer 67 1. 150 David Bridge 67 1. 151 James Bridie 68 1. 152 Eugène Brieux 68 1. 153 A.W.Brighouse 68 1. 154 Harold Brighouse 69 1. 155 John Broderick 69 1. 156 Jacob Bronowski 70 1. 157 Anne Brontë 70 1. 158 Charlotte Brontë 70 1. 159 Emily Brontë 70 1. 160 J.C.W. Brook 71 1. 161 Simon Brooke 71 1. 162 M.M. Brooks 72 1. 163 Peter Brooks 72 1. 164 G.C. Brown 72 1. 165 Morris Brown 73 1. 166 Tony Browne 73 1. 167 Stephen Buck 73 1. 168 Anthony William Buckingham 74 1. 169 Donald Bull 75 1. 170 Aileen Burke and Leone Stewart 75 1. 171 Frances Hodgson Burnett 76 1. 172 Simon Burt 77 1. 173 Margery Bayley Butler(Sister Mary Alphonsus) 77 1. 174 Michael Butler 78 xiv
RTÉ Radio Drama and Variety Scripts 1. 175 Ray Butler 78 1. 176 William Butler 79 1. 177 Agnes Buttner 79 1. 178 Alan Byrne 79 1. 179 Bernard Byrne 80 1. 180 Denis Byrne 81 1. 181 Donn Byrne 81 1. 182 Gabriel Byrne 81 1. 183 Lawrence Byrne 81 1. 184 Lord George Gordon Byron 82 1. 185 Helen Cahill 82 1. 186 Michael Cahill 83 1. 187 Carmel Callan 84 1. 188 Michael Feeney Callan 84 1. 189 [Philip Callan] 88 1. 190 Joaquin Calvo-Sotelo 88 1. 191 Don Cameron 89 1. 192 Eric Cameron 89 1. 193 Barry Campbell 90 1. 194 Helen Campbell 90 1. 195 Mary Campbell 90 1. 196 Michael Campion 92 1. 197 David Campton 92 1. 198 Peter Devon Cansdale 92 1. 199 Guido Cantini 93 1. 200 Denis Carey 93 1. 201 Marianne Carey 93 1. 202 Maurice O'Connor Carey 94 1. 203 William Carleton 95 1. 204 Frank Carney 95 xv
RTÉ Radio Drama and Variety Scripts 1. 205 John Dickson Carr 96 1. 206 Lewis Carroll 96 1. 207 Niall Carroll and John Healy 96 1. 208 Paul Vincent Carroll 97 1. 209 Angela Carter 97 1. 210 Gearóid Cartwright 97 1 James F.Cashen 98 1. 212 Éamon Cassidy 98 1. 213 Joseph Cassidy 99 1. 214 Carlo Castelli 99 1. 215 Henry Cecil 99 1. 216 Susannah Centlivre 99 1. 217 Santo Cervello 100 1. 218 Gilbert Cesbron 100 1. 219 Mark Channing 101 1. 220 Maureen Charlton 101 1. 221 James Cheasty 101 1. 222 Evelyn Cheesman 102 1. 223 Anton Chekhov 102 1. 224 Scott Cherry 105 1. 225 G.K. Chesterton 105 1. 226 Erskine B. Childers 106 1. 227 Jimmie Chinn 106 1. 228 Martin Chisholm 106 1. 229 Patricia Chown 106 1. 230 Nirav Christophe and Jacques Peeters 107 1. 231 Caryl Churchill 107 1. 232 Gwyn Clark 108 1. 233 Angela Clarke 108 1. 234 Arthur C. Clarke 108 211 xvi
RTÉ Radio Drama and Variety Scripts 1. 235 Austin Clarke 108 1. 236 Marcus Clarke 109 1. 237 Paul Claudel 110 1. 238 Jon Clayton 110 1. 239 Brian Cleeve 111 1. 240 Patrick Clifford 111 1. 241 Sigerson Clifford 112 1. 242 Rex Close 112 1. 243 Richard Cobbold 114 1 Joseph Cochran 114 1. 245 Michael Coffey and Wesley Burrowes 114 1. 246 Maxwell Charles Cohen 115 1. 247 David Coleman 116 1. 248 Martin Collins 116 1. 249 Martin Collins and Diarmuid O'Liahain 117 1. 250 Wilkie Collins 117 1. 251 Robert Collis 118 1. 252 Carlo Collodi 118 1. 253 Marie Filippone Colonna 119 1. 254 Donald Colquhoun 119 1. 255 Pádraic Colum 119 1. 256 Brian Comerford 121 1. 257 John Conlan 121 1. 258 Pat Connole 122 1. 259 Patrick Rearden ('Rearden Conner') 122 1. 260 Joseph Conrad 123 1. 261 Conradh na Gaeilge (The Irish League) 124 1. 262 Denis Constanduros 124 1. 263 Giles Cooper 124 1. 264 James Fenimore Cooper 125 244 xvii
RTÉ Radio Drama and Variety Scripts 1. 265 Jeanne Cooper-Foster 126 1. 266 A.E. Coppard 126 1. 267 Charles Cordier 126 1. 268 Rosalind Corfe 127 1. 269 Rosalind Corfe and Daphne Epton 128 1. 270 Daniel Corkery (Donall Ó Corcora) 128 1. 271 Joe Corrie 130 1. 272 T.P. Costello 130 1. 273 Aileen Coughlan 130 1. 274 John Coulter 131 1. 275 Michel Cournot 131 1. 276 Georges Courteline 132 1. 277 Elizabeth Courtenay 132 1. 278 Noël Coward 132 1. 279 John Cowell 133 1. 280 Constance Cox 135 1. 281 H.A.L. Craig 135 1. 282 Patrick Crane 135 1. 283 Sean Crawford 135 1. 284 Bithia Mary Croker 136 1. 285 Thomas Crofton Croker 136 1. 286 Richmal Crompton 136 1. 287 Anthony Cronin 138 1. 288 Eric Cross 138 1. 289 Anne Crosse 138 1. 290 Tom Crowe 139 1. 291 Christine Crowley 139 1. 292 Conor Cruise O'Brien 139 1. 293 Jim Cullen 139 1. 294 Leo Cullen 140 xviii
RTÉ Radio Drama and Variety Scripts 1. 295 Paddy Cullen 144 1. 296 Marten Cumberland 144 1. 297 Stella Martin Currey 144 1. 298 Martin Currie 145 1. 299 Cyril Cusack 145 1. 300 Michael Cussen 145 1. 301 Carlos dAguila 146 1. 302 Roald Dahl 146 1. 303 Leslie Daiken 147 1. 304 Eileen Dalton 147 1. 305 Louis D'Alton 148 1. 306 Anne Daly 149 1. 307 Leo Daly and Bernard Share 150 1. 308 Pat Daly 150 1. 309 Patrick C. Daly 150 1. 310 Wally K. Daly 150 1. 311 Patricia Danaher 151 1. 312 Tim Danaher 151 1. 313 Margaretta D'Arcy and John Arden 152 1. 314 Michael D'Arcy 152 1. 315 Paul Darcy 152 1. 316 Jean Darling 153 1. 317 Alphonse Daudet 154 1. 318 Ethel G. Davidson 155 1. 319 Norris Davidson 155 1. 320 Andrew Davies 156 1. 321 Betty Davies 156 1. 322 Maurice Davin-Power 157 1. 323 Colin Davis 157 1. 324 Mary Davis 157 xix
RTÉ Radio Drama and Variety Scripts 1. 325 Pat Davis 158 1. 326 Patrick Dawson 158 1. 327 Ronald Dawson and Anne Howard Bailey 159 1. 328 S.R. Day and G.D. Cummins 159 1. 329 Kenneth Deale 160 1. 330 Ivor Deane 160 1. 331 Honoré de Balzac 160 1. 332 Théodore de Banville 162 1. 333 Sean de Barra 162 1. 334 Séamus de Bhilmot 162 1. 335 Aodh de Blacam 164 1. 336 Ursula de Brun 165 1. 337 Miguel de Cervantes 166 1. 338 Tony Deegan 168 1. 339 Tony Deegan and Jim O'Donnell 168 1. 340 Arthur J. Deeny 169 1. 341 Warwick Deeping 169 1. 342 Teresa Deevy 169 1.342.1 Scripts 169 1.342.2 Correspondence 172 1. 343 Séamus de Faoite 172 1. 344 Eduardo de Filippo 174 1. 345 Daniel Defoe 174 1. 346 Celia de Fréine 174 1. 347 Shelagh Delaney 174 1. 348 Jean Delmouse 175 1. 349 Pierre de Marivaux 175 1. 350 Guy de Maupassant 175 1. 351 Henry de Montherlant 177 1. 352 Terry Dempsey-O'Driscoll 177 xx
RTÉ Radio Drama and Variety Scripts 1. 353 Pádraig Denihan 177 1. 354 Davnet Dennehy 178 1. 355 Denis Dennehy 178 1. 356 Rene de Obaldia 181 1. 357 Risteard de Paor (Richard Power) 181 1. 358 Victor de Paor 182 1. 359 Alfred de Sauviniers 183 1. 360 Sinéad de Valera 183 1. 361 Martin Devaney 183 1. 362 Frederick de Verteuil ('Frederick Benedict') 184 1. 363 Eugene Devlin 184 1. 364 Pete Devlin 185 1. 365 Gabriel d'Hervilliez 186 1. 366 Jorge Diaz 186 1. 367 Jose Fernando Dicenta 187 1. 368 Charles Dickens 187 1. 369 Julian Dickson 191 1. 370 Barbara Dillon 191 1. 371 Eilís Dillon 191 1. 372 Joe Dillon (Seosamh Ó Diolúin) 193 1. 373 J.P. Dillon 196 1. 374 Peter Dineen 196 1. 375 J.L. Dinnigan 197 1. 376 Josef Dirnbeck et al. 198 1. 377 Beulah Maria Dix 198 1. 378 Miodrag Djurdjevic 198 1. 379 Albert Dobson 198 1. 380 Jim Doherty 199 1. 381 Billy Donegan 199 1. 382 Maureen Donegan 199 xxi
RTÉ Radio Drama and Variety Scripts 1. 383 Vojislav Donić 200 1. 384 Neil Donnelly 201 1. 385 Emma Donoghue 201 1. 386 Michael Donovan-Schofield 201 1. 387 Milo Dor 202 1. 388 Nora Dorman 202 1. 389 Fyodor Dostoevsky 203 1. 390 James Douglas 203 1. 391 James Douglas and Robert Hogan 211 1. 392 James Douglas and Terry Prone 211 1. 393 Lloyd C. Douglas 211 1. 394 G. Dourgwenn 212 1. 395 Clare Dowling 212 1. 396 Arthur Conan Doyle 212 1. 397 Rose Doyle 212 1. 398 Jaak Dreesen 213 1. 399 John Drinkwater 213 1. 400 V.H. Drummond 214 1. 401 Joseph Ducke 214 1. 402 Ernest Dudley 214 1. 403 Martin Duffy 215 1. 404 Raymond Duffy 216 1. 405 Alex du Frenes 216 1. 406 Dave Duggan 217 1. 407 Alexandre Dumas 217 1. 408 Daphne du Maurier 218 1. 409 George du Maurier 218 1. 410 Desmond Duncan 219 1. 411 Myles Dungan and Jim Lusby 219 1. 412 Frank Dunne 220 xxii
RTÉ Radio Drama and Variety Scripts 1. 413 John Dunne 223 1. 414 John J. Dunne 223 1. 415 Lee Dunne 224 1. 416 Anne Dunphy 226 1. 417 Marguerite Duras 226 1. 418 Francis Durbridge 227 1. 419 Friedrich Dürrenmatt 227 1. 420 Maria Edgeworth 228 1. 421 Hilton Edwards and Micheál Mac Liammóir 228 1. 422 Trevor T. Edwards 229 1. 423 Kevin R. Egan 229 1. 424 Norrie Egan 229 1. 425 Herbert Eisenreich 229 1. 426 David Elford 230 1. 427 George Eliot 230 1. 428 T.S. Eliot 231 1. 429 Grant Ellen 232 1. 430 Stanley Ellin 233 1. 431 David Ellis 233 1. 432 Graham England 233 1. 433 St.John Ervine 234 1. 434 George Ewart Evans 234 1. 435 Richard Everett 234 1. 436 Jack Fagan 235 1. 437 Paddy Fahy 235 1. 438 Kevin Faller 237 1. 439 Brian Fallon 238 1. 440 Gabriel Fallon 238 1. 441 Pádraig Fallon 240 1. 442 Jeffery Farnol 244 xxiii
RTÉ Radio Drama and Variety Scripts 1. 443 Stewart Farrar 244 1. 444 Anne Farrell 244 1. 445 Bernard Farrell 245 1. 446 Bernard Farrell and Donovan 246 1. 447 Leo Farrell 247 1. 448 Michael Farrell 247 1. 449 Robert Farrell 247 1. 450 William Farrell 248 1. 451 Conor Farrington 248 1. 452 George and Gertrude Fass 253 1. 453 Niamh Fawl with Bill Dorris 253 1. 454 Jeanne Feasey 253 1. 455 Richard Feegen 254 1. 456 Pat Feeley 254 1. 457 James B. Fell 254 1. 458 Jill Fenson 255 1. 459 J.A. Ferguson 255 1. 460 Jean-Pierre Ferrière 255 1. 461 Octave Feuillet 255 1. 462 Yves Feux 256 1. 463 Georges Feydeau 256 1. 464 Kathleen Fidler 257 1. 465 Leck Fischer 257 1. 466 P.J. Fitzgerald 258 1. 467 P.P. Fitzgerald 258 1. 468 Brian FitzGibbon 259 1. 469 Constantine Fitzgibbon 259 1. 470 George Fitzmaurice 259 1. 471 Christopher Fitz-Simon 260 1. 472 Tony Flaherty (Antoine Ó Flatharta) 261 xxiv
RTÉ Radio Drama and Variety Scripts 1. 473 James Elroy Flecker 265 1. 474 Conor Fleetwood 265 1. 475 John Fleming 265 1. 476 Sheila Flitton 266 1. 477 Arthur Flynn 266 1. 478 Charles I. Foley 269 1. 479 James Follett 270 1. 480 Jean Follonier 270 1. 481 Kevin Forbes 271 1. 482 Robert Forde 271 1. 483 C.S. Forrester 271 1. 484 Desmond Forristal 271 1. 485 Giovacchino Forzano 272 1. 486 F.R. Foster 272 1. 487 Laurence Foster 272 1. 488 Pat Foster 272 1. 489 Ian Fox 273 1. 490 Seamus Fox 273 1. 491 William Fox 273 1. 492 Barbara Foxe 274 1. 493 Helena France 274 1. 494 J.O. Francis 274 1. 495 Pierre François 275 1. 496 Ken Fraser 275 1. 497 Scott Fredericks 275 1. 498 R. Austin Freeman 276 1. 499 Billy French 276 1. 500 Helen French 277 1. 501 Joseph Freyne 277 1. 502 Brian Friel 277 xxv
RTÉ Radio Drama and Variety Scripts 1. 503 Max Frisch 279 1. 504 Christopher Fry 279 1. 505 James J. Furlong 279 1. 506 Brian Gallagher 280 1. 507 Miriam Gallagher 281 1. 508 Lee Gallaher 281 1. 509 Paul Gallico 283 1. 510 G.P. Gallivan 283 1. 511 John Galsworthy 285 1. 512 Patrick Galvin 286 1. 513 Andrew Ganly 287 1. 514 Ted Gannon 287 1. 515 John Gardner 287 1. 516 Raymond Garlick 287 1. 517 Pat Garrett 288 1. 518 Andrew Garve 288 1. 519 Elizabeth Gaskell 288 1. 520 Tudor Gates 289 1. 521 C. Neilson Gattey and Z. Bramley-Moore 289 1. 522 Théophile Gautier 290 1. 523 Pat Gavin 290 1. 524 Clive Geraghty 291 1. 525 Wilhelm G
RTÉ Radio Drama and Variety Scripts vi 3. The Radio Éireann Players ('RÉP') During the 1930s, radio drama suffered from a lack of resources, a including dearth of drama for radio. From 1935, Radio Athlone relayed plays venues from like the Gate, Peacock, and Taibhdhearc Theatres. Productions were made with casual and part-time actors.
Drama Experiences Drama Games Drama games can take many forms and are used for multiple purposes in school-based learning. In particular, drama games can be used: 1. As a warm up or cool down (to drama activities or for the day) 2. For relationship building 3. To motivate and engage students’ interest in a topic 4.
the genre of their drama, with a relevant reason. The candidate: Has identified the genre of the drama, with a relevant reason. If more than one genre is 2 marks Has identified the genre of the drama. 1 mark 2 Possible genres may include - comedy, tragedy, crime, dance drama, documentary drama, historical, kitchen sink drama,
Drama Stage 6 Syllabus Drama is located in the K–12 continuum in the Creative Arts K–6 syllabus, Drama Years 7–10 Elective course and the Drama course in Years 11 and 12. The Creative Arts K–6 syllabus includes Drama for Stages 1–3. In Drama, students make, p
April 25 2022 (Mon) Phase 2- Deadline of the radio drama submission * Submit a 5-minute radio drama in MP3 format with the script online * Please email your audio file to drama@mysmartabc.com May 3 2022 (Tue) Announcement of the finalists * 5 teams from each division will perform their radio drama live for a panel of adjudicators and audience
Write radio drama scripts based on listener-learning principles and priorities. Use sound effects and music in drama scripts in practical and effective ways. Research the language, idioms and stories of the target audience. Work in a script writing team and experience tag team writing. Format a drama script correctly.
drama tidak akan cukup apabila tidak diimbangi dengan tahap mementaskan atau melakukan pementasan drama. Pentingnya pementasan drama tersebut, siswa harus diarahkan utuk melakukan pementasan drama. Kegiatan tersebut harus diimbangi dengan pembelajaran ekspresi drama agar aspek-aspek afektif dan psikomotorik dapat tersentuh.
Learning English through Drama 1 Teaching Drama In part 2 of the workshops we experienced two demonstrations. In this section we review the two teaching sequences and consider the stages, aims and range of activities available for developing English skills through drama. 1.1 A Structured Approach to Teaching DramaFile Size: 392KBPage Count: 45Explore furtherEffectiveness of Teaching English Subject using Drama on .www.iosrjournals.orgTeaching English Through Drama EFL Magazineeflmagazine.comBBC Learning English - Dramas from BBC Learning Englishwww.bbc.co.ukRecommended to you b
Cambridge IGCSE Accounting is accepted by universities and employers as proof of an understanding of the theory and concepts of accounting, and the ways in which accounting is used in a variety of modern economic and business contexts. Candidates focus on the skills of recording, reporting, presenting and interpreting financial information; these form an ideal foundation for further study, and .
