B.Sc. FASHION TECHNOLOGY & COSTUME DESIGNING
BHARATHIDASAN UNIVERSITY,TIRUCHIRAPPALLI – 620 024.B.Sc. Fashion Technology &Costume DesigningCourse Structure under CBCS(For the candidates admitted from the academic year 2016-2017 onwards)Language Course – I (LC) –Tamil*/Other Languages ** #English Language Course - I 100Core Practical – I (CP)Fashion Illustration (P)4234060100First Allied Course –I (AC)Value educationTextile ScienceValue 60063325751006332575100TotalLanguage Course – II (LC) - –Tamil*/Other Languages ** #English Language Course – II (ELC)First Allied Course – II (AP)First Allied Course – III (AC)Environmental StudiesTotalLanguage Course – III (LC) –Tamil*/Other Languages ** #English Language Course - III (ELC)Fashion Clothing &PsychologySewing Techniques (P)Sewing TechniquesEnvironmental StudiesCore Course – III (CC)Wet Processing6432575100Core Practical – II (CP)Wet Processing (P)Indian Textiles d Allied Course – IIII3Introduction to FashionDesigningCore Course – II (CC)III6MarksExamHoursCore Course – I PartSemesterUpdated on 20.10.2017Non Major Elective I - for those whostudied Tamil under Part Ia) Basic Tamil for other languagestudentsb) Special Tamil for those whostudied Tamil upto 2 but opt forother languages in degreeprogrammeTotalFashion AccessoriesDesigning1600
IIILanguage Course –IV (LC) Tamil*/Other Languages ** #English Language Course – IV (ELC)IVIVIVIIISecond Allied Course - IISecond Allied Course - IIINon Major Elective II - for thosewho studied Tamil under Part Ia) Basic Tamil for other languagestudentsb) Special Tamil for those who studiedTamil upto 2 but opt for otherlanguages in degree programmeSkill Based Elective - ITotalCore Course – V (CC)Core Practical - III (CP)Core Course – VI (CC)Core Practical - IV (CP)Major Based Elective – IVIV332575100633257510055325751004434060100Pattern Making and Grading5432575100Visual Merchandising2232575100Skill Based Elective - 001001005532575100Garment ManufacturingTechnologyChildren’s Garment (P)Core Course – IV (CC)III6Fashion BusinessFashion Portfolio (P)Textile TestingTextile Testing (P)Fashion Merchandising &MarketingSkill Based Elective –IISkill Based Elective - II2232575100Skill Based Elective – IIISoft Skills DevelopmentSkill Based Elective – 06003900TotalIIIVIVCore Course – VII (CC)Core Course – VIII (CC)Core Practical - V (CP)Major Based Elective IIMajor Based Elective IIIExtension ActivitiesGender StudiesExport DocumentationQuality and Cost ControlAdult’s Garment (P)Fabric structure and DesignComputer Aided DesigningExtension ActivitiesGender StudiesTotalGrand TotalInternship for 15 days during the summer vacation after the II year inTextile Designing, Processing & Garment constructing units, prepare &submit the report.2
Language (Part-I)English (Part-II)Core PaperCore PracticalAllied PaperAllied PracticalNon-Major ElectiveSkill Based ElectiveMajor Based ElectiveEnvironmental StudiesValue EducationSoft Skill DevelopmentGender StudiesExtension Activities-44854223311111 (Credit only)* for those who studied Tamil upto 10th 2 (Regular Stream) Syllabus for other Languages should be on par with Tamil at degree level# those who studied Tamil upto 10th 2 but opt for other languages in degreelevel under Part I should study special Tamil in Part IV** Extension Activities shall be outside instruction hoursNon Major Elective I & II – for those who studied Tamil under Part Ia) Basic Tamil I & II for other language studentsb) Special Tamil I & II for those who studied Tamil upto 10th or 2 but opt forother languages in degree programmeNote:Internal MarksExternal Marks1. Theory25752. Practical40603. Separate passing minimum is prescribed for Internal and External marksFOR THEORYThe passing minimum for CIA shall be 40% out of 25 marks [i.e. 10 marks]The passing minimum for University Examinations shall be 40% out of 75 marks[i.e. 30 marks]FOR PRACTICALThe passing minimum for CIA shall be 40% out of 40 marks [i.e. 16 marks]The passing minimum for University Examinations shall be 40% out of 60 marks[i.e. 24 marks]*****3
CORE COURSE IINTRODUCTION TO FASHION DESIGNINGObjectives:1. To understand the fashion concepts and scope of fashion industry.2. To know the basic principles of designing.Unit IFashion ConceptMeaning of Fashion, Origin of Fashion, Meaning of Fashion Designing, Classificationof Fashion, Influence of Fashion; Fashion illustration and Fashion cycle.Unit IIFashion Industry and Fashion PromotionFashion Industry - Boutique and its importance, present structure of Fashionindustry; Textiles and materials in Fashion industry; the structure of the Fashionmarket. Fashion Promotion – Impact of Fashion promotion; Fashion Advertising andits objectives, fashion journalism and its objectives;Unit IIIElements of art and Principles of DesignDesign – Structural design, decorative design, basic silhouette. Elements of art andprinciples of design. Application of principle of design in dress.Unit IVColourIntroduction to colour, colour wheel (Prang & Munsell system) Properties and qualitiesof colour, colour scheme Theories of colour harmony, colour and garment, colourselection. Principles of combining colour. Procedure for combining colour.Unit VCareer in fashionScope of Fashion business, choosing a career in Fashion, Career in Manufacturing,Designing, Career in Retailing, Residential Buying office careers, Career in Fashionservice organizations, Freelancing.References:1. Suzanne G. Marshall, Hazel O. Jackson M. Sue Stanley, Mary Kefgen,Individualityin Clothing Selection and Personal Appearance,Phullis Touchie Specnt ,NewJersey, 2000.2. Kitty G. Dickerson, Inside the Fashion Business, Pearson Education, Singapore,2003.3. Kathryn Mokelvey, Janine Munslow, Fashion Design Process, Innovation AndPractice, Black Well Science Ltd, U.K, 2005.4. V.D. Dudeja, Professional Management of Fashion Industry, GangandeepPublications, New Delhi, 2005.*****4
CORE PARCTICAL IFASHION ILLUSTRATION (P)Objectives:1. To impart skills in basic sketching.2. To make the students to sketch on croqui.I. Basic Sketchingi.ii.iii.iv.II.Pencil grading and smudging techniques.Human figures in proportion using 8-head theory.Drawing eyes, nose, ears, lips face, and hair styles.Sketching of different angles of foot and palm.Sketching on Basic Croquii.Sketching fullness, hemlines and waist bands.ii.Sketching of seams and shirring.iii.Necklines, Collars, Sleeves and Cuffs.iv.Children’s Wearv.Women’s Wearvi.Men’s Wearvii.AccessoriesReferences:1. Ritu Beri, Fashion Illustration and Rendering (2005), B. Jain Publishers (P)Ltd., New Delhi.2. Bina Abling (2001), Fashion Rendering with Colours, Prentice Hall, NewJersey.3. Patrick John Ireland (2005), Fashion Design Illustration. Men, Om BooksInternational, New Delhi.4. Alfred D. Dorkenzio (2001), Fashion Sketching: Drawing the Fashion Figure,Thomas Learning Custom Publishing.*****5
FIRST ALLIED COURSE 1TEXTILE SCIENCEObjectives:1. To enable students to gain knowledge in yarn making.2. To teach different types of fabric construction.Unit IFiber and Yarn manufacturingFiber – Definition, Classification of Fiber.Yarn – Definition, Conventional ring spinning method- Passage of material throughcarding, doubling, combing, drawing, roving, and spinning. Yarn twist, yarn count.Types and characteristics of yarns – ply yarns, cable yarns, double yarns and noveltyyarns and its types.Unit IIYarn manufacturingModern spinning methods – Passage of material through open end spinning, Frictionspinning, Electrostatic spinning, Airjet spinning, Twistless spinning. Filament yarnspinning methods wet spinning, dry spinning, melt spinning, (Bicomponent spinning,film splitting). Sewing thread – construction of threads, thread sizes, thread selectionUnit IIIWeavingPreparation for weaving (warping, sizing, looming) Basic loom structure. WeavingDefinition, Primary motion – shedding – Definition and a brief explanation, picking(shuttle and shuttle less looms), beating up. Secondary motion – Definition andAncillary motion. Types of selvedges. Construction of cloth designs - Design, draft andpegplan. Classification of weaves – plain weave, twill, Satin, Crepe, Pile, double cloth,(Climax) dobby and Jacquard, (double lift double cylinder) Identification of wovenfabric defects.Unit IVKnittingKnitting – Definition, Comparison between woven fabrics and knitted fabric.Classification of knitted fabrics weft knitting – plain knit stitch, Rib stitch, Warpknitting - Tricot knit, Raschel Knit, Milanese Knit, (Jacquard knit, pile knit, Terry knit,velour knit) Identification of knitted fabric defects.Unit VFelted and Non woven fabricsFelted fabrics – Felting process. Types of felt, properties and uses of felt. Non woven –Definition, classification of non-woven fabrics, web forming techniques, bondingtechniques, and finishing techniques. Characteristics of non-woven, uses of nonwoven fabrics.References:1. Corbman B.P Fibre to Fabric, International Students Edition Mc Graw Hill BookCo- Singapore, 2000.2. N.S.Kaplan (2008) Textile Fibres, Abhishek Publications, Chandigarh.3. Meenakshi Rastogi (2009) fibres and yarn, Sonali Publications, New delhi,.4. Sara J. Radolph and Anna L. Lang Ford, Textiles, Prentice hall, New York, 2002.5. Murphy, W.S.(2001), Handbook of weaving, Abhishek publication, Chandigarh.6. Gokerneshan.N (2009), Weaving Preparation Technology, Abishek Publications,Chandigarh.*****6
CORE COURSE IIFASHION CLOTHING & PSYCHOLOGYObjectives;1. To impart knowledge about fashion accessories and designing for figureirrugularities2. To explain students with current scenario of the world fashion centres,Unit IFashion AccessoriesShoes, handbags, jewellery, hats, ties and others. Prepare a picture album foraccessories.Unit IIFigure irregularitiesStout figure, thin figure, slender figure, narrow shoulders, broad shoulders, roundshoulders, large bust, flat chest, large hip, large abdomen, round face, large face,small face and broad face, prominent chin and jaw and prominent forehead. Wardrobeplanning and factors to be considered while selecting clothes for different age groups(men and women)Unit IIIFactors affecting fashion changesPsychological needs of fashion, Socio Psychology of fashion, Technology, Economical,Political, legal and seasonal. Recurring silhouettes – changes in shilhouttes from 1895on wards; fashion cycle; fashion Prediction; Role of costumes as status symbol, clothesas sex appeal, self identity, cultural value.Unit IVFashion forecastingColour, fabrics, current fashion silhouettes, texture, designs - Designer types –classicist, idealist, Influenced, Realist, Thinking poet.Unit VWorld fashion CentresFrance, Italy, America, India, Far East.References:1. Benneett, “Femina Book of Fashion”, Coleman & Co., Ltd., Mumbai (1998)2. Jeaneettee A. Jarnow, Miriarn Guerrerio, “Inside the Fashion Business”, MecmillionPublishing Company, New York3. Harriet T, Mc Jimsey, “Art and fashion in clothing selection”, The Lowa StateUniversity Press, Ames, Lowa.*****7
FIRST ALLIED COURSE IISEWING TECHNIQUES (P)Objectives:1. To enable students to learn about sewing machines.2. To gain skillfulness in sewing techniques.1. Demonstrating- operating, cleaning and oiling of sewing machine.2. Demonstration of taking body measurement.3. Preparing samples fori. Seamsii. Seam Finishesiii. Darts and Tucksiv. Flare, Frills, Ruffles & Godetsv. Pleats and Gathersvi. Skirts (any 5 types)vii. Bias Facing & Bindingviii. Yokes (any 2 type)ix. Placket (any 2 type)x. Pockets (any 2 type)xi. Trimming (any 2 type)xii. Embroidery (any 5 type)References:1. Mary Mathews, Practical Clothing Construction Part-II. Designing, Draftingand Tailoring Bhattarams Reprographics (P) Ltd., Chennai, 2001.2. Zarapkar K.R, System of Cutting, Navneet Publications India 2005.3. Chris Jefferys(2004), 101 Essential Tips – Basic Sewing, D.K. Publishing.4. Besty Hosegood(2006), The Complete Book of Sewing, Dorling KindersleyLtd., London.*****8
FIRST ALLIED COURSE IIISEWING TECHNIQUESObjectives:1. To enable students to study the essentials needed for basic sewing2. To develop skills in drafting patterns for basic garment detailsUnit ISewing EquipmentSewing machine - parts and their function, care and maintenance. Tools formeasuring, marking, cutting & pressing. Selection of thread and needle forvarious types of fabric.Body measurements: Introduction, Measurements – where and how to takethem. Eight head theory – relative length and girth measures for a grown upproportionate human body. Standardizing body measurement.Unit IISeams and FullnessSeams: Definition, Choice of seam, Seam types & their finishes. Fullness:Definition, Types of fullness – Darts, Tucks, Pleats, flares, godets,gathers,shirrs & frills. Calculating material requirements.Unit IIISleeves and skirtsSleeves:- Classification of sleeves, types of sleeves- plain, puff at top, bottom,bell,bishop, circular, leg-o-mutton, sleeveless styles, kimono & raglan. Patternpreparation for these sleeves.Skirts: Different types of skirts – Drafting patterns for semicircular andcircular skirts.Unit IVNeck finishes and yokesNeck finishes: -Definition, Bias- definition, joining bias and uses. Bias facingand bias binding. Collars – definition, parts of collar, factors to be consideredin designing collar, classification of collar. Drafting for peter pan, cape, scallop,puritan, sailors, Chinese and Turtleneck collar.Yokes: - Definition, selection of yoke design, creating variety in yoke. Draftingpatterns for yoke without fullness, yoke with fullness within the yoke & yokesupporting or releasing fullness. Attachment of yokes.9
Unit VPockets and placketsPockets- Definition, classification, selection of pocket and creating variety inpockets.Plackets- Definition, characteristics of a good placket, classification –continuous bound, bound & faced, fly opening, zipper, tailored and center front/ shirt placket.Trimmings:- Definition, types -Bias trimming, Ricrac ,ruffles, embroidery,smocking, faggoting, Applique, lace, lace motifs, Scalloped edging, decorativefastening – belts & bows.bows.References:1. Mary Mathews, Practical Clothing Construction Part-II. Designing, Draftingand Tailoring Bhattarams Reprographics (P) Ltd., Chennai 2001.2. Zarapkar K.R, System of Cutting, Navneet Publications India 2005.3. Hilary Campbell,” Designing Patterns Om Book Services, New Delhi, 2003.4. Helen Joseph-Pattern Making for Fashion Design, Armstrong PearsonEducation,Delhi, 2000.5. Mary Mulasi, Garments with style, Chiton Book Company, Pennsylvania,1995.*****10
CORE COURSE IIIWET PROCESSINGObjectives:1. To educate students about textile dyeing and printing2. To make them understand various textile finishes.Unit ITextile ProcessingDefinition, Need for Processing, Dry and Wet Processing as related to common fabrics:Cotton, Silk, Wool and synthetics.Unit IIPreparatory processMeaning, Need for preparatory processes. Types - Singeing, Scouring, bleaching,mercerizing, desizing.Unit IIIDyeingClassification of dyes and Stages of dyeing, Characteristics of dyes, Direct, Vat,Sulphur, reactive, naphthol, acid, Basic and Disperse Dyes - Method of dyeing Cotton,Silk, Wool and Synthetics with respective dyes, Dyeing of fibre blends.Unit IVPrinting and Printing procedureDefinition types, Direct style-block, stencil, screen, roller printing, Duplex printing,Rotary, Transfer printing, Discharge style, Resist style,- Batik, tie and dye, Minorprinting methods- Flocking, Marbling, Photoprinting, Warp printing and Air brushprinting.Unit VTextile FinishesCalendaring, Stentering, Stiffening, Decanting, Beetling, Glazing, Schreinerizing,Embossing, Moiering, Ciering, Raising, Napping, Gigging, Shearing. Water Proofing,Water repellency, Sanforizing, Wash and Wear, fire proofing, Crepe and Crinkle effect.References:1. Manivsakam.N. Treatment of Textile processing Effluents, Sakthi Publications,Coimbatore, 1995.2. C.W. Pellow (2000) Dyes and Dyeing, Abhishek publication3. Carbman B.P (2000) Fiber to Fabric, International Students Edition MC Graw HillBook Co., Singapore.4. Clarke, W. (2004) An Introduction to Textile Printing, Wood Head PublishingLimited.5. J.L.Smith, (2000) Textile Processing, Abhisekh Publications, Chandigarh.*****11
CORE PRACTICAL IIWET PROCESSING (P)Objectives: To make the learners to identify various fibre.To impart knowledge in textile dyeing and printing.1. Identification of fibres – Mircroscope, burning, solubility tests2. Pretreatment- Scouring, Desizing, Mercerizing of cotton3. Dyeing of cotton, silk, wool and synthetic textiles using - Direct, Vat,Sulphur, Reactive, Acid, Basic and Disperse dyes.4. Printing of cotton using block and screen printing (2 samples each)5. Printing of Tie and dye and Batik. (2 samples each)References:1. Carbman B.P (2000) Fiber to Fabric, International Students Edition MCGraw Hill Book Co., Singapore.2. Shenai, V.A., Technology of Textiles Processing, Chemistry of Dyes andPrinciples ofDyeing, A Sevak Publication, Bombay, 20023. Gulrajani,M.L., Deepti Gupta, Natural Dyes and their Application toTextiles, Indian Institute of Technology, New Delhi, 1992.4. Clarke, W. (2004) An Introduction to Textile Printing, Wood Head PublishingLimited.5. C.W. Pellow (2000) Dyes and Dyeing, Abhishek Publication.*****12
SECOND ALLIED COURSE IINDIAN TEXTILES & EMBROIDERYObjectives:1. To make students to study the origin of Indian textiles and costumes.2. To understand the origin of traditional embroidery of India.Unit IOrigin of CostumesTheories of clothing origin, Invention of needle, Development of sewing, Developmentof garment styles and Role of costumes. History of Indian Garments from ancient tomodern times.Unit IITraditional Woven TextilesDacca muslin, Jamdani, Chanderi, Baluchar Buttedar, Brocades- Kam Kawab,Paithani,Peethamber, Kancheepuram brocade, Banaras brocade, Himrus and Amrus,Kashmiri shawl.Unit IIITraditional printed and dyed TextilesPrinted Textiles: Kalamkari. Block printing, Roghan printing and other printed andpainted textiles (Mata – mi- pachedi, Pabuji-ka-pad) Dyed Textiles: Ikat, Patola,Bandhani, Laharia, MashruUnit IVEmbroideries of IndiaKantha of Bengal, Gujarat embroidery, Kasuti of Karnataka, Chamba roomal ofHimachal, Pulkari of Punjab, Chikankari of Uttar Pradesh.Unit VCostumes of IndiaIntroduction to Traditional Indian dress, Costumes of West Bengal, Assam, Bihar,Uttar Pradesh, Rajasthan, Gujarat, Maharashtra, Punjab, Kashmir, Himachal Pradesh& South India. An introduction to Traditional ornaments of India.References:1. James Laver, Costume and Fashion and Cancise History Published by Thames &Hudson, London, 2002.2. Dr. Parul Bhatnagar Traditional Indian and Textiles. Published by – AbhisekPublications – Chandigarh, 2004.3. Jasleen Dhamija and Jyotindra Jain Hand wove Fabrics of India – Mapin PublishingPvt.Ltd. Ahmedabad, 2002.4. Manmeet Sodhia , History of Fashion,Kalyani Publishers, New Delhi, .2000.5. Premalatha Mullick, Textile Designing,Kalyani Publishers, New Delhi, 2007.*****13
NON MAJOR ELECTIVE IFASHION ACCESSORIES DESIGNINGObjectives:1. To know about different types of Accessories2. To create an idea for making different AccessoriesUnit IIntroduction to Fashion AccessoriesThe accessories industries; The business of accessories; Economic importanceof accessory industry; Marketing of accessories; Accessory designersUnit IISketching AccessoriesSketching Jewellery; Sketching sun glasses; Sketching hats; Detailing for otheraccessories. Preparing an album for AccessoriesUnit IIIFashion AccessoriesFoot wear; Handbags; Belts; Gloves; Hats; Scarves; Ties; Sunglasses; Changingof Acc
Introduction to Fashion Designing 6 4 3 25 75 100 Core Practical – I (CP) Fashion Illustration (P) 4 2 3 40 60 100 First Allied Course –I (AC) Textile Science 6 4 3 25 75 100 Value education Value education 2 2 3 25 75 100 Total 30 18 600 II I
QuantityTitle Description Inventory Number 1000 1 Assorted Costume Jewerly Assorted Costume Jewerly (865528) 865528 1001 1 Assorted Costume JewerlyAssorted Costume Jewerly (865539) 865539 1002 1 Assorted Costume JewerlyAssorted Costume Jewerly (865535) 865535 1003 1 Assorted Costume JewerlyAssorted Costume Jewerly (865542) 865542 1004 1 Assorted
shows a scatterplot of costume sales after October 25 versus tweets mentioning the costume until October 24. The right plot shows the same response plotted against costume sales until October 24, which . spiderman, superman,vampire, zombie} Keywords: We obtained the following list of keywords occurring with {halloween, costume, dress up}.
Cartoon Characters (COCA) Page of 7 Masque Productions Costume Name: Betty Rubble Costume #: COCAFL8 Description/Notes: blue felt w/ bow
Telkom. Mata Kuliah Fashion Merchandising mempelajari mengenai Pengertian dan tujuan Fashion Merchandising, Perencanaan Kalender Fashion dan Fashion Marketing yang meliputi fashion communication, fashion promotion, special fashion promotion, fashion
2.1 identify fashion proportion and the fashion figure; e.g., proportions, anatomy, fashion elongation 2.2 sketch the human figure to fashion proportions; e.g., blocking, style lines, balance lines 2.3 identify a variety of fashion poses; e.g., full front, profile, pelvic thrust 2.4 sketch one fashion illustration using a rounded figure
Running a fashion design house or managing a fashion label is vastly different to other business industries. Fashion constantly changes, so fashion businesses must change with the fashion, and continuously be offering customers new and exciting things all the time. But what looks and trends does the customer want to buy? What fashion sells, and .
2.1. Study on Fashion photography Fashion photography is defined as the len-based production of a photographic image containing fashion products. Fashion photography exists since the invention of camera, and performs the essential function of presenting fashion products for commercial purpose (Hall-Duncan, 1977; Jobling, 1999). The terms .
conceptual instruction. Courses may include fashion drawing, 3-D design, color theory, textiles, computer-aided design, fashion business and portfolio presentation. A Master in Fashion will explore how fashion is connected with other concepts, such as style, fashion design and collections, as well as fashion industry and journalism. 2 years
