CFX Series CFX Series MIXERS CFX Series 20-Channel Mic .
CFX SERIES 12-, 16-, and 20-Channel Mic/Line MixersMIXERSCFX SeriesIntroductionpact mixers, each having a stereo graphic equalizer anddigital effects built in. The EMAC 32-bit digital effectsprocessor was custom designed by our digital engineersand rivals the sound of many high-qualityoutboard processors. Like all of Mackie Designs’ mixers, the CFX Series mixers are designed for rugged, day-in and day-out roaduse. Their sturdy-yet-light steel monocoque constructionhouses rugged, double-sided SMT-plated fiberglass circuit boards, and 60 mm faders with ultra-tight lip sealsfor keeping out dust and other contaminants. Impactresistant knobs are mounted so they “ride” just abovethe steel chassis––they absorb impact without trouble.Furthermore, they’re designed to last, thanks to co-molded potentiometers that do not get brittle and crack up.Metal stand-offs are used at regular intervals to mountthick fiberglass circuit boards inside the mixer. These areextremely flexible mixers, not only because of their multiple input/output configurations, but also because of their4 subgroups, 9-band graphic EQ, and built-indigital effects. The CFX 12 has eight mic/line channels and two stereoline input channels, the CFX 16 has 12 mic/line channelsand two stereo line input channels, and the CFX 20 has16 mic/line channels and two stereo line input channels. All mic/line channels have unbalanced inserts. Eachchannel strip has one external and one internal/externaleffects send plus two aux sends, pan, mute, solo (PFL),bus assigns, and 60 mm log-taper fader. The mic/linechannels also have input trim controls with individualZero Level LEDs, 3-band EQ with swept midrange, and100 Hz low cut filters. Two separate stage monitor mixescan be created with their own effects levels. The CFX Series is a true 4-bus mixer, with four subbus faders and master ganged Left/Right fader. Outputsinclude XLR and TRS balanced/unbalanced main outputs,a 75 Hz low-pass subwoofer XLR output, extra TRSCFX Series The CFX Series mixers are comprised of three com-Features High headroom mic preampsCFX 12 channels (8 mic/line mono, 2 stereo line)CFX 16 channels (12 mic/line mono, 2 stereo line)CFX 20 channels (16 mic/line mono, 2 stereo line)32-bit EMAC digital effectsExternal and internal EFX sendsEFX to Monitor control9-band stereo graphic equalizerInserts on all mic channels and main mixTrue 4-bus design with direct sub outs and L/R assign2 Pre/Post aux sends and internal/external FX level sends3-band EQ with swept mid (100 Hz to 8 kHz) on mic/line4-band EQ on stereo line channelsPan, Mute, PFL solo on each channel100 Hz low-cut filters on all mic/line channelsSubwoofer output from built-in 18 dB/octave,75 Hz crossoverBreak switch mutes all channelsHeadphone output with level controlTape/CD inputs with level control assignable to Main Mixvia Break switchLogarithmic taper 60 mm faders48 V phantom power12 V BNC lamp jack(continued on page 3)R E LA TE D PR O D U C TSSRM450 Active Loudspeaker, SR1530 Three-wayActive Loudspeaker, SWA 1501 and SWA 1801 ActiveSubwoofers, M 800, M 1400, M 1400i, M 2600Power Amplifiers, C300 Loudspeaker, andS500 Loudspeaker.Applications Live sound mixing for churches, clubs, schools, conference centers, tradeshows, presentations Keyboard, drum machine, and DJ mixing A/V presentations, multimedia1OF 8 PAGES
MIXERSCFX SeriesSpecificationsFrequency Response:32 Hz to 20 kHzCFX SeriesCFX SERIES 12-, 16-, and20-Channel Mic/Line Mixers 0, –1 dBDistortion:THD and SMPTE IMD; 20 Hz to 20 kHzMic Input to Main Output 0.05% @ 4 dBu outputNoise:20 Hz to 20 kHz (150 Ohms source impedance)Equivalent Input Noise (EIN)–127 dBUResidual Output Noise Main, Monitor, & Effects outputsChannel & Master levels off–95 dBUCommon Mode Rejection Ratio (CMRR):@1 kHz, Trim @ 0 dBCrosstalk:Adjacent Inputs or Input to OutputFader OffMute Switch and Break Switch Mute60 dB–90 dB @ 1 kHz–90 dB @ 1 kHz–80 dB @ 1 kHzInput Level Trim Control Range: 6 to –50 dBPhantom Power: 48 VDCEqualizationLow Cut:Mono Channel EQ:HighMidLowStereo Channel EQ:HighHigh MidLow MidLow100 Hz, –18 dB/octave 15 dB @ 12 kHz 15 dB @ 100 Hz to 8 kHz 15 dB @ 80 Hz 15 dB @ 12 kHz 15 dB @ 100 Hz to 3 kHz 15 dB @ 400 Hz 15 dB @ 80 HzGraphic EQ:(9 bands): 15 dB, Q 1.414 ISO octave centers @ 63 Hz,125 Hz, 250 Hz, 500 Hz, 1k,2k, 4k, 8k, 16 kHzMixer Rated Output:Main, Sub, Aux, & EFXMaximum Rated OutputMaximum Input Levels:Mic input, trim @ 6 dBLine input, trim @ –15 dBInsert Return, Stereo Line Input,Tape Input, and Effects Return 4 dBU 20 dBU 18 dBu 38 dBu 20 dBuMaximum Voltage Gain:Mic Input toInsert Output50 dBTape Output66 dBSub Output66 dBMain Output76 dBAux Send71 dBLine Input toInsert Output30 dBTape Output46 dBSub Output46 dBMain Output56 dBAux Send51 dBStereo Line Input toTape Output40 dBSub Output40 dBMain Output50 dBAux Send45 dBTape Input toMain Output30 dBEffects Return toMain Output30 dBInput ImpedanceMic Input:3 kΩ, balancedLine Input:40 kΩ, balancedInsert Return, Stereo Line Input,Tape Input, and Effects Returns:10 kΩ, unbalancedOutput ImpedanceMain Output, Insert Output, Tape Output,Sub Output, and Effects Sends:150 ΩDigital EffectsResolution:32-bit EMAC processing, 2-channelNumber of Presets:16Parameters:2 controllableChannel Level Set LED (Sensitivity):0 dBu (normal operating level)VU MetersMain L/R12 Segments:Clip, 10, 7, 4, 2, 0, –2, –4, –7,–10, –20, –30Physical Dimensions:CFX 12HeightWidthDepthOverall DepthWeightCFX 16HeightWidthDepthOverall DepthWeightCFX 20HeightWidthDepthOverall DepthWeight4.6" (117 mm)17.2" (437 mm)15.7" (399 mm)5.0" (127 mm)17.8 lbs. (8.1 kg)4.6" (117 mm)21.4" (544 mm)15.7" (399 mm)5.0" (127 mm)21.0 lbs. (9.5 kg)4.6" (117 mm)25.6" (650 mm)15.7" (399 mm)5.0" (127 mm)24.3 lbs. (11.0 kg)2OF 8 PAGES
CFX SeriesCFX SERIES 12-, 16-, and20-Channel Mic/Line Mixers21.4"/ 544mm17.2"/437mmCFX Series 9mm(continued from page 1)4.6"/117mm2.1"/53mmUtility outputs that are independent of the master gaincontrol, and tape and sub bus outputs. The EMAC Digital Effects section includes four controls at the top. EFX 2 regulates the signal level beingsent to the EMAC effects processor from an individualchannels strip’s EFX 2 aux send. The overall level ismonitored by the CLIP LED to prevent overload. TOMAIN MIX controls the amount of effects sent to yourmain mix. The two EFFECTS TO MONITOR knobs let youadd effects to stage monitor mixes independently ofthe EFX levels added to the main mix. Below the levelcontrols is the preset selector for picking which effectyou want. The characteristics of these presets can bechanged with the TIME/RATE and DAMPING/DEPTHknobs. Between these controls are a BYPASS SWITCHand an EFX WIDE control. Wide adds psychoacoustic“width” or “depth” to all effects except delay andphaser. The Stereo Graphic Equalizer is nine bands with 15 dB of gain and centers at 63 Hz, 125 Hz, 250 Hz,500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, and 16 kHz. ThisEQ is exceptionally low-noise, low-distortion, and freeof phase distortion. Trim Controls have 50 dB of mic gain, 30 dB ofline-level gain, and a full 15 dB of attenuation to“pad” hot signals. Each channel also includes a ZeroLevel Set LED for easy level setting. All mic channelshave a 100 Hz low cut filter to reduce stage vibration, mic stand rumble, and wind noise. Each channelincludes a Pre-Fader Solo switch. Channel EQs are as follows: 12 kHz shelving HIGHfrequency EQ, sweepable peaking Midrange EQ(only on mono input channels), with a 100 Hz to 8kHz bandwidth. Stereo channels employ a 2-stagefixed-frequency MID EQ, HI-MID is centered at 3 kHz;LOW-MID is centered at 400 Hz; and a LOW EQ that isshelved at 80 Hz. Log-taper 60 mm faders deliver a consistent fadethroughout the fader’s throw. These faders have aco-polymer membrane that provides a continuouslysealed barrier against dust and liquids without interfering with fader travel. Similarly, the fader’s longwearing contact material (first designed for use inexterior automotive sensors) means longer fader lifeand improved resistance to the elements. The CFX Series mixers are designed for continuous,hassle-free use in any sound reinforcement installation. And they’re packed with useful features andpractical routing capabilities. Simply stated, thesemixers offer more features, more peace of mind, andmore possibilities than any other mixers in their class. And they're Mackies.3OF 8 PAGES
32MIC/LINE INMONO CHANNELSTIME/RATEEFXSELECTEFX SEND 24MACKIE DESIGNSCFX SERIESBLOCK DIAGRAM(#62399CJM/DF)EFX WIDEDAMPING/DEPTHEFX SEND 2RIGHTLINE INSTEREOCHANNELSLEFT1TRIMTRIM12KEFX BYPASSEMACDSPEFX LEVEL SET12K80MUTERL 5VDC12KLO MID FREQ HIEFX BYPASSLEVELSETMID MID HI80 800 3KLO80 800 3KLOINSERTMID MID HILOW CUT100 HzHPFPHANTOM POWER 48 VDCMAINSOLOEFXFOOTSWITCHSTEREO EFXRETURN 2RIGHTSTEREO EFXRETURN 2 LEFTMUTE3-41-2PANPRE-P0STPANEFX TO MAIN MIXPRE/POSTFADERSOLO3-4EFX 2EFX 1TO RIGHT MAINEFX TO AUX 2EFX TO AUX 1TO LEFT MAINEFX 2EFX 1AUX 2AUX 11-2EFX 2EFX 1AUX 2AUX 1SUB 1SUB 3SUB 2EFX SEND 1AUX SEND 2AUX SEND 1EFX SEND SIGNLEFTASSIGNRIGHTASSIGNLEFTASSIGNLEFTMAINEFX RETURN 1FROM EFXTO MAIN MIXAUX SEND 2AUX SEND 1STEREO EFXRETURN 1 RIGHTSTEREO EFXRETURN 1 LEFTSUB 4 OUTSUB 3 OUTSUB 2 OUTSUB 1 OUTSOLO CONTROL(ACTIVE LOW)RUDE SOLOLIGHTTAPE OUTLEFTSOLOONSOLOOFFPFLSIGNALTO PHONESPFL 5VDCBREAKBREAKTAPE OUTRIGHTTAPELEVELMAIN INSERTTAPE INRIGHTTAPE INLEFTMAIN INSERTSOLO CONTROL(ACTIVE LOW)PFLSIGNALTO LEFTMETERSOLOONSOLOOFFMAINLEVELMAINLEVELPHONES LEVELUTILITYLEVEL63 125 250500 1K 2K 4K 8K 16K63 125 250500 1K 2K 4K 8K 16K223UTILITY OUT RIGHTUTILITY OUT LEFT221074202471020301MAIN OUTRIGHT3SUBWOOFEROUT21MAIN OUTLEFTPHONES175 HzLPF3CFX SeriesCFX SERIES 12-, 16-, and20-Channel Mic/Line MixersCFX Series Block DiagramOF 8 PAGESRIGHTMAINSUB 4SOLOCONTROLAUX 1SOLOAUX 2
CFX SeriesMIC 4MIC 3MIC 2MIC 1CFX SERIES 12-, 16-, and20-Channel Mic/Line MixersMIC 7MIC 6MIC 5MIC 8STEREO L/UNBALBAL/UNBALBAL/UNBALLINE ININSERTLINE ININSERTLINE ININSERTLINE ININSERTLINE ININSERTLINE ININSERTLLINE ININSERTINSERTAUXAUXU 15UOO 15U(MONO)911LEFTLEFTRIGHTRIGHT1012 15OOEQUEQU-15 15U-15-15-151.5k FREQ100-151.5k -15-15 15PANPAN-15-15-15 15ULOW80Hz-15 15 ATERASSIGNdB10SUB3-4ASSIGNMUTE1-25U4K8K48vU 15OO 15POWER 20OOEFXAUX 1AUX 2EFFECTS TO MONITORU104OO 20TAPE LEVEL20BREAK SWITCH2(MUTES ALL RIGHT3-4U0LEFT0dB 0dBu 10UTILITY OUT IGNdB10LEFT5RIGHTU4RUDEMAIN OOOOOOOOO5405060OOSOLOPFL405060OOOF 8 FL405060OOSOLOPFLSOLOSTEREO5SOLOPFLCLIP221 RETURN10405060STATUS7DELAY 1DELAY 2DELAY 3DELAY 4CHORUSFLANGEPHASERSPRINGWIDE5U16KOO MAXPHONES LEVELU11-12MUTEOOEFXPAN9-10MUTE2KPHANTOM POWER 15PAN8765453-43-4UR32 15OOTO MAIN MIXNORMALTIME11KUUREVERSEGATEDCATHEDRALLG. HALLMD. HALLLG. PLATEMD. PLATESM. ROOM0L500CFX 12 MIXERUEFX 2SENDLOWMID400Hz 15UPANOO 15ULOW80Hz 15250LEFT RIGHTHIMID3k 15ULOW80Hz125EFX 2 (INT) RETURN MASTERSU 15ULOWMID400Hz8kLOW80Hz 15-15UU-15 15U1.5k FREQ15HI12kHIMID3k 156001508kLOW80Hz-15-151.5k FREQU 15-15 15U1512 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXERCLIPEQHI12kMID 156001508kLOW80Hz-15-151.5k FREQU 15-15 15U510CUSTOM 32-BIT PRECISIONDIGITAL STEREO EFFECTS PROCESSOR2 15U010STEREO GRAPHIC EQ 15OO(INT)EQUHI12k55(EXT) 15UEFXOO1011 1515563(EXT)OO2EQUMID 156001508kLOW80Hz 15-15 15UPHONES15EFXU(INT)OOHI12kMID 156001.5k FREQUPAN-15 15U1508kLOW80Hz 15-151.5k FREQEQUHI12kMID 156001008kLOW80Hz-15-15 15U150ULOW80Hz 15-151.5k FREQEQUSUB OUT10 15OOEFXEFX 15OO2 1512 15OOHI12kMID 15600150UU-15-15MID 15600150EQUHI12k 15UMID 15600EQUHI12k 15UMID150EQU 15OOOO(EXT)(INT)(INT)(INT) 15OO222 15OOHI12kHI12k-15 15OO75HzSUB OUT0 15UPRE FADER 15UEFXEFXOOU1OO12 15(EXT)AUXU 15UEFX 15UOOOOU1EFX(INT)(INT)(INT)(INT) 15OOOOEFX 15UOO 15UPRE FADERU(EXT) 15UEFX2222(INT) 15OOOOSAUX SEND12 15OO1 15UEFXEFXEFXEFXOOOOEFX(EXT)(EXT) 15U4RAUXU1PRE FADERU11(EXT)OO2FOOTSWITCHMASTER SEND2 15OOEFX2EFXRTRIMAUXU 15UOOPRE FADERU3 20-20TRIM12 15OOEFX11112U 20-20AUXU 15UOOPRE FADERU1 15UOO 15OOEFX(EXT) 15U 15U1LLLOW CUT100 Hz12PRE FADERU(EXT)OO 15OOEFX11(EXT) 15UOO2PRE FADERUEFXEFXOO 15OOUU 15U2PRE FADERPRE FADERPRE FADEROO910UTRIMAUXU11 15U22 15OOOOAUXU86 50LEVEL-15dB 30dBLOW CUT100 HzLOW CUT100 HzRZEROZEROTRIMTRIMAUXU1 15UOO2AUXU111OOAUXUUIC GAINM6 50LEVEL-15dB 30dB6 50LEVEL-15dB 30dBLOW CUT100 HzLOW CUT100 Hz7UIC GAINMZEROZEROTRIMTRIM6UIC GAINM6 50LEVEL-15dB 30dB6 50LEVEL-15dB 30dBLOW CUT100 HzLOW CUT100 HzLOW CUT100 Hz5UIC GAINMZEROZEROTRIMTRIM4UIC GAINM6 50LEVEL-15dB 30dB6 50LEVEL-15dB 30dBTRIM3UIC GAINMZEROZERO6 50LEVEL-15dB 30dBU2UIC GAINMRLAMP12V 0.5ARUTILITY OUT1UIC GAINMLLR2MAIN OUTMAIN OUTLBAL/UNBAL(MONO)LINE INMAIN INSERTTAPETAPEINPUT OUTPUTEFX SENDR1
6OF 8 PAGESONPOWER120V, 60Hz, .85AFUSE 1.25A, 250V SLOWOPTIONAL USES FOR INSERTSTIP OUT TO EFFECTS DEVICERING RETURN FROM EFFECTSFOR USE AS AN EFFECTS LOOP(TIP SEND, RING RETURN)INSERT ALL THE WAY IN TOTHE "SECOND CLICK"STEREOPLUGDIRECT OUT WITH SIGNALINTERRUPTION TO MASTERMONO PLUGCFX12 MIXER12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXERCAUTIONUTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.DEBRANCHER AVANT DE REMPLACER LE FUSIBLEAVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIREXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOTSERIAL NUMBERMANUFACTURING DATECONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC WOODINVILLE WA USA MADE IN USA FABRIQUE AU USA COPYRIGHT 1998 THEFOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE", "EMAC", AND THE "RUNNING MAN" FIGURE PATENT PENDINGREPLACE WITH THE SAME TYPE FUSE AND RATING.DISCONNECT SUPPLY CORD BEFORE CHANGING FUSERISK OF ELECTRIC SHOCKDO NOT OPENCFX SeriesCFX SERIES 12-, 16-, and20-Channel Mic/Line MixersCFX SERIES 12-Channel Rear Panel
1. GENERAL CONFIGURATION. The CFX 12 mixer shallaccommodate 8 microphone signals: mono channels 1-8;12 line signals: mono channels 1-8, and stereo channels9-12. The CFX 16 mixer shall accommodate 12 microphone signals: mono channels 1-12; 16 line signals:mono channels 1-12, and stereo channels 13-16. TheCFX 20 mixer shall accommodate 16 microphone signals:mono channels 1-16; 20 line signals: mono channels1-16, and stereo channels 17-20. The CFX Series mixersshall have 2 stereo pairs of Aux Return inputs, a Send/Return channel Insert for each mic/line channel, 2 stereopairs of Main Mix outputs, 1 stereo pair of RCA-type TapeInputs, 1 stereo pair of RCA-type Tape Outputs, 1 stereopair of Utility outputs, 2 Aux Send outputs, 4 Submasteroutputs, and 1 stereo headphone output. The mixers shallbe fitted with 1 rocker-type Power switch, one 3-pin powerreceptacle, 1 BNC socket providing 12 VDC for fitting anexternal lamp (not included), 1 EFX Bypass footswitchjack, and shall be entirely self contained.2. MIXER INPUTS.MONO CHANNELS: Each monaural input channel shallhave an electronically balanced microphone-level inputusing XLR-3-F-type connectors, accepting nominal microphone levels between –50 dBu and 4 dBu via rotaryTrim controls. 48 V phantom power shall be available viaa globally-controlled switch. Each monaural input channel shall also have an electronically balanced line levelinput, accepting a nominal line-level of between –10 dBVand 4 dBu, using 1/4" TRS phone jacks. In addition,each monaural input channel shall include an unbalancedinsert connection using 1/4" TRS phone jacks (tip send,ring return, sleeve ground), delivering and acceptingnominal levels from –10 dBV to 4 dBu.Each stereo input channel shall have left and right electronically balanced line-level inputs, accepting nominallevels from –10 dBV to 4 dBu. These jacks shall be fittedwith internal switching contacts to accommodate monaural configuration.OTHER INPUTS: Each mixer shall include 4 bal/unbalAux Return inputs, forming two stereo pairs, using 1/4"TRS phone jacks and accepting nominal levels from –10dBV to 4 dBu. The mixer shall include 1 stereo pair ofTape In jacks, using unbalanced RCA-type phono jacks,accepting nominal levels from –10 dBV to 4 dBu.3. MIXER OUTPUTS.MAIN OUTPUTS: The mixer’s Main Output stereo pairsshall be fitted in three ways: Using XLR-3-M-type connectors with a maximum output of 20 dBu; using bal/unbal1/4" TRS phone jacks, delivering nominal levels from –10dBV to 4 dBu; and using unbalanced RCA-type phonojacks (labeled TAPE OUT) delivering nominal levels from–10 dBV to 4 dBu.7OF 8 PAGESOTHER OUTPUTS: Each mixer shall include 1 SubwooferOutput using an XLR-3-M-type connector that includesa built-in 18 dB/octave 75 Hz crossover. The mixer shallinclude 4 Submaster outputs, using bal/unbal 1/4" TRSphone jacks, delivering nominal levels from –10 dBV to 4dBu; 1 stereo pair of Utility outputs, using bal/unbal 1/4"TRS phone jacks, delivering nominal levels from –10 dBVto 4 dBu; 2 Aux Send outputs using bal/unbal 1/4" TRSphone jacks, delivering nominal levels from –10 dBV to 4dBu; 2 EFX Send outputs using bal/unbal 1/4" TRS phonejacks, delivering nominal levels from –10 dBV to 4 dBu;and 1 stereo Headphones output, using an unbalanced 1/4" TRS phone jack (tip left, ring right, sleeve ground).4. MIXER INPUT SECTION. Each monaural channel shallinclude 1 rotary Trim control, 1 Zero Level LED that is triggered to glow when an audio signal at or above 0 dBu ispassed through the channel, Low-Cut filter (HPF) providingan 18 dB per octave curve at 100 Hz, 2 rotary Aux Sendcontrols providing up to 15 dB above unity gain, 1 PreFader switch assignable to Aux Sends 1 & 2, and 2 EFXSend controls, providing up to 15 dB above unity gain.Each monaural channel shall include 4 rotary equalization(EQ) controls: 15 dB fixed 12 kHz shelving gain, 15 dBmidrange peaking gain, 100 Hz-8 kHz midrange frequency,and 15 dB fixed 80 Hz shelving. Each monaural channelshall also include 1 rotary Pan control, 4 dB attenuationpanned center, and 1 Mute switch. Each monaural channelshall also include 2 output Assign switches delivering thechannel’s signal relative to its Pan setting to Submasters1-2 and Submasters 3-4, 1 channel Fader providing up to10 dB above unity gain, and 1 Pre-Fader (PFL) Solo switch.5. MIXER OUTPUT SECTION. The mixer shall have 1 MainMix stereo fader providing up to 10 dB gain, 4 Submastermono faders, (each providing up to 10 dB gain), independent left and right Assign to Main Mix switches for eachsubmaster, 1 Utility Out level rotary stereo control, providing up to 10 dB gain, and 1 Phones level rotary stereo control providing up to 10 dB gain. The mixer shall also have 1Break switch that mutes all input channels to Main Mix, 1rotary stereo Tape In level control providing up to 20 dB ofgain, 1 rotary stereo EFX Return level control providing upto 20 dB of gain, and 1 Phantom Power switch providing 48V of phantom power to each mic input channel. The mixershall also have 2 rotary Aux Send Master controls for AuxSends 1 and 2 providing up to 15 dB above unity gain, and1 EFX Send Master control for EFX Send 1 providing up to15 dB above unity gain. The mixer shall also have a 9-bandgraphic equalizer providing 15 dB of gain at 63 Hz, 125Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz;a blinking master Solo LED; a Power indicator LED; and aPhantom Power indicator LED.MIXERSArchitects’ and Engineers’ SpecificationsCFX SeriesCFX SeriesCFX SERIES 12-, 16-, and20-Channel Mic/Line Mixers
MIXERSCFX SERIESCFX Series6. EMAC EFFECTS PROCESSOR. The 32-bit EMAC DigitalStereo Effects Processor shall include 16 preset digitaleffects algorithms selectable by a detented knob. Effectsshall include 9 Reverb types: Spring, Small Room, MediumPlate, Large Plate, Medium Hall, Large Hall, Cathedral,Gated, and Reverse. Effects shall also include 4 DelayTypes: Delay 1 providing one repeat, Delay 2 providingtwo repeats, Delay 3 providing three repeats, and Delay 4providing four repeats. Effects shall also include 1 Chorus,1 Flange, and 1 Phaser. Two rotary parameter knobs shallprovide control over Time/Rate and Damping/Depth. TheEMAC shall include 1 EFX WIDE button providing morewidth or depth to the effect, and 1 Bypass button thatmutes the effect’s output signal. The EMAC shall alsoinclude 1 EFX 2 Send rotary knob providing up to 15 dB ofgain above unity, and control of the dry signal being sentto the input of the EMAC, and 1 To Main Mix rotary knobproviding up to 15 dB of gain above unity and control oversignals sent from Stereo EFX Return 2. The EMAC shall alsoinclude 2 Effects To Monitor rotary knobs labeled Aux 1 &Aux 2 providing up to 15 dB of gain above unity and control over signals sent from Stereo EFX Return 2 and beingsent to Aux Sends 1 & 2 and a Clip LED that indicateswhen the EMAC is 6 dB below clipping.7. METERING. The mixer shall include 1 stereo 12-segment LED meter with points at –30, –20, –10, –7, –4, –2,0, 2, 4, 7, 10, and 22 dB. The source signals for themeters shall be the same signals selected in the Left/RightSub Assign, and a solo condition shall replace the SubAssign selection with the soloed channel(s). The metersshall be calibrated so that a 0 dBu signal at the Phonesoutput shall be indicated as 0 dB on the meters.CFX SERIES 12-, 16-, and20-Channel Mic/Line Mixers8. PHYSICAL CONFIGURATION. The mixer shall be madeof steel and aluminum, painted dark gray and black withlight gray graphics. The CFX12 shall weigh 17 lbs, 8 oz.(8.1 kg); the CFX16 shall weigh 21 lbs, 0 oz. (9.5 kg); andthe CFX20 shall weigh 24 lbs, 3 oz. (11.0 kg). Optionalrackmount brackets shall allow the CFX12 to be mountedin a rack system with the chassis surface flush with therack rail. The CFX16 and CFX20 are not rackmountable.Dimensions of the CFX12 shall be 17.2" (437 mm) inwidth, 15.7" (399 mm) in depth, and 5.0" (127 mm) inheight. Dimensions of the CFX16 shall be 21.4" (544 mm)in width, 15.7" (399 mm) in depth, and 5.0" (127 mm) inheight. Dimensions of the CFX20 shall be 25.6" (650 mm)in width, 15.7" (399 mm) in depth, and 5.0" (127 mm) inheight.9. SPECIFICATIONS. In addition to specifications alreadycited, the mixers shall meet or exceed the following specifications. Frequency response, microphone input to anyoutput (Trim at 0 dB), 32 Hz to 20 kHz, 0 dB/–1 dB;Total Harmonic Distortion (THD), Mic Input to Main Output: 0.05%@ 4 dBu output; Equivalent Input Noise (EIN),–127 dBu; Common Mode Rejection Ration (CMRR), 60dB at 1 kHz, Trim at 0 dB; Residual Output Noise, Main,Monitor, and Effects outputs, Channel and Master levelsoff, –95 dBu; Input impedance, microphone inputs, 3 kΩ;Line input, 40 kΩ; Insert Return, Stereo Line Input, TapeInput, and Effects Returns, 10 kΩ; and all outputs, 120 Ω.10. DESIGNATION. The mixers shall be Mackie DesignsCFX12, CFX16, and CFX20.Electronic files for this product available at:www.mackie.comThis Specification SheetCFXSeries SS.PDFOwner/Operator’s ManualCFXSeries OM.PDFCADD filesCFXSeries.DXFwww.mackie.com16220 Wood-Red Road NE, Woodinville, WA 98072 USA888.337.7404, fax 425.487.4337, sales@mackie.comUK 44.1268.571.212, fax 44.1268.570.809, uk@mackie.comITALY 39.0522.354.111, fax 39.0522.926.208, italy@mackie.comFRANCE 33.3.85.46.91.60, fax 33.3.85.46.91.61, france@mackie.comGERMANY 49.2572.96042.0, fax 49.2572.96042.10, germany@mackie.comMackie Designs continually engages in research related to product improvement. New material, production methods, and design refinements are introduced into existing products without notice as aroutine expression of that philosophy. For this reason, any current Mackie product may differ in somerespect from its published description, but will always equal or exceed the original design specifications unless otherwise stated. 1999–2003 Mackie Designs Inc. All rights Reserved. Mackie andthe “Running Man” figure are registered trademarks of Mackie Designs Inc.Part No. 091-218-00 Rev A1 2/038OF 8 PAGES
Like all of Mackie Designs’ mixers, the CFX Series mix-ers are designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fi berglass cir-cuit boards, and 60 mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-File Size: 1MB
www.mackie.com Features High headroom mic preamps CFX 12 channels (8 mic/line mono, 2 stereo line) CFX 16 channels (12 mic/line mono, 2 stereo line) CFX 20 channels (16 mic/line mono, 2 stereo line) 32-bit EMAC digital effects E
hiG 1100/ hiG 1200 AAA CFX-5000 SIP SIP (ISC) SS7 CFX-5000 CFX-5000 hiE 9200 Application Servers (PaT, IMC, Voice-AS) CFX-5000 IP Unity IP Unity Firewall/NAT Acme Packet hiG 1600 Resource and Admission Control Subsystem (RACS) PSTN/IS
Using the Casio CFX-9850GB PLUS Casio Education Division Ph (02) 9370 9100 Fax (02) 9417 8957 Email casio.edusupport@shriro.com.au. GETTING STARTED WITH THE CFX-9850 GB PLUS Turning ON Press the AC/ON key. When you turn your CFX 9850 on, you will see the main menu screen. Each icon on the main menu screen stands for a MODE on the calculator .
Air volume fraction [-] Exp. FZR-074, level L CFX, level L: Air VF CFX, level L: Air1 VF CFX, level L: Air2 VF CFX, level L: Air3 VF Case 4: 3x7 inhomogeneous MUSIG simulations for TOPFLOW-074 turbulent dispersion level C (z 0.335m) to level L (z 2.595m) 0.0 5.0 10.0 15.0 0.0 25.0 50.0 75.0 100.0 x [mm] Air volume fra
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Lightnin MBI Series Mixers Lightnin MBI Series Mixers set the new standard for cleanability,durability and performance.The patented Hyper-Flo bearing design makes these mixers the ideal choice for a variety of sanitary processing and storage applications,including plas
Lightnin Series 80 mixers, with independent bearing support, handle the stress. Hollow quill design, a Lightnin original, protects gear drive and shaft from high shock and bending loads. Today, nearly all of the new mixers for alumina precip-itators and about 90% of the new mixers for phosphoric acid production are Lightnin mixers. We work with
A02 transactions for nonpermanent employees, including: TAU Limited Term T&D assignments Retired Annuitants Emergency 3. 120 transactions for employees who may have been placed in a duplicate position number as a result of the mass update. Departments should run a MIRS report to identify affected employees. In order to limit the fallout and manual processing required, departments should not .
