THE SEMIOTIC SIGNS ON CHAPTER COVERS IN THE GRAPHIC

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THE SEMIOTIC SIGNS ON CHAPTER COVERSIN THE GRAPHIC NOVEL MAUS: “A SURVIVOR’S TALE”BY ART SPIEGELMANTHESISBYMUHAMMAD FAIZ ALFATIHNIM 0911110219STUDY PROGRAM OF ENGLISHDEPARTMENT OF LANGUAGES AND LITERATURESFACULTY OF CULTURAL STUDIESUNIVERSITAS BRAWIJAYA2014

THE SEMIOTIC SIGNS ON CHAPTER COVERSIN THE GRAPHIC NOVEL MAUS: “A SURVIVOR’S TALE”BY ART SPIEGELMANTHESISPresented toUniversitas Brawijayain partial fulfillment of the requirementsfor the degree of Sarjana SastraBYMUHAMMAD FAIZ ALFATIHNIM 0911110219STUDY PROGRAM OF ENGLISHDEPARTMENT OF LANGUAGES AND LITERATURESFACULTY OF CULTURAL STUDIESUNIVERSITAS BRAWIJAYA2014

ABSTRACTAlfatih, Muhammad Faiz. 2014. The Semiotic Signs on Chapter Covers in theGraphic Novel Maus: A Survivor’s Tale by Art Spiegelman. Study Program ofEnglish, Universitas Brawijaya. Supervisor: Endang Sasanti; Co-supervisor: TantriRefa IndhiartiKeywords: semiotics, sign, code, chapter cover, graphic novel, Maus.Language is important in daily life because people need to communicate withone another in their society. A sign is another way to communicate among each other.In order to do that, visual signs may be used which contain some pictures with aspecial meaning to express the messages through the signs in the illustrative picturessuch as chapter cover in the graphic novel. Meanwhile, a sign will have no meaningwithout codes inside it. The writer conducted a study about the semiotic analysis onchapter cover in the graphic novel Maus: A Survivor’s Tale by Art Spiegelman basedon Peirce’s triadic theory and Codes theory by Chandler. There are two problemssolved, namely: (1) What symbol, icon, and index on chapter covers of the graphicnovel Maus: A Survivor’s Tale by Art Spiegelman are, and (2) What kinds of codesare used in interpreting the meaning of signs of the chapter cover in the graphicnovels Maus: A Survivor’s Tale by Art Spiegelman are.This study uses qualitative approach since the data are not in the forms ofnumbers or statistic calculation. The writer conducts the content or document analysisto analyze the signs and the codes used in chapter cover of the graphic novel Maus: ASurvivor’s Tale by Art Spiegelman. There are six chapter covers in the graphic novelMaus and the writer chooses all of chapter covers, namely The Sheik, TheHoneymoon, The Prisoner of War, The Noose Tightens, Mouse Holes and MouseTrap.This study reveals that some signs represent the content of the graphic novel. Inthe chapter cover, symbols, icons, and indexes in the first chapter cover and symbols,icons, and indexes in the second chapter cover are found. From the third to the sixthchapter cover also, symbols, icon, and indexes based on Peirce’s the mode theory arefound. Meanwhile, there are codes proposed by Chandler. The codes found are socialcodes such as verbal language, the bodily codes, commodity codes, textual codes, andinterpretative codes.The writer suggests the Faculty of Cultural Studies, Universitas Brawijaya givemore references related to semiotics studies. The writer also suggests the nextresearcher broaden the semiotics scope and analyze the other objects.vi

ABSTRAKAlfatih, Muhammad Faiz. 2014. Tanda - tanda Semiotika dalam Sampul Bab diNovel Grafis Maus: A Survivor’s Tale oleh Art Spiegelman. Program Studi SastraInggris, Universitas Brawijaya.Pembimbing: (I) Endang Sasanti (II) Tantri Refa IndhiartiKata Kunci: Semiotika, tanda, kode, sampul bab, novel grafis, Maus.Bahasa sangat penting dalam kehidupan sehari-hari karena orang butuhberkomunikasi dengan orang lain dalam masyarakat. Tanda adalah cara lain untukberkomunikasi antara satu sama lain. Untuk itu, dapat digunakan tanda-tanda visualyang yang mengandung beberapa gambar dengan arti khusus untuk mengekspresikanpesan melalui tanda-tanda dalam gambar ilustrasi seperti pada novel grafis.Sementara itu, tanda akan ada artinya tanpa kode di dalamnya. Penulis melakukanpenelitian tentang analisis semiotik pada sampul bab dalam grafis novel Maus: ASurvivor Tale oleh Art Spiegelman. Ada dua masalah yang harus diselesaikan, yaitu:(1) apa simbol, ikon, dan indeks di sampul bab dari novel grafis Maus: A Survivor’sTale oleh Art Spiegelman, dan (2) Apa jenis kode yang digunakan dalam menafsirkanarti tanda-tanda pada sampul bab dalam novel grafis Maus: A Survivor’s Tale olehArt Spiegelman.Penelitian ini menggunakan pendekatan kualitatif karena data tidak dalambentuk angka atau perhitungan statistik. Penulis melakukan isi atau analisis dokumenuntuk menganalisis tanda-tanda dan kode yang digunakan dalam bab sampul grafisbaru Maus: A Survivor’s Tale oleh Art Spiegelman. Ada enam sampul bab dalamnovel grafis Maus tetapi penulis memilih semua sampul bab yaitu The Sheik, TheHoneymoon, The Prisoner of War The Noose Tightens, Mouse Holes dan Mouse Trap.Penelitian ini mengungkapkan bahwa beberapa tanda-tanda mewakili isi darinovel grafis. Dalam sampul bab, simbol, ikon, dan indeks di sampul bab pertama dansimbol, ikon, dan indeks di sampul bab kedua ditemukan. Dari sampul bab pertamasampai sampul bab keenam, simbol, ikon, dan indeks berdasarkan teori Mode Peirceditemukan. Sementara itu, ada kode yang diusulkan oleh Chandler. Kode yangditemukan adalah kode sosial seperti bahasa verbal, kode tubuh, kode komoditas,Kode tekstual, dan kode interpretatif.Penulis menyarankan Fakultas Ilmu Budaya, Universitas Brawijayamemberikan referensi lebih pada kajian Semiotika. Penulis juga menyarankan penelitiselanjutnya memperluas lingkup tentang semiotika dan analisis objek lain.vii

61REFERENCESAbel, J., (n.d.). What is a “graphic novel”? Retrieved June 26, 2013, from:http://www.artbomb.net/comics/introgn.jspAry, D. Jacobs L.C. and Razavieh, A (2002). Introduction to Research inEducation. London: California: Wadsworth.Chandler, Daniel. (2001). Semiotics for Beginners. Retrived March 11, 2013, lChandler, Daniel. (2007). The Basic Semiotics. USA. RoutledgeCobley, Paul. (2001). The Routledge Companion to Semiotics and Linguistic.Canada: Routledge Taylor and Francis Group.Kafitasari, Intan. (2013). “ASemiotic Study on Indonesian Drama Movie Postersunder Religion Different Theme”. Malang: Unpublished ThesisUniversitas Brawijaya MalangLaksono, Budi. (2012). Semiotics Study in Benny Rahmadi’s opinion cartooncomplied in “Dari Presiden ke Presiden”. Malang: Unpublished Thesis:Universitas Brawijaya Malang.Martin, Bronwen and Ringham, Felizitas.(2000). Dictionary of Semiotics. Londonand New York: Cassel.Peirce, Charles Sanders (2000). Philoshophy of Signs. USA. Indiana UniversityPress.Pruecel, Robert W (2006). Archaelogical Semiotics. UK. Blackwell Publishing.Saussure, F. de (2006). Course in General Linguistics, Translated by Roy Harris.Illionis:Open Court.Shaumyan, Sebastian. (1987). A Semiotic Theory of Language Advances inSemiotics. Bloomington: Indiana University Press.

62Spiegelman, Art. (1983). Maus : A Survivor’s Tale My Father Bleeds History. RawMagazine.Spiegelman, Art. (1991). Maus : A Survivor’s Tale And Here My Troubles Began.Raw astika.htmlSylvia. (2010). Symbol, Index, and Icon. Retrieved March 28, 2014. -symbol-index-and-icon/The Star of David – Magen David Retrieved August 17, 2014. udaism/star.html

novel Maus: A Survivor’s Tale by Art Spiegelman are, and (2) What kinds of codes are used in interpreting the meaning of signs of the chapter cover in the graphic novels Maus: A Survivor’s Tale by Art Spiegelman are. This study uses qualitative approach since the data are not in the forms of numbers or statistic calculation. .

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