Carlo Domeniconi - Edition Ex Tempore
Carlo DomeniconiDoppelkonzertfür Saz, Gitarre und Orchesterop. 29Edition ex tempore, Berlin
I.Introduzione1q 1125 Flauto 2 Oboe (3 3 2)Flauto 1 Corno ingleseFagottoSazChitarraViolino 1 (3 3 2)Violino 2 Viola Violoncello solo mpContrabasso(2 2 2 3) (2 2 2 3) solo pizz. p pizz. p
210 Fl.2 Ob. C.ingl Fl.1Fg.SazChit.Vl.1 Vl.2 Vla. Vc.Cb. marcatotutti tuttiarcof f risoluto pizz. f mfpizz.mf
315 Fl.1 Fl.2 Ob. C.ingl Fg.SazChit. Vla. Vc.Cb.mf (3 2) Vl.1 Vl.2(3 2 3) (3 2 3)f , (3 2) f ffarco f
420 Fl.2 Ob. C.ingl Fl.1Fg.SazChit.Vl.1 ppVl.2mf Vla.p Vc. pCb. mpmppmfmf p p
525 Fl.2 Ob. C.ingl Fl.1Fg.SazChit. Vl.1 Vl.2Vla.Vc.Cb. sp p p mp
630 Fl.2 Ob. C.ingl Fl.1Fg.SazChit.Vl.1 Vl.2pp Vla. ppppppp mfCb. p Vc.mp pp pp
7 Fl.1 Ob. C.ingl Fg. Fl.2SazChit.Vl.1Vl.2Vla. pp pp pp Cb. Vc. 35 mppppp mp mpdolce e legatopizz. pp pp
8 Fl.1 Fl.2 Ob. mp C.inglFg.SazChit.Vl.1 legato mp pmp p p40(3 3 2) mp arco Vla. pp Vc. (3 3 2) (3 3 3) Vl.2Cb.(3 3 3)
945 Fl.1 Fl.2 Ob. C.ingl Fg.SazChit.(3 2 2 2)(3 2 2 2) Vl.1 Vl.2 p p (3 2 2 2) p , mfVla. Vc.Cb. mppizz.div. pizz.p p div. arco p p (2 3) mf (2 3) arco risolutofunis. arco f risoluto
1050 Fl.1 Fl.2 Ob. C.ingl Fg.SazChit. (3 2) (3 2 2) solo(3 2) f Vl.1 Vl.2 (3 2) f Vla.Vc. Cb. marcato marcatopizz. (3 2 2) (3 2) ,
11 Fl.1 (3 2 3) Fl.2 Ob. C.inglFg.SazChit. f f mffmff Vl.1 Vl.2 Vla. (3 2 3)ff ff Vc. ff ff f ffCb.f55 ff mff f ff,,, , ,mf mf
1260 Fl.1 Fl.2 Ob.SazChit.Vl.1 solop solomp mp div.Vla.Vc.p p unis.p pppppsolomppp ppp mp pp sentito Vl.2Cb. C.inglFg. pp pp
1365 Fl.1 Fl.2 Ob. C.inglFg.SazChit. Vl.2 solo Vc.Cb. mp div.mp p div. mpVla. p p Vl.1 p p pp pp p p p ppppppp
14Fl.1 p Fl.2 Ob.(3 3 2) (3 2 2 2 2) p(3 3 2) mp p 70 mp p C.ingl solo p legatoFg.SazChit. solo p p legato Vl.1 mpVl.2Vla.p (3 2 2 2 2) (3 3 2) p pVc. (3 3 2) mpCb. pppppmppp
1575 Fl.1 Fl.2 Ob. C.ingl Fg. SazChit.Vl.1(2 2 3) pp Vl.2 Vla. Vc.Cb.(3 2 3) pizz. p mp sempre (3 2 3) div.pizz. pizz.div.arco arcoparco (2 2 3) pp
1680 Fl.1 Fl.2 Ob. C.ingl (2 2 2 3) p , SazChit.Vl.1Vl.2Vla. pizz. pplegato Vc.Cb. solo Fg. pizz.p sempreparco p sempre pizz. p arco (2 2 2 3) unis.
1785 Fl.1 Fl.2 Ob. C.ingl Chit. attacca(2 3) Fg. Saz(2 2 3)p sempre Vl.1 (2 2 3) (2 3) attacca Vl.2 Vla. Vc.Cb.
18II. Allegro moderatoq 116 (2 2 2 3)(2 2 3 2) Ob. C.ingl. Fl.1Fl.2Fg.Saz mf f Chit. fVl.1 Vl.2Vla.Vc.Cb. (2 2 2 3) (2 2 3 2)
19 Fl.1 5(2 2 2 3) Fl.2 C.ingl. Fg. Vl.1 Vl.2(2 2 2 3) Cb. mp mpVc. mpVla. (2 2 3 2) mf Saz Chit. mfOb. mp (2 2 3 2) mp
20 Fl.1 Fl.2 Ob. C.ingl.Fg.SazChit. Vla. mp (2 2 2 3)dolce (2 2 2 3) p Cb. pp (2 2 3 2) mp Vc.(2 2 3 2) Vl.1 Vl.2 (2 2 2 3) 10 (2 2 2 3) p p mp pp
21 (2 2 3 2) Fl.1 mpFl.2mpOb.C.ingl.Fg.15(2 2 2 3) Chit. mp (2 2 3 2)mppizz.mpVla.mpVc.mpCb. mp (2 2 2 3) pizz. Vl.1 Vl.2 dolce spmpSaz (2 2 3 2)(2 2 2 3) b (2 2 3 2) (2 2 2 3)
22 (2 2 3 2)Fl.1Fl.2Ob.C.ingl.Fg. (2 2 2 3)f mf mfmfChit. (2 2 3 2) Vl.1 Vl.2Vla. arco (2 2 2 3)b arco menoff b mf f( )mffmpCb. fmpVc. 20menompSaz ff
23(2 2 3 2) (2 2 2 3) Fl.1 spFl.2Ob.C.ingl.Fg. Saz Chit. sp Vl.1 (2 2 3 2)(2 2 2 3) Vl.2 Vla. Vc.Cb.
24 Ob. C.ingl. 25Fl.1Fl.2Fg.Saz Vl.2 Vla. Chit.Vl.1Vc.Cb.
25 Fl.1 Fl.2Ob.C.ingl.Fg. 30 Vl.1 p Vl.2 Cb. ( .) p p pVc. pVla. p p p Saz Chit. p
26 Fl.1 35 mp Fl.2mpOb.C.ingl.Fg. p Saz Chit.Vl.1 mpmp Vc. mp Vla. mp mp Vl.2Cb. 40
27 Fl.1 Fl.2Ob.C.ingl.Fg.SazChit.Vl.1 mfmf mf Vla.Vc. mp Cb. ff f f Vl.245mf f
28 Ob. C.ingl. Fl.1Fl.2Fg.SazChit.Vl.1 50 Vl.2 Vla. Vc.Cb.
29 Fl.2 Ob. C.ingl. Fl.1Fg. 55 Saz Chit.Vl.1 60 Vla. ppVc. ppCb. Vl.2 fpppp poco più pizz.
30 Ob. C.ingl. Fl.1Fl.2Fg.Saz 65 Vl.2 Vla.Chit.Vl.1Vc.Cb.
31 Ob. C.ingl. Fl.1Fl.2Fg. 70 Saz Chit.Vl.1 Vl.2 Vla. mfmf,,, mf Vc.Cb. div.mf mf
32 Fl.1 Fl.2 Ob.75 Vl.1 C.ingl.Fg.SazChit. Vl.2Vla.Vc.Cb. , , mf mf mp dolce unis. fmff ff f f f f sp sp sp sp
33Fl.1 Fl.2 Ob.C.ingl.mpFg.SazChit.Vl.1 dolce mp Vl.2Vla.Vc.Cb.80 div.mp mpmp mfmfmf mf mf
34 Fl.1 85Fl.2Ob. C.ingl. sp sp 90 Vl.1 Chit.sp unis.Vl.2Vla.Vc. mp mfsp mf mpmf mp mp mf dim.Cb.mpmf Saz , Fg. dim.
35Fl.1 95 C.ingl. Fg.SazChit.Vl.1 p pp Vl.2Vla.Vc.Cb.pp Ob. Fl.2 mf p pp p pp
36Fl.1 100105 Ob. C.ingl. Fg. unis. Fl.2SazChit.Vl.1Vl.2 Vla.ppdiv. Vc.pCb. ppppppp ppp
37 Ob. C.ingl. Fl.1Fl.2Fg.SazChit.Fl.2Vl.1 Vl.2p Vla. Vc.Cb.110 pizz. pizz.
38 115120 Ob. C.ingl. Fl.1Fl.2Fg. Saz Chit.Vl.1 poco rall. A tempo , poco rall. A tempo Vl.2 Vla. Vc.Cb.
39 Fl.2 Ob. C.ingl. Fl.1Fg. Saz 125 Vl.2 Vla.
Carlo Domeniconi Doppelkonzert für Saz, Gitarre und Orchester Edition ex tempore, Berlin op. 29 I. Introduzione q 112 (3 3 2) (3 3 2) (2 2 2 3) (2 2 2 3) 5 Flauto 1 Flauto 2 Oboe Corno inglese Fagotto Saz Chitarra Violino 1 Violino 2 Viola Violoncello Contrabasso .
Carlo DOMENICONI (b. 1947) Concerto Mediterraneo, Op. 67 Oyun Trilogy Toccata in blue Chaconne Concerto Mediterraneo, Op. 67 for two guitars and large orchestra The longing to live in a world in which nature is respected and its beauty recognised as vital to human life prompted Carlo Domeniconi to compose a concerto for two guitars and orchestra. His experience of witnessing the .
CARLO DOMENICONI DEREK GRIPPER / GUITAR MASTERCLASS@M:K 10.08.2013 Ð 16.08.2013 @ F E D F SD:D: FL @ F E D MUSIC ACADEMY. CARLO DOMENICONI DEREK GRIPPER. DeZlbd bmZkZr gb[bklhenddZmZg[ lm \bo rhknf\neZk]ZgmZerZgZlçeç Zkeh hf gb\hgb% *200 ] dhgl koZmnoZk]Z ºÿk mf gebd rZifZd ¿s k M¿kdbr r efb o ¿ rçelmZg[ne ]ZdZefç mç' Nsngl¿k ]bk:efZgrZ ]ZrZ ZrZglZgZm çgçg .
Carlo Domeniconi Suite Pittoresca Für Bassklarinette, Gitarre und Streichorchester Partitur edition ex tempore. q ca. 100 Suite Pittoresca Carlo Domeniconi I. Cantabile Bass-Klarinette in B Gitarre Violine 1 Violine 2 Viola Violoncello Kontrabass sonido real p molto espr. .
Carlo Domeniconi - List of works 2 Opus 9 Fantasia di luci e tenebre (Istanbul, 1978) 5 min. Solo guitar. This piece uses the form of the old Italian Fantasia. Light and darkness (duality principle) alternate. Recorded by the composer for the LP “Luci e tenebre” (PODIUM, Hamburg), and later by Martin Pramanik (Kreuzberg Records). Verlag .
HOUSE OF REPRESENTATIVES [ LEAVES OF ABSENCE PRAYER The House convened at 9:30 a.m., e.d.t. THE SPEAKER PRO TEMPORE (James J. A. Gallagher) IN THE CHAIR The SPEAKER pro tempore. The Chair recognizes the minority whip. The SPEAKER pro tempore. The Chair recognizes the majority whip. Mr. MANDERINO. Mr. Speaker, I request a leave of
The Markov Chain Monte Carlo Revolution Persi Diaconis Abstract The use of simulation for high dimensional intractable computations has revolutionized applied math-ematics. Designing, improving and understanding the new tools leads to (and leans on) fascinating mathematics, from representation theory through micro-local analysis. 1 IntroductionCited by: 343Page Count: 24File Size: 775KBAuthor: Persi DiaconisExplore furtherA simple introduction to Markov Chain Monte–Carlo .link.springer.comHidden Markov Models - Tutorial And Examplewww.tutorialandexample.comA Gentle Introduction to Markov Chain Monte Carlo for .machinelearningmastery.comMarkov Chain Monte Carlo Lecture Noteswww.stat.umn.eduA Zero-Math Introduction to Markov Chain Monte Carlo .towardsdatascience.comRecommended to you b
Quasi Monte Carlo has been developed. While the convergence rate of classical Monte Carlo (MC) is O(n¡1 2), the convergence rate of Quasi Monte Carlo (QMC) can be made almost as high as O(n¡1). Correspondingly, the use of Quasi Monte Carlo is increasing, especially in the areas where it most readily can be employed. 1.1 Classical Monte Carlo
Albert Woodfox, myself and all political prisoners over the years. Thank you for helping to bring these injustices to the forefront. If I omitted anyone it was an honest mistake, my apologies and sincere thanks for everything you have done too!! Free The Angola 3! Free ALL political prisoners and prisoners of conscience! All Power to the People! ROBERT KING AKA Robert King Wilkerson 2008. 15 .
