June 2021 - Nab

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DIGITAL DASHBOARDBest Practices ReportJune 2021Audio SourceScanPresetFM/101.3WNABSong 1Musical Artist ShortcutsTAGMore

National Association of Broadcasters1 M Street SE Washington DC 20003 3512202 429 5300For questions regarding this report contactDavid H. Layer, vice president, Advanced EngineeringNAB Technology, at (202) 429-5339or dlayer@nab.org Copyright 2021National Association of Broadcasters,Washington, D.C.No part of this book may be reproduced, distributed, or posted in any form or by any electronic or mechanical meanswithout prior written permission of the publisher. All rights reserved.NAB Digital Dashboard Best Practices Report Page 2

Audio SourceScanPresetFM/101.3WNABSong 1Musical Artist ShortcutsTAGMoreDIGITAL DASHBOARDBest Practices ReportJune 2021Executive Summary (2021)This report, released in 2017, updated in 2019 and now updated for a third time, remains an informative and highly relevantstudy on how broadcast radio looks on the dashboard and what broadcasters can do to improve that look. In 2020, when hybrid(over-the-air plus internet connectivity) auto radios arrived in the U.S. for the first time, the information contained herein becameeven more vital because while hybrid radio provides broadcasters with more opportunities to engage listeners, it also brings morecompetition in the form of online-only audio services and easy access to non-linear program choices such as podcasts. Heard directlyfrom automotive original equipment manufacturers (OEMs), ensuring accurate and complete metadata is critical to the in-vehicleexperience for their customers.In this latest version of the report, additional information is included on how broadcasters can support hybrid radio technologyand an update on service providers currently available for assisting broadcasters in managing metadata and offering an enhanceddigital dashboard radio experience to listeners. In summary:   Metadatasupport is more important than ever. Automakers are expending significant resources to improve in-vehicleinfotainment (IVI) systems and are supporting multiple sources of content including AM and FM radio, satellite radio,online streaming audio and podcasts. This is a highly competitive environment and a lack of metadata support by radiobroadcasters becomes glaringly obvious, in particular when stacked up against satellite radio and online audio streamingservices which provide very complete and consistent metadata.   Manyautomakers are using in-vehicle databases. The presence of an in-vehicle database (from Gracenote and others),which uses “audio fingerprinting” to generate song title and artist and album art metadata, has raised consumer expectationsfor audio service metadata in the vehicle. This in-vehicle database technology can serve to “level the playing field” acrossservices but it is completely outside of the broadcaster’s control and has the potential to interfere with the informationbroadcasters elect to provide to listeners. It is also the case that many automakers are not using in-vehicle databases soa broadcaster relying on this technology may be underserving a significant portion of their listenership. UsingRadioDNS is a good start to enhance a station’s image. RadioDNS is a not-for-profit organization dedicatedto the support and proliferation of hybrid radio. Broadcasters can register with RadioDNS for free and can easily createa service information (SI) file that can enhance the appearance of their station on hybrid radio receivers with stationinformation and logos.   Broadcastersshould sign up for DTS AutoStage. Xperi, developer of the HD Radio digital radio system used in the U.S.,has recently unveiled DTS AutoStage, a hybrid radio platform already included in Mercedes-Benz vehicles and expectedto appear in other brands as well. Broadcasters can enroll in DTS AutoStage service for free, and those that do will bewell-positioned to offer their listeners a premium metadata experience and can obtain invaluable analytical informationon listener behavior that is available from the DTS AutoStage system.   Broadcastersmust develop strategies for supporting non-linear content and interactivity. With the advent of hybridradio, broadcasters will increasingly be able to deliver non-linear content (such as podcasts or timely weather and trafficinfo) and expand their brand beyond simply being a provider of linear audio content. Interactivity with listeners, supportedby internet-connected hybrid radios, is also an area ripe for innovation and new creative opportunities.NAB Digital Dashboard Best Practices Report Page 3

Executive Summary (2017)In early 2017, NAB commissioned a project designed to help radio broadcasters better understand the way broadcast radiostations are displayed on automobile dashboards. The “good old days” when car radios consisted of two knobs and five presetbuttons have been replaced by a modern-day array of displays, touch screens, features and the ability to enjoy audio contentfrom a multitude of providers. Technology also affords broadcasters the opportunity to display on-dash station identification,artists, titles and images, as well as format and personality information.While the broadcasting industry’s competitors, including SiriusXM and Pandora, have a unified look and feel on the dashboarddisplay, there is a lack of standardization among radio broadcast stations in the ways that content is displayed on both analogFM, using Radio Data System (RDS), and HD Radio receivers. Listeners scanning the dial will likely encounter a wide array ofdisplay formats.This NAB project was designed to analyze the current state of broadcast station dashboard identification and develop a bestpractices guide radio companies can adopt. The goal is for broadcast radio to embrace a more unified display style that willachieve a positive, consistent user experience for drivers and passengers. To accomplish this, the industry will need a high levelof collaboration between management, ownership, programmers, digital managers and engineers.Jacobs Media and engineering consultant Glynn Walden collaborated with NAB staff and the NAB Auto Initiative Committeeon this work. Jacobs Media conducted three in-market audits in Grand Rapids, Mich., (5/19/17) Philadelphia, Pa., (6/1/17) andCharlotte, N.C. (6/2/17), spending one day in each metro area monitoring commercial FM radio stations in vehicles equippedwith RDS and HD Radio with Artist Experience receivers. The audits were conducted during three dayparts - morning drive,midday and evening drive - and the information on the receiver displays was captured on video. Jacobs Media, in conjunctionwith NAB, developed a scoring system to tabulate the results.Concurrently, Walden interviewed multiple system providers and engineering specialists. In the process, he developed additionalbest practices from an engineering perspective.Key findings from the audits include:There is room for improvement. The display of radio station text and image information is generally inconsistent, creating asub-optimal user experience. Standards for formatting and composing information for dashboard display need to be developedand adhered to by broadcasters. While some broadcasters provide a quality in-car display experience, there are too many situationswhere information is spotty or inaccurate, content is redundant, there are typos and superfluous information and other elementsthat are impediments to a positive display look for broadcast radio operators.The radio industry needs a standardized approach. The audit spawned a series of improvements broadcasters can make onboth RDS and HD Radio systems:   Dynamicvs. static information. Some stations provide a static environment for their content, while others use a dynamicapproach and “scroll” or “chunk” information, creating a sub-optimal experience that can be harder to read. Overall, staticis preferred over dynamic, but since many vehicle displays (typically character-based displays) rely on dynamic text, thispractice is likely to continue. When using dynamic text, chunking is preferred over scrolling.   Albumart for FM-band HD Radio stations. There is a lack of consistency in the use of display pictures and illustrationswhen music is playing. Some stations don’t provide any album art, and in some vehicles (including the ones used for this audit)this can result in display of an artist photo or generic format slide originating from the car receiver, which is sometimes incorrect(in these receivers, a broadcaster-supplied image such as a station logo or album art will always be used in place of thereceiver-based images). Spoken word stations are often poorly depicted in the Artist Experience format, infrequentlydisplaying station formats and personality shows.   Caseconsistency. Some stations use all caps, while others blend in all caps for some items and title case for others.NAB Digital Dashboard Best Practices Report Page 4

There is a lack of consistency during commercial breaks. There is no industry standard for showcasing advertisers during commercialbreaks. Some stations continue to scroll or chunk station information, such as call letters or slogans, on RDS systems duringcommercials. In HD Radio receivers with Artist Experience, some receivers display a generic format slide in the absence of anybroadcaster-supplied images, while others present a station logo, missing a valuable and sellable advertising opportunity.Inconsistent use of available fields. RDS systems have two available fields for content display. The Program Service (PS) field hasboth static and dynamic capabilities and is comprised of just eight characters. It typically resides at the top section of the dashboarddisplay. The RadioText (RT) field is comprised of up to 64 characters and is typically on the lower portion of the dashboard display.The audits found there is no standard use of content displayed in these two fields. Some stations show title and artist alongwith the station’s slogan and call letters in the eight-character PS field. Others show the station’s slogan in the RT field only.Still others display the same information in both fields.There are missed opportunities to showcase HD1 (main channel) stations, especially in the spoken word formats. Many stationsmiss the opportunity to brand their stations, high-profile personalities, morning shows and talk show hosts. This includes thename of programs, personality pictures or show or program logos. While music stations rely heavily on album art, talk radiostations are grossly under-identified on dashboard displays.HD multicast channels generally lack branding of any kind. Rarely is there clear branding and identification of HD2, HD3 andHD4 stations that set them apart from their HD1 parent. Multicast channels are almost uniformly referred to as “WXXX HD2” despitethe fact they often feature vastly different programming from their HD1 originating station.Format designations need to be reviewed and expanded. Too often, the name of the format of the station is incorrect, oris simply listed as “Other.” Classic Rock stations are often designated as “Rock.” Hip-hop stations are listed as “R&B.” Uponinvestigation, it became clear that not all popular radio formats are included in the system directory, and modifying them is anarduous process.As part of this NAB project, this best practices document has been developed for programmers and engineers that providesbasic recommendations for broadcasters to upgrade their in-car dashboard appearance.NAB Digital Dashboard Best Practices Report Page 5

Table of ContentsOverview.7Market Audit Indicates Need for Improvement.9Jacobs Media Audit - 2017.9NAB Test Drive of Audi A4 - 2021.10Areas for Improvement. 13Lack of Standardization.13Branding.14Overall Consumer Experience.15Format Designations.15Inconsistent Use of Available RDS Fields.15Recommended Best Practices: General. 16Review Your Station’s Use of The Radio Display.16Optimize Branding.16Standardize Use of the RT and PS Fields.18Review all Artwork in the System.18Provide Enhanced Information About Advertisers.18Provide Enhanced Content to Increase Listening.18Develop Non-Linear Content and Interactive Strategies.18Recommended Best Practices: Engineering. 13Background.19Metadata Essentials.19Metadata Delivery Equipment.20Commitment to Displaying Metadata Accurately and Consistently.21Metadata Best Practices: Get It Right, Right from the Start.21Simple System RDS Encoder Only.22System with Middleware.22System with Middleware and Web-Based Cleanup and Data Acquisition Services.23Loading Images in HD Radio.23Loading Images in Automotive Hybrid Radios.24How Receivers Display RDS Metadata.24Metadata Recommendations. 25.Programming.25Engineering.25Metadata Service .29The National Association of Broadcasters is the voice for the nation’s local radio and television stations and their network partners.NAB advocates the interests of our members through advocacy, education and innovation.NAB Digital Dashboard Best Practices Report Page 6

OverviewIn early 2017, NAB commissioned a project designed to help radio broadcasters better understand the way broadcast radiostations are displayed on automobile dashboards. The “good old days” when car radios consisted of two knobs and five presetbuttons have been replaced by a modern-day array of displays, touch screens, features and the ability to enjoy audio contentfrom a multitude of providers.Today, it’s not uncommon for a consumer to access audio content in their vehicle from various sources including satellite radio,mobile streaming audio apps (built in to the vehicle or from a smartphone through Apple CarPlay or Android Auto) and AM andFM radio stations. Newer hybrid radios which are also connected to the internet offer even more choices for content includingpodcasts. Yet, for the most part, each source is displayed differently on the dash. Most of the time, platforms like SiriusXM andPandora are consistent in their approach, offering clean, professional displays. When a listener switches channels within thoseplatforms, they know what to expect.This is not the case with broadcast radio. There is a lack of standardization among radio broadcasters in the ways content is displayedon the dash. This is the case across the two main metadata delivery systems currently in use – Radio Data System (RDS, a digitalsubcarrier for analog FM signals) and HD Radio (in both AM and FM bands). When a listener scans the dial, it is likely they willencounter a wide array of content display formats, often significantly inconsistent. In many cases, the quality of a broadcast radiostation’s content display is subpar or isn’t taking advantage of the available technology, failing to equal the consistent levels fromthe aforementioned mobile streaming and satellite radio competitors.For hybrid radio technology, RadioDNS provides a standard way for broadcasters to supply static information including station logos,station information and slogans and a streaming audio URL corresponding to the station’s OTA program(s). When broadcastersfail to do this, the appearance of broadcast radio suffers, for example when listeners scan the station list (a typical feature ofhybrid radios) and see only a smattering of station logos. Again, this contrasts greatly with the other services that have completeinformation on all stations and/or programs available.This is a critically important issue for radio broadcasters because the automobile is the number one listening location for radiostation content. Gone are the days when the radio industry had this real estate to itself. The bar has been raised by new competitors,the auto industry continues to invest in new dashboard displays and technology and there is a much lower barrier to entry forcontent providers. This is turf that broadcasters need to strengthen by improving the user experience on auto dashboards.This NAB project’s mission is first to assess the current state of broadcast radio’s use of dashboard displays in cars and trucks andthen develop best practices that most radio companies can adopt. To accomplish this, the industry will need a high level ofcollaboration between management, ownership, programmers, digital managers and engineers.There are two significant benefits for the radio industry in adopting these best practices. First, content in vehicles would bedisplayed in a more consistent way that makes it easier to understand and more enjoyable for listeners, who now have manydifferent audio options in cars. Broadcasters need to ensure that at minimum, they present a quality visual experience equivalentto satellite radio and pure-play streaming services like Pandora and Spotify.Second, the radio industry can demonstrate to the automotive industry that radio provides a quality in-dash experience. The wayradio is presented in the car makes a statement to the automotive industry at all levels. For example, at the local level, whenan auto dealership salesperson or trainer is showcasing a new car to a potential customer, the entertainment system is alwaysdemonstrated, usually to show off the best-looking content. By enhancing the way that radio is displayed, the likelihood ofbeing a part of that demonstration will be increased. Automakers invest considerable effort and resources into developingstate-of-the-art in-vehicle infotainment systems and it’s important for broadcasters to recognize this and make sure they takeadvantage of these supported features.NAB Digital Dashboard Best Practices Report Page 7

NAB has long-term goals relating to radio’s future in the car and the radio industry’s relationship with the auto industry. In theshort term, an industry-wide effort to improve the ways in which radio is displayed in fully-equipped recent model-year and newvehicles, as well as in older cars and trucks, is an important initiative that can benefit broadcasters in myriad ways.Thus, the goals of this project are to improve the consistency and quality of the textual metadata - information such as song titleand artist or format type - fed into in-car radio receivers and establish best practices for the way it is displayed to achieve themost positive impact. It is noted that given the extraordinary number of radio receivers and displays in automobiles, some whichhave been in service for a few decades, the goal of reaching a 100% solution is unlikely. When developing best practices, ourintent is not to disenfranchise listeners with older vehicles.Quality, image-based metadata such as station logos and album art should similarly be consistently available across the broadcastradio dial. Non-hybrid radio receivers obtain these images over HD Radio digital radio signals while hybrid radios can use bothover-the-air and internet sources. Information on how this is accomplished is provided below. Broadcasters need to make surethey are licensed to use the images they transmit. This is typically accomplished through a service provider like Quu Interactive;note that when broadcasters obtain rights for companion images to their internet-based audio streams, these images may notbe licensed for over-the-air transmission.Jacobs Media and engineering consultant Glynn Walden collaborated with NAB staff and the NAB Auto Initiative Committeeon this work. Jacobs Media conducted three in-market audits in May and June 2017 in Grand Rapids, Mich., Philadelphia, Pa.,and Charlotte, N.C., spending one day in each metro area monitoring commercial FM radio stations in vehicles equipped withRDS and HD Radio with Artist Experience receivers.1 New to the 2021 edition of this report are results obtained by NAB fromthe test of a 2021 Audi A4 with a hybrid radio receiver. Focusing on the receiver’s station guide, these results highlight the needfor broadcasters to provide good metadata to hybrid radio platforms.It is important to note that the three markets tested in 2017 do not constitute a definitive sample of radio markets throughoutthe U.S. However, the results of the audits produced a level of consistency in observing how all the commercial stations in eachmarket are supporting auto radio displays. These audits were not designed to yield definite, statistically significant displaygrades for the radio industry. Rather, the goal was to get a sense for what most stations are displaying in vehicles across a rangeof different markets and developing solutions and best practices to improve the situation from there.Three audits per market were conducted in morning drive, midday and afternoon drive day parts. Radio displays were capturedon video as the radios were scanned across the FM dial from 88 to 108 MHz, focusing on the commercial band radio stations.The results were transcribed into an Excel spreadsheet form, noting how each receivable radio station presented itself on thedashboard display. In each market, two cars were utilized for the audit – one with an RDS receiver and one with an HD Radioreceiver with Artist Experience to observe performance across the full range of modern displays.The focus of this report is on analyzing and synthesizing this data, as well as the overall experience of observing radio in thesevehicles in real time. Provided herein are recommendations on how broadcasters can improve the way the radio industry ispresented on automotive displays, from both an engineering and marketing point of view. For the engineering perspective,Walden interviewed multiple system providers and engineering specialists, developing engineering best practices which areprovided at the end of this report.The combination of these two approaches provides radio broadcasters with a solid roadmap designed to quickly and efficientlyenhance the in-car user experience.NAB Digital Dashboard Best Practices Report Page 8

Market Audit Indicates Need for ImprovementThe specific results of the 2017 audit are provided in a separate report,1 but the results are clear – the ways in which FM radio ispresented in the car need to be properly evaluated by broadcasters on a continuing basis and in many cases significantly improved.This was also evident in the station guide observations made in 2021 in the Washington, DC, area using the Audi A4’s hybridradio where half of the radio stations were not providing a station logo (and that is actually better than expected).Jacobs Media Audit – 2017While some broadcasters provide a quality HD Radio experience that includes album art, strong station branding and consistentlygood displays, for too many stations there is little to no information, content redundancy (an artist name and song title appearingin two places on the display), advertiser information on the display during a music or talk segment, typos, a confusing array ofupper and lower cases and other signs of display chaos that detract from the overall consistency of the user experience, especiallywhen switching from station to station or platform to platform.When a driver listens to satellite radio, there is a consistent look and feel across each channel. Channels are branded and thereis uniformity from channel to channel. Obviously, this is possible because the SiriusXM array of stations are all controlled by asingle broadcaster.In broadcast radio, scores of different broadcasters offer stations in a given market, thus leading to a lack of consistency and ahodgepodge experience. On a car equipped with an HD Radio receiver, part of this is due to the fact that not all stations broadcastthe HD Radio digital signal and offer station information only using RDS. To make matters even more complex, there are essentiallytwo levels of RDS information support – basic, using the Program Service (PS) field and advanced, using the RadioText (RT) field– providing different levels of content displays.But the biggest problem, regardless of whether or not a driver is in a vehicle with an RDS or an HD Radio receiver, is the lack ofa defined look and approach by radio broadcasters to create a standard, pleasing in-car experience. Oftentimes, there’s a sensethat the metadata is broadcast without being checked or properly edited and that monitoring of the station or the market to detectthis is nonexistent. It also appears that different people at stations are responsible for th

This NAB project was designed to analyze the current state of broadcast station dashboard identification and develop a best practices guide radio companies can adopt. The goal is for broadcast radio to embrace a more unified display style that will achieve a positive, consistent user experience for drivers and passengers.

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