CARNATIC MUSIC Percussion - (Code No. 033) Class IX (2021 .
CARNATIC MUSIC Percussion - (Code No. 033)Class – IX (2021-22)TheoryMarks: 30Time: 2 HoursPeriod12Definition of the following terms :Tala, Laya, Avartana, Kala, Kaala, Graha (Atita - Anagata -1.Sama), Nada, Sangeetam, Svara, Sthayi, Raga, Alankara,Arohana, Avarohana, Uttaranga and Purvanga.2.Brief history of Carnatic music with reference to Purandara Dasa,10Tyagaraja, Muthuswamy, Dikshitar and Syama Sastry.3.Basic knowledge of opted instrument.84.Description and writing notation of sollukattus in Adi, Rupakam15and chapu talas and its varieties.5.Brief lakshanas of musical forms - Geetam Svarajati, Varnam.66.Basic knowledge of Mohra, Korvai, Kuraippu & Pharan.9Total Periods60
CARNATIC MUSIC - Percussion (Code No. 033)Format for Examination for Class – IXTheoryMarks: 30Time: 2 HoursISix MCQ based on all the above mentioned topic(1x6)6 MarksII (i)Construction and playing techniques of opted percussion instrument6 Marks(Compulsory)(ii)Writing in notation, the Sollukattus for Adi/Roopakam/Chapu Talas6 Marks(Compulsory)III (i)(ii)IV (i)(ii)Life and contribution of any one of the composers mentioned in topic II.3 MarksBriefly explain the lakshanas of any two of the Musical form from topic V3 MarksWriting short - notes on three technical terms from the syllabus3 MarksBasic principle from the topic VI3 MarksNote : Examiner should give internal choice for all the question set up.Question no. 2 & 3 are compulsory
CARNATIC MUSIC - Percussion (Code No. 033)Class - IXPracticalMax. Marks : 70Periods1.Ability to recite Sollukattus for the prescribed talas withvarieties and in three speeds.302.Ability to play Sollukattus (simple) in Adi, Rupaka.303.knowledge of the Sapta Tala Alankaras in three degrees of40speed.4.Basic knowledge of the construction and playing techniques20adopted in the instrument opted.5.Basic technical knowledge adopted for Mridangam play and40short bouts of accompanying in the format of Tattakaramasfor Janta Svaras, Patterns, alankarams, geetam, svarajatis.Total Periods160
CARNATIC MUSIC - Percussion (Code No. 033)Format for Examination for Class - IXPractical1.Max. Marks : 70Reciting of Sollukattus for the prescribed talas with varieties in three10speeds.2.Ability to play simple Sollukattus for Adi, Roopaka103.Questions based on the Sapta tala alankaras.104.Questions based on the construction and playing techniques adopted in6instrument optedAbility to explain the special technical knowledge, employed in14Mridangam and following it up with Tattakaram accompariment for JantaSwaras, Alankaras, Geetam and SwarajatisTotal Marks50 Marks5.Internal Assessment20 marksTotal70 marks
CARNATIC MUSIC - Percussion (Code No. 033)Class – X (2021-22)TheoryMarks: 30Time: 2 HoursIIIDetailed Knowledge about the structure and componentsof the instruments opted.Playing techniques adopted for Sapta tala alankaras in610three speeds.III16 Angas of Talas, Korvai, Koraippu etc.10IVBasic knowledge of Jaati and Gati Bhedas in detail.8VA brief outline of different schools of playing Mridangam.6VILife sketch and contribution of6VIIa.Palghat Mani Iyer andb.Palani Subramania PillaiA short outline knowledge of principles of practical14performance.Total Periods60
CARNATIC MUSIC - Percussion (Code No. 033)Format for Examination for Class - XTime: 02 hoursIMax. Marks : 30Section ISix MCQ based on all the above mentioned topicII(i)6 MarksSection IIIllustration of the structure and components of the instruments with the6 Markshelp of a diagram.(ii)IIIExplanation of the playing techniques adopted for Sapta Tala alankarasin three speeds.Section III6 Marks(2x3)6 Marks(i)Brief knowledge of different schools of Mridangam playing(ii)Knowledge of life and contribution of Palghat Mani Iyer and PalaniSubramaniam Pillai.(iii)IVOutline knowledge of principles of Practical PerformanceSection IV(3 3)6 MarksIV (i)Shodasanga, Korvai, Kuraippu etc.IV (ii)Knowledge of Jaati and Gati bhedas.Note : Examiners can put seven questions from the above topics and the Candidates shouldattempt five questions in all. All the questions carry equal marks.
CARNATIC MUSIC - Percussion (Code No. 033)Class – X (2021-22)PracticalMax. Marks : 70No. ofperiodsI.Knowledge of tuning Mridangam.10II.To prepare and play Sollukattu for Adi, Rupaka, Triputa and Chaputala varieties.Accompaniment for musical form like Varnam, Kriti, jatiswaram,Padam and Tillana.Knowledge to prepare Mohra and Korvai in Adi, Rupaka, Chapuand Triputa talas.Play “Tani Avartanam” for at-least 6 to 8 avartanas in simple talas.30Total No. of Periods160III.IV.V.404040
CARNATIC MUSIC - Percussion (Code No. 033) Format forPractical Examination for Class - XPracticalMax. Marks : 70I.Ability to tune Mridangam6II.Ability to prepare and recite Sollukattu for Adi, Rupaka,Triputa and Chapu tala varieties.Knowledge about the way of accompaniment for musicalformslike Varnam, kriti, Jatiswaram, Padam and Tillana.Preparation of Mohra and Korvai in Adi, Rupaka, Triputa andChapu talas.Ability to play “Tani Avartanam” for at-least 6 to 8avartanas in simple talas.10III.IV.V.10141050 marksInternal Assessment20 marksTotal70 marksExternal examiners have to be arranged for 50 marks of the practical examination
Brief history of Carnatic music with reference to Purandara Dasa, Tyagaraja, Muthuswamy, Dikshitar and Syama Sastry. 8 3. Basic knowledge of opted instrument. 4. Description and writing notation of sollukattus in Adi, Rupakam and chapu talas and its varieties. 15 6 5. Brief
geetham, i.e., the union of music and words (swaram and sahityam). Geethams are the simplest of melodies. The term geetham literally means a song, but in Carnatic music it signifies a particular type of composition. The music of the geetham is simple melodic extension of the raga in which it is composed. Its tempo is uniform.File Size: 433KBPage Count: 18Explore furtherCertificate Theory Syllabus – Carnatic Music Examscarnaticmusicexams.inCarnatic Music Theory Notes - Carnatic Academycarnaticacademy.weebly.comSouth Indian Classical (Carnatic) Music Basics (Sarali .www.shivkumar.orgCARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for .cdn.aglasem.comkarnATik Beginners' Lessons Notationwww.karnatik.comRecommended to you b
A Brief Timeline of Carnatic Music 15th Century CE Purandara Dasa formulating a structured form of Carnatic Music as we know it now. 18th Century CE Trinity of Carnatic music compose really important pieces that take Carnatic Music a major step forward 1000-1500 BCE Vedic Roots Believed to have roots in ancient vedic texts, specifically the .
within the South Indian music tradition of Carnatic music (see Subramanian 2006 for a social history; see Viswanathan & Cormack 1998; Morris 2001 for ethnomusicological studies of Carnatic music). Carnatic music is a vocal and instrumental tradition based around the performance of songs interspered by
Carnatic Vocal Carnatic Violin Carnatic Keyboard Carnatic Nadaswaram A f f i l i a t e d a n d A c c r e d i t e d b y T a m i l U n i v e r s i t y , T h a n j a v u r . R e g i s t e r e d C o m p a n y N u m b e r : 7 2 7 6 6 2 0 Carnatic Veena VOCAL & INSTRUMENTS GRADE E
brought out the new foundation to carnatic raagas in devotional songs and the proposed BAM model of fuzzy logic also suited to bring out best result. 1.1. Carnatic Music Carnatic music (Sanskrit: Karnataka samgita) is a system of music commonly associated with the southern part of the Indian subcontinent, with its area
Indian music is considered to be one of the oldest musical traditions in the world. It is believed to have Vedic origin, in particular, Sama Veda. There are two types of Indian vocal music – Carnatic and Hindustani music. Hindustani music was influenced by Arabic and Iranian music while Carnatic music remained
Berio, Luciano Folk Songs Percussion and Chamber Orchestra Ayers, Thomas Suite for Clarinet and Percussion Percussion and Clarinet Cirone, Anthony Sonata for Clarinet and Percussion Percussion and Clarinet Cirone, Anthony Sonata No. 3 for Clarinet and Percussion Percussion and
the note of a Carnatic music signal. The main motive behind note transcription is that, it can be used as a good basis for music note information retrieval of Carnatic music songs or Film songs based on Carnatic music. The input monophonic music signal is analysed and made to pass through a signal frequency extracting algorithm.
