Study Guide For The Wave - CFI Education

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THE WAVEA Study Guide compiled byRoberta McNairfor the Mill Valley Film Festival

Table of ContentsIntroductionThe FilmThe DirectorThe BookThe WaveThe experiment: The Third WaveControversiesOther social psychology experimentsThe Milgram ExperimentThe Stanford prison experimentAuthoritarian MovementsFascismNazismThe WaveQuestions for Discussion and ResearchReferences and BibliographyAppendixThe Third WaveRemembering the 3rd Wave2344467788101011141516161625IntroductionThe material in this guide is intended for educational use only, and reproduction for commercialpurposes is forbidden.ObjectiveThis study guide aims to provide a framework for students to analyze and understand this film, itsbasis in actual events, and an historical context for the fascist direction The Wave group takes. Throughresearch, analysis, and discussion, students will achieve an understanding not only of the subject of thisdrama but also the nature and psychology of the need to belong, empowerment, and authoritarianism.

The FilmThe Wave (Die Welle), 2007Director Dennis GanselWriters Dennis Gansel, Peter Thorwarth, ToddStrasser (novel)Producer Nina MaagCinematographer Torsten BreuerEditor Ueli ChristenCastJürgen Vogel—Rainer WengerFrederick Lau—TimMax Riemelt—MarcoJennifer Ulrich—KaroChristiane Paul—Anke WengerElyas M’Barek—SinanCristina do Rego—LisaJacob Matschenz—DennisMaximilian Vollmar—BomberMaximilian Mauff—Kevin“You are thus of the opinion that a dictatorshipwould be no longer possible today in Germany.”When Rainer Wegner, a popular highschool teacher, finds himself relegated toteaching autocracy as part of the schools projectweek, he’s less than enthusiastic. So are hisstudents, who greet the prospect of studyingfascism yet again with apathetic grumbling. Weget it. Struck by the teenagers’ complacency andunwitting arrogance, Rainer devises anunorthodox experiment. He introduces hisstudents to everyday life in a dictatorship. Buthis hastily conceived lesson in social orders andthe power of unity soon grows a life of its own.But what begins as an educational game with theterms “discipline” and “community” develops injust a few days into a genuine movement called“The Wave.”The students are initially fascinated bythe social mechanisms and fail to notice howmuch and how quickly they are turning into afascist society. By the third day they are startingto exclude and persecute those who thinkdifferently. The Wave gathers momentum andwithin six days has taken a grip on the wholeschool. Rainer, himself fascinated by his role asFuehrer, is no longer capable of ending theexperiment that has now gone completely out ofcontrol.Frederick Lau addresses the audience as he holds histrophy at the German Film Prize “Lola” awardceremony in Berlin April 25, 2008.In probing the underpinnings of fascism,The Wave is far from a social-studies lesson. Aswith his previous film, Before the Fall, directorDennis Gansel fashions an energetic, grippingdrama that cuts through superficial ideologicalinterrogatives and goes straight for the veins—the human psychologies and individualbehaviors that contribute to collectivemovements. In unpeeling the emotional layersand contradictions of his characters (the need tobelong, to be empowered, to escape socialdistinctions), Gansel offers a humanisticperspective on the terrifying irony that thesestudents may welcome the very things theydenounce.Before The Wave is too easily dismissedas a cautionary tale, it’s noteworthy that the truestory that prompted Todd Strasser’s novel TheWave (from which the film was adapted) did nottake place in Germany, but at a high school inPalo Alto.Actor Frederick Lau, who plays Tim,was awarded the “Lola” (comparable to theOscar) as best supporting actor in The furl http://twitchfilm.net/site/view/german

com/photo/0epc4BX58B1zzThe DirectorDennis Gansel was born in 1973 inHanover, Germany. After gaining some theaterexperience in local amateur dramatics, hedecided his future was in film. A weekendseminar entitled “How to Make Your FirstMovie” provided just enough knowledge andexperience convince him film was the career hewanted, and to know that he had a lot more tolearn. After making several short films—mostlyto impress the local girls—he got serious aboutfilm and attended the Hochschule für Film undFernsehen (University for Film and Television)in Munich from 1994 to 2000.FilmographyDie Welle (The Wave) (2008)Videotagebuch von Dennis Gansel (2005)NaPolA (Before the Fall) (2004)Mädchen, Mädchen (Girls on Top) (2001). aka (USA)The Dawn (2001)Das Phantom (The Phantom) (2000) (TV)Living Dead (1998)Im Auftrag des Herrn (1998)The Wrong Trip w.imdb.com/name/nm0304541/Dennis GanselThe BookThe WaveBy Todd Strasser (writing as Morton Rhue)The novel won the 1981 MassachusettsBook Award for Children’s/Young Adultliterature.Strasser writes on his Website:“THE WAVE is loosely based on anessay by Ron Jones that appeared in a WHOLEEARTH CATALOGUE some time in the early1970s. I have never met Mr. Jones. I’ve beentold that he is the teacher who did theexperiment upon which the book and TV movieare based.“To be honest, I have always wonderedif the “real life” experiment conducted by Mr.Jones actually went as far as his essay alleges.At the same time I firmly believe that whether itdid or not is entirely besides the point.“The point is the message of the story,which serves both as a reminder of what haspassed and a warning regarding the future.“The murder of 6 million Jews (plusthousands of other “undesirables”) may seen likea distant event from your life. But it isn’t. Areyou aware that similar massacres of innocentpeople continue to this day? In your lifetime ithas happened in Eastern Europe and Africa.

“To me, one of the most rewardingaspects of THE WAVE is knowing that it isrequired reading not only in your class, but inmost of Germany as well.”Strasser worked not only from RonJones’s article but also the teleplay for The Waveby Johnny Dawkins, who was nominated for a1982 Humanitas Prize in the 60-minutecategory, and a 1983 WGA Award for BestChildren’s Show.Summary of the novelThe setting of The Wave is fictitiousGordon High School, 1969. The plot revolvesaround history teacher, Ben Ross, who cannotanswer the question of why the Germansallowed Adolf Hitler and the genocidal NaziParty to rise to power, acting in a mannerinconsistent with their own pre-existing moralvalues. The only way he can see to answer thequestion is to start an experiment that shows thestudents what it may have been like in living inNazi Germany.Ben starts by having his history class situp straight and obey his commands by, at first,standing at attention beside their desks andhaving to say “Mr. Ross .” before askingquestions or answering questions he asked them.After seeing the students’ reactions toward theexperiment, he decides to continue it the nextday by creating a salute, a symbol andaddressing three mottoes he made up: “Strengththrough discipline, Strength through community,Strength through action.” He calls thismovement “The Wave.”At first, students are skeptical about TheWave, but after seeing how everyone becomesequal, and that the stress of making choices arelifted, the class falls into The Wave, and beginsto recruit others into it. Robert, the class reject,seems to have changed the most due to TheWave—his physical appearance becomes neaterand the students grow to accept him more.Laurie, a student in Mr. Ross’ class,starts to think that The Wave is having too muchof an impact. A huge majority of the school is inThe Wave, and its members attack students whorefuse to join. Using her influence as the schoolnewspaper editor, Laurie releases an entire issueof The Grapevine dedicated to showing thedangers of The Wave. While some thank her,especially teachers and parents, others do not.Laurie’s boyfriend David, who has been in TheWave since the beginning, tries to get her to stopbad-mouthing The Wave. He eventually shovesher to the floor and then realizes what harm TheWave has done.After talking with Laurie and David, aswell as his wife, Christy, who is also a teacher atthe school, Ross realizes that The Wave hastaken a turn for the worse, and is determined tostop it. However, he is determined to do so in away that communicates the lesson he intendedfor The Wave to teach in the first place. He callsa Wave meeting in the auditorium and requeststhat only Wave members be present. Theygather in a similar fashion to the Nazi rallies,even equipped with banners and armbandsemblazoned with the Wave logo.Die Welle—Das Musicalthe.Arter Greiz (Deutscheland) March 28, 2008Ben tells The Wave members that theyare about to see the leader of the wholeorganization and that he is going to speak to allof them on television to create an internationalWave Party for Youths. Everyone is shockedwhen Mr. Ross reveals that there is no leader,and that there is no international Wave Party.However, Mr. Ross tells the audience that ifthere were a leader, it would be the man on theprojection screen—Adolf Hitler. He explainshow their obedience led them to act like Nazis.The shocked students drop all theirWave-branded trinkets and items, and slowlyleave the gym. As Ben turns to leave, the oneperson who really flourished in The Wave,Robert, is standing alone, upset that The Waveended. During The Wave, he was finallyaccepted as an equal, no one picked on him, he

had friends, but his newfound social status isnow worthless without The Wave. Mr. Rosshugs and comforts Robert, and they walk eferate/englisch/r0416t00.htm, en.wikipedia.org/wiki/The Wave (book),http://en.wikipedia.org/wiki/The Wave (TV special)The experiment: The Third WaveRon Jones first wrote about hisclassroom social experiment in an essay in TheWhole Earth Catalog in 1972, under the title“Take As Directed.”In that essay, Jones writes that he startedthe first day of the experiment (Monday, April 31967) with simple things, such proper seating,drilling the students until they were able to movefrom outside the classroom to their seats, andtake the proper seating position in less then 30seconds without making a sound. He thenproceeded to strict classroom discipline,emerging as an authoritative figure andimproving efficiency of the class dramatically.On the second day he managed to moldhis history class into a group with a supremesense of discipline and community. Jones namedthe movement “The Third Wave,” after thecommon belief that the third in a series of oceanwaves is last and largest. Jones made up agreeting similar to the Nazi regime and orderedclass members to salute each other even outsidethe class. They all complied with this.The experiment took on a life of its own,with students from all over the school joining in:On the third day the class expanded from initial30 students to 43 attendees. All of the studentsshowed drastic improvement in their academicskills and tremendous motivation. All of thestudents were issued a member card and each ofthem received a special assignment (such asdesigning a Third Wave Banner, stopping nonmembers from entering the class, etc.). Jonesinstructed the students on how to initiate newmembers, and by the end of the day themovement had over 200 participants. Jones wassurprised when some of the students startedreporting other members of the movement whofailed to abide by the rules.On Thursday, the fourth day of theexperiment, Jones decided to terminate themovement because it was slipping out of hiscontrol. The students became increasinglyinvolved in the project and their discipline andloyalty to the project were astounding. Heannounced to the participants that their groupwas only a part of a nationwide movement, andthat on the next day a national candidate forpresident would publicly announce existence ofthe movement and that they were the localrepresentatives of the youth movement. Jonesordered students to attend a noon rally on Fridayto witness the announcement.Blurb from the Cubberley High School Catamount,April 7, 1967Instead of televised address of theirleader, the students were presented with deadair. After few minutes of waiting, Jonesannounced that they have been a part of anexperiment in fascism and that they all willinglyembraced a sense of superiority that Germancitizens had in the period of Nazi Germany. Hethen played them a film of the Nuremberg rally.Students left the auditorium quietly, some intears. The experiment tml/the wave.html,http://en.wikipedia.org/wiki/The Third Wave,http://www.thewave.tk/,

ControversiesRon Jones did not write about the ThirdWave experiment for a number of years. Therewas no media coverage of the event, which wasnot unusual for 1967 but would be unheard oftoday. There were two instances in which theThird Wave made it into the Cubberley schoolpaper, The Catamount, around the time of theevents. But it did not become a cause célèbre inits time.Bill Klink had the byline for the April21, 1967 article in The Catamount, entitled“‘Third Wave’ presents inside look intoFascism.” Klink reported, “One group reportedlyhad 500 parents backing a boycott to removeJones as a teacher because of ‘a movement theydidn’t quite understand.’ His fifth period seniorgovernment class launched the most successfulcoup d’etat on Wednesday, April 5, the last dayof the movement, as they kidnapped Jones andthreatened to deliver his lectures on democracyto his sophomore classes. However, hepersuaded them to let him go, telling them hehad planned to end the movement that day witha rally at lunch.”The story in The Catamount revealssome inconsistencies with Jones’s account of theThird Wave, such as stating that Wednesday,April 5, 1967 was the last day of the movement,but most notably, the article points out a reactionoutside of school, from parents. The degree ofthe reaction Klink reports is at odds with whatJones himself wrote in “Take As Directed.”Jones recounts, “In telling their parentsof the experiment they set up a brief chain ofevents. The rabbi for one of the parents calledme at home. He was polite and condescending. Itold him we were merely studying the Germanpersonality. He seemed delighted and told menot to worry. He would talk to the parents andcalm their concern.”Later, Jones remembers, “Wednesdayevening someone had broken into the room andransacked the place. (I later found out it was thefather of one of the students. He was a retired airforce colonel who had spent time in a Germanprisoner of war camp. Upon hearing of ouractivity he simply lost control. Late in theevening he broke into the room and tore itapart.[)].” Jones talked with the man about hisexperiences and they reached an understanding.Jones does not mention any more parents.Jones admits that he was fired fromCubberley, but it is only clear that his teachingmethods were controversial, and there is notevidence that the Third Wave was at issue.This has led some people to doubt thatthe events occurred at all, or at least not in theway that Jones claims they did. One man hasdevoted a Website to debunking the ThirdWave, and he put out a call to the country tohave the events confirmed or denied by studentsin Mr. Jones’s class.Third Wave protest poster, Cubberley High SchoolSome students have come forward totalk about their experience with the Third Wave,including Leslie Weinfield in 1991, who wrotean essay entitled, “Remembering the 3rd Wave.”On Ron Jones’s Website is a list entitled,“People to contact regarding The Wave or RonJones.” One of those is Philip Neel, and it’snoted that “He and others from the experimentare creating a documentary to tell theirexperiences in The Wave.”Other social psychology experimentsAnother controversy about theexperiment has cropped up occasionally in theyears since, especially after publication of ToddStrasser’s book, The Wave. Some schools havereportedly tried the own experiments, inspiredby The Wave. In 1999, an eighth grade class inChicago, Illinois, did a mini-recreation of TheWave experiment. In 2006, a middle school

history class in Florida attempted to recreate theexperiment with even younger children.The Milgram ExperimentThe Third Wave shares characteristicswith other social psychology experiments of the20th century, notably the 1963 Milgramexperiment, which measured the willingness ofstudy participants to obey an authority figurewho instructed them to perform acts thatconflicted with their personal conscience. Peopleparticipated in what they thought was anexperiment helping a researcher’s study ofmemory and learning in different situations,acting the role of teacher. Teachers were told topush a button and give increasingly strongelectric shocks to a learner who gave wronganswers when tested on his memory of wordpairs.Although the teachers knew that thepain increased with every shock, because theyheard the learners’ cries, they continued with thetesting. Only when they heard banging on thewall separating the teacher’s room from thelearner’s room—and heard complaining aboutthe learner’s heart condition did—the teachersquestion the experiment.The teachers did not know that theresearcher and learners were actors, and thoughthe button actually produced electric shocks, thelearner was not experiencing them. The teachershad been told that they would not be heldresponsible for any harm to the learners. Theywere also prodded, when they expressed doubtsabout continuing, with successively strongverbal prods: “Please continue,” “Theexperiment requires that you continue,” “It isabsolutely essential that you continue,” and“You have no other choice, you must go on.” Ifthey resisted after the fourth prod, theexperiment stopped.The conclusions of the experimentshowed 65 percent (26 of 40) of experimentparticipants administered the experiment’s final450-volt shock, though many were veryuncomfortable doing so. At some point, everyparticipant paused and questioned theexperiment, and some said they would refundthe money they were paid for participating in theexperiment. No participant steadfastly refused toadminister shocks before the 300-volt level.Test subject from the Milgram Experiment, 1963The Stanford prison experimentThe other relevant experiment was the1971 Stanford prison experiment. Thisexperiment dealt with group dynamics, like theThird Wave did. It was a study of thepsychological effects of becoming a prisoner orprison guard. The goal was to test the idea thatthe inherent personality traits of prisoners andguards were key to understanding abusive prisonsituations.Twenty-four students were assigned theroles of either prisoner or guard. They were toldthey would participate in a two-week “prisonsimulation.” The “prison” itself was in thebasement of Stanford’s Jordan Hall, which hadbeen converted into a mock jail. Researchersplayed the roles of warden and prisonsuperintendent.The researchers provided weapons—wooden batons—and clothing that simulated thatof a prison guard—khaki shirt and pants from alocal military surplus store. They were alsogiven mirrored sunglasses to prevent eyecontact. Prisoners wore ill-fitting smocks andstocking caps. Guards called prisoners by theirassigned numbers, sewn on their uniforms,instead of by name. A chain around their anklesreminded them of their roles as prisoners.The guards were told, “You can createin the prisoners feelings of boredom, a sense offear to some degree, you can create a notion ofarbitrariness that their life

experience convince him film was the career he wanted, and to know that he had a lot more to learn. After making several short films—mostly to impress the local girls—he got serious about film and attended the Hochschule für Film und Fernsehen (University for Film and Television) in Munich from 1994 to 2000. Dennis Gansel Filmography

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