Consuming The Victorians
Consumingthe VictoriansNov. 9 - 102018 Conference
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Consuming theVictorians1
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Keynote SpeakerDr. Sharon Aronofsky Weltman“’Why These Victorian Views?’: Howthe Modern Meets the Middlebrow inSculpture, Fiction, and Musical Theater”Dr. Sharon Aronofsky Weltman is William E “Bud” Davis AlumniProfessor of English at Louisiana State University. She specializes innineteenth-century British literature and culture, and her current research isfocused on popular adaptations of Victorian literature, on the stage and inother media, both nineteenth-century and contemporary. Her books includeRuskin’s Mythic Queen: Gender Subversion in Victorian Culture (1999),which was named Outstanding Academic Book that year by Choicemagazine, and Performing the Victorian: John Ruskin and Identity inTheater, Science, and Education (2007).3
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Table of ContentsFriday.6Session 1. 7Crime, Marriage Marketing; Tourism; New Approaches toTeaching Familiar TextsSession 2. 8International Cuisines; Foods & Forms, TeachingVictorians Today; Neo-Victorian/Steampunk RemediationsSession 3. 10Assigning Victorians; Eating & Gothic; Penny Dreadfuls;Measuring & Fashioning NarrativesSession 4.12Modernist & Postmodernist Views of the Victorians;Consuming Print Culture; Victorian Vices: Drinking,Smoking, ProstitutionSession 5.13Pleasures & Pastimes; Consuming Race & Empire;Carnivores & Consuming Animals; Envisioning “Real” SpacesSaturday.15Session 6.16Consumerism, Consumer Culture; Natural History;Colonial/Consuming the World; Theatrical EmbodimentSession 7.17Apocalypse, Now/No! ; What’s Eating Charolotte Bronte? ;Poetry I; Writing And/As Interpretation in DickensSession 8.18Poetry II; Victorian Orientalism: Visions of Asia; GeorgeEliot; The Victorian Abject: Dirt, Deadliness, and DomesticitySession 9.20Consuming Victorian Sexualities; Ambition & SelfConstruction in Dickens; Other(ed) Adaptations;Devouring PassionsSession 10.21Sacred Feelings? ; Commodifying the Canon; Hardy;Consuming Forms5
FridaySession 19:00 - 10:15Session 210:30 - 11:45Lunch12:00 - 1:00Session 31:00 - 2:15Session 42:30 - 3:45Keynote4:00 - 5:00Session 55:10 - 6:00Reception6:00 - 7:006
Session 19:00 - 10:151A CrimeJanet Myers (Elon University) - DressingDown the Fashion Plate: George Egerton’sUnadorned Protagonists in Keynotes(Dogwood - Casey Cochran as Chair)Maria Bachman (Middle Tennessee StateUniversity) - The Gentleman Thief and theLooting of the Leisure Class”1C Tourism(Foxfire I - Jonathan Elmore as Chair)Keaghan Turner (Coastal Carolina University) - Things to Die For: Consumption andCrime Fiction at the Fin de SiecleScott Dransfield (Southern Virginia University) From Conservation to Consumption:John Ruskin and the Romance of VeniceHeather Sowards (Marietta College) -Accoutrements of the Mask: The LinkBetween Conspicuous Consumerism andCriminalityAudrey Fessler (Appalachian State University) - Tourist Trap: All-Consuming American Masculinity in Stoker’s “The Squaw”Eric Lorentzen (University of Mary Washington) - Literary Tourism: ConsumingDickens, Sherlock, and the Sites/Sights ofBritish Culture1B Marriage Marketing(Magnolia - Cameron Dodworth as Chair)Lauren N. Hoffer (University of SouthCarolina, Beaufort) - The Secondary Marriage Market and Consuming Spouses in theVictorian Novel1D New Approaches toTeaching Familiar Texts(Foxfire II - Sharon E. Kelly as Chair)Patrick W. O’Neil (Methodist University) “The Greatest Wedding Ever Given There”:Consumption and Contradiction in the WeddingBeth Sherman (Queens University of Charlotte) - Love at First Bite and Beyond: NewApproaches to Teaching Dracula in theUndergraduate Classroom7
Session 2Leslie Ann Haines (Auburn University) Transcendent Translations: Michael Field’sDecadent Androgyny and Undoing Genderin the Contemporary Classroom10:30 - 11:45Emily Dotson (University of Virgina’s Collegeat Wise) - “The Refreshing Meal”: TeachingCompassion and the Politics of Food in JaneEyre2A International Cuisines(Dogwood - Esther Godfrey as Chair)Sean DeLouche (Baylor University) - ‘AnOverjoyed Fat Man Who Enjoys FourMeals and Drinks Rhine Wine All DayLong:’ Discourses of Overconsumption inChampmartin’s PortraitsMichelle Mouton (Cornell College) - Anthony Trollope and Global Food History: ADH-Based Text AnalysisSara Chung (Texas A&M University) - Heartof Darkness: Consuming the Human as theObject of Fascination2B Foods & Forms(Foxfire I - Claudia Martin as Chair)Hope Rogers (Princeton University) - Peasto Cranford: Consuming Food and theNovelKimberly J. Stern (University of North Carolina at Chapel Hill) - Food for Thought:Gastronomic Metaphors in Victorian Educational Tracts8
Herbert F. Tucker (University of Virginia)- Good Enough to Eat: Orality and Consumption in Victorian PoetryMolly Porter (Louisiana State University) Writing Back, Reading Forward: Caryl Phillips’The Lost Child and Emily Brontë’s WutheringHeights2C Teaching the VictoriansToday(Foxfire II - Melissa Free as Chair)Hannah Ruehl (University of Kentucky) Teaching Advertising: Victorian Advertisements in the ClassroomAngela Jacobs Old Dominion University“The Canon Takes No Notice of the Negro:” Recovering Black British literature inthe Victorian Literature CourseLunchRose O’Malley (City University of NewYork) - Teaching the Opium Eaters in theOpioid Epidemic12:00 - 1:002D Neo-Victorian/Steampunk Remediations(Magnolia - Frank Emmett as Chair)Lauren Rosales (University of Iowa) - Unlikely Victorian Heroines: Lisa Kleypas’Popular Historical Romance as Neo-Victorian FictionMichelle Taylor (University of Iowa) Queen Victoria, Lord Melbourne, and theRomance Plot9
Session 33B Eating the Gothic1:00 - 2:15(Foxfire I - Frank Emmett as Chair)Cameron Dodworth (Methodist University) Food, Fear, Fusion: The Exotic Gothic in Victorian Food and Literature3A Assigning the Victorians(Dogwood - Jacob Romanow as Chair)Alexie Cash (University of Georgia) Sweetness and Blood: The Gothic Pastry ofVilletteRebecca Easby (Trinity Washington University) - An Acquired Taste: Convincing FirstYear Students to “Consume” the Victoriansand Like ItWendy Wood (University of Houston) Consuming our Children: Education andIdentity in Rudyard Kipling’s KimKirsten Andersen (University of Cincinnati) - How Not to be a Gradgrind or an F.R. Leavis: Re-Writing the Victorians in theTwenty-First Century Classroom3C Penny DreadfulsMelissa Schaub (University of North Carolinaat Pembroke) - Disordered Reading: Bingeing, Serialization, and the Form of the Novel10(Foxfire II - Paul Fyfe as Chair)Amanda Campbell (Winthrop University) Consuming Bodies: The Women of PennyDreadful
Jennifer Martinsen (Newberry College) Reimagining the Monster and the Human inPenny DreadfulJaine Chemmachery (Université Paris-Dauphine-PSL) - From The Crimson Petal andthe White to Penny Dreadful: Are we consuming the Victorians (or are we consumedby them)?3D Measuring &Fashioning Narratives(Magnolia - Michelle Mouton as Chair)Mindy Buchanon-King (College of Charleston) - Reading a Tier of Sympathy inElizabeth Gaskell’s Mary BartonAnnelise Norman (University of Georgia) Fashioning Jenny Wren: The Influence ofCraft in Our Mutual FriendClayton Tarr (Michigan State University) Counting Cards: Enumeration and Revolutionin A Tale of Two Cities and Alice’s Adventures in Wonderland11
Session 44C Victorian Vices:Drinking, Smoking,and Prostitution2:30 - 3:45(Foxfire II - Tim Carens as Chair)Shannon Brent (Eastern Kentucky University) - “Isn’t 2 glasses enough?”: Alcohol Consumption and Drunkenness in Victorian-EraOxbridge4A Modernist and Postmodernist Views of the Victorians(Dogwood - Cameron Dodworth as Chair)Mark Rollins (Young Harris College) - “Noone really believed the essays were that important”: Studying Victorian Novels in KazuoIshiguro’s Never Let Me GoChris Adamson (Emory University) “TheRed Coal of a Cigar”: Consuming Relationships through TobaccoAlbert Pionke (University of Alabama) Consuming Strachey’s Eminent Victorians,One Hundred Years LaterMark Scroggins (Florida Atlantic University)- Consuming the Unconsummated: TheRuskin Wedding Night as ContemporaryPopular SpectacleAndrea Coldwell (Coker College) Woolf’sVictorians: the Post-Victorian View4D Adaptations/Transmediations4B Consuming Print Culture(Magnolia - Hope Rogers as Chair)(Foxfire I - Melissa Schaub as Chair)Paul Fyfe (North Carolina State University) Paper TrailsEmily Beckwith (University of Georgia) Vaguely Historical, Loosely Literary, StupidlySmart Comedy, and How to Use ItAnthony Garcia (Old Dominion University) Consuming Public Discourse in Blackwood’s“Noctes Ambrosianae”Cristina R. Griffin (University of Virginia) Panorama Aesthetics from Thomas Cole toRon HowardRichard Menke (University of Georgia) Pulp Culture: Victorian Print Media and theHistory of PaperJudith Wilt (Boston College) - Eat your heart(out): Great Expectations Adapted12
KeynoteMt. Mitchell4:00 - 5:005C Carnivores & ConsumingAnimals(Foxfire II - Anita Rose as Chair)Kathryn Burt (North Carolina State University) - “He disgusted me much while withhim”: Cultural Anxiety about the Slaughterand Consumption of Animals in BramStoker’s DraculaSession 5Claudia Martin (SUNY Binghamton) - OfCarnivores and Creativity: Martians, Morlocks, and the Consumption of Meat inTwo Late-Victorian Science Romances ofH.G. Wells5:10 - 6:005A Pleasures and Pastimes(Dogwood - Lindsay Mayo Fincher as Chair)5D Envisioning “Real”SpacesTimothy Carens (College of Charleston) The Conspicuous Pleasures of Angling(Magnolia - Anick Rolland as Chair)Patrick C. Fleming (Fisk University) Victorian Theme Parks: from The GreatExhibition to Dickens WorldJennifer Halpin (Savannah State University)- To Eat the News (and the Olds) in Pastand Future London: News from Nowhere5B Consuming Race &EmpireOishani Sengupta (University of Rochester)- Darkened Looks: Graphic Art and Photographic Discourse in Bleak HouseFoxfire I - Angela Jacobs as Chair)Melissa Jenkins (Wake Forest Universit) Consuming the Dark BodyReceptionMt. Mitchell6:00 - 7:00Alycia Gilbert (University of Washington) “Who’s Got the Moonstone?”: AdaptingThe Moonstone’s Depiction of ColonialViolence13
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SaturdaySession 68:00 - 9:15Session 79:30 - 10:45Session 811:00 - 12:15Banquet Lunch12:30 - 1:30Session 91:45 - 3:00Session 103:15 - 4:30Beer Tour6:0015
Session 66C Colonial/Consumingthe World(Foxfire II - Patrick C. Fleming as Chair)8:00 - 9:15Melissa Free (Arizona State University) Economic Development and South AfricanGirlhood in Marchant’s Molly of One TreeBend6A Consumerism,Consumer Culture(Dogwood - David Latane as Chair)Joshua M. Benson (George Washington University) - “Of Colonist and Commodity”Lee Behlman (Montclair State University) Getting and Spending with Edward LearMeg Dobbins (Eastern Michigan University) “The slut’s bitten me!” : Rudyard Kipling andthe Violent, Imperial Legacy of “InvoluntaryCelibacy”Jen Camden (University of Indianapolis) Bruff & Cuff: Commodity Culture in WilkieCollins’s The MoonstoneFrank Emmett (Independent Scholar) Feeding the Machine: the use of edible grainin the manufacture of cotton cloth6D Theatrical Embodiment(Magnolia - Albert Pionke as Chair)Gabrielle Stecher (University of Georgia)- “An intrusive manifestation of an unmentionable woman”: Consuming the ItalianSemirami6B Natural History(Foxfire I - Keaghan Turner as Chair)Holly Fling (University of Georgia) - ‘They’dEaten Every One’: Walruses and VictorianConsumptionMary Bowden (Indiana University) - ManEaters: Carnivorous Plants and Gender in theVictorian ImaginationGregg W. Heitschmidt (Surry CommunityCollege) - Conifer Consumers: America’s(De)Forested Landscape16Shannon Branfield (University of Kentucky)- “The Selvage of Civilization”: Immigration,Mobility, & Belonging in Boucicault’s TheOctoroonDavid Bradshaw (Warren Wilson College) Consuming Dramatic Genres in Mrs. Warren’s Profession
Session 7Knoxville) - The Face of the Mind: Sight andBrontë’s The Professor9:30 - 10:457C Poetry I(Firefox II - Chris Adamson as Chair)7A Apocalypse, Now/No!Casey Cothran (Winthrop University) Between Consumption and Suicide: Christina Rossetti and the Curious Fates of FemaleCharacters Who Walk in Wet Grass(Dogwood - Rose O’Malley as Chair)Jonathan Elmore (Savannah State Univeristy)- 19th Century Literature is Post ApocalypticLiterature: Fiction, History, and SurvivalCasie Renee (Legette University of Georgia) Bite-size Wordsworth; or, how the VictoriansConsumed The ExcursionEmily Harbin (Converse College) - DystopianEvolution in Edward Bulwer-Lytton’s TheComing RaceEliza Wilcox (Winthrop University) All-Consuming Heterosexuality: Unpackingthe Queer Connections Between GerardManley HopkinsKiera Allison (Emory University) - Annihilation and Equivalence in the VictorianLiterature of Catastrophe7D Writing And/AsInterpretation in Dickens7B What’s Eating CharlotteBrontë?(Magnolia - Don Cox as Chair)(Firefox I - Ashley Faulkner as Chair)Anna Gibson (North Carolina State University) - Reading Dickens’s NotesMargee Husemann (Carolina Day School) “I could not eat”: Consuming and Being Consumed in J ane EyreLeila May (North Carolina State University) All-Consuming Secrets in Bleak HouseGretchen Braun (Furman University) “Famished Thought”: Nourishing the Mindin VilletteEmilie Taylor-Brown (University of Oxford)- Digesting the Modern World: Adulteration,Assimilation, and Victorian Selfhood.Rochelle Davis (University of Tennessee,17
Session 8Baltimore County) - “Saved by the valour ofHavelock”: Cemetery Tourism and Marketing the Mutiny of 185711:00 - 12:158C George Eliot(Firefox II - Jennifer Camden as Chair)8A Poetry II(Dogwood - John Lamb as Chair)Willem Parshley (Emory University) Gwendolen Grows Fat (with Meaning): Ironyand Self-Consumption in Daniel DerondaNicole Bouchard (Baylor University) - “Sitdown and feast with us”: Perversion andRestoration of Hospitality in ChristinaRossettiLauren Pinkerton (University of North Carolina at Chapel Hill) - “Swallowed and Assimilated”: The Consumption of the Stranger inGeorge Eliot’s MiddlemarchJill Ehnenn (Appalachian State University) “Making all things new”: Michael Field’sRevisionary PoeticsKate Oestreich (Coastal Carolina University)- Making a Lemon Merengue out of Victorian Misogyny: A George Eliot that even PickyInternet Viewers will ConsumeSarah Storti University of Virginia LetitiaLandon’s poetics of reuse8B Victorian Orientalism:Visions of Asia8D The Victorian Abject:Dirt, Deadliness, &Domesticity(Firefox I - Richard Menke as Chair)(Magnolia - Cameron Dodworth as Chair)Jacob Romanow (Rutgers University) - TheIllusion of Possession: Orientalist Erotics inVictoria Cross’s “Theodora: A Fragment”Lindsay Mayo Fincher (New Mexico MilitaryInstitute) - Consuming Dirt: Idioms as a Reviling Repast of the Victorian ImaginationEsther Godfrey (University of South Carolina Upstate) - Interracial Marriage andRacial Consumption in Elise Giles’s ChinaCoast TalesLeslie Pearson (University of South Carolina) - “Suckle their fools”: The Reconfiguration of Breastfeeding from Wollstonecraft’sPlea to Nightingale’s ReprimandJean Fernandez (University of Maryland,18
Cheryl Blake Price (University of North Alabama) - Consuming Poison and ConstructingGenre in L.E.L.’s Ethel ChurchillBanquet LunchPisgah/Pilot12:30 - 1:3019
Session 9Catherine England (Francis Marion University) - “Let Me Keep Upright, Sir”: TheSymbolism of Posture in Great Expectations1:45 - 3:009C Other(ed) Adaptions9A ConsumingVictorian Sexualities(Firefox II - Esther Godfrey as Chair)Jamie Watson (University of North Carolina at Greensboro) - Rendering VictorianAesthetics and Trans-ness in Dream(Dogwood - Gretchen Braun as Chair)Jessica Ellen Saxon (Old Dominion University) - A Guide to London’s Demimonde;Or, Knowing the Differences Among “Tail,”“Tail,” “Tail”Emily Datskou (Loyola University Chicago)- The sodomite had been a temporary aberration; the homosexual was now a speciesSharon E. Kelly (University of Pittsburgh) A Good Fetish: Linking Sex and ConsumerGoods in WildeSarah McGinley (Wright State University)- Profiteroles, Tea, and Demon Butlers:Consuming a Japanese Fantasy of VictorianLondon9D Devouring Passions(Magnolia - Patrick C. Fleming as Chair)Heather Hess (Covenant College) Romantic Necrophagy in Silas Marner &Bleak House9B Ambition & SelfConstruction in Dickens(Firefox I - Maria Bachman as Chair)Abigail Arnold (Brandeis University) Consumable Companionship: Mrs. General’sSelf-Commodification in Little DorritDarin Cozzens (Surry Community College) Ambition and “Prodigygality” in Dickens’Great Expectations20Bonnie Shishko (Queens University ofCharlotte) Remediating Recipes: The Victorian Bildungsroman and the ContemporaryCulinary-RomanMiranda Wojciechowski (Indiana University) - Consuming the Marriage Plot: MeddlingMatchmakers, Professional Gossips, and theCirculation of Misread Desire in Mid-Victorian Periodical Culture
Session 1010C Hardy(Firefox II - Albert Pionke as Chair)3:15 - 4:30John Lamb (West Virginia University) Consuming Affections: Waste and Waste Landsin Thomas Hardy’s Return of the Native10A Sacred Feelings?(Dogwood - Tim Carens as Chair)Vicky Cheng (Syracuse University) - Consuming Subjectivities of the Living and theDead in Desperate RemediesAllison Davis (Kennesaw State University) Consuming the Sentimental in Dombey andSonAnick Rolland (The Graduate Center, CityUniversity of New York) - Appetite forDestruction, or, How the Tragic NovelCould Save Us AllAshley Faulkner (University of North Florida) - Victorian Mass: Consumption, Churchand StateAnneliese Ng (University of Hong Kong) “We have all of us one human heart”: Gaskell’s Christian Capitalist9D Consuming Forms(Magnolia - Casey Cothran as Chair)Christian Gallichio (University of Georgia)- Formal Polyphony in Thackeray’s Mrs.Perkins’s Ball10B Commodifying theCanon(Firefox 1 - Keaghan Turner as Chair)Kristen Pond (Baylor University) - “A case ofconstant recurrence”: Cycles of Consumption and Narrative in Charlotte ElizabethTonna’s Wrongs of WomanHeidi Pennington (James Madison University) - Consuming Dickens’s Descendants:Inherited Celebrity Status in the PeriodicalPress through the Case of Ethel DickensSheila M. Farr (Indiana University of Pennsylvania) - Consuming Desire/Desire to Consume: Consumption In/Of Little Red RidingHood in Victorian PeriodicalsAmy Wilson (University of Deleware) “Give Me Much and Many:” Consumptionin Christina Rossetti’s “Goblin Market” andBram Stoker’s Dracula21
Thank you for attending the2018 Conference,Consuming the Victorians.Partake in additionalconsumption at theBeer Tour, Sat. Nov.10, starting at 6:00p.m.For details, seehttps://tinyurl.com/VI2018BeerTour22
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Professor of English at Louisiana State University. She specializes in . Victorian Print Media and the History of Paper 4B Consuming Print Culture (Foxfire II - Tim Carens as Chair) . Timothy Carens (Colle
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Le genou de Lucy. Odile Jacob. 1999. Coppens Y. Pré-textes. L’homme préhistorique en morceaux. Eds Odile Jacob. 2011. Costentin J., Delaveau P. Café, thé, chocolat, les bons effets sur le cerveau et pour le corps. Editions Odile Jacob. 2010. Crawford M., Marsh D. The driving force : food in human evolution and the future.
Le genou de Lucy. Odile Jacob. 1999. Coppens Y. Pré-textes. L’homme préhistorique en morceaux. Eds Odile Jacob. 2011. Costentin J., Delaveau P. Café, thé, chocolat, les bons effets sur le cerveau et pour le corps. Editions Odile Jacob. 2010. 3 Crawford M., Marsh D. The driving force : food in human evolution and the future.
