Sir Arthur SullivAn Society

2y ago
9 Views
2 Downloads
768.33 KB
16 Pages
Last View : 8d ago
Last Download : 3m ago
Upload by : Xander Jaffe
Transcription

Sir ArthurSullivan SocietyTwenty-Third Sullivan FestivalRoyal Agricultural University, Cirencester14 - 16 September 2018

Sir ArthurSociety

Welcome to Cirencester and the twenty-third Sullivan Festival.It is particularly pleasant to be able to welcome quite a number of new faces this year, and we hopethat, whether first-timer or returning friend, you will have a wonderful, fun time. This booklet isintended to tell you what you need to know about the practicalities of the weekend, althoughthere will also be announcements from time to time.We will do our very best to keep to the published timetable. Please help us by arriving promptly atthe various venues. Apart from the performance of The Pirates of Penzance, everything takes placewithin the University’s campus. The Sundial Theatre in Cirencester College, where Pirates will takeplace, is a few hundred yards from the Stroud Road entrance to the University. Turn right, look outfor the signs, then turn left. If you reach the roundabout you have gone too far. It is a level walk; butif you want or need to use a vehicle, there is plenty of free car parking on site. Cars can be left inthe RAU’s Stroud Road car park for the duration of the Festival.Accommodation and sleeping arrangementsYour bed and breakfast accommodation for the night(s) you have booked, and all the meals andcoffee breaks, are included in the Festival booking fee you have paid. Wine and other drinks are notincluded. There is a bar (marked 30 on the plan sent out earlier) which is open until 11pm eachevening. Meals will be taken on a self-service basis except for Friday’s silver service dinner.Breakfast is available from 0800. Check-out time from bedrooms is 0930 on the day of departure,so those departing on Sunday should please clear their rooms before the day’s programme begins.Arrangements can be made for the short-term storage of bags - ask at the Porter’s Lodge.SalesThe Society’s sales stand will be available throughout Saturday and Sunday. In addition, the dealerChristopher Browne will be on hand with a wide selection of books, photographs, programmes,scores and other memorabilia.Thank you!Our thanks go, as ever, to Mary Catling and her colleagues at the RAU, who once again have gonethe extra mile to accommodate our needs. this is our ninth event at the University: one of thereasons we keep coming back is that everything is so well-run, and Mary and her team so easy towork with. Thank you to all our performers and speakers, especially Sarah Helsby Hughes andNicholas Sales of Heritage Opera. Arranging a visit from an opera company is tricky, especiallywhen the company is managed by busy opera singers. But a large file of e-mails will testify to howhappy an experience the planning has proved to be. As always, thank you to Julie Turnbull, thefounder of the feast. Although she is not with us, she has, as always, been hugely supportivebackstage, as it were, not least in mastering our new printer and laptop, the finer points of whichstill evade me. Finally, thank YOU for supporting this weekend. There would be no point in any ofthe planning if you were not here to enjoy the results.If during the weekend you have any difficulties relating to your accommodation, please report it tothe Porter’s Lodge. If you have any other problems, please share them with either me or anothermember of the Committee. We will do our best to help.Have a wonderful weekend!Stephen Turnbull14 September 2018-1-

Twenty-third Sullivan FestivalRoyal Agricultural University, Cirencester: 14 - 16 September 2018ProgrammeFriday 14 SeptemberDining room1930: Silver service dinner.Menu:Royal Pâté MaisonLemon and Garlic ChickenEton MessFor those who have requested a vegetarian menu: Wild Mushroom RisottoRoasted Root Vegetable Tarte TatinEton MessCoffee and Mints to follow for all.2100: A humorous food-based quiz from Robin Wilson2145 Cabaret recital by Sarah Helsby Hughes and David Menezes, accompanied byJames Longstaffe. Ends approx. 22302300: Bar closes.Saturday 15 SeptemberDining room0800: Breakfast (servery)Lecture theatre 7 (Emrys Jones Building)0900: Auction of a small number of lots of Sullivan interest. Details at page 5.0930: Sullivan and the Lehmanns: talk by J. Donald Smith.1030: Coffee.1100: Sullivan as Conductor: talk by Anne Stanyon. At long last, the truth about Sullivan’sachievements and reputation as a conductor.1200: The International Exhibition of 1862: talk by Vincent DanielsDining room1300: Lunch (servery) followed by free afternoonLecture theatre 71630: Exposition of The Pirates of Penzance: by Martin Yates. Some insights into oneof Sullivan’s most familiar scores ahead of tonight’s performance.Dining room1730: Dinner (servery)Walk/drive to Sundial Theatre (a few hundred yards down Stroud Road, plenty of free parking) for1900: The Pirates of Penzance: a complete performance by Heritage Opera, directed bySarah Helsby Hughes. A separate programme, with full details of cast, etc. will be given to youon the day. A bar will be available before the performance and at the interval.2130: Performance ends2300: Bar closes-2-

Sunday 16 SeptemberDining room0800: Breakfast (servery)Lecture Theatre 70900: Forty-second Annual General Meeting of the Society (members only)0930: The Light of the World: talk by Martin Yates. Illustrated with excerpts from theSociety’s new complete recording. It will be possible to order copies of the recording at a specialpre-production price.Chapel1030: Hymn Sandwich: Organist: David Clarke; conductor: Helen Clarke.Programme:Andante Quasi Allegretto (from ‘Who is like unto Thee?) (organ)Let us with a gladsome mind (EVER FAITHFUL)My spirit on Thy care (IN MEMORIAM)Glorious things of Thee are spoken (LUX EOI)O gladsome light (The Golden Legend) (organ)Hushed was the evening hymn (SAMUEL)To Thee, o Lord, our hearts we raise (GOLDEN SHEAVES / BISHOPGARTH)Onward, Christian soldiers (ST. GERTRUDE)Poor wand’ring one (The Pirates of Penzance) (organ)A wand’ring minstrel (The Mikado) (organ)The hymns are taken from The Methodist Hymn Book (1933 edition)Followed by coffee.Lecture Theatre 71200: Onward, Christian Soldiers: talk by Stephen Turnbull. An illustrated rummagearound Sullivan’s most famous hymn tune.Dining room1230: Lunch (servery)Chapel1330: The Window: complete performance by Russell Painter (tenor) accompanied by JohnBrierley.Lecture Theatre 71400: The Geisha: talk by Rosie Corner. The history of Sidney Jones’ 1896 musical and thechallenges of performing it in the twenty-first century.Followed by teaChapel1530: Sullivan song recital: Matthew Siveter (baritone), Martin Yates (piano).1630: The Long Day Closes: performed by a quartet from Heritage OperaFestival ends-3-

The Sullivan FestivalsFirst: 21-23 September 1984: Lady Anne Middleton’s Hotel,YorkSecond: 14 - 16 March 1986: Lady Anne Middleton’s Hotel,YorkThird: 25 - 27 March 1988: Nottingham UniversityFourth: 29 June - 1 July 1990: Old Ship Hotel, BrightonConference: 13 - 15 May 1992: Cliff College, Calver, near SheffieldFifth: 23 - 25 October 1992: Forte Crest Hotel, HullSixth: 21 - 23 October 1994: West Retford Hotel, RetfordSecond Conference: 12 - 14 May 1995: Bishop Woodford House, ElySeventh: 28 - 30 June 1996: Keble College, OxfordMini-Festival: 19 - 20 October 1996: West Retford Hotel, RetfordEighth: 23 - 25 October 1998: West Retford Hotel, RetfordNinth: 14 - 16 May 1999: Toorak Hotel, TorquayTenth: 4 - 5 March 2000: Belle Vue Royal Hotel, AberystwythEleventh: 25 - 26 November 2000: Heriot-Watt University, EdinburghTwelfth: 19 - 21 October 2001: Olde Bell Hotel, RetfordThirteenth: 20 - 22 September 2002: Royal Agricultural College, CirencesterFourteenth: 16 - 18 May 2003: Bishop Woodford House, ElyFifteenth: 18 - 20 June 2004: Heriot-Watt University, EdinburghThird Conference: 1 - 2 October 2005: Royal Agricultural College, CirencesterSixteenth: 15 - 17 June 2006: Holiday Inn, PortsmouthSeventeenth: 21 - 23 September 2007: Royal Agricultural College, CirencesterEighteenth: 18 - 20 September 2009: Royal Agricultural College, CirencesterNineteenth: 16 - 18 September 2011: Royal Agricultural University, CirencesterTwentieth: 24 - 26 May 2013: Calcot Hotel, ReadingTwenty-first: 11 - 13 September 2015: Royal Agricultural University, CirencesterTwenty-second: 23 - 25 September 2016: Royal Agricultural University, CirencesterTwenty-third: 14 -16 September 2018: Royal Agricultural University, CirencesterMajor Works performed at theSullivan Festivals 1984-2018OperaCox and Box (1867): 1984, 2016Cox and Box (1921): 1988, 2007The Contrabandista: 2002Thespis (reconstruction): 2002Trial by Jury: 1988, 1992, 2002The Zoo: 2007H.M.S. Pinafore: 2009The Pirates of Penzance: 2018ChoralOn Shore and Sea: 1988, 2006Festival Te Deum: 1990, 1992, 2004The Light of the World: 1996Boer War Te Deum: 1992, 2006Patience (adapted fragment): 2016The Gondoliers: 1984Haddon Hall: 1988, 1992, 2001The Chieftain: 1994The Grand Duke: 1996The Beauty Stone: 1996The Rose of Persia: 1998, 2009The Emerald Isle: 1999The Golden Legend: 1986, 2000 (Mar, Nov), 2013Imperial Institute Ode: 1996Imperial Exhibition Ode: 1996-4-

OrchestralThe Tempest: 2011L’Ile Enchantée:1990The Merchant of Venice:1990Cello Concerto: 1992Thespis ballet: 1992, 1996, 1998Pineapple Poll: 2004Macbeth overture: 1988Marmion overture: 2004In Memoriam overture: 1984, 1990, 1992, 2000 (Nov), 2003, 2006, 20llChamber and songString Quartet in D: 2000 (Mar), 2005, 2015Duo Concertante (cello/piano): 1990, 2003, 2015Day Dreams: 1990, 2004, 2015Berceuse: 2004, 2011The Window: 1984, 1992, 2011, 2018Idyll (cello/piano): 1990, 2003, 2011, 2015Twilight: 1990, 1998, 2003Thoughts, Allegro Risoluto: 1990, 2004, 2015Zum Geburtstage: 2011, 2016Plus: excerpts from all Sullivan’s operas; songs, anthems, hymns, arias, arrangements etc. toonumerous to list. T55 he Andante Pastorale from The Light of the World has been heard at everyFestival - the only piece with that distinction. ‘The long day closes’ has closed every Festival since1990.Works by other composers have included German’s Just So Songs (1984, 2009), dances fromHenry VIII (2004) and the Chorus and March from Antigone (2007 - first performance); VaughanWilliams’ A Sea Symphony (1988) and Towards the Unknown Region (2000); Elgar’s Organ Sonata(1992), Chanson de Matin, Chanson de Nuit (2013); Mackenzie’s Benedictus (2013). W. S. Gilbert’s finalplay The Hooligan was performed in 2003 and 2009.AuctionSubsequent to the cancellation of the auction due to only one lot having been submitted, a fewhigh quality items have been offered and so the sale is reinstated. If you wish to bid, please pick upa bidding card on arrival. Payment for lots, please, by cash or cheque.Lot 01: ‘The Absent-minded Beggar’ MarchLot 02: ‘Sweet day, so cool’ in E.Lot 03: ‘Edward Gray’ in E flatLot 04: ‘Orpheus with his lute’ in A (rear cover detached)Lot 05: ‘Looking back’ in FLot 06: Madame Sherrington’s Ballad Concert Album (includes ‘Birds in the night’)Lot 07: Mr. Santley’s Ballad Concert Album (inc. ‘A life that lives for you’) (Covers detached)Lot 08: Eight Songs by Arthur SullivanLot 09: ‘The Absent-minded beggar’ Special Edition de LuxeLot 10:Vocal score: The Prodigal Son (large format).Presentation copy to Sir Michael Costa, signed by SullivanLot 11: Book: The Strand Musical Magazine Volume I (Includes interview with Sullivan)Lot 12: Full score: Trial by Jury (Broude)Lot 13: Full score: H. M. S. Pinafore (2 volumes) (Broude)Lot 14: Full score: Cox and Box (R. Clyde)Lot 15: Stage prop: an octagonal painted wooden table from the 1975 D’Oyly Carte production ofUtopia Limited. About the size of a coffee table, and will fit into most car boots.-5-

Performers and SpeakersRobin Wilson is a retired mathsprofessor at the Open University, fromwhich he also gained a degree in music.He saw his first G&S production(Mikado) when he was eight and caughtthe bug in his teenage years. As a keensinger, he has taken part in stageproductions of all the G&S operasexcept Thespis and The Grand Duke,including eight of them in Buxton’swonderful Opera House, and has sungin performances of The Golden Legend,The Martyr of Antioch and The Light ofthe World. He is co-author (withFrederic Lloyd) of Gilbert & Sullivan: TheD’Oyly Carte Years and co-editor (withBrian Kay) of Gilbert & Sullivan Choruses.His liking for puns will becomeapparent during the Friday night quiz.Since his retirement as Professor of Chemistryand Biochemistr y at the University ofMassachusetts, Dartmouth, Dr. J. DonaldSmith has been free to indulge his interest andpassion for Gilbert and Sullivan. His activitieshave included participating in various capacitieswith the Savoynet Performing Group at theinternational G&S Festival, and occasionally witha local society, the Sudbury (Mass) Savoyards. Hehas also been able to examine many aspects ofthe lives of Gilbert, Sullivan and theircollaborators and to publish the results of thesestudies in the SASS Magazine and the W. S. GilbertJournal. His most recent excursion into the life ofSullivan’s long-time friend Mrs. Ronalds,presented at the SASS Festival in 2016 andearlier this year at the International G&S Festival,has provoked interest in a full-length biography.However he still gets diverted into otherexplorations, such as this year’s examination ofthe relationship between Sullivan and theLehmanns.-6-

Dr Anne Stanyon Ley trained originallyas a stage designer before moving sidewaysinto graphics and illustration – she still drawsgraphic novels. (Yes, there is Sullivan one, andone day, it may get completed!) She studiedHistory at the Universities of Warwick andOxford, completing a PhD in Music at theUniversity of Leeds in 2017, where herresearch centred on Sir Arthur Sullivan, theLeeds Festival and his career as a conductor.She lives in Ireland.Dr. Vincent Daniels isa keen amateur performerof Victorian andEdwardian opera andmusicals and hasperformed at least 33G&S and related roles. Hehas been a member of theSullivan Society since1977. Since his retirementfrom being a chemist atthe British Museum andthe Royal College of Arthe has developed aninterest in art, exhibitionsand entertainment inVictorian times while alsoperforming dramaticreadings and reading poetry to literary and other social groups. He is an Emeritus Researcherat the British Museum and a Visiting Professor at the University of the Arts.-7-

As a musicologist, accompanist, lecturer and conductor, Martin Yates began a life-long love ofthe music of Sullivan as a teenager, and since then singing, producing and conducting his works hasbeen at the core of his musical activities. He has been associated with the musical life of Retfordsince training as a teacher at Eaton Hall in the early 1970s and as former artistic director of theRetford Generally G&S group he has brought to the stage not only the popular Savoy operas butAsmusicologist,accompanist,lecturerand conductor,Martinbeganlife-longlove ofaalsoaTheGrand Duke,Haddon Hall,The Chieftain,The BeautyStoneYatesand TheRosea ofPersia. ging,producingandconductinghisworksseven-year term as musical director of Retford operatic Society in the 1980s he has since actedhasasbeenat athecore ofmusical activities. He has been associated with the musical life of RetfordMD fornumberof hisshows.since training as a teacher at Eaton Hall in the early 1970s and as former artistic director of theA busy accompanist,Martinconcertwithnotsingersand popularvarious SavoysingingoperasgroupsbutinRetfordGenerally G&Sgrouphasheperformedhas broughtin tothe stageonly thethe localarea. Hehas Haddonalso appearedwithChieftain,the famousChairmanalsoThe GrandDuke,Hall, TheThe ScarboroughBeauty StoneSpaandOrchestra.AsThe Rose of Persia.Afterofathe SullivantermSocietyhe has directoran internationalreputationhis writing,havinghecontributedto Theseven-yearas musicalof Retfordoperatic forSocietyin the 1980shas since actedasCambridgeCompanionto Gilbert and Sullivan, all three volumes of SullivanPerspektiven, and theMD for a numberof shows.booklet notes for the Chandos recordings of Ivanhoe and The Beauty Stone. In 2013 he gave aAbusy ndvarious singing groupsandinsold-outtalk on The MartinGoldenhasLegendto the inEnglishMusicDorchester-on-Thamesthearea.aboutHe hasappearedwithsymposiumthe famousinScarboroughSpa Orchestra.AsagainlocalspokethealsoLegendat thethis year’s Gilbertand SullivanChairmanFestival ofintheSullivan Society he has an international reputation for his writing, having contributed to TheHarrogate.Cambridge Companion to Gilbert and Sullivan, all three volumes of SullivanPerspektiven, and thebooklet notes for the Chandos recordings of Ivanhoe and The Beauty Stone. In 2013 he gave asold-out talk on The Golden Legend to the English Music Festival in Dorchester-on-Thames andagain spoke about the Legend at the symposium in this year’s Gilbert and Sullivan Festival inHarrogate.-8-

David Clarke was born and brought up in Winchester. He started playing the organ forDavid Clarke was born and brought up in Winchester. He started playing the organ forchildren’s services at the age of eleven and held church organists’ posts in Hampshire in his youth.children’s services at the age of eleven and held church organists’ posts in Hampshire in his youth.He obtained an honours degree in Music from Hull University, where he was organ scholar for aHe obtained an honours degree in Music from Hull University, where he was organ scholar for atime. He also held other organist’s posts in London and Hull.time. He also held other organist’s posts in London and Hull.On moving to Whitchurch, Shropshire in 1983 David was appointed organist at St Alkmund’s parishOn moving to Whitchurch, Shropshire in 1983 David was appointed organist at St Alkmund’s parishchurch, a post which he held until 2001. Since then he has acted as a type of “organist emeritus” atchurch, a post which he held until 2001. Since then he has acted as a type of “organist emeritus” atSt. Alkmund’s, playing for many of the services, mainly Evensongs, and directing choir practices.St. Alkmund’s, playing for many of the services, mainly Evensongs, and directing choir practices.Apart from his work as an organist and choirmaster, David has always enjoyed working as anApart from his work as an organist and choirmaster, David has always enjoyed working as anaccompanist, both for choirs and for vocal/instrumental soloists. He has also composed solo songsaccompanist, both for choirs and for vocal/instrumental soloists. He has also composed solo songsand music for liturgical use. His musical interests range from medieval, through the Renaissance toand music for liturgical use. His musical interests range from medieval, through the Renaissance tothe twentieth century, with a good smattering of Gilbert & Sullivan for enjoyment.the twentieth century, with a good smattering of Gilbert & Sullivan for enjoyment.Helen Clarke hails from Northumberland, the opposite end of the country from David. SheHelen Clarke hails from Northumberland, the opposite end of the country from David. Shestudied Music at Hull University, where she met and married David – the result of an encounter atstudied Music at Hull University, where she met and married David – the result of an encounter atthe university G&S Society during her presidential year. Roles during this period included thethe university G&S Society during her presidential year. Roles during this period included theDuchess of Plaza-Toro, Katisha, Lady Jane and Mad Margaret. (Make of that what you will!)Duchess of Plaza-Toro, Katisha, Lady Jane and Mad Margaret. (Make of that what you will!)Helen has sung her whole life long, both as a soloist and in choirs; she has also directed andHelen has sung her whole life long, both as a soloist and in choirs; she has also directed andconducted church choirs and choral societies. This has been alongside bringing up the family andconducted church choirs and choral societies. This has been alongside bringing up the family andpursuing a teaching career. She is currently Headmistress of The White House School inpursuing a teaching career. She is currently Headmistress of The White House School inWhitchurch. Music and Drama are strengths of the school, which has performed children’s versionsWhitchurch. Music and Drama are strengths of the school, which has performed children’s versionsof The Pirates of Penzance and The Mikado along with other musicals over the years – no mean featof The Pirates of Penzance and The Mikado along with other musicals over the years – no mean featfor a primary school!for a primary school!-9-9-

Stephen Turnbull was born in WestHartlepool in 1956 and received his fatalexposure to Sullivan while a pupil at thetown’s Grammar School. He went hard core,so to speak, at Hull University, where, as wellas playing small (very small!) parts for theGilbert and Sullivan Society, he developed hisinterest in collecting early records. Hebecame Secretary of the Sullivan Society in1979 and Editor of its Magazine, in successionto the late David Eden, in 2011. After a careerin banking and ecclesiastical administration henow lives in semi-retirement in a Cornishfarmhouse with wife Julie and three of hisgrandchildren. He has written and spokenextensively on topics around recordings, goodor otherwise, of Sullivan’s music.Russell Painter gained hisBMus. and MMus. at the GuildhallSchool of Music and Drama tostudy voice under Ian Kennedy.Opera credits include Tamino TheMagic Flute, Title rôle AlbertHerring, Pedrillo The Abduction fromthe Seraglio, Don Basillio TheMarriage of Figaro, Don JoséCarmen, Count Almaviva The Barberof Seville Gaston La Traviata and thesecond brother in the worldpremière of Laurence Roman’sIsabella and the Pot of Basil atCovent Garden and Buxton(recorded on the LR recordlabel. )Choral works includeHandel’s Messiah, Haydn’s Creation,Nelson Mass and The Seasons,Charpentier’s Messe De Minuit andTe D e u m , G o u n o d ’s M e s s eSolennelle, Haazen’s Missa Luba,Mozart’s Requiem, Vesperae Solennes and Coronation Mass, Rossini’s Petite Messe, Stainer’sCrucifixion,Beethoven’s Choral Symphony, Britten’s St Nicholas, Mendelssohn’s Elijah, Orff’s CarminaBurana and numerous Bach cantatas and passions singing the rôle of the Evangelist. His recital workis also recognized in other fields of English music, most recently song settings of the poetry ofHousman in The Blue Remembered Hills for the Worcester festival.- 10 -

Russell is also a keen concert recitalist and after-dinner entertainer, having performed seven timeswith his Young Proms colleagues in the West Midlands area, and having raised over 100.000 forlocal and national charities. He also works for the London agency Hartley Voices with its groupAKA Opera providing unaccompanied opera classics for after-dinner and wedding entertainment.He has a very enthusiastic interest in the works of Gilbert and Sullivan and has played many of theprincipal tenor rôles. For the Sullivan Society in 2016 performed the rare full length version of Coxand Box for its 150th anniversary. He is a fellow of the London College of Music (FLCM) and hasjust recently become and examiner for the board. Russell spends most summers performing in thesouth of France, ranging from full scale operas, to concerts in converted barns.Next session’s highlights include: recording rare Elgar songs for the Elgar Society, Frederic in Pirateson the Welsh border, musical director for the professional revival of Elegies and Cox and Box againwith Leon Berger and Bruce Graham!A native of Liverpool, John Brierleyread music at University College,Durham where he was AssistantOrganist and a Rothwell Prize winner.He won a Major State Studentship forpost-graduate study at King’s College,London and held the post of Director ofMusic at St Peter’s Church, Streatham.Now living and working in Worcester,John enjoys a varied freelance careerwhich includes directing choirs includingBromsgrove Choral Society, beingMusical Director for Shakespeare at theCommandery productions, working asan accompanist for both singers andinstrumentalists and teaching at theElgar School of Music in Worcesterwhere he is also Head of AcademicStudies and a school governor.John is Organist and Choirmaster at StJohn-in-Bedwardine, Worcester. As anorganist, he gives recitals throughout thecountry at cathedrals, concert halls andmajor churches.- 11 -

Rosie Corner started her G&Sjourney with the CambridgeUniversity Gilbert and SullivanSociety and has taken on a numberof performing and costuming roles.In 2010 she directed, produced andperformed in a one-woman show,The Beginner's Guide to the Opera, atthe Corpus Playrooms, Cambridge.She has appeared several times atthe International Gilbert andSullivan Festival, and the festival wash o s t t o O p e r a A n o ny m o u s 'production of The Geisha in 2017which Rosie directed and produced.Rosie is currently in rehearsals forCloideryn's production of TheSound of Music on the Isle of Manwhere she will be playing Maria vonTrapp this November. When notbusy in her role as a civil servant,she is writing her first novel: afeminist comedy set during theFirst Crusade.- 12 -Matthew Siveter is a north Notts-bornbaritone who studied Drama and TheatreStudies at Royal Holloway University ofLondon. Since then he has gone on to workprofessionally in a range of projectsincluding opera, musical theatre, comedyand acting. He has performed Gilbert andSullivan from the age of twelve and hasgone on to play leading roles with theNational Gilbert and Sullivan OperaCompany (including Willis, the Mikado, andDespard). Matthew has played various partsincluding Orin Scrivello (Little Shop ofHorrors), Curly (Oklahoma!) and the Wolf(Into the Woods) along with roles in mostGilbert and Sullivan operas. He is a memberof the Young Artist programme of Iford ArtsFestival and his solo show Killing Time withMatt Siveter has proven popular in festivals,clubs and functions up and down thecountry. Alongside all this Matthew hasperformed with companies such as Operadella Luna, Charles Court Opera andTarantara Productions as well as roles inpantomime from villain to Dame.

Sir Arthur SullivAn Society Twenty-Third Sullivan Festival Royal Ag

Related Documents:

Jan 31, 2019 · THE SIR MANUAL SIR MISSION STATEMENT: Sir exists to improve the lives of its members through fun activities and events while making friends for life. PREFACE: THE SIR Manual is the property of Sons In Retirement, Incorporated.It is available on the SIR Website to all members of th

SIR THOMAS MALORY, MORTE D’ARTHUR 3 “NOW, FAIR NEPHEW,” said the king unto Sir Gawain, “assay ye, for my love.” “Sir,” he said, “save your good grace, I shall not do that.” “Sir,” said the king, “assay to take the swo

Sir Arthur onan oyle A Collection of approximately 400 items, formerly the property of noted Sherlockian Book Collector John Ruyle of Berkeley, California. Significant items and approximate value: 1. THE CROWBOROUGH EDITION OF THE WORKS OF ARTHUR CONAN DOYLE. Garden City, New York: Doubleday, Doran &

Sir Gawain and the Green Knight - anonymous 1485 – Morte d’ Arthur (Death of Arthur) by Sir Thomas Malory 1590-99 – The Faeire Queene by Edmund Spenser 1859-1885 – Idylls of the King by Alfred, Lord Tennyson 1880 – A Connecticut Yankee in King Arthur’s Cour

Red-headed league (1891) Voir plus de documents de ce genre Manuscrits et archives (2) "Lettre autographe signée de Sir Arthur Conan Doyle (4-COL-178 (3140))" avec Arthur Conan Doyle (1859-1930) comme Auteur de lettres Voir plus de documents de ce genre Arthur Conan Doyle (1859-1930

El crimen de lord Arthur Savile (pp. 7-66) 1 Estos son los personajes principales de la narración que da título al libro. lord Arthur Savile protagonista del relato lady Clementina Beauchamp familiar de lord Arthur lady Windermere anfitriona de la recepción conde Rouvaloff amigo de lord Arthur

PreCalculus Student Solutions Manual- Precalculus 6th Ed Sullivan 1 PreCalculus Precalculus: Enhanced with Graphing Utilities 3rd Ed (Instructor Ed) M.Sullivan, M. Sullivan III 1 PreCalculus Precalculus 8 Sullivan

Fact Sheet; Neonatal Biology –An Overview Part 3. Journal of Neonatal Nursing, 17(4), 128-131. Petty, J. (2011b). Fact Sheet; Neonatal Biology –An Overview Part 2. Journal of Neonatal Nursing, 17(3), 89-91. Petty, J. D. (2011c). Fact Sheet; Neonatal Biology –An Overview Part 1. Journal of Neonatal Nursing, 17(1), 8-10. For further detail and more resources, go to the online resource .