Friday Schedule Begins Next Page - Midwest Banjo Camp
1:00pMeeting of Work-Study People, Volunteers, Site Coordinators:2:00pCheck-in Begins:Thurs 4:005:00pEarly Bird Bluegrass JamHave Your Fretted Instrument or Fiddle Set-Up Evaluatedby MBC Co-Director Stan Werbin,Owner of Elderly Instruments5:30-6:45Faculty Dinner Meeting:5:45-6:45Thursday Dinner:7:00-7:45Student Orientation:Thurs 8:009:15pDemosThurs.9:30-10:30pJamsBluegrass Demo.Playing in a Band:Concepts & TechniquesBluegrass Demo.“Instrumentals” Composedfor 5-String nerTrischkaHost: CahillHost: TrischkaBluegrass“Regular” JamBarnes,Eubanks, Munde& TrischkaBluegrassIntermediateJamCavanaugh,Dumas &B. EvansBluegrassIntermediateJamBowness,Cahill, Faris &KnupferMulti-Styles Demo.Singing with the BanjoFinkMarxerNewberryWadeHost: NewberryMulti-Styles Demo.Classic & Swing Jazz on4-String &5-String BanjosBarnesBaumannCavanaughVappieHost: CavanaughOld-Time Demo.Banjo-Fiddle DuetsAndradeBaugusHurtRothfieldHost: HurtBluegrassSlow JamAll StylesVocal JamSpecial Presentation.Introducing the BanjoOld-Time“Regular” JamSumnerBeazley,Fink & Marxer9:30-10:00. IntroducingBluegrass BanjoBaugus,Rothfield &WalshFurtado-10:00-10:30. IntroducingOld-time BanjoF. Evans10:30 - ?Jam on Your Own:Friday Schedule Begins Next PageEarly Bird Old-Time JamOld-Time Demo.Celtic Fiddle Tunes,Clawhammer Style19th Century Banjo:Minstrel, Early Fingerstyle& ClassicFingerstyleGuitarQ&AFiddleTechniqueQ&AAdams & BlountDowlingKnupferF. EvansPerlmanWalshL. PoolHost: PerlmanOld-TimeIntermediateJamOld-TimeSlow Jam19th - CenturyBanjoRepertoireClassic Jazz Jam(1920s & 30sRepertoire)Adams & BlountBaumann &VappieAndradeHartness, Hurt,Newberry & L.PoolGuitar CircleDowling
(Note: Locations & levels for classes are at top of each column, unless stated in the table cells)Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time:Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novicetermediate termediate termediate termediate termediateClasses& Moretermediate termediate termediate termediate8-9:00a4-StringBanjoOld-Time Guitar:Guitar: MandolinFiddle Fingerstyle FlatpickingBassFriday Breakfast:Fri 9:15- Playing10:30a Blues onThreeStrategiesBanjo:forClasses Concepts Bluegrass& Licks Backup:CombiningTrischka ChordShapes,Licks &RollsUnderstandingMelodicStyleB. EvansThe JoysofJamming:Review y viaFretboardShapesTechnical KnowTune-Up: YourHoning the Banjo:BasicTuning,SkillsBasicHandBowness Positions& SimpleCavanaughChordsThe Great3-FingerStyle ofEarlyGrand OldOpry StarUncleDaveMaconBeazleyMundeWorkingUpFretting- ScruggsClasses HandStyleExercises SolosThat GetYouB. EvansPlaying inAll 12KeysFri 10:45- Some1200nGreatIntegratingMelodicRiffs IntoYourSolosFurtadoJamRollSurvival: Logic:Concepts the Basicfor Playing Rolls &Along with HowSongs You MelodiesDon’tFit IntoKnowThemGetStarted atImprovising on5-String:Tips &TechniquesRightHandTechnique& RollsWadeIntro toBanjoMaintenance &RepairLearnLittle BillyWilson,& SomeCoolClawhammer Tricksfor BothHandsIntro toRoundPeakClawhammerHow toPick UpUnfamiliarTunes onthe FlyBaugusF. EvansReviewing Getting19ththe Basic Started at CenturySkillsClawham- Banjo.mer19thCenturyL. PoolAndrade icChords meRhythm &BowingFingerstyleGuitar.BluesGuitarTool Box:Licks,Tricks &SoloingRothfield rReinsmithMundeBarnesTunesfrom EastKentuckyFiddlerBuddyThomasfor ClawhammerMasteringAlternateStringPull-offs:on OpenStrings &on FrettedStringsF. EvansHurtHow toPut Drivein YourClawhammer StrokeNewberryL. Pool10:45aMandolin.The Chop& Beyond:Become aSolid,DrivingRhythmPlayerFarisDumasFinkUsing theEntireFingerboard inClawhammer:Coleman’sMarchIn TwoOctavesBownessCahillIntro toCelticTunes,Clawhammer Style:Reels,Hornpipes,Jigs Etc.WalshSumnerAdams &BlountIntro toFirst19th4-StringDrop- & Chords,CenturyBanjo.Double- GettingBanjo.JazzThumbing Right with How Best Comping(Plucking the Right to Learn?: in Variousthe Long HandOld Banjo- SizedStrings ofMethodBandsthe Banjo Andrade Books, Tab,with theEar ?VappieThumb)Adams &PerlmanBlountBass. JamSessionRepertoire&Etiquette:DealingWith BothFamiliar unings:High Bass(AEAE) iendlyChords forFreshSounds Upthe ar.Become a UsingRhythm- DifferentBoss:AccentsBass Runs, To CreateSyncoTastefulpation & Backup grassRhythmicTechniques:Slapping,Runs, &MutingEubanksCheck-In Begins for “Weekend Only” Students: Front DeskFriday Lunch:12:15-1:15Fri1:302:45pDawgRightMusic for HandBanjo:ImprovPlay David isation:ClassesGrisman’s Make UpEMDYour OwnRolls eningUp theNeck in aMillionWaysPlaying itCool witha few licksfrom J.D.Crowe,Don Renoand AlanSheltonTrischkaBaumannThe Circleof Fifths &theNashvilleNumberingSystemControllingYourTone &DynamicsMoreFocus onPickingHandSkillsFurtadoBeazleyCahillJam SkillsHelp forAll. Learnto SingBluegrass& FindYourAuthenticBluegrassVoiceThe2-finger &3-FingerStylesBanjoStyles ofSam sRoustaboutPlay inSeveralKeys,Clawhammer cipation:DraggingtheDownbeatBackAcross theBar Lineto CreateExcitementLoringSongs &TunesfromGrandpaJones &RamonaJonesFinkPlayingwith OtherInstruments:Capos,Chords &theNashvilleNumberingSystemMore19thRight-Hand SyncoNewberry pationHurtPerlmanFri. 3:00p19thCenturyBanjoTour of Olivet College for Non-Playing Spouses & InversionsAdams & VappieBlountOld-TimeFiddle.PickingUp Tuneson the Fly:Tips &TechniquesFingerstyle FlatpickGuitar.Guitar.Bridging Huntingthe Gapfor thefrom Blues Melody:to Jazz: A How toDoorway Listen toto Essential Songs &Rothfield Chords & Pick ApartTechniques MelodiesMandolin.FiddleTunes onMandolinDumasBass.How toApproachSwing &BluesTunes intheBluegrassRepertoireEubanksDowlingFaris
Fri. 3:004:15pDemosBluegrass JamWorkshop for AllInstruments &Levels: Etiquette,Instrument Roles &Survival SkillsBluegrass Demo.Secrets ofSingle-StringFurtadoMundeTrischkaBurke, Knupfer,Loring & SumnerHost: BurkeHost: MundeBluegrass Demo.Bluegrass Demo.Vocal HarmonyAppalachianMulti-Instruments Multi-Styles Demo. Multi-Styles Demo. Old-Time Demo.Things You Ain’t Tips on ArrangingWorkshop:Clogging Workshop:Demo.Classic & Old-TimeSongs from theFiddle Tunes with aSupposed to Play on Songs for Bluegrass (Also Open to Non- (Also Open to Non- Exploring the BluesFingerpicking“Hill Billy”Blues or RagtimeBanjoPerformance, fromPlaying Spouses,Playing Spouses,Recording Era &FlavorSpecial ConsensusEtc.)Etc.)BaumannAndradeGrand Ole OpryBarnesDowlingAdamsBaugusBownessCahill, Dumas,Beazley & B. ks &WadeMarxerL. PoolFarisNewberryRothfieldHost: CavanaughFri 4:305:45pHost: CahillHost: BaumannHost: AdamsHost: NewberryHost: BaugusOld-Time Demo.Pushing Out theBoundaries ofClawhammerF. EvansHurtWalshOld-time JamWorkshop for AllInstruments &Levels: Etiquette,instrument Roles &Survival SkillsE. PoolHartnessHost: WalshFriday Free Period: Jam on Your OwnOr: Have Your Fretted-Instrument or Fiddle Set-Up Evaluated by MBC Co-Director Stan Werbin, Head of Elderly InstrumentsFriday Dinner:Friday Faculty Concert (Featuring Half the uegrass Inter- Bluegrass Inter- Bluegrass Inter“Regular” Jam mediate Jammediate Jammediate JamJamsBall, Cavanaugh Cahill, Dumas Faris, Furtado && Bowness& EubanksMundeBluegrassSlow JamBluegrassSlow JamAll StylesVocal JamBeazleySumnerMarxer &NewberrySong CircleOld-TimeOld-Time Inter- Old-Time Inter“Regular” Jammediate Jammediate JamOld-TimeSlow Jam19th-CenturyBanjo JamClassic JazzJamL. PoolAdams &BlountBaumann &VappieGuitar CircleWadeBarnes,B. Evans &Knupfer11:00Baugus,F. Evans &RothfieldAndrade& WalshSnack Time:Jam on Your Own:Saturday Breakfast:11:30p8-9:00aTypes & Bluegrass: Bluegrass:Levels Advanced Upper IntermediateSat. 9:15- The Styles Where’d10:30aof Three EverybodyGreatGo?:Classes Banjoists: PlayingRudy Lyle, BluegrassWalterWithoutHensley, & the BandPaul CraftBarnesMundeDowlingFink, Hartness& HurtBluegrass:Upper IntermediateIntro toChordMelodyStylePlaying on5-StringBluegrass: Bluegrass: Bluegrass:Middle In- Lower In- Lower Intermediate termediate termediate“Winging” Practicing GettingBreaks in Well:ThatJams: How Structuring Profesto Solo on an Effective sionalCommon & Efficient SoundChordPracticeProgres- RoutineTrischkaCavanaugh sionsBownessBeazleyBluegrass: Jam SkillsNovice & SpecialClassesLeft-Hand Dobro.TechGettingniques:Into theChords & Dobro:NoteGetPlacement Started orLearnSumner MoreOld-Time Old-Time:Fingerstyle Advanced& MoreMakingTommythe Banjo nmer StyleSounds,Bird Calls Hurt& MoreBaumannOld-Time:Upper IntermediateComposingNew Tunesfor Clawhammer:TuneStructure& How toDevelopMusicalIdeasOld-Time: Old-Time:Upper In- Lower Intermediate termediateIntroducing AddingHigh Bass VariationTuning for & TextureBanjoto Tunes(aAEAE) You Knowfor& Love,Key-of-A ClawhamTunes with mer Stylea WideRangeL. PoolWadeOld-Time:Lower IntermediateSingingwith theBanjo:How toMakeYourBanjo aDuetPartner19thCenturyBanjothIntroducing 19 Hammers, CenturyPulls, & Banjo.17th - &Slides18th Andrade CenturyCaribbean& tringBanjo.StrummingTechnique:The Basics&VariationsVappieOld-Time Guitar:Guitar: MandolinFiddle Fingerstyle :Accents,Drones,Pulses &SlursNewberryFinkPerlmanSaturday Schedule Continues, Next PageAdams ritesfromStandardTuning thFeeling:fromTouch &Clarity toPower &AuthorityFarisDowlingMandolin.Focus onTone &Clarity:Become aSmoother,CleanerPlayerDumasBassBass.FiddleTunes onBass:Learn toPlay LeadEubanks
Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time:Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novicetermediate termediate termediate termediate termediateClasses& Moretermediate termediate termediate termediateSat 10:45- Improv1200nisation:A Veritable Up theLoad ofNeckConcepts Licks – in Backup:Classes forG, C & D Earl’s BestOpening – to Fire AdvancedUp Your YourLicksPlayingImaginationB. EvansTrischka MundeVamping& Whereto FindVampChordsFurtadoLearn Upthe NeckSoloingPositionsfor FireballMall &Cumberland GapSomeSomeBasicBeginnerSingleSongsStringPhrases for SumnerBluesCavanaughCahillJam Skills Be theBanjoHelp forAll Instru- Player inAn Oldments.Developing Time Trio:Ear Skills Take Turns&TeamingGraduating up with . . .from TabHurt &BurkeHartnessFrom Slow RagtimeRap toFiddleDouble- Tunes forNoting:ClawThe Claw- hammerhammerStyles of L. PoolHobartSmithDeep inThe Joysthe Heart of Playingof Round Slow: ThePeak:Ins & OutsAdvanced of WaltzesRound-Peak & Airs,Tunes & ClawhamTechniques mer StyleModalTunesfrom WVFiddlerEddenHammonsfor ClawhammerBaugusF. turyEchoes:The Stylesof NathanFrazier &Andrade MurphGribbleHow toSingAlongwith theBanjo ueforImprovising SingleStringSolosOld-Time Guitar:Guitar: MandolinFiddle Fingerstyle FlatpickingOld-TimeFiddle.VirginiaTunesfrom thePlaying ofUncleNormEdmondsFingerstyleGuitar.Intro toBottleneckGuitarDowlingVappieAdams &BlountSat.2:003:00pBeyondBluegrassBanjo:Taking theClasses5-StringintoCountry,Rock &PopImproIntro tovising on a LinearFiddleMelodicTune:Style:Melodic & UsingSingle3-FingerStringRolls forApproaches SingleStringBowness LicksTips forBanjoPlayingSingersBeazleyLearn ManofConstantSorrow &ModalScalesRollReview &Drill:FundamentalPatternsEveryoneB. Evans ShouldMasterBarnesIt’s All in Jam Skillsthe Wrist: Help forFindingAll InstruYourments.Optimal Soloing &Finding theLeft- &Right-Hand MelodyPositionsBurkeCahillBowness7:15-9:40Hot Licks,Clawhammer Style:How toThrive at aBluegrassJam[Upper Int]F. EvansFromBritain toBulgaria:UnusualTimeSignatures- 6/8, 7/8,11/8, Etc.,Clawhammer StyleDocWatson’sUniqueApproachto ClawhammerArranginga Song &Its Accompaniment,Clawhammer StyleGettingAroundthe Fingerboard:a FewHelpfulHintsAndrade FinkImprovingtheAccuracyof indingthe Fiddlein 19thNewberry DumasEubanksTrischka MundeWalshPlay anPlay BanjoAdvanced BillVersion of Cornett’sSnowdrop Barbrywith Chord AllenSubstitutions &BaugusEnhancedRight-HandTechniquesJam Skills FretlessMountainHelp forAll. Intro to Banjo: TheBluegrass 2-FingerHarmony Styles &SingingSongs of[NonFrankPlayingProffitt &Spouses His NorthWelcome] CarolinaNeighborsBeazleyF. EvansWadeNorthCarolinaFiddleTunes,Clawhammer StyleMaking aSimpleMelodyinto anEffectiveClawhammerNewberry ArrangementWalshLearningMelodiesby Ear:How toHear CoreTones &FillBetweenThemL. PoolSaturday Free Period: Jam on Your OwnSaturday Dinner:Saturday Faculty Concert (Featuring the Rest of m &SolosOld-Time FingerstyleFiddle.Guitar.Midwestern InnerFiddleVoices:TunesChordFormsThat MeltHurtTogetherBaumannFurtadoCavanaughSat 3:15- Rice onBackupLicksElevenCreating Developing Playing4:15pBanjo:Licks Up- ercises in Ways to Solos to Rightwith GoodTranslating & Down- Melodic LeaveSongs:HandTone &Tonythe Neck Style:Your Level: Combining Dexterity RhythmClassesRice’sCascading SomeRolls &GuitarRunsGreat Ways Melodies Furtado BarnesCahillLicks toto GetConvin5-StringB. Evans Unstuck cingly6:00-7:00FarisBass.ToddPhilips &his Workwith TonyRice & JDCrowe intheBluegrassAlbumBandSaturday Lunch:Camp e12:15-1pFlatpickGuitar.Putting theBlues inBluegrass:PentatonicImprov.in theStyle ofTony RiceBassSomeSimpleSongs inStandardC-TuningFinkAdams &Blount19thCenturyBanjo.MixingStrokeStyle &Fingerstylein the SamePieceAdams ineseBreakdown& RachelMandolin.CraftingSolos:Tips ding theJazzApproachto MusicVappieBass.ClosedPositionson Bass &How indingDoubleStops &How toUse Themin YourPlayingFingerstyleGuitar.Make EvenSimpleTunes &LicksSoundCool tar.WesternSwingRhythmGuitar:ChordShapes &ProgressionsMandolin.OldDangerfield &SouthernFlavor:Exploringthe Soundof BillMonroeFarisBaumannBass.Intro to“Arco”:Bowingthe BassEubanks
Sat.10:0011:00pJamsBluegrass“Regular” JamBluegrassBluegrassBluegrass SlowIntermediate Jam Intermediate JamJamDumas,Cavanaugh &KnupferBall, FarisFurtado &TrischkaBarnes, BownessEubanks, &MarxerCahill11:00p8-9:00aTypes & Bluegrass: Bluegrass:LevelsAdvanced Upper IntermediateSun 9:15- Bela Sub- Stealing10:30aDivisions: Licks forDividing Banjo fromClasses TwoOtherMeasures- InstrumentsWorth ofEighthFurtadoNotes intoGroupingsof 3, 5 & 7Bluegrass: Bluegrass:Upper In- Middle Intermediate termediateClassicComposingFiddleTunes orTunes: Fire “Instruon the Mtn, mentals”Billfor Banjo:Cheatham, Tips &&/or Old TechniquesJoe ClarkBarnesMundeTrischkaSun10:451200nLearn aSoulful,JazzyVersionClasses of the PopStandard,AutumnLeavesCavanaugh1:00-1:302:00pAll StylesBlues JamAll StylesVocal JamSong CircleBeazleyBaumann,Dowling &VappieSumnerWadeCeltic &Northern TunesJamOld-Time“Regular” JamWalsh & E. PoolOld-TimeOld-TimeOld-Time SlowIntermediate Jam Intermediate JamJamAndrade, Baugus,F. Evans,Fink & Rothfield& NewberryHartness, & HurtL. Pool19th- CenturyBanjo JamAdams & BlountSnack Time: Front DeskJam on Your Own:Sunday Breakfast:11:30p-?12:15-1Bluegrass SlowJamIrishTunes on5-String ,Played3-FingerStylePlayingwithConfidencein the Keyof D fromOpenG-TuningCahillFurtadoBluegrass:Lower Intermediate10 GreatEasyScruggsLicksBluegrass:Lower IntermediateCreatingYour OwnSolos fromtheGroundB. Evans UpBluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time:Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower InClasses& Moretermediate termediate termediateIntro toFor AllThe3:3:2Creating “Dotted” Songs ofthe Most Banjoists!! BanjoSyncoUp theCeltic1940s-50sBasicPlugging Fiddlepation, & NeckTunes in CountryBackupIn: Enhance PartnerHow ItSolos in Clawham- Music StarSkillsYourship:Helps You Double-C mer Style: CousinSound on Take Turns CraftTuning,Hornpipes, EmmyAuthentic Clawham- Marches &Sumner Stage & in PlayingRecording DuetsOld-Time mer Style Strathspeys NewberryBownessStudios via with Your BanjoElectronics Instructor Arrange- L. PoolWalshmentsCavanaugh ackberry BanjoCrooked TuneBackup in ScalesTiming:BluegrassSongs:Blossom: Pickin'Tunes for SpecificDifferent MoreTips &BanjoMusicFrettingGirls:Clawham- Tunings:MusicalMusical & Techniques TechniquesMade for the 5thSongsmerLastSettings: FunBanjo in String & from theChance,FindingClawOtherCoon Creek HurtCumberBeazley SumnerJust thehammer or Methods Girls &land GapTrischkaRight2-Finger for Playing More& MoreApproachStyleUp- theNeckFinkNewberryBownessWadeF. EvansSunday Lunch:Last Call for Artists’ StoreCamp EndsOld-Time:Lower IntermediateLearnTaterPatch,from EarlyRoundPeakBanjoistCharlieLowe19th4-String d-TimeShapes & CenturyBanjo.Fiddle.Common Banjo.Mastering FiddleChord20th- Cent- Intros,TunesProgres- ury Echoes. Turnfrom EastsionsThe Styles Arounds & Tennesseeof Lucius EndingsSmith rstyleGuitar.KentuckyThumbStyle: ThePlaying ofMoseRager,Ike Everly& MerleTravisFlatpickGuitar.FiddleTunes fromG-Position:SenecaSquaredance &Tippin’Back theCornMandolin.OptimizeYour PickUsage:How toSelect Justthe RightDirection&/orPattern forAny TuneRietz4-StringOld-Time FingerstyleBanjo.Fiddle.Guitar.EastWhat toTips forLearning Kentucky Do When& Memo- Tunesthe Singerrizingfrom the Says,playing of “Take It!”SongsOwen“Snake” eaks Upthe Neck:Scales,Licks &“ComfortBoxes”DumasMandolin.SwingChords &TexasStyleBackupBaugusAdams &BlountGetReview, 19thStartedSuggesCenturyCreating tions for Banjo. TheVariations the Future Legacy ofon aMinstrelsyMelodyAndrade in OldTime &BluegrassWalshMusicAdams &BlountGuitar:Guitar: MandolinFingerstyle FlatpickingBassBass.3/4, orWaltzTime inBluegrass& BeyondBallBass.How &What toPractice:MakeYourself aBetterBaumann Bassist forAll Kindsof MusicFarisRothfieldEubanks
Introducing the Banjo 9:30-10:00. Introducing Bluegrass Banjo Furtado -- 10:00-10:30. Introducing Old-time Banjo F. Evans Old-Time “Regular” Jam Baugus, Rothfield & Walsh Old-Time Intermediate Jam Hartness, Hurt, Newberry & L. Pool Old-Time Slow Jam Andrade 19th - Century Banjo Repertoire Adams &
CLASS:UKG 12/7/2019 6/12/2019 UNIT TEST 2019-20 DATE DAY SUBJECT 28/6/2019 FRIDAY MATHS 5/7/2019 FRIDAY ENGLISH FRIDAY HINDI 19/7/2019 FRIDAY EVS 26/7/2019 FRIDAY MATHS 2/8/2019 FRIDAY ENGLISH 9/8/2019 FRIDAY HINDI . Books back the very next day. 3. Fill pg. 5, 6. (persona
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Schedule 5 - Exception reporting and work schedule reviews 38 Schedule 6 - Guardian of safe working hours 45 Schedule 7 – Champion of Flexible Training 49 Schedule 8 - Private professional and fee-paying work 51 Schedule 9 - Other conditions of employment 54 Schedule 10 - Leave 57 Schedule 11 - Termination of employment 67
award, now that the construction schedule may soon become a contract document in Nigeria, Quantity Surveyors should develop competencies to be able to evaluate the contractor's schedule and recommend appropriate contractor for the award. KEYWORDS: Schedule evaluation, Schedule quality, Schedule conformance scoring, Quantity Surveyors
Friday 29th July – Katie Bradley Band Friday 5th August– Chantel McGregor (Ticket Only) Friday 12th August– Trev Turley and Friends Friday 19th August– Nicky Moore's Blues Corporation Friday 26th August – Catfish Friday 2nd September– UK Blues Fundraiser ‘Crunch’ Mobile Tip Crunch is basically a mobile tip. At many locations there
schedule several times before assuming they know the routine. Initially this may require a daily review. Question them about the schedule, role play examples and nonexamples of expectations regarding the schedule, and give students an opportunity to ask questions. Present/review the schedule.Present/review the schedule.Present/review the schedule.
the term Ghost Schedule. It is prudent to discuss what a Ghost Schedule is not. A contractor's Ghost Schedule is not a schedule maintained in lieu of submitting a baseline schedule and schedule updates per the contract. Even if the contractor is using a Ghost Schedule, it still must comply with the contract's scheduling requirements. An .
Schedule 11 Other Conditions of Employment 34-36 Schedule 12 Pay and other Allowances 37-40 Schedule 13 Pay Progression 41- 46 Schedule 14 Pension Arrangements 47 Schedule 15 Arrangements for Leave 48-55 Schedule 16 Termination of Employment 56-57 Schedule 17 Applicable Sections of the NHS Terms and Conditions of
