VIETNAM Pa.ul Kaplan - Sing Out!
AN NIVER ARYT NTH 117JANUARYVIETNAM-I"-----,;I'-- .,-Have your.:. 'e-ver--nfJ!/Fiff:::::::::-r J"j-p-.,. .".'".-".-seen a ruinedEO?land---7fflFI'1E J-ibro t a-bout by man-,,"1 A;T1 ! 1T1Q,xl-Tlj:r---I./f1-;-Pa.ul -;r-Kaplan1972 by Paul KaplanHave you ever seena meadowc/&l§J)-I-? ;f3 kJme r tY G 3. IHave you ever seensuch hor-rors%iE.mr :ffiF41 rod· .the'fJ IJjJ@JjJ -d- ' 7JI'-hands ."".Have you e- ver stood between clapping of two.-.;L-G&[91 1;{ .,.-;y-n fji.t1 J.AN Lf1,,-no.-.JL---.'--'.-'Then you've seen the coun-trythat is known as f\m c/s: FAml:::::! "8Viet- namE7Am 1 \;:[1,\ Vi:@ J·)§jrg]1 t:fJD'\- 1G?{jfItD;RI 11-Vi-et- nam - -Vi-et- nam Liberation Fighters of IndochinaiTi-et- nam.2. Have you ever heard thunder all aroundHave you ever tried to bury your face in the groundHave you ever cried to Heaven how far must I go downDid you ever know your screaming didn't make a sound4.1972SO Words and Music ByAm.that will never bloom a-gain-4PjFif F 1-FEBRUARY3. Did you ever feel the earth tremble beneath the iron rainDid you ever lose your best friend and you could notfeel the painDid you ever kill a man and you did not know his nameDid you ever try to rise up when your head was hung inshame.The Romans burned Carthage to win the Punic War/And nothing grew but misery for a thousand years or moreAll the children lost their future with their fathers and their homeHow do I know about it, it was written down in Rome.(Repeat First Verse, new last line)1/Folk music is thepeople's music, one of the wellsprings of our joy andsorrow and always a source of our inspiration. It is not theproperty of that handful of greedy bastards who want tosteal it from us. claim ownership of it and then sell it back to us for the sake of a lousy dollar. IT IS OURS!The above quote is from John Cohen of theNEW LOST CITY RAl1BLERS, writing in theSept/Oct '71 issue of Sing OutlBeautifully said. His flgreedy bastards" presumably are those who make a profit -and sometimes a fortune -- off the bonesof the dead. But is it not a greatercrime to rip off folksong composers before they are in their graves? Examples:Elizabeth Cotton said recently on Channel13 TV NYC that she herself never got acent from her song "Freight Train",altho countless moneygrubbershave recorded it. Harry Belafonteseveral years ago wanted to record an album of Bessie Jones'songs but dropped the projectwhen a "collector" stormed intohis office demanding the royalties. Tony Schwartz lost 140,000when a famed rock group used asegment of a folk documentary heneglected to copyright.Thisgroup has grossed 30.000,000 overall. I1hen the Kingston Trio copyrighted and made thousands outof "Torn Dooley", the real authorof the song, the late Frank Proffitt, asked them for some of.thebread. They promised him a shareof the royalties after the first4,000,000 records-were sold. Salesstopped at 3,999,999.(continued on page 5)I N THIS ISSUEMalvina ReynoldsMarti RogersAgnes CunninghamLa.rry EstridgePete Seeger"IF YOU'RE BROKE AND NEED SOME CASHRIP IT OFF. FROM THE RULDJG CLASSTHE BEST THINGS DJ LIFE ARE FREEIF YOU TAKE THEM FROM THE BOURGEOISIE"Country Joe McDonald onIncredible! Live! (Vanguard)
WASHINGTON-A government official, picking his way through the rubble of a Philadelphia neighborhood'"' the other day, remarked that no other::.: civilized country would permit the' , systematic destruction of cities that iso taking place in the United States.' I' It is a process that takes place whenpeople of means move out and 'leavebehind the poor and the socially dis tressed.'-r' t &cJIn'1'* YO J)) J,writ aIJ J I J?Say onejD J JpUFryepeatJ J J V: JAll they re-mem-ber is - my song,Ir, . J1J J!IBut seems I've stayed around too.,verse requires)long,J.) I J JJ rh t.And noone thought to won- derHere it wasfor them todi- tion attheir beck and .!HaveJ ·1"";1 pI r r rrode it through - r have. I .01 j, I )Je:,."Ic.J'"1 J I J J, (';1 J.Maybe I never lived at all; Have you written a folk-song?3.17"tJ W r ijj;""Ithi dtheydo1'(1dto·a nother.System's driving us into the groundWe got to turn the whole worldround.System I S for money. that I s the roadDovm to hell with a heavy load.l:Yr have, r have.IIchange it.(Cho. after each verse couplet)We got leaders, see for yourselfSay one thing, do something else.Bring them to the judgement dayYou get busted, they go free.Have you written a folksong)0 )Jit round,J J I J 3ir have, have.Have you lived something and wrote it true &;.pVhell and2.nover,turn&,IsystemG1.We gotleaders . Brother. Eroth.er. Copyright 1971 Schroder lfusic (ASCAP)folksong?to change thef j J' ill J l\It; 1J gl!U DMake itChange the system., J &,1-' iJ Ij Jr have.""""1PjWe got" BUT r F rASKTHE M "(Dedicated to the memory of Aunt Molly Jackson)Music by Agnes Cunningham 1972 Agnes Cunningham BMIV Have your - I l'rChange, Change it. :G\j. fj 1 ,.'The plain fact is that a lot of grossprofiteerihg in housing involving thepoor is legal. It has become more andmore evident in recent mOlltr. s thathousing suLsidy laws enacte-d in the1960's in the name of helping the poorwere in fact designed to enrich thelenders, the builders, the t'f aJ estatedealers llnd other .interests.Wordsw".'t"'d ilnd rmu'ii"]) ' *'4 1 - '"'Change It(ho:: -. 2 -"whose?"use. Tracall,1 - JIIhave.Do you know why they sing my song? IDid you sing your true song? I did,do, I do. Do you know why, etc.r didThey cannot make one of their ovm asDid you sing your true song? r did.I do, I doWhen r was'young and strong of voice,So they take the meat & who gets the boner did, r didThey take the bread & who gets the stone*Sing of a life that was not my choice,Schedules kept & deadlines metI do.r did.They see nothing they regretFor all those ones r knew so wellPromoters paid, producers praisedA story grovm too hard to tell;Champagne poured & glasses raisedYou don't know what was on my nind'ROlL d the rLlg a toast is saidUnless you stood in the ragged line;All too soon they pronounced me deadBut the song became no longer mine,If I speak they hear me notThey're singin it now in their clothes But one-a these days they'll try thelockso fine,And who holds the key they forgot? I do.Did you taste that bitter wine? r did.(*A throvm in line - same tune as the line above it.)Leaders supposed to be great & wiseCan't see a thing, got money intheir eyes.Tactic, tactics, what do you say?Got to keep trying till we findthe way.Sticks & stones will break my ponesGot to win people's minds & souls.Come out, come out, come out inthe sunTwo kinds of heads are better thanone r say one thing, you say anotherSoon we've got it all together.r say A, you say BAlphabet will set us free.Many people have turned aroundFinding their way to. the solidground.(( q.;Butif I ask them 'where I cana few-getpennies for the songs! teach them,they just don't lmow. Since I left myhome in Kentucky in 19311 have had mysongs that I composed translated in 5different languages and records madeout of my songs but I have never received one cent from anyone out of allthe protest songs I have composed.of thepeople that is putting 'out records andusing my songs think I am dead and Iam forgotten. But I am not. All saidSome on oneo'n/ i nlla* 1i-'o:Yo 'ifIamalmost,Aunteighty-one.Molly Jacltson;'BROfliJS IDE.# 117
- 3 THEW·O R L D OF PETESEE G E R -- UPDATEDPETE VISITS THE FAA EAST: Hanoi March 1972 . !IDear Broadside - Have heard some beautiful music in Vietnam. Thought you ruight,be interested in this page from my diary.Leaving soon fer"IO days in The Pecples t Republic of China. Love tg you all. Pete."Page 27 of diary: "My songs here are purposely about the same as I do in the USA, x cept that (a.s always overseas) because of translation difficulties, I do fewer w"rdysongs, and mere t.epetition and instrumentals I doubt I can learn any if their sl'ngs-- language is too difficult. But I quote here a popular new sc,ng we've heard a lot.We were welcomed at the airport "''lith it; and it! s known in the villages well as inHanoi. Here I s the tra.nslation Title: fPlay ': our Guitar, American Friend t 'Washingten tonight is blazing with the flam.e of struggleYour song sounds everywhere, justice is radiatingThe P4ttomac River has retained your ita:lgePlaying the guitar and singing in defense of life Cho; Strike up the guitar, friend ILet your song echo far and wideLet's safeguard spring / Let's take to the street and sing for SolidarityTogether we sing the Ballad of Ho Chi; M i n h . . · ·"The tune is a fas't:, 2/4 in miner, fairly ElIropeanin quality, but with the big awkwa djumps they seem t. like in China as w ll"as here. Last line uses phrase from EwanMacColl t s 'Bailado Ho Chi Hinh I which inspired the·. song. Musicians here ot all typeshave proudly carried on fer several years a slogan: 1Let our songs drown out thesound of bombs. They are hoping I can make up a new song as a result of my visit. ButI'm stymied s. far except for a good idea. for words -- needs much working on -- I sangit (mce on the raditi'l ,with a warbly pentatonic Irish-type melody. OF A THOUSAND SONGSCrying out to all the world .We vJ.sJ.ted a .land - - Speak out, speak out 1 TI) stopof a thousand s.ngs - - - the bornb gs - w - Voices blending clear - - - - lyWe visited a land - Each one see- - ming to say as it sang - of a thousand songs- We love - - our cduntry dearly.V.ices blending clear - -ly\Je visited a land . - - Each one saying, if need beof a thousand songs - - - Each one of us---- would give our lives.,.Every garden many . shades of green - still they told us, after peace will come-- T keep - - - our country - free - - - SUch colors then- - as you have never seenThis land has heard the s und - of a million bombingsBroken homes, broken lives - - poisoned forests PETE lliTERPRETS DON McLEAN f S tI 'JI1ERICAN PIE": "I think a really good song is capableef many interpre'tations. J:t is a mistake to think of it as a I code I to be c 'acked.Therefore while it is easy to identify Bob Dylan, the Beatles, the Rolling St.-ones; etc,,"in t American Pie t, the song could apply to many others. I can see the song being sungfor many years (as I still sing IHard Rain a Gonna Fall 1 ) with new :images flittingthrough the mind. The most important aspect of the song to me is that triumphant,wacky chorus. You see, when a. person wakes up to find they h. · ve been betrayed, treirfirst reaction is one" of dismay and sorrow, But the second, and healthy, reaction isto straighten up and face the future- witb fewer illusions. The jilted girl is atfirst prostrate, Then she wipes her eyes and says, welll that bastard won't fool meagain . Similarly, throughout America today are millions of young people who havestopped mourning our country t s broken promises. It's BYE BYE MISS AMERICAN PIE ! 11(Ed.Note: " rican Pie u has been called the song of the year and has sold some millions of copies. Don McLean has had write-ups in TIME, LIFE, THE NY TIllfES,etc. A Chicago disc jockey wrote a 5-page, single-spaced mimeographed interpretation of the S::llgand got 50,000 requests for copies. McLean himself donned a mantle of enigma &, likeDylan, has refused adamantly to give his own interpretation, but the general assumption is that "?ie ll laments the death of Rock & Roll music & the dreams it fostered.(We tried to inte ret only the chorus: "Drove my chevy to the levee, but the levee- -- - -- .-- - - - - - - - - - -- ---
- 4(Seeger continued)dry" -- levees are deltas; Don went to the Mississippi Delta to find the old Blackblues llIDsicians from whom R&R evolved. But If the levee was dryfl -- there were none left;Mississippi John Hurt & the others had all been carried up North to make bread forpromoters & record companies. All that were left were some derelicts trying to drinkthemselves to death before nightfall.) Meantime, another Mclean song from the album isgetting wide popularity - "Vincent", all about Vincent Van Gogh & his suicide. Death,despair and hopelessness regarding the future seem to run through much of Don t s material. In one of his first songs, "Orphans of fealth", he describes the Black people, theChicanos, the Indians & the poor whites as "Hungry and hopeless Americans." (n'y emphasis). This at the time the Black liberation movement was escalating allover the country; the Chicanos were organizing & confronting their oppressers on many fronts; theOglala Sioux were ripping off the white man t s museum at iifounded Knee and taking homeprecious trophies stolen from them. In "Vincent" Don expresses a doubt that "the world"will ever appreciate the beauty of Van Gogh, yet Van Gogh prints now hang, and areloved and appreciated, in millions of homes. No, Don; To paraphrase Joe Hill, flilt never died t, said he. tI)FEB 1972, NEl"l YORK. A full length movie profile of Pete Seeger opens at the EvergreenCinema. Entitled IfA Song & A stone" and made by Robert Elfstrom, it depicts Pete, hisfamily & his friends Johnny Cash, Don McLean & others. Pete sings many of his bestknown songs & displays a small stone in his banjo case which he says hets going tostart throWing when he decides singing is no longer effectual toward his ends. Firstobvious target for the stone becomes movie critic Roger Greenspun of the NY Times, whocalls the flick "perfectly dreadful" and compares it to a movie made in Nazi Germanyglorifying A.Hitler. But the NY Post finds it a "Very good movie." Nevertheless, itis withdrawn from the Evergreen after a week. Pete thinks it may be useful in tlt1mesto come" & suggests college audiences will like it. So, students, get your administrations to book it. Our own capsule review: Pete, youOre going to need a bigger rockthan that.APRIL 13 1272. Rollip.g Stone prints a minibook length article on Pete Seeger - "Guerilla .d.nstrel" by Gene Marine. It opens by quoting a critio: "Pete Seeger is the onlyman who could ever put a Russian poet, a Cuban revolutionary poet & the Bible on theAmerican hit parade." This is, of course, a reference to Petets songs "Where Have AllThe Flowers Gone tl , "Guantanamera" & "Turn,Turn,Turn" respectively. The piece coversPete's life & career, from youth to the present -- Pete's association with the AlmanacSingers, the Weavers, his friendships with Hudie Leadbetter &Woody Guthrie. Of Woody,the author notes: "Since his death a number of 'respectable' writers have tried toclean up Woody's politics, either by ignoring them or by putting forth the thesis thathe was an innocent artist victimized by the sly Reds . This is an insult to a thought.ful well-read and committed man. 1I Letter-writers to RS find some factual err-orsinMarine's article. But the big thing we found wrong was where Pete, speaking of theA.lmanac days, sa.ys "I guess I did most of the cooking." \ie don't know about nowadaysbut back then, Pete, you couldntt boil water. Have you forgotten Ethel, the Blackhousemaid -- few knew her last name -- who prepared the main, and often only meal,shopping, cooking, serving (more often than not it was lambchops, candied sweet potatoes, creamed pearl onions & a huge bowl of salad) cleaning up & washing the dishes, &getting a lOus,v 2 for this 5 or , hours slavery. (When even the 2 ran out, the Almanacs, after paid bookings, would crowd into the Jefferson diner across from the Women'sHouse of Detention and wolf down "Oklahoma hamburgers" the making of which was directedby Wooqy & consisted of everything available -- meat,lettuce,pickles (dill,sour & )APRIL 22 1972. Fete Seeger,back from his trip to North Vietnam & the Peoples· RepublicOf ChinE'. -- 11e left Hanoi ahead of the most recent U.S. bombing -- participates in theNYC antiwar demonstration from the studios of "V'JBlu. Insisting he should really be outin the drivLl1g rain with the 100,000 marchers, he sings his songs over the studio w.ikeincluding the one he wrote in Hanoi (see pre ceding page).-- G. F.
·-sRou.mc STo»Il/MARCII 2. 1mlido ne Purple V6,I'll! Ii i(: -· ! m\ ( ':O;"\\;t lG;;PI)i;RyCooderRqNtS(f MS.:!051\t;'.J\-ln Obviouslv a man of tood tasteand sensibility, On his secondalbum. Into Ih(' Plllplt' Vallt!')',he's had the smarts to include aninstrumental, Great DreamsFrom Heaven," ov the lillie-knownbut highly-regarded and aimo."tlegendary Bahamian Master QfSand alld Conch. Joseph Speno:.which certainly I!lt1eS 10 show til,.\!Coodet ha not only attended thegradullte departmeni of 1M Collegeof Musica! Knowledge,'bul thathe's IHlen doing his homework liSwellAnd besido:s lhe b'rCal merit lha!8lXompanie, the inclUsion of thislinle bit of S nciana, Ry Cooder ' sure can plav the fuddn' b ke!!;As well as'dress too! As atlestcdto by the neat 1942 two-buttonpin-s\riper he's sporting on theI1 t!nk:' s Y {\H \li ; Hf.'i . . iJ. !tdd ;!{j:n d D:.'rl· .,:\1!-;Era d;uy \d urh.; 'fU.'n f'; f;; (I\:;. .:'.'that. hkl.\ h otih:'f HHditi.;ff.d , nii!son this athutn. (. \).)dc·r n;i::' id -;r'!edfor ! Ude guitar :HHj rn,di ;{)t·kaile! ;\)\1 group arrangcmem, Ill(:son,;:"" O!1 this alhuHl th.it CfHni (flU1 ff(1Cn the (.lcpresslon li lnvcrv (,mely in Ih wntc:\; of 1')72.wh,,,h is prell!, flinn" h,'(',iUM;' , llew(lutd have thought we'd he IhwlIghwiih ill! that hullshtl hv now hul.i,lt:.:."U\ on us. we're not, and Ryhas h:\d the sense 10 ,1111'" howj'. )oi"'an!'Imusic alld words that were wriuen I'40 yellrs ago still apply to the Iidioolously awful conditions withwhieh people are forced to live. ." 1/'''TaxiiS-Un-Tfie-Faiiiier'· FeCi};·Us AIi olJnd like an old Wobhlydrinking song lind featUres VanDyke Parks on piano. The song isgiven It somewhat light ircalmellt.inside cover. wllrn over a ritz.yhut therc's a lot happening in theAloha harf shirt (vintage 1935)w!lrd and they should be listencdthaI's open .11 the neck and which10. especially in thcse frigi1tc'ningi set ()ff hv II pair of properlydays of Creeping Agribu in ,s.scuffed 19,18 Miami FIMItt'fSThe lasl cut' is" Wt,ody GllIhri,,'s(which bring 10 Illind all the"Vigil llile Man," ,md iiI! I call saysuperstitions lind whoos about ! is Thank God nmslci:ws arc stillw llring dead nl,'n', ,h\le ). AI! .,' listening 10 GUlhri . and playingthis Hnd he', still slanding in fm11lhi;; songs. They continue hi 5ayHr nn Hlcredihle C"ml1lie-ydl0\ I mort' "hOUI Amerira today than1939 fluid c(I!1Vef!ih!c with nne I those of anybody d o.flat white-wall and hi, arm amulld 1As for Ry Cooder. it's good 10a smiling ylph ",ho;;( lips an: Ill; know tllll! there are musicianspartl'd as if in inv;l;l!jllll to '.viH'iHnll wh0ll!e stll! deaHn withk ll(lw.,·wha t'? \' t'ry plllck y,reality. And it's good !n know thatInside We lind 11 g{\(Jd recordhe's s!ill dOlng ilw;.c tarilic tin·which. IIke!ts mHf\'dO\l ly (,vcrClilll1Y lhillSS with hi, ;r"!f Hll,·n!s' lled jacke!. is lewl ly teminisGood reco .cent (If the had .,Id days. JhcSIH'flE D.wIsCash Box -,I.opPicksINTO THE PUWPLE VAU. Y-Ryprise 2052let's say it immediately. Ry Cooder's "Intolandish charm end authentic style that it literally stands apart from everything that has gonebefore, At first known primarily as a bottlenecksession whiz, Ry showed considerable promiseon his first lP and has fulfilled that promise onthis set in a manner that must be heard not tobe belived. Talk about a time warp. Put your a:': .RIn T or til. e migrant song'How .OUeep On Mo " and then ttyto" mem e,n, But this is nota camp nostalgia trip. Cooder respects thesetraditional tunes and performs them with letterperfect dedication. If you're not totally en·tranced by the second cut, you must be deador something. Credit Cooder and producersLenny Warooker &. Jim Dickinson (who did aflawless job) with a timeless, glorious masterpiece.(contfd from front cover)later labelled "traditional" (this term is re-serVed tor the works of folksong composers considered dead and thus unable to defend theirlp by tty Ooodsr entitled "Into The Purple Vallay"(Gee my letter to ROLLING STONE at right) .- Agnes Cunninghamg EditorBROADSI.D:E Magazine .The Purple \laney" is 8n album of such out.In Broadside 1115 (Fall '71) we told the stor,yot Aunt Molly Jackson & reprinted her last pitiful letter (she died aged 80 a tew weeks afterwriting it) where she sa.id she never received apenrlY' from any ot her songs. I didn I t knowthen that a song I wrote in 1939, "How Can You. Keep On Moving", wa9 to a.ppear only a. few monthsrights). It is the lead song on a Warner Bros.January 29, 1972reROLLINGSTo:n/MAacII30. 1 The review by Stephen Davis of RyCooder's new record IIlto.The Purplei"alley was very good. He says a lot ofthings that needed to be said at this time.I would like to add one cl1irification. 'Thelead song "How Can You Keep OftMoving, Unless You Migrate Too" is IIot"of uncertain parentage." 1 should knowbecause 1 wrote it myself baclc in 1939.1"be idea came from tbe fact that CaH fornia put up signs like "No MigratingAllowed" to keep out the Okies fleeingtbe Dust Bowl (I was hoi» and raisedin Oklahoma. as was my husband--hisfamily made tbe Gro(X'.r Of Wrath trek).Cooder says on hi record the song is"traditional." Not quite yet. I think thewhole misunderslanding arose when theNew l(Jst City Ramblers pill out II folk.ways record in 1959 called Songs of theDeprenic 1I. 'Inc), put "Keep On Movingon it without really bothering to find oUlwho W!'Ole II. They simply said "an unidentified woman,"AGNES CUNNINGHAMNEW YORK
FOLKWAYS RECORDS STEREO FA 32415THE BERGERFOLK SING FOR JOYartist direction / Howard Katz / 617-755-8928Folk music on stage tends to become pop music or art music. In kitchensand on back porches it is right at home. The Berger Family makes a stageinto a home. WONDERFUL! May they encourage many more familiesto do likewise.Pete SeegerSIDE 2SIDE1. DEPORTEE1. I'LL FLY AWAY2. COCK ROBIN2. MAIL MYSELF TO YOU3. DRUNKEN SAILOR3. JESSE JAMES4. BABY-O4. SHULE AROON5. THE BOWERY - TOM DOOLEY - YANKEE DOODLE5. BABY TREE6. SING-A-LONG TO THE ZOO6. PLASTIC GRASS7. AMAZING GRACE7. DAY IS DONESend Albums to:To order send 5.50 per albumToNameBERGER FOLKTown and StateStreet5 Galileo Crt.Suffern, N.Y. 10901Zip
FOR widER ltoRizONS FOR dEEpER UNdERSTANdiNG Books fROM OAk PubLicATioNSContemporary Ragtime/Stefan GrossmanIt's only a step from old-time ragtime tomodern ragtime guitar, but a giant step itisThe pioneering work of creative guitaristslike John Fahey, Bert Jansch - and StefanGrossman take you to a new world of specialtunings, innovative chord positions, and experimental,attitudes., Potentially a vastlyinfluential book. 3. 95/IllustratedGrass Roots Harmony of American FolkSongs/Ethel Raim and Josh DunsonA unique collection of 45 folk songs in traditional folk harmony as transcribed from thesinging of The Carter Family, Mainer Family,Stanley Brothers, Staple Singers, Georgia Sea'Island Singers, Woody Guthrie & CiscoHouston, Rosa & Doc Watson, Pete Seeger &Jack Elliott, and many others. 2. 95/0riginal drawingsFolk Songs of Japan/Donald BergerSongs from the mountains and shores of Japan, in Japanesetext with singable transliterations and English translations.Unlike the classical songs of Japan, these vital melodieswere developed for group singing. Instructions for approximating traditional Japanese accompanitn' nt on Western instruments (guitar, percussion, and flute) are included. 3. 95/IllustratedRoll Me Over/Harry BabadThis is primarily a collection of dirty songs.They are not great literature, and if they canbe defended, it must be on other ground. Mostof the songs here are funny. Some are incredibly nasty and disgust even the relativelyshock-proof editors. Others are sprightly, goodhumored, tuneful and fit for the most maidenlyear. 2. 95/l11ustratedAmerican Favorite Ballads/Pete Seeger85 traditional folk songs in the versionspopularized by one of America's foremostfolksingers. Includes favorites as Irene Goodnight, Darling Corey, Shenandoah, etc., withmelody line, lyrics and chord names 1.95/cloth 3. 95/IllustratedSongs of the British Music Hall/peter DavisonOne of the most colorful eras in popular song is documentedin this unique collection of songs from the British musichalls. Rowdy, rambunctious, unashamedly sentimental,these songs were a fundamental part of the popular cultureof England in the period spanned by Queen Victoriathrough the first World War. Includes melody line, lyrics,chord names and critical history for 50 songs. With photographs, programs and sheet music of the period. 4. 95/paper/ 1 o. DO/cloth/IllustratedBroadside, Vol. 3/Sis Cunningham andGordon FriesenA new collection more than 80 topical songsfrom the pages of America's Number 1 topicalsong magazine. New songs by Phil Ochs, LenChandler, Pete Seeger, Tom Paxton, MalvinaReynolds, Rev. F.D. Kirkpatrick, Janis Ian,Mike Millius, Jimmy Collier, many others.With guitar chords. 2. 95/111ustratedBook of Guitar Tunings/Stefan GrossmanA book that could change your whole way ofthinking about the guitar. Stefan Grossmanshows you how to make the guitar's tuningadaptability work for you. Both right-handand left-hand techniques are discussed, basedon the playing of artists from Skip James toBert Jansch.The Personal Instructor Series/An AmscoPublication 2. 95/IllustratedThe Muse of Parker Street/Malvina Reynolds56 new songs by the author of Little Boxesand What Have They Done to the Rain? 2.45/0riginal drawingsOak Publications33 West 60th Street, New York 10023
- 1972 byLarry EstridgeWords & Music byLARRY ESTRIDGE (jh,k,-,---wvd:: "'-- tC t 8 --t:b 'V: : .O:t - after an all night party with lots of beerhis friends sent him offhis station was hill 131overlooking the city of quinhonhe would play cards by the hourand toss around a footballhe would talk of horneand the new car he'd buyas he watched the troops withdrawas he'd watch the troops withdrawit was fourteen days to christmasand on leave he was to go homethough he had to sign another paper sayinghe'd stay there six months morehe wanted to see his familyand the land where he had grownbut maybe somehow he knewhis time was not to be long(--)jerry norman duffy was just twenty years oldhe was born in sunfield michiganin charlotte town he was knownhe liked to ride his horseand he loved to fix his carmost of his friends were in the serviceand he wanted to go to namhe wanted to go to vietnamhe had the graveyard watchthe big lights were out on hill 131it was a moonless night and without thoselights he couldn't see what was going ona vietcong mortar pounded the hilland explosive charges went offnine g.i.'s were injuredbut jerry duffy's life was lostjerry duffy's life was gonehis father said i think you must be crazymy sonbut he'd gone off and enlisted sonothing could be donehe strutted and was proudin his brand new uniformbut they sent him off to germany wheresoldiers ain't liked at allwhere american soldiers ain't liked at allhis last repor ed wordsas he died in a friend's armswere that fourteen yellow rosesshould be sent horne to his momhis mother sits and grievesas she looks into the vasewhy fourteen yellow roseswhat did he mean to sayoh what did he mean to sayhe was getting very restlesscause he wanted to go to warso he signed his name on the dotted lineto extend his term for one year morewell he got his choice of stationhe was sent to vietnamhe sure didn't do those people any goodand he did himself some harmhe did himself some fatal harmthe president comes on the tubeand says the war is almost over againthose yellow people dying don't countthis week there's only one american deada lot of people seem to believe himall across the landbut people know the war goes onin charlotte michiganin charlotte michiganANNIVERSARYfromGREETINGSMah,in nok(s-' Ii,;J IF r r Ir r ; J I r r r Let there al - ways be new songs, Wheth-er pro - test, blues 7,i rrJ ; IrE RO Al:JS /:n /I:: JJ7orr r I r r r I r r r I F IIflF· . G-7'jOY songs. Let there al -ways be BROAD - SIDE, for you ,.I nand for6me.Dear Sis & Gordon, Pete & Toshi Seeger, & "staff": The above is aquickie parody on "Let the Sun Shine Forever" by Oshanin-Ostrovski, aRussian children's song. May you keep going for many Anniversaries.WALLY HlUEFor Songs of Social SignificanceFor songs like a sword and a flame, Sing On!Fraternal Greetings,Jerry At in skyDavid ArkinThe William E. OliverHaldemar HilleCommittee (L.A., Ca.)Vern Partlow1,jilliam Wolff
" :"1il, ' . COM P LIM E N T SoFS TOR M KIN GMUS I C.; . o· "';" .' .,.". . LEVENTHALMUSICMANAGEMENT
66HAPPY ANNIVERRARY I .,fromMOSES A CD(FOLKWAYS, BROADSIDE and ASCI·! RECORDS)" r am proud of having put out,so far, the first five 12" L-P'sof your great song collections."MOSES ASCH.SR 301 BROADSIDE BAllADS, VOL. 1, 14 originalsongs performf i by Blind Boy Grtmt (8 pseudonym forBob Dylan), Phil Ochs, Peter La Farge, Mark Spoelstra.The Freedof1'\ Singers, Pate Seeger, Gil Turner, HappyTraum, Matt McGinn, The New World Singers.1·12"LPSR 302 LITTLE BOXES and other Broadside Balladssung by Pete Seeger. 14 topical songs by Tom Paxton:Bob Dylan. Malvina Reynolds, Phil Ochs, Peter LaFarge. others. With complete song texts.1·12" lPSR 306 THE TIME WilL COME, the next generation8R 303 BROADSIDE SINGERS, 15 songs from the(1966·67) of topical song·writers singing their owncompositions. Elaine White, Chris Gavlord, MatthewJones, Tom Parrot. Blind Girl Grunt, TeatroCampesino. Will McLean, Paul Kaplan, Zahcary 2. Withcomplete song texts.pages of the topical song magazine. Broadside. asperformed by their authors, incl. Tom Paxton, lenChandler, Bufty Sajnte·Mari . Bob Dylan. Pat Sky.Malvina Reynolds. Eric Anderson, Phil Ochs, otherS'.With complete song texts.'·12" lP'·12" lPNEW ESTR E LEA S EBRS 312 -- Time RunningOut. Songs of protest andrevolution by WENDY SMITH,JIMMYCOLLIE fMIKE MILLIUS,. TOM PARRO'r, ROLAND MOUSAA, W
I have. 2. Did you sing your true song? I did, r did 3. Do you know why they sing my song? I do, I do. Do you know why, etc. They cannot make one of their ovm as I do, I do II Did you sing your true song
Mar 03, 2019 · Sing, sing, sing And make music with the heavens We will sing, sing, sing Grateful that You hear us When we shout Your praise Lift high the name of Jesus What's not to love about You Heaven and earth adore You Kings and kingdoms bow down Son of God You are the One You are the One We're living for Sing, sing, sing And make music with the heavens
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1.U.S. to remove all troops 2.North Vietnam could leave troops already in S.V. 3.North Vietnam would resume war 4.No provision for POWs or MIAs Last American troops left South Vietnam on March 29, 1973 1975: North Vietnam defeats South Vietnam Saigon renamed Ho Chi Minh City The Fall of Saigon America Abandons Its Embassy April 30, 1975
(Why “Forrest Gump” in a course about the Vietnam War?) One film segment isabout Forrest as a soldier in Vietnam (2/47 Inf. Reg., 9th Div.) Other film segments depict stateside life context during Vietnam era Vietnam is central experience for Forrest, even after return home (e.g.,Lt. Dan) Rain (and the rainy season) in Vietnam
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Kaplan meier estimate Kaplan Meier is derived from the names of two statisticians; Edward L. Kaplan and Paul Meier, in 1958 when they made a collaborative effort and published a paper on how to deal with time to event data.5 Therefore, they introduced the Kaplan-Meier estimator which serves as a tool for measuring the frequency or the number
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