The Adobe Photoshop Lightroom CC / Lightroom 6 Book: The .
THE ADOBEPHOTOSHOP LIGHTROOM CC / LIGHTROOM 6 BOOKThe Complete Guide for PhotographersMartin Evening
The Adobe PhotoshopLightroom CC /Lightroom 6 BookThe Complete Guide for PhotographersMartin Evening
The Adobe Photoshop Lightroom CC / Lightroom 6 BookThe Complete Guide for PhotographersMartin EveningThis Adobe Press book is published by Peachpit, a division of Pearson Education.For the latest on Adobe Press books, go to www.adobepress.com.To report errors, please send a note to errata@peachpit.com.Copyright 2015 by Martin EveningProject Editor: Valerie WitteProduction Editor: Tracey CroomCopyeditor: Elizabeth KuballProofreader: Patricia J. PaneTechnical Reviewer: Ian LyonsCompositors: Martin Evening with David Van NessIndexer: James MinkinCover Design: Charlene Charles-WillCover Photo: Martin EveningCover Model: Greta @ FM, Client: Rainbow RoomNotice of RightsAll rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical,photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on gettingpermission for reprints and excerpts, contact permissions@peachpit.com.Notice of LiabilityThe information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in thepreparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any lossor damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computersoftware and hardware products described in it.TrademarksAdobe, Lightroom, and Photoshop are registered trademarks of Adobe Systems Incorporated in the United States and/or othercountries. All other trademarks are the property of their respective owners.Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where thosedesignations appear in this book, and Peachpit was aware of a trademark claim, the designations appear as requested by theowner of the trademark. All other product names and services identified throughout this book are used in editorial fashion onlyand for the benefit of such companies with no intention of infringement of the trademark. No such use, or the use of any tradename, is intended to convey endorsement or other affiliation with this book.ISBN-13: 978-0-133-92919-5ISBN-10:0-133-92919-19 8 7 6 5 4 3 2 1Printed and bound in the United States of America
Dedicated in memory of Bruce Fraser
IntroductionWork on the Adobe Photoshop Lightroom program began toward the endof 2003 when a small group of Adobe people, headed by Mark Hamburg, metup at photographer Jeff Schewe’s studio in Chicago to discuss a new approachto raw image editing and image management. What would it take to meet thespecific needs of those photographers who were now starting to shoot digitally?More specifically, what would be the best way to help photographers managetheir ever-growing libraries of images? It was shortly after this that I was invitedto join an early group of alpha testers and help work out what sort of programLightroom (or Shadowland, as it was known then) should become. As we beganto discuss our different digital photography workflows, it became increasinglyobvious why we all needed a better way to manage and process our digitalphotos. Lightroom underwent some pretty major changes in those early stagesas the team tried out different workflow ideas, until eventually we ended up withthe Lightroom program you see now.The Adobe Photoshop Lightroom CC / Lightroom 6 Book represents the culmination of more than nine years’ work in which I have been involved with Lightroom.Basically, this book is intended to be the ultimate reference guide to Lightroom anddesigned to help you get the maximum benefit out of the program. In writing thisbook, I have had in mind both amateur and professional photographers and haveaimed to provide what I believe is the most detailed book there is on this subject.I also wanted to make sure space was given to explaining the background to someof the features. The feedback I have had for previous editions of this book hasbeen encouraging. Newbies to Lightroom have found it easy to access and understand all the basics, while advanced professional users appreciate the backgrounddetail that’s provided. I have to confess, when I first started work on this project, Inever imagined the book would end up being 744 pages in length. Mark Hamburgonce joked that he must have failed in his mission to make Lightroom “unreasonably simple” if you needed a book as thick as mine in order to understand it!So many changes have taken place since version 1.0 was released. As a result,not only has the book ended up being a lot bigger, but I have also had torewrite almost everything that was in the original edition. As always, I suggestyou approach the book by reading it in chapter order, starting with Chapter 1:Introducing Adobe Photoshop Lightroom, which explains some of the fundamental principles behind Lightroom.The Lightroom catalog is a major feature of the program, which is why I havedevoted more than 200 pages of the book to providing in-depth advice on how towork with the Library module, including how to import photos and manage yourphotos through the use of keywords and metadata. Even more space is devotedto image processing and how to make use of all the Develop module controls.Here you will find some great picture examples, which show how Lightroom canhelp you unleash your creativity.ivINTRODUC TION
This edition of the book has a companion website: thelightroombook.com. Itcontains additional resource material in the form of Lightroom movie tutorials,templates, and PDF downloads. I know a lot of readers would like to have accessto the images that appear in the book. In response to this, I have created adownloadable Lightroom catalog that contains nearly all the photos that appearhere. Full instructions on how to install the catalog once you have downloaded itare contained on the website.Downloadable Content:thelightroombook.comOverall, I am still as excited about Lightroom as I was at the beginning of theprogram’s development, and I hope the book provides the inspiration and insightsto help you get the most out of the program, too.Martin Evening, March 2015Lightroom book updatesAdobe has been known to release interim updates for the Lightroom programin which new features are added. I am proud to say that I have had a good trackrecord in always providing readers with updated content in the form of PDFs ormovies whenever this happens. So when this happens, do remember to check thebook website for new content. I also have a Facebook page where readers can bekept updated: AcknowledgmentsI would like to thank Pamela Pfiffner, for prompting me to get started on thisproject and for her advice and help during the planning stage of this book series.For this particular edition, Valerie Witte was my editor and has done an excellentjob making sure everything has come together smoothly. Other members ofthe publishing team included the production editor, Tracey Croom; copy editor,Elizabeth Kuball; proofreader, Patricia J. Pane; indexer, James Minkin; and additional compositing and corrections by David Van Ness. I would also like to thankCharlene Charles-Will for the cover design, as well as Sara Jane Todd, who workedon the marketing.Lightroom is really the brainchild of Mark Hamburg, without whom none ofthis would have happened. Since then I have been helped a lot by the variousLightroom engineers and other members of the team. It is all thanks to themthat I have managed to gather the background technical knowledge required towrite this book. In particular, I would like to thank Thomas Knoll, Eric Chan, MaxWendt, and Josh Bury (who worked on the Camera Raw engineering). I wouldalso like to thank product manager Tom Hogarty, product evangelist JulieanneKost, and previous product evangelist George Jardine for the support and helpthey have given me. I would especially like to thank Ian Lyons, who tech-editedthe book. Thank you, Ian, for clarifying all the many technical points and providingTHE ADOBE PHOTOSHOP LIGHTROOM CC / LIGHTROOM 6 BOOKv
additional insights. Thanks, too, go to Sean McCormack, who provided me withvaluable feedback and assistance.A number of photographic shoots have been carried out specifically for this book.I would like to thank the models, Lucy Edwards and Veronica at M&P and Kellyfrom Zone; Camilla Pascucci for makeup; Terry Calvert, James Pearce, and NadiaFoster for hair; Harriet Cotterill for the clothes styling; Stuart Weston and NeilSoni for the use of their studios; and Harry Dutton and Rob Cadman for assistingme. Also a big thank-you to Jeff Schewe and George Jardine for documenting theshoots with stills and video.It has been an interesting experience to see a new program emerge from scratchand has been a pleasure to share the development process in the company of agreat group of alpha testers and fellow authors, who were all willing to share theirknowledge about the program with one another. You will notice that this bookis dedicated to the memory of Bruce Fraser, who sadly passed away in December2006. Bruce was one of the original core group of Lightroom alpha testers whohelped shaped the program. The Lightroom capture and output sharpeningare both based on Bruce’s original work on Photoshop sharpening techniques.Bruce was a true genius and is deeply missed by all those who knew and workedwith him.A book like this would be rather boring to read through without having somedecent photographs to illustrate it with. To supplement my own photography, Iwould, therefore, like to thank Peter Andreas, Sean McCormack, Eric Richmond,and Jeff Schewe, all of whom are individually credited throughout this book. Andlastly, I would like to thank my wife, Camilla, and daughter, Angelica, for yet againbeing so understanding and patient while I was glued to the computer!viINTRODUC TION
Contents1Introducing Adobe Photoshop Lightroom. . 1What is Adobe Photoshop Lightroom? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Keeping things simple. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Modular design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Lightroom performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Adobe Camera Raw processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Color controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Managing the image library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Where does Photoshop fit in? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6Integrating Lightroom with Photoshop . . . . . . . . . . . . . . . . . . . . 7If your Lightroom subscription should come to an end . . . . . 7What you need. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Installing Lightroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 964-bit processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Sleep protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Upgrading from an older Lightroom catalog. . . . . . . . . . . . . . . . . . . . . 11Using Lightroom for the first time. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Lightroom preferences essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Performance preferences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Graphics card compatibility. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19Managing Lightroom mobile via Lightroom . . . . . . . . . . . . . . . . . . . . . 20Lightroom mobile preferences. . . . . . . . . . . . . . . . . . . . . . . . . . . . 20History panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Customizing the identity plate and interface. . . . . . . . . . . . . . . . . . . . . 22Getting help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Introducing the Lightroom interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Working through the book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272Importing photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29The main Import dialog. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Copy as DNG, Copy, Move, or Add?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Converting to DNG after import . . . . . . . . . . . . . . . . . . . . . . . . . . 32Updating DNG previews for third-party viewing. . . . . . . . . . . 33Importing files from a card. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Activity Center. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Source panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Content area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Content area segmenting options. . . . . . . . . . . . . . . . . . . . . . . . . 42THE ADOBE PHOTOSHOP LIGHTROOM CC / LIGHTROOM 6 BOOKvii
File Handling panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Making backup copies of imported files. . . . . . . . . . . . . . . . . . . 45Photos shot as raw JPEG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46File-handling limitations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46File Renaming panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Renaming catalog images later . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Apply During Import panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Destination panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Planning where to store your imported photos. . . . . . . . . . . . 50Importing to a selected destination folder . . . . . . . . . . . . . . . . 52Import Presets menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Importing video files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Adding photos from a folder to the catalog . . . . . . . . . . . . . . . . . . . . . 54Importing photos via drag and drop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56Importing photos from another catalog . . . . . . . . . . . . . . . . . . . . . . . . . 58Auto Imports. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Importing photos directly from the camera. . . . . . . . . . . . . . . . . . . . . . 61Connecting the camera to the computer. . . . . . . . . . . . . . . . . . 61Lightroom-tethered shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 623The Library module. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67About Lightroom catalogs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Backing up the catalog file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Backup strategies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Backup software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Catalog corruption . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Creating and opening catalogs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Creating a new catalog. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Opening an existing catalog. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Exporting catalogs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Exporting with negatives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Exporting without negatives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Including Smart Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Including available previews. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Opening and importing catalogs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Limitations when excluding negatives. . . . . . . . . . . . . . . . . . . . . 79Changed Existing Photos section. . . . . . . . . . . . . . . . . . . . . . . . . . 79Export and import summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Working with Smart Previews . . . . . . . . . . . . .
photos. Lightroom underwent some pretty major changes in those early stages as the team tried out different workflow ideas, until eventually we ended up with the Lightroom program you see now. The Adobe Photoshop Lightroom CC / Lightroom 6 Book represents the culmina-tion of more than nine years’ work in which I have been involved with Lightroom.
adobe photoshop lightroom 5 - quick start guide www.lightroomqueen.comlrquickstart 3 table of contents 3 introduction 4 before you start 5 basic lightroom workflow 8 installing lightroom 10 getting photos into lightroom 15 backing up lightroom 23 the lightroom workspace 26 viewing your photos in lightroom 30 selecting the best photos 38
Adobe Photoshop Lightroom CC 6.5.1 Multilingual SadeemPC serial . COM IS THE BEST WAY TO FIND CRACKS, SERIAL NUMBERS, KEYGENs. Play and trim clips, extract still images from them or adjust clips with the Quick Develop tool. Adobe Photoshop Lightroom Classic Crack. Adobe Lightroom CC . Adobe Lightroom CC 6.10 Crack Serial Number 2017 .
does not launch automatically, double- click DVD Volume: Lightroom 4\Install Lightroom 4 (Windows) or Adobe Photoshop Lightroom 4.pkg (Mac OS) at the root level of your disk to start the installation process. 2. If you downloaded the software from the web, open the folder and double- click Adobe Photoshop Lightroom (Windows or Mac OS), and then .
The Lightroom 3 catalog upgrade process does not erase or remove your previous Lightroom catalogs. If you wish to try the Lightroom 3 30-day trial by upgrading your existing catalog, you may always return to earlier versions of Lightroom and continue . 6 . Working with Lightroom 3 and Adobe Photoshop Camera Raw
4 Choose Lightroom Preferences Presets (Mac OS) or Edit Preferences Presets (Windows). 5 Select Show Lightroom Presets Folder, and open the selected Lightroom folder. 6 Copy the config.lua file into the Lightroom folder. 7 Quit Lightroom, then restart Lightroom. config.lua.zip (Optional) Determine if the file is installed correctly. 1 .
The Lightroom 5 upgrade process detects the Mac App Store version of Lightroom 4 installed on your computer, and requests the upgrade serial number. After Lightroom 5 is installed, you can uninstall Lightroom 4. See this TechNote for assistance in uninstalling Lightroom. Upgrading from Mac App Store Lightroom 4 to version 6 The steps above do .
Lightroom 4 Lightroom 4-Handbuch (PDF) Lightroom 3 Lightroom 3-Handbuch (PDF) Lightroom 2 Lightroom 2-Handbuch (PDF) Workflows Ein Teil des Inhalts, zu dem von dieser Seite verlinkt wird, wird u. U. nur auf Englisch angezeigt. Importieren von Fotos in Lightroom: Grundlegender Workflow
Ratio 104 121 143 165 195 231 273 319 377 473 559 649 731 841 1003 1247 1479 1849 2065 2537 3045 3481 4437 5133 6177 7569 50 Hz 60 Hz 13.9 12.0 10.1 8.79 7.44 6.28 5.31 4.55 3.85 3.07 2.59 2.23 1.98 1.72 1.45 1.16 0.98 0.754 0.702 0.572 0.476 0.417 0.327 0.282 0.235 0.192
